Who defeated Japan during the World War II?


Name the largest country in Southeast Asia.

Indonesia is the largest country in Southeast Asia and it also the largest archipelago in the world by size (according to the CIA World Factbook). Geologically, the Indonesian Archipelago is one of the most volcanically active regions in the world. Geological uplifts in the region have also produced some impressive mountains, culminating in Puncak Jaya in Papua, Indonesia at 5,030 metres (16,500 feet), on the island of New Guinea; it is the only place where ice glaciers can be found in Southeast Asia. The second tallest peak is Mount Kinabalu in Sabah, Malaysia on the island of Borneo with a height of 4,095 metres (13,435 feet). The highest mountain in Southeast Asia is Hkakabo Razi at 5,967 meters and can be found in northern Burma sharing the same range of its parent peak, Mount Everest.


Geologically what is Indonesia's region most active for?


What is the climate like in Southeast Asia?

The climate in Southeast Asia is mainly tropical–hot and humid all year round with plentiful rainfall. Northern Vietnam and the Myanmar Himalayas are the only regions in Southeast Asia that feature a subtropical climate, which has a cold winter with snow. The majority of Southeast Asia has a wet and dry season caused by seasonal shift in winds or monsoon. The tropical rain belt causes additional rainfall during the monsoon season. The rain forest is the second largest on earth (with the Amazon being the largest). An exception to this type of climate and vegetation is the mountain areas in the northern region, where high altitudes lead to milder temperatures and drier landscape. Other parts fall out of this climate because they are desert like.


Which region has the 2nd largest rain-forest in the world?


Which regions in Southeast Asia see cold winter with snow?


What causes additional rainfall during monsoon?


What causes the Southeast Asian regions to experience wet & dry seasons?


Name the line that splits the Indonesian Archipelago?

The Indonesian Archipelago is split by the Wallace Line. This line runs along what is now known to be a tectonic plate boundary, and separates Asian (Western) species from Australasian (Eastern) species. The islands between Java/Borneo and Papua form a mixed zone, where both types occur, known as Wallacea. As the pace of development accelerates and populations continue to expand in Southeast Asia, concern has increased regarding the impact of human activity on the region's environment. A significant portion of Southeast Asia, however, has not changed greatly and remains an unaltered home to wildlife. The nations of the region, with only few exceptions, have become aware of the need to maintain forest cover not only to prevent soil erosion but to preserve the diversity of flora and fauna. Indonesia, for example, has created an extensive system of national parks and preserves for this purpose. Even so, such species as the Javan rhinoceros face extinction, with only a handful of the animals remaining in western Java.


Which country has created a system of national parks & preserves?


What is the concern in Southeast Asian region due to development & population expansion?


Where on Earth is the highest marine activity recorded?

The shallow waters of the Southeast Asian coral reefs have the highest levels of biodiversity for the world's marine ecosystems, where coral, fish and molluscs abound. According to Conservation International, marine surveys suggest that the marine life diversity in the Raja Ampat (Indonesia) is the highest recorded on Earth. Diversity is considerably greater than any other area sampled in the Coral Triangle composed of Indonesia, Philippines, and Papua New Guinea. The Coral Triangle is the heart of the world's coral reef biodiversity, the Verde Passage is dubbed by Conservation International as the world's "center of the center of marine shorefish biodiversity". The whale shark, the world's largest species of fish and 6 species of sea turtles can also be found in the South China Sea and the Pacific Ocean territories of the Philippines.


Which areas are composed as the Coral Triangle?


Which area is called the heart of the world's Coral reef biodiversity?


Name the largest species of fish in the world.


What percentage of plant and animal species extinction is predicted in the 21st century?

While Southeast Asia is rich in flora and fauna, Southeast Asia is facing severe deforestation which causes habitat loss for various endangered species such as orangutan and the Sumatran tiger. Predictions have been made that more than 40% of the animal and plant species in Southeast Asia could be wiped out in the 21st century. At the same time, haze has been a regular occurrence. The two worst regional hazes were in 1997 and 2006 in which multiple countries were covered with thick haze, mostly caused by "slash and burn" activities in Sumatra and Borneo. In reaction, several countries in Southeast Asia signed the ASEAN Agreement on Transboundary Haze Pollution to combat haze pollution.


What agreement has the Southeast Asian countries signed to combat haze pollution?


When did the 2 worst haze pollution occur in Southeast Asia?


Name some important commodities that originated in Southeast asian region?

Even prior to the penetration of European interests, Southeast Asia was a critical part of the world trading system. A wide range of commodities originated in the region, but especially important were spices such as pepper, ginger, cloves, and nutmeg. The spice trade initially was developed by Indian and Arab merchants, but it also brought Europeans to the region. First Spaniards (Manila galleon) and Portuguese, then the Dutch, and finally the British and French became involved in this enterprise in various countries. The penetration of European commercial interests gradually evolved into annexation of territories, as traders lobbied for an extension of control to protect and expand their activities. As a result, the Dutch moved into Indonesia, the British into Malaya and parts of Borneo, the French into Indochina, and the Spanish and the US into the Philippines.


Who developed the spice trade initially?


Which European traders moved into Indonesia?


The origin of which community can be traced to the 16th century?

The overseas Chinese community has played a large role in the development of the economies in the region. These business communities are connected through the bamboo network, a network of overseas Chinese businesses operating in the markets of Southeast Asia that share common family and cultural ties. The origins of Chinese influence can be traced to the 16th century, when Chinese migrants from southern China settled in Indonesia, Thailand, and other Southeast Asian countries. Chinese populations in the region saw a rapid increase following the Communist Revolution in 1949, which forced many refugees to emigrate outside of China.


The rise of Chinese population saw a rapid increase during which revolution?


When did the Chinese revolution start in Southeast Asia?


What is the name of the network through which the Chinese communities were connected with?


What reserves are abundant in Southeast Asia?

The region's economy greatly depends on agriculture; rice and rubber have long been prominent exports. Manufacturing and services are becoming more important. An emerging market, Indonesia is the largest economy in this region. Newly industrialised countries include Indonesia, Malaysia, Thailand, and the Philippines, while Singapore and Brunei are affluent developed economies. The rest of Southeast Asia is still heavily dependent on agriculture, but Vietnam is notably making steady progress in developing its industrial sectors. The region notably manufactures textiles, electronic high-tech goods such as microprocessors and heavy industrial products such as automobiles. Oil reserves in Southeast Asia are plentiful.


Which region manufactures textiles, heavy industrial products & high-tech electronic goods?


Of the Southeast Asian countries, which country has the largest economy?


Which sector is the Southeast Asia heavily dependent on?


Of the Southeast Asian countries, which one's key economic development is based on Tourism?

Tourism has been a key factor in economic development for many Southeast Asian countries, especially Cambodia. According to UNESCO, "tourism, if correctly conceived, can be a tremendous development tool and an effective means of preserving the cultural diversity of our planet." Since the early 1990s, "even the non-ASEAN nations such as Cambodia, Laos, Vietnam and Burma, where the income derived from tourism is low, are attempting to expand their own tourism industries." In 1995, Singapore was the regional leader in tourism receipts relative to GDP at over 8%. By 1998, those receipts had dropped to less than 6% of GDP while Thailand and Lao PDR increased receipts to over 7%. Since 2000, Cambodia has surpassed all other ASEAN countries and generated almost 15% of its GDP from tourism in 2006.


According to which entity can tourism be a tremendous development tool & means to preserving the cultural diversity of the planet?


Who was the regional leader in tourism in 1995?


From 2000, Cambodia has surpassed other ASEAN countries in generating GDP on which sector?


What is the approximate area of Southeast Asia?

Southeast Asia has an area of approximately 4,000,000 km2 (1.6 million square miles). As of 2013, Around 625 million people lived in the region, more than a fifth of them (143 million) on the Indonesian island of Java, the most densely populated large island in the world. Indonesia is the most populous country with 255 million people as of 2015, and also the 4th most populous country in the world. The distribution of the religions and people is diverse in Southeast Asia and varies by country. Some 30 million overseas Chinese also live in Southeast Asia, most prominently in Christmas Island, Indonesia, Malaysia, the Philippines, Singapore, and Thailand, and also, as the Hoa, in Vietnam.


Among the Southeast Asian countries, which one is densely populated?


Which Island in Southeast Asia is densely populated?


name the largest ethnic group in Southeast Asia.

In modern times, the Javanese are the largest ethnic group in Southeast Asia, with more than 100 million people, mostly concentrated in Java, Indonesia. In Burma, the Burmese account for more than two-thirds of the ethnic stock in this country, while ethnic Thais and Vietnamese account for about four-fifths of the respective populations of those countries. Indonesia is clearly dominated by the Javanese and Sundanese ethnic groups, while Malaysia is split between half Malays and one-quarter Chinese. Within the Philippines, the Tagalog, Cebuano, Ilocano, and Hiligaynon groups are significant.


Which ethnic groups dominate in Indonesia?


The Tagalog, Cebuano,Ilocano & Hiligaynon groups are significant within which country in Southeast Asia?


The ethnic groups Malays & Chinese are predominant in which country?


Which religion is widely practiced in Southeast Asia?

Islam is the most widely practised religion in Southeast Asia, numbering approximately 240 million adherents which translate to about 40% of the entire population, with majorities in Indonesia, Brunei, Malaysia and in Southern Philippines with Indonesia as the largest and most populated Muslim country around the world. Countries in Southeast Asia practice many different religions. Buddhism is predominant in Thailand, Cambodia, Laos, Burma, Vietnam and Singapore. Ancestor worship and Confucianism are also widely practised in Vietnam and Singapore. Christianity is predominant in the Philippines, eastern Indonesia, East Malaysia and East Timor. The Philippines has the largest Roman Catholic population in Asia. East Timor is also predominantly Roman Catholic due to a history of Portuguese rule.


Among the Southeast Asian countries, which country has the most populous Muslims among them?


Roman Catholic population is predominant in which Asian country?


What percentage of the population in Southeast Asia practice Islam?


East Timor is predominantly catholic due to which European rule's history?


Which is Asia's largest christian nation?

Religions and peoples are diverse in Southeast Asia and not one country is homogeneous. In the world's most populous Muslim nation, Indonesia, Hinduism is dominant on islands such as Bali. Christianity also predominates in the rest of the part of the Philippines, New Guinea and Timor. Pockets of Hindu population can also be found around Southeast Asia in Singapore, Malaysia etc. Garuda (Sanskrit: Garuḍa), the phoenix who is the mount (vahanam) of Vishnu, is a national symbol in both Thailand and Indonesia; in the Philippines, gold images of Garuda have been found on Palawan; gold images of other Hindu gods and goddesses have also been found on Mindanao. Balinese Hinduism is somewhat different from Hinduism practised elsewhere, as Animism and local culture is incorporated into it. Christians can also be found throughout Southeast Asia; they are in the majority in East Timor and the Philippines, Asia's largest Christian nation. In addition, there are also older tribal religious practices in remote areas of Sarawak in East Malaysia,Highland Philippines and Papua in eastern Indonesia. In Burma, Sakka (Indra) is revered as a nat. In Vietnam, Mahayana Buddhism is practised, which is influenced by native animism but with strong emphasis on Ancestor Worship.


Garuda is the national symbol of which 2 countries?


Which religion is dominant on the Island of Bali?


Name the most Muslim populous region in Asia?


Arabia has a strong influence in which Southeast Asian country?

The culture in Southeast Asia is very diverse: on mainland Southeast Asia, the culture is a mix of Indochinese (Burma, Cambodia, Laos and Thailand) and Chinese (Singapore and Vietnam). While in Indonesia, the Philippines and Malaysia the culture is a mix of indigenous Austronesian, Indian, Islamic, Western, and Chinese cultures. Also Brunei shows a strong influence from Arabia. Singapore and Vietnam show more Chinese influence in that Singapore, although being geographically a Southeast Asian nation, is home to a large Chinese majority and Vietnam was in China's sphere of influence for much of its history. Indian influence in Singapore is only evident through the Tamil migrants, which influenced, to some extent, the cuisine of Singapore. Throughout Vietnam's history, it has had no direct influence from India - only through contact with the Thai, Khmer and Cham peoples.


Singapore & Vietnam shows which influence predominantly?


The Indian influence is evident in which country through the Tamil migrants?


Where did the Southeast Asians introduce their dance?

The arts of Southeast Asia have affinity with the arts of other areas. Dance in much of Southeast Asia includes movement of the hands as well as the feet, to express the dance's emotion and meaning of the story that the ballerina is going to tell the audience. Most of Southeast Asia introduced dance into their court; in particular, Cambodian royal ballet represented them in the early 7th century before the Khmer Empire, which was highly influenced by Indian Hinduism. Apsara Dance, famous for strong hand and feet movement, is a great example of Hindu symbolic dance.


Which dance was famous for strong feet & hand movements?


The Khmer Empire was influenced by what?


What were the favorite forms of entertainment in Southeast Asia?

Puppetry and shadow plays were also a favoured form of entertainment in past centuries, a famous one being Wayang from Indonesia. The arts and literature in some of Southeast Asia is quite influenced by Hinduism, which was brought to them centuries ago. Indonesia, despite conversion to Islam which opposes certain forms of art, has retained many forms of Hindu-influenced practices, culture, art and literature. An example is the Wayang Kulit (Shadow Puppet) and literature like the Ramayana. The wayang kulit show has been recognized by UNESCO on November 7, 2003, as a Masterpiece of Oral and Intangible Heritage of Humanity.


Art & literature in Southeast Asia is influenced by which religion?


The UNESCO has recognized which show as a Masterpiece of Oral & Intangible Heritage of Humanity


Which country despite converting to Islam has retained many forms of Hindu practices, culture, art & literature?


What did the Khmer & Indonesian classical arts depict of?

It has been pointed out that Khmer and Indonesian classical arts were concerned with depicting the life of the gods, but to the Southeast Asian mind the life of the gods was the life of the peoples themselves—joyous, earthy, yet divine. The Tai, coming late into Southeast Asia, brought with them some Chinese artistic traditions, but they soon shed them in favour of the Khmer and Mon traditions, and the only indications of their earlier contact with Chinese arts were in the style of their temples, especially the tapering roof, and in their lacquerware.


Which group brought with them the Chinese artistic traditions to the Southeast Asian country?


According to the Southeast Asian people, the life of the Gods were comparable to what?


Which form of writing extended before the invention of paper?

The antiquity of this form of writing extends before the invention of paper around the year 100 in China. Note each palm leaf section was only several lines, written longitudinally across the leaf, and bound by twine to the other sections. The outer portion was decorated. The alphabets of Southeast Asia tended to be abugidas, until the arrival of the Europeans, who used words that also ended in consonants, not just vowels. Other forms of official documents, which did not use paper, included Javanese copperplate scrolls. This material would have been more durable than paper in the tropical climate of Southeast Asia.


What were the alphabets of Southeast Asia?


What other forms of writing materials were used during this period?


In what direction were the writings on a palm leaf?


The sections of the palm leafs were bound by what material?


What is professional wrestling abbreviated as?

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.


What are a couple of styles of combat based on?


The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.


How is the end result of the match planned out?


What do wrestlers have to say about the realness or fakeness of the matches?


What part of the world has wrestling become less popular in?

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.


Where did wrestling originally come from?


Where was wrestling later showcased in North America?


Where does the money made from wrestling come from?

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.


Where large places are some of the major wrestling shows held at?


What has the internet been utilized for in wrestling?


In which decade did wrestling start becoming very popular?


Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.


What award was The Wrestler nominated for?


What are the names of a couple wrestling documentaries?


Where does wrestling keep coming up as a subject?


Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.


Which companies are some of WWE's competition?


What are some other major wrestling companies?


What is the name of a Japanese wrestling company?


Who confessed that wrestling was not competition?

Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).


How have people reacted to the revelation that wrestling is purely entertainment?


How do many U.S. states handle wrestling?


How do the wrestlers treat the audience?

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.


How does the audience being acknowledged by the wrestlers impact the show?


What kind of conflict can arise during a show?


Which of the wrestlers are the bad guys?


Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.


In what instance will a match be declared a draw?


What happens when a wrestler has a fall against them?

In matches with multiple competitors, an elimination system may be used. Any wrestler who has a fall scored against them is forced out of the match, and the match continues until only one remains. However, it is much more common when more than two wrestlers are involved to simply go one fall, with the one scoring the fall, regardless of who they scored it against, being the winner. In championship matches, this means that, unlike one-on-one matches (where the champion can simply disqualify themselves or get themselves counted out to retain the title via the "champion's advantag"), the champion does not have to be pinned or involved in the decision to lose the championship. However, heel champions often find advantages, not in champion's advantage, but in the use of weapons and outside interference, as these poly-sided matches tend to involve no holds barred rules.


What kind of rules does a poly-sided match usually have?


What usually happens when two or more wrestlers are involved?


What is the most common of the special matches?

Many modern specialty matches have been devised, with unique winning conditions. The most common of these is the ladder match. In the basic ladder match, the wrestlers or teams of wrestlers must climb a ladder to obtain a prize that is hoisted above the ring. The key to winning this match is that the wrestler or team of wrestlers must try to incapacitate each other long enough for one wrestler to climb the ladder and secure that prize for their team. As a result, the ladder can be used as a weapon. The prizes include – but are not limited to any given championship belt (the traditional prize), a document granting the winner the right to a future title shot, or any document that matters to the wrestlers involved in the match (such as one granting the winner a cash prize). Another common specialty match is known as the battle royal. In a battle royal, all the wrestlers enter the ring to the point that there are 20-30 wrestlers in the ring at one time. When the match begins, the simple objective is to throw the opponent over the top rope and out of the ring with both feet on the floor in order to eliminate that opponent. The last wrestler standing is declared the winner. A variant on this type of match is the WWE's Royal Rumble where two wrestlers enter the ring to start the match and other wrestlers follow in 90 second intervals (previously 2 minutes) until 30-40 wrestlers have entered the ring. All other rules stay the same. For more match types, see Professional wrestling match types.


What must the wrestlers do in a ladder match?


What is a common prize in a ladder match?


How many wrestlers are in a standard battle royal match?


Due to the legitimate role that referees play in wrestling of serving as liaison between the bookers backstage and the wrestlers in the ring (the role of being a final arbitrator is merely kayfabe), the referee is present, even in matches that do not at first glance appear to require a referee (such as a ladder match, as it is no holds barred, and the criteria for victory could theoretically be assessed from afar). Although their actions are also frequently scripted for dramatic effect, referees are subject to certain general rules and requirements in order to maintain the theatrical appearance of unbiased authority. The most basic rule is that an action must be seen by a referee to be declared for a fall or disqualification. This allows for heel characters to gain a scripted advantage by distracting or disabling the referee in order to perform some ostensibly illegal maneuver on their opponent. Most referees are unnamed and essentially anonymous, though the WWE has let their officials reveal their names.


How can a wrestler gain an advantage by using a referee?


What kind of referees are occasionally used?

Special guest referees may be used from time to time; by virtue of their celebrity status, they are often scripted to dispense with the appearance of neutrality and use their influence to unfairly influence the outcome of the match for added dramatic impact. Face special referees will often fight back against hostile heel wrestlers, particularly if the special referee is either a wrestler themselves or a famous martial artist (such as Tito Ortiz in the main event at TNA's THard Justice in 2005). They also have the power to eject from ringside any of the heel wrestler's entourage/stable, who may otherwise interfere with the match.


What are famous referees directed to do?


What do special referees have the ability to do?


What material is within a wrestling ring?

Matches are held within a wrestling ring, an elevated square canvas mat with posts on each corner. A cloth apron hangs over the edges of the ring. Three horizontal ropes or cables surround the ring, suspended with turnbuckles which are connected to the posts. For safety, the ropes are padded at the turnbuckles and cushioned mats surround the floor outside the ring. Guardrails or a similar barrier enclose this area from the audience. Wrestlers are generally expected to stay within the confines of the ring, though matches sometimes end up outside the ring, and even in the audience, to add excitement.


What is used for protection in the ring?


In some team matches, only one entrant from each team may be designated as the "legal" or "active" wrestler at any given moment. Two wrestlers must make physical contact (typically palm-to-palm) in order to transfer this legal status. This is known as a "tag", with the participants "tagging out" and "tagging in". Typically the wrestler who is tagging out has a 5-second count to leave the ring, whereas the one tagging in can enter the ring at any time, resulting in heels legally double-teaming a face.


What are two things that can be done with tagging?


How long does a wrestler have to leave the ring once they are tagged out?


How much time does a wrestler have once they tag in?


Sometimes, poly-sided matches that pit every one for themselves will incorporate tagging rules. Outside of kayfabe, this is done to give wrestlers a break from the action (as these matches tend to go on for long periods of time), and to make the action in the ring easier to choreograph. One of the most mainstream examples of this is the four-corner match, the most common type of match in the WWE before it was replaced with its equivalent fatal four-way; four wrestlers, each for themselves, fight in a match, but only two wrestlers can be in the match at any given time. The other two are positioned in the corner, and tags can be made between any two wrestlers.


What was the most common type of match before the fatal four-way?


A count may be started at any time that a wrestler's shoulders are down (both shoulders touching the mat), back-first and any part of the opponent's body is lying over the wrestler. This often results in pins that can easily be kicked out of, if the defensive wrestler is even slightly conscious. For example, an attacking wrestler who is half-conscious may simply drape an arm over an opponent, or a cocky wrestler may place their foot gently on the opponent's body, prompting a three-count from the referee.


What can happen to an arrogant wrestler?


What might a partially conscious wrestler do?


However, although almost any scenario where one wrestler is covering another prone, back-first wrestler can be considered a pin attempt, there is one important exception to that rule: Pin attempts broken up by other wrestlers. In matches involving multiple wrestlers (such as triple threat matches or tag team matches), wrestlers who see a pin attempt that, if successful, would result in them losing the match are expected to run in and break the pin attempt by performing some sort of offensive maneuver on the wrestler attempting the pin. The most common attacks for breaking pins are a stomp to the back and an elbow to the back of the head, as they are simple to pull off in the spur of the moment. However, these moves, simple as they are, still leave the pinning wrestler on top of the pinned wrestler. Despite the pinning wrestler still technically being on top of the pinned wrestler, the referee will still consider the pin attempt to be broken.


What is a common offensive move to break a pin attack?


What can the referee consider a pin attempt to be, even if the attacker is still on top of the pinned wrester?


What is a pinning method that isn't allowed?

Illegal pinning methods include using the ropes for leverage and hooking the opponent's clothing, which are therefore popular cheating methods for heels, unless certain stipulations make such an advantage legal. Such pins as these are rarely seen by the referee (as they have to see if their shoulders are down) and are subsequently often used by heels and on occasion by cheating faces to win matches. Even if it is noticed, it is rare for such an attempt to result in a disqualification (see below), and instead it simply results in nullification of the pin attempt, so the heel wrestler rarely has anything to lose for trying it, anyway.


How often are illegal pinning methods seen by the referee?


What are the illegal pinning methods called?


Can illegal pinning methods result in being disqualified?


What happens with an illegal pinning move when it is seen by a referee?


A wrestler may voluntarily submit by verbally informing the referee (usually used in moves such as the Mexican Surfboard, where all four limbs are incapacitated, making tapping impossible). Also, since Ken Shamrock (a legitimate UFC competitor in its early days) popularized it in 1997, a wrestler can indicate a voluntary submission by "tapping out", that is, tapping a free hand against the mat or against an opponent. Occasionally, a wrestler will reach for a rope (see rope breaks below), only to put their hand back on the mat so they can crawl towards the rope some more; this is not a submission, and the referee decides what their intent is.


What is the move called where all limbs are incapicitated?


What can a wrestler do to show a willing submission?


Several well-known wrestlers were famous for winning with a move called what?

Submission was initially a large factor in professional wrestling, but following the decline of the submission-oriented catch-as-catch-can style from mainstream professional wrestling, the submission largely faded until the rise of the legitimate sport of mixed martial arts. Despite this, some wrestlers, such as Chris Jericho, The Undertaker, Ric Flair, Bret Hart, Kurt Angle, Ken Shamrock, Dean Malenko, Chris Benoit, and Tazz, became famous for winning matches via submission. A wrestler with a signature submission technique is portrayed as better at applying the hold, making it more painful or more difficult to get out of than others who use it, or can be falsely credited as inventing the hold (such as when Tazz popularized the kata ha jime judo choke in pro wrestling as the "Tazzmission").


What legitimate sport related to wrestling began to become popular?


Many holds will leave what body parts free?

Since all contact between the wrestlers must cease if any part of the body is touching, or underneath, the ropes, many wrestlers will attempt to break submission holds by deliberately grabbing the bottom ropes. This is called a "rope break", and it is one of the most common ways to break a submission hold. Most holds leave an arm or leg free, so that the person can tap out if they want. Instead, they use these free limbs to either grab one of the ring ropes (the bottom one is the most common, as it is nearest the wrestlers, though other ropes sometimes are used for standing holds such as Chris Masters' Master Lock) or drape their foot across, or underneath one. Once this has been accomplished, and the accomplishment is witnessed by the referee, the referee will demand that the offending wrestler break the hold, and start counting to five if the wrestler does not. If the referee reaches the count of five, and the wrestler still does not break the hold, they are disqualified.


When must contact stop between wrestlers?


How might a wrestler attempt to break a submission hold?


How long does a wrestler have to get themselves free of the hold?


What happens if the wrestler doesn't break a hold?


How does a referee check for a knockout?

A wrestler can win by knockout (sometimes referred to as a referee stoppage) if they do not resort to submission holds, but stills pummels their opponent to the point that they are unconscious or are unable to intelligently defend themselves. To check for a knockout in this manner, a referee will wave their hand in front of the wrestler's face; if the wrestler does not react in any way, the referee will award the victory to the other wrestler. If all the active wrestlers in a match are down inside the ring at the same time, the referee will begin a count (usually ten seconds, twenty in Japan). If nobody rises to their feet by the end of the count, the match is ruled a draw. Any participant who stands up in time will end the count for everyone else. In a Last Man Standing match, this form of a knockout is the only way that the match can end, so the referee will count when one or more wrestlers are down, and one wrestler standing up before the 10-count doesn't stop the count for another wrestler who is still down.


If all wrestlers are down, how long do they have to rise?


What kind of match has to end in a knockout?


In what case can a referee choose to end the match?

A referee may stop the match when they or official ring physician decides that a wrestler cannot safely continue the match. This may be decided if the wrestler cannot continue the match due to an injury. At the Great American Bash in 2008, Chris Jericho was declared the winner of a match against Shawn Michaels when Michaels could not defend himself due to excessive blood loss and impaired vision. At NXT TakeOver: Rival in 2015, the referee stopped the match when Sami Zayn could not defend himself due to an injury sustained against Kevin Owens for the NXT Championship.


What is one reason that a wrestler may not be able to continue?


Why couldn't Shawn Michaels defend himself?


What are a couple other ways to write countout?

A countout (alternatively "count-out" or "count out") happens when a wrestler is out of the ring long enough for the referee to count to ten (twenty in some promotions) and thus disqualified. The count is broken and restarted when a wrestler in the ring exits the ring. Playing into this, some wrestlers will "milk" the count by sliding in the ring, and immediately sliding back out. As they were technically inside the ring for a split second before exiting again, it is sufficient to restart the count. This is often referred to by commentators as "breaking the count." Heels often use this tactic in order to buy themselves more time to catch their breath, or to attempt to frustrate their babyface opponents.


What will some wrestlers do to take advantage of the countout?


What is the trick of sliding in and then back out of the ring called?


Disqualification (sometimes abbreviated as "DQ") occurs when a wrestler violates the match's rules, thus losing automatically. Although a countout can technically be considered a disqualification (as it is, for all intents and purposes, an automatic loss suffered as a result of violating a match rule), the two concepts are often distinct in wrestling. A no disqualification match can still end by countout (although this is rare); typically, a match must be declared a "no holds barred" match, a "street fight" or some other term, in order for both disqualifications and countouts to be waived.[citation needed]


In what case can a countout and disqualification be done away with entirely?


What are the usual reasons for an automatic disqualification?

In practice, not all rule violations will result in a disqualification as the referee may use their own judgement and is not obligated to stop the match. Usually, the only offenses that the referee will see and immediately disqualify the match on (as opposed to having multiple offenses) are low blows, weapon usage, interference, or assaulting the referee. In WWE, a referee must see the violation with their own eyes to rule that the match end in a disqualification (simply watching the video tape is not usually enough) and the referee's ruling is almost always final, although Dusty finishes (named after, and made famous by, Dusty Rhodes) will often result in the referee's decision being overturned. It is not uncommon for the referees themselves to get knocked out during a match, which is commonly referred to by the term "ref bump". While the referee remains "unconscious", wrestlers are free to violate rules until the referee is revived or replaced. In some cases, a referee might disqualify a person under the presumption that it was that wrestler who knocked them out; most referee knockouts are arranged to allow a wrestler, usually a heel, to gain an advantage. For example, a wrestler may get whipped into a referee at a slower speed, knocking the ref down for short amount of time; during that interim period, one wrestler may pin their opponent for a three-count and would have won the match but for the referee being down (sometimes, another referee will sprint to the ring from backstage to attempt to make the count, but by then, the other wrestler has had enough time to kick-out on their own accord).


What must the referee do to rule the match at an end via disqualification?


In what case can a referee's decision be overturned?


What is it called when a ref is knocked out?


What can wrestlers do when a ref is out?


A professional wrestling match can end in a draw. A draw occurs if both opponents are simultaneously disqualified (as via countout or if the referee loses complete control of the match and both opponents attack each other with no regard to being in a match, like Brock Lesnar vs. Undertaker at Unforgiven in 2002), neither opponent is able to answer a ten-count, or both opponents simultaneously win the match. The latter can occur if, for example, one opponent's shoulders touch the mat while maintaining a submission hold against another opponent. If the opponent in the hold begins to tap out at the same time a referee counts to three for pinning the opponent delivering the hold, both opponents have legally achieved scoring conditions simultaneously. Traditionally, a championship may not change hands in the event of a draw (though it may become vacant), though some promotions such as TNA have endorsed rules where the champion may lose a title by disqualification. A variant of the draw is the time-limit draw, where the match does not have a winner by a specified time period (a one-hour draw, which was once common, is known in wrestling circles as a "Broadway").


What usually happens regarding a championship during a draw?


What is another name for a one hour draw?


What kind of injury can cause a no contest ruling?

A wrestling match may be declared a no contest if the winning conditions are unable to occur. This can be due to excessive interference, loss of referee's control over the match, one or more participants sustaining debilitating injury not caused by the opponent, or the inability of a scheduled match to even begin. A no contest is a state separate and distinct from a draw — a draw indicates winning conditions were met. Although the terms are sometimes used interchangeably in practice, this usage is technically incorrect.


How is no contest related to a draw, if at all?


How can a referee's action result in a no contest?


While each wrestling match is ostensibly a competition of athletics and strategy, the goal of each match from a business standpoint is to excite and entertain the audience. Although the competition is staged, dramatic emphasis can be utilized to draw out the most intense reaction from the audience. Heightened interest results in higher attendance rates, increased ticket sales, higher ratings on television broadcasts (which result in greater ad revenue), higher pay-per-view buyrates, and sales of branded merchandise and recorded video footage. All of these contribute to the profit of the promotion company.


Higher attendance and more ticket sales can be the result of what?


Though the contest is staged, what can garner more interest from the crowd?


What do most wrestlers do, as far as how they act?

In Latin America and English-speaking countries, most wrestlers (and other on-stage performers) portray character roles, sometimes with personalities wildly different from their own. These personalities are a gimmick intended to heighten interest in a wrestler without regard to athletic ability. Some can be unrealistic and cartoon-like (such as Doink the Clown), while others carry more verisimilitude and can be seen as exaggerated versions of the performer's real life personality (such as Chris Jericho, The Rock, John Cena, Stone Cold Steve Austin, and CM Punk). In lucha libre, many characters wear masks, adopting a secret identity akin to a superhero, a near-sacred tradition.


What is the name of one wrestler who acts like a cartoonish character?


What is the popular way for wrestlers to refer to one another?

An individual wrestler may sometimes use their real name, or a minor variation of it, for much of their career, such as Angelo Poffo, Ernie Ladd, Verne Gagne, Bret Hart, and Randy Orton. Others can keep one ring name for their entire career (cases in point include Chris Jericho, Shawn Michaels, CM Punk and Ricky Steamboat), or may change from time to time to better suit the demands of the audience or company. Sometimes a character is owned and trademarked by the company, forcing the wrestler to find a new one when they leave (although a simple typeset change, such as changing Rhyno to Rhino, can usually get around this), and sometimes a character is owned by the wrestler. Sometimes, a wrestler may change their legal name in order to obtain ownership of their ring name (examples include Andrew Martin and Warrior). Many wrestlers (such as The Rock and The Undertaker) are strongly identified with their character, even responding to the name in public or between friends. It's actually considered proper decorum for fellow wrestlers to refer to each other by their stage names/characters rather than their birth/legal names, unless otherwise introduced. A professional wrestling character's popularity can grow to the point that it makes appearances in other media (see Hulk Hogan and El Santo) or even give the performer enough visibility to enter politics (Antonio Inoki and Jesse Ventura, among others).


Other than a company, who else can own a character?


How can a wrestler get around changing their ring name entirely?


What else might a wrestler do to obtain their ring name?


Typically, matches are staged between a protagonist (historically an audience favorite, known as a babyface, or "the good guy") and an antagonist (historically a villain with arrogance, a tendency to break rules, or other unlikable qualities, called a heel). In recent years, however, antiheroes have also become prominent in professional wrestling. There is also a less common role of a "tweener", who is neither fully face nor fully heel yet able to play either role effectively (case in point, Samoa Joe during his first run in TNA from June 2005 to November 2006).


What is a wrestler whose persona is somewhere between the two norms called?


What might a character do with their persona?

At times a character may "turn", altering their face/heel alignment. This may be an abrupt, surprising event, or it may slowly build up over time. It almost always is accomplished with a markable change in behavior on the part of the character. Some turns become defining points in a wrestler's career, as was the case when Hulk Hogan turned heel after being a top face for over a decade. Others may have no noticeable effect on the character's status. If a character repeatedly switches between being a face and heel, this lessens the effect of such turns, and may result in apathy from the audience. Vince McMahon is a good example of having more heel and face turns than anyone in WWE history.


As with personae in general, a character's face or heel alignment may change with time, or remain constant over its lifetime (the most famous example of the latter is Ricky Steamboat, a WWE Hall of Famer who remained a babyface throughout his entire career). Sometimes a character's heel turn will become so popular that eventually the audience response will alter the character's heel-face cycle to the point where the heel persona will, in practice, become a face persona, and what was previously the face persona, will turn into the heel persona, such as when Dwayne Johnson first began using "The Rock" persona as a heel character, as opposed to his original "Rocky Maivia" babyface persona. Another legendary example is Stone Cold Steve Austin, who was originally booked as a heel, with such mannerisms as drinking on the job, using profanity, breaking company property, and even breaking into people's private homes. However, much to WWF's surprise, the fans enjoyed Austin's antics so much that he became one of the greatest antiheroes in the history of the business. He, along with the stable of D-Generation X, is generally credited with ushering in the Attitude Era of WWF programming.


What did Stone Cold Steve Austin start as?


Who helps out a wrestler with poor speaking abilities?

In some cases a wrestler may possess admirable physical traits but perceived mediocre public speaking abilities (such as Brock Lesnar), or their gimmick may be that of a "wild savage" needing a handler (such as Kamala). Such performers have historically employed a manager, who speaks on their behalf and adds to the performance. Managers have sometimes become major personalities, including Bobby Heenan, Paul Heyman, Ernie Roth, and Paul Bearer. A manager role may also be filled by a "valet", typically an appealing female who may participate in love triangle storylines, "damsel in distress" situations, and scripted fights with female wrestlers. Some of these have also gone on to become recognized stars, such as Tammy Lynn Sytch, Stacy Keibler, and Miss Elizabeth.


Who might participate in a love triangle story?


While true exhibition matches are not uncommon, most matches tell a story analogous to a scene in a play or film, or an episode of a serial drama: The face will sometimes win (triumph) or sometimes lose (tragedy). Longer story arcs can result from multiple matches over the course of time. Since most promotions have a championship title, competition for the championship is a common impetus for stories. Also, anything from a character's own hair to their job with the promotion can be wagered in a match. The same type of good vs. evil storylines were also once popular in roller derby.


What is it called when the protagonist loses?


What do they call it when a protagonist wins?


Other stories result from a natural rivalry between two or more characters. Outside of performance, these are referred to as feuds. A feud can exist between any number of participants and can last for a few days up to multiple decades. The feud between Ric Flair and Ricky Steamboat lasted from the late 1970s into the early 1990s and allegedly spanned over two thousand matches (although most of those matches were mere dark matches). The career-spanning history between characters Mike Awesome and Masato Tanaka is another example of a long-running feud, as is the case of Stone Cold Steve Austin vs. Mr. McMahon, one of the most lucrative feuds in the World Wrestling Federation (WWF) during 1998 and 1999.


How long did the feud between Ric Flair and Ricky Steamboat last?


What supernatural things have been portrayed in matches?

Also, anything that can be used as an element of drama can exist in professional wrestling stories: romantic relationships (including love triangles and marriage), racism, classism, nepotism, favoritism, corporate corruption, family bonds, personal histories, grudges, theft, cheating, assault, betrayal, bribery, seduction, stalking, confidence tricks, extortion, blackmail, substance abuse, self-doubt, self-sacrifice; even kidnapping, sexual fetishism, necrophilia, misogyny, rape and death have been portrayed in wrestling. Some promotions have included supernatural elements such as magic, curses, the undead and Satanic imagery (most notably The Undertaker and his Ministry of Darkness, a stable that regularly performed evil rituals and human sacrifice in Satanic-like worship of a hidden power figure). Celebrities would also be involved in storylines.


What romantic drama might be used in a story?


What happens behind the scenes of a match?

Behind the scenes, the bookers in a company will place the title on the most accomplished performer, or those the bookers believe will generate fan interest in terms of event attendance and television viewership. Lower ranked titles may also be used on the performers who show potential, thus allowing them greater exposure to the audience. However other circumstances may also determine the use of a championship. A combination of a championship's lineage, the caliber of performers as champion, and the frequency and manner of title changes, dictates the audience's perception of the title's quality, significance and reputation.


Who might they use a lower ranked title on?


What does it show when a wrestler has many titles?

A wrestler's championship accomplishments can be central to their career, becoming a measure of their performance ability and drawing power. In general, a wrestler with multiple title reigns or an extended title reign is indicative of a wrestler's ability to maintain audience interest and/or a wrestler's ability to perform in the ring. As such, the most accomplished or decorated wrestlers tend to be revered as legends despite the predetermined nature of title reigns. American wrestler Ric Flair has had multiple world heavyweight championship reigns spanning over three decades. Japanese wrestler Último Dragón once held and defended a record 10 titles simultaneously.


What can be important in a wrestler's career?


What occurs when a wrestler enters the ring?

All notable wrestlers now enter the ring accompanied by music, and regularly add other elements to their entrance. The music played during the ring entrance will usually mirror the wrestler's personality. Many wrestlers, particularly in America, have music and lyrics specially written for their ring entrance. While invented long before, the practice of including music with the entrance gained rapid popularity during the 1980s, largely as a result of the huge success of Hulk Hogan and the WWF, and their Rock 'n' Wrestling Connection. When a match is won, the victor's theme music is usually also played in celebration.


What typically happens when a match is won?


The women's division of professional wrestling has maintained a recognized world champion since 1937, when Mildred Burke won the original World Women's title. She then formed the World Women's Wrestling Association in the early 1950s and recognized herself as the first champion, although the championship would be vacated upon her retirement in 1956. The NWA, however, ceased to acknowledge Burke as their Women's World champion in 1954, and instead acknowledged June Byers as champion after a controversial finish to a high-profile match between Burke and Byers that year. Upon Byers' retirement in 1964, The Fabulous Moolah, who won a junior heavyweight version of the NWA World Women's Championship (the predecessor to the WWE's Women's Championship) in a tournament back in 1958, was recognized by most NWA promoters as champion by default.


What is professional female wrestling called in Japan?

In Japan, professional wrestling done by female wrestlers is called joshi puroresu (女子プロレス) or joshi puro for short. Female wrestling is usually handled by promotions that specialize in joshi puroresu rather than divisions of otherwise male-dominated promotions, as is the case in the United States. However, joshi puroresu promotions usually have agreements with male puroresu promotions such that they recognize each other's titles as legitimate, and may share cards. All Japan Women's Pro-Wrestling was the dominant joshi organization from the 1970s to the 1990s.


What is the short form for joshi puroresu?


What was the major joshi organization for two decades?


In the 1980s, mixed tag team matches began to take place, with a male and female on each team and a rule stating that each wrestler could only attack the opponent of the same gender. If a tag was made, the other team had to automatically switch their legal wrestler as well. Despite these restrictions, many mixed tag matches do feature some physical interaction between participants of different genders. For example, a heel may take a cheap shot at the female wrestler of the opposing team to draw a negative crowd reaction. In lucha libre, cheap-shots and male-female attacks are not uncommon.


When were intergender singles bouts fought on a national scale?

Intergender singles bouts were first fought on a national level in the 1990s. This began with Luna Vachon, who faced men in ECW and WWF. Later, Chyna became the first female to hold a belt that was not exclusive to women when she won the Intercontinental Championship. While it is a rare feat in WWE, in TNA, ODB participates in singles intergender matches. Also, ODB's kayfabe husband and tag team partner Eric Young held the Knockouts Tag Team Championship for a record 478 days before it was stripped by Brooke Hogan because Young was a male.


Who was the first woman to hold a belt that wasn't exclusive to women?


What was the record before it was stripped?


A wrestler may have a small person called what?

Some wrestlers may have their own specific "mini me", like Mascarita Sagrada, Alebrije has Quije, etc. There are also cases in which midgets can become valets for a wrestler, and even get physically involved in matches, like Alushe, who often accompanies Tinieblas, or KeMonito, who is portrayed as Consejo Mundial de Lucha Libre's mascot and is also a valet for Mistico. Dave Finlay was often aided in his matches by a midget known mainly as Hornswoggle while in WWE, who hid under the ring and gave a shillelagh to Finlay to use on his opponent. Finlay also occasionally threw him at his opponent(s). Hornswoggle has also been given a run with the Cruiserweight Championship and feuded with D-Generation X in 2009.


What else can a little person do in the match?


What else did Finlay do with his little person?


Who are the most well-known wrestling bears?

Though they have not had the level of exposure as other wrestlers, bears have long been a part of professional wrestling. Usually declawed and muzzled, they often wrestled shoot matches against audience members, offered a cash reward if they could pin the bear. They also wrestled professionals in worked, often battle royal or handicap, matches (usually booked so the bear won). Though they have wrestled around the world and continue to do so, wrestling bears enjoyed their greatest popularity in the Southern United States, during the 1960s and 1970s. The practice of bear wrestling has met strong opposition from animal rights activists in recent decades, contributing to its lack of mainstream acceptance. As of 2006, it is banned in 20 U.S. states. Perhaps the most famous wrestling bears are Ginger, Victor, Hercules and Terrible Ted.


What animal has been a part of wrestling for a long time?


What condition are bears usually brought in in?


How many states have banned bear wrestling as of 2006?


Professional wrestling in the U.S. tends to have a heavy focus on story building and the establishment of characters (and their personalities). There is a story for each match, and even a longer story for successive matches. The stories usually contain characters like faces and heels, and less often antiheroes and tweeners. It is a "triumph" if the face wins, while it is a "tragedy" if the heel wins. The characters usually have strong and sharp personalities, with examples like Doink the Clown, whose personality is melodramatic, slapstick and fantastical. The opposition between faces and heels is very intense in the story, and the heels may even attack the faces during TV interviews. The relationship between different characters can also be very complex.


What are the possibly outcomes of a story?


How do characters differ in Mexican wrestling?

Although professional wrestling in Mexico (lucha libre) also has stories and characters, they are less emphasized. Wrestlers in Mexico are traditionally more agile and perform more aerial maneuvers than professional wrestlers in the U.S. who, more often, rely on power moves and strikes to subdue their opponents. The difference in styles is due to the independent evolution of the sport in Mexico beginning in the 1930s and the fact that wrestlers in the cruiserweight division (peso semicompleto) are often the most popular wrestlers in Mexican lucha libre. Wrestlers often execute high flying moves characteristic of lucha libre by utilizing the wrestling ring's ropes to catapult themselves towards their opponents, using intricate combinations in rapid-fire succession, and applying complex submission holds. Lucha libre is also known for its tag team wrestling matches, in which the teams are often made up of three members, instead of two as is common in the U.S.


How does lucha libre's tag team matches differ?


How is Japanese wrestling similar to American?

The style of Japanese professional wrestling (puroresu) is again different. With its origins in traditional American style of wrestling and still being under the same genre, it has become an entity in itself. Despite the similarity to its American counterpart in that the outcome of the matches remains predetermined, the phenomena are different in the form of the psychology and presentation of the sport; it is treated as a full contact combat sport as it mixes hard hitting martial arts strikes with shoot style submission holds, while in the U.S. it is rather more regarded as an entertainment show. Wrestlers incorporate kicks and strikes from martial arts disciplines, and a strong emphasis is placed on submission wrestling, and unlike the use of involved storylines in the U.S., they are not as intricate in Japan, more emphasis is placed on the concept of Fighting Spirit, meaning the Wrestlers display of physical and mental stamina are valued a lot more than theatrics. Many of Japan's wrestlers including top stars such as Shinya Hashimoto, Riki Choshu and Keiji Mutoh came from a legitimate martial arts background and many Japanese wrestlers in the 1990s began to pursue careers in mixed martial arts organizations such as Pancrase and Shooto which at the time retained the original look of puroresu, but were actual competitions.


What is the emphasis placed on in Japanese wrestling?


What is a common background for a Japanese wrestler?


Those involved in producing professional wrestling have developed a kind of global fraternity, with familial bonds, shared language and passed-down traditions. New performers are expected to "pay their dues" for a few years by working in lower-profile promotions and working as ring crew before working their way upward. The permanent rosters of most promotions develop a backstage pecking order, with veterans mediating conflicts and mentoring younger wrestlers. For many decades (and still to a lesser extent today), performers were expected to keep the illusions of wrestling's legitimacy alive even while not performing, essentially acting in character any time they were in public. Some veterans speak of a "sickness" among wrestling performers, an inexplicable pull to remain active in the wrestling world despite the devastating effects the job can have on one's life and health.


What were wrestlers expected to do for decades?


How did wrestlers have to act in public?


What effects can wrestling have on the wrestlers?


Fans of professional wrestling have their own subculture, comparable to those of science fiction, video games, or comic books (in some cases, the "fandoms" overlap; in recent years, some professional wrestlers, particularly those who nurture an anti-establishment rebel persona, such as CM Punk, have made guest appearances at comic book conventions). Those who are interested in the backstage occurrences, future storylines, and reasonings behind company decisions read newsletters written by journalists with inside ties to the wrestling industry. These "rags" or "dirt sheets" have expanded into the Internet, where their information can be dispensed on an up-to-the-minute basis. Some have expanded into radio shows.


Some fans enjoy a pastime of collecting tapes of wrestling shows from specific companies, of certain wrestlers, or of specific genres. The Internet has given fans exposure to worldwide variations of wrestling they would be unable to see otherwise. Since the 1990s, many companies have been founded which deal primarily in wrestling footage. When the WWF purchased both WCW and ECW in 2001, they also obtained the entire past video libraries of both productions and have released many past matches online and on home video.


What has the internet done for wrestling fans?


Many companies who handle wrestling footage have been founded since what decade?


What companies did WWF purchase in 2001?


What kind of notoriety have wrestlers achieved?

From the first established world championship, the top professional wrestlers have garnered fame within mainstream society. Each successive generation has produced a number of wrestlers who extend their careers into the realms of music, acting, writing, business, politics or public speaking, and are known to those who are unfamiliar with wrestling in general. Conversely, celebrities from other sports or general pop culture also become involved with wrestling for brief periods of time. A prime example of this is The Rock 'n' Wrestling Connection of the 1980s, which combined wrestling with MTV.


What did the Rock 'n' Wrestling Connection do?


What are some other career paths wrestlers embarked on?


Many television shows and films have been produced which portray in-character professional wrestlers as protagonists, such as Ready to Rumble, ¡Mucha Lucha!, Nacho Libre, and the Santo film series. In the wildly popular Rocky series of films about the fictional boxer Rocky Balboa, Rocky III saw its hero fighting a "boxer vs. wrestler" exhibition match against the enormous and villainous wrestler "Thunderlips", portrayed by real-life soon-to-be wrestling icon Hulk Hogan. At least two stage plays set in the world of pro wrestling have been produced: The Baron is a comedy that retells the life of an actual performer known as Baron von Raschke. From Parts Unknown... is an award-nominated Canadian drama about the rise and fall of a fictional wrestler. The 2009 South Park episode "W.T.F." played on the soap operatic elements of professional wrestling. One of the lead characters on the Disney Channel series Kim Possible was a huge fan of pro wrestling and actually featured it on an episode (with two former WWE wrestlers voicing the two fictitious wrestlers featured in the episode). The 2008 film The Wrestler, about a washed-up professional wrestler, garnered several Oscar nominations.


What episode of South Park dealt with wrestling?


What critically acclaimed wrestling film came out in 2008?


Many of what forms of entertainment have portrayed wrestlers?


What other areas has wrestling garnered interest from?

With its growing popularity, professional wrestling has attracted attention as a subject of serious academic study and journalistic criticism. Many courses, theses, essays, and dissertations have analyzed wrestling's conventions, content, and its role in modern society. It is often included as part of studies on theatre, sociology, performance, and media. The Massachusetts Institute of Technology developed a course of study on the cultural significance of professional wrestling, and anthropologist Heather Levi has written an ethnography about the culture of lucha libre in Mexico.


What areas of study is wrestling talked about in?


What college has a course about the cultural impact of wrestling?


What impact did the revelation of wrestling being "fixed" have?

However, this was not always the case; in the early 20th century, once it became apparent that the "sport" was worked, pro wrestling was looked down on as a cheap entertainment for the uneducated working class — an attitude that still exists to varying degrees today. The French theorist Roland Barthes was among the first to propose that wrestling was worthy of deeper analysis, in his essay "The World of Wrestling" from his book Mythologies, first published in 1957. Barthes argued that it should be looked at not as a scamming of the ignorant, but as spectacle; a mode of theatric performance for a willing, if bloodthirsty, audience. Wrestling is described as performed art which demands an immediate reading of the juxtaposed meanings. The logical conclusion is given least importance over the theatrical performers of the wrestlers and the referee. According to Barthes, the function of a wrestler is not to win: it is to go exactly through the motions which are expected of them and to give the audience a theatrical spectacle. This work is considered a foundation of all later study.


What did Barthes believe a wrestler give the audience?


What was the name of Roland Barthes' essay?


While pro wrestling is often described simplistically as a "soap opera for males", it has also been cited as filling the role of past forms of literature and theatre; a synthesis of classical heroics, commedia dell'arte, revenge tragedies, morality plays, and burlesque. The characters and storylines portrayed by a successful promotion are seen to reflect the current mood, attitudes, and concerns of that promotion's society (and can, in turn, influence those same things). Wrestling's high levels of violence and masculinity make it a vicarious outlet for aggression during peacetime.


What is wrestling to people during a peaceful time?


Documentary filmmakers have studied the lives of wrestlers and the effects the profession has on them and their families. The 1999 theatrical documentary Beyond the Mat focused on Terry Funk, a wrestler nearing retirement; Mick Foley, a wrestler within his prime; Jake Roberts, a former star fallen from grace; and a school of wrestling student trying to break into the business. The 2005 release Lipstick and Dynamite, Piss and Vinegar: The First Ladies of Wrestling chronicled the development of women's wrestling throughout the 20th century. Pro wrestling has been featured several times on HBO's Real Sports with Bryant Gumbel. MTV's documentary series True Life featured two episodes titled "I'm a Professional Wrestler" and "I Want to Be a Professional Wrestler". Other documentaries have been produced by The Learning Channel (The Secret World of Professional Wrestling) and A&E (Hitman Hart: Wrestling with Shadows). Bloodstained Memoirs explored the careers of several pro wrestlers, including Chris Jericho, Rob Van Dam and Roddy Piper.


Who are a few wrestlers who have had memoirs written about them?


Although professional wrestling is worked, there is a high chance of injury, and even death. Strikes are often stiff, especially in Japan and in independent wrestling promotions such as Combat Zone Wrestling (CZW) and Ring of Honor (ROH). The ring is often made out of 2 by 8 timber planks. Many of the injuries that occur in pro wrestling are shoulders, knee, back, neck, and rib injuries. Chronic traumatic encephalopathy and traumatic brain injuries have also been linked to pro wrestling, including in the double-murder suicide case involving Chris Benoit. Professional wrestler Davey Richards said in 2015, "We train to take damage, we know we are going to take damage and we accept that".


What other injuries have been connected with wrestling?


Chris Benoit was involved in what tragic event?


What does the film's quantum efficiency limit?

Relatively insensitive film, with a correspondingly lower speed index, requires more exposure to light to produce the same image density as a more sensitive film, and is thus commonly termed a slow film. Highly sensitive films are correspondingly termed fast films. In both digital and film photography, the reduction of exposure corresponding to use of higher sensitivities generally leads to reduced image quality (via coarser film grain or higher image noise of other types). In short, the higher the sensitivity, the grainier the image will be. Ultimately sensitivity is limited by the quantum efficiency of the film or sensor.


What speed of film is produced by insensitive film?


What types of film are considered fast films?


What effect does highly sensitive film have on images?


What consists of 25 pigmented squares touching a plate below a phosphorescent tablet under the light of a burning Magnesium ribbon?

The Warnerke Standard Sensitometer consisted of a frame holding an opaque screen with an array of typically 25 numbered, gradually pigmented squares brought into contact with the photographic plate during a timed test exposure under a phosphorescent tablet excited before by the light of a burning Magnesium ribbon. The speed of the emulsion was then expressed in 'degrees' Warnerke (sometimes seen as Warn. or °W.) corresponding with the last number visible on the exposed plate after development and fixation. Each number represented an increase of 1/3 in speed, typical plate speeds were between 10° and 25° Warnerke at the time.


How much speed is associated with each degree Warnerke?


What were usual ranges of Warnerke speeds?


What does the last exposed number on the plate represent?


The Scheinergrade (Sch.) system was devised by the German astronomer Julius Scheiner (1858–1913) in 1894 originally as a method of comparing the speeds of plates used for astronomical photography. Scheiner's system rated the speed of a plate by the least exposure to produce a visible darkening upon development. Speed was expressed in degrees Scheiner, originally ranging from 1° Sch. to 20° Sch., where an increment of 19° Sch. corresponded to a hundredfold increase in sensitivity, which meant that an increment of 3° Sch. came close to a doubling of sensitivity.


What is the Scheinergrade system used for?


Approximately how many degrees indicate double the sensitivity?


Who developed a device that improved on the shortcomings of Scheiner's invention?

The system was later extended to cover larger ranges and some of its practical shortcomings were addressed by the Austrian scientist Josef Maria Eder (1855–1944) and Flemish-born botanist Walter Hecht (de) (1896–1960), (who, in 1919/1920, jointly developed their Eder–Hecht neutral wedge sensitometer measuring emulsion speeds in Eder–Hecht grades). Still, it remained difficult for manufactures to reliably determine film speeds, often only by comparing with competing products, so that an increasing number of modified semi-Scheiner-based systems started to spread, which no longer followed Scheiner's original procedures and thereby defeated the idea of comparability.


What method did manufacturers use much of the time to compare film speeds?


What type of measurement methods began to proliferate?


The DIN system, officially DIN standard 4512 by Deutsches Institut für Normung (but still named Deutscher Normenausschuß (DNA) at this time), was published in January 1934. It grew out of drafts for a standardized method of sensitometry put forward by Deutscher Normenausschuß für Phototechnik as proposed by the committee for sensitometry of the Deutsche Gesellschaft für photographische Forschung since 1930 and presented by Robert Luther (de) (1868–1945) and Emanuel Goldberg (1881–1970) at the influential VIII. International Congress of Photography (German: Internationaler Kongreß für wissenschaftliche und angewandte Photographie) held in Dresden from August 3 to 8, 1931.


What was proposed at the VIII International Congress of Photography?


Who presented the idea that grew into the DIN?


Where was the VIII International Congress of Photography held?


What unit was used in the DIN to express speeds?

As in the Scheiner system, speeds were expressed in 'degrees'. Originally the sensitivity was written as a fraction with 'tenths' (for example "18/10° DIN"), where the resultant value 1.8 represented the relative base 10 logarithm of the speed. 'Tenths' were later abandoned with DIN 4512:1957-11, and the example above would be written as "18° DIN". The degree symbol was finally dropped with DIN 4512:1961-10. This revision also saw significant changes in the definition of film speeds in order to accommodate then-recent changes in the American ASA PH2.5-1960 standard, so that film speeds of black-and-white negative film effectively would become doubled, that is, a film previously marked as "18° DIN" would now be labeled as "21 DIN" without emulsion changes.


How was sensitivity expressed at first in the DIN system?


When did the degree symbol fall out of use in the DIN system?


Why did the definition of film speeds change considerably?


What happened to film speeds of black-and-white negative film?


What took the place of the German DIN 4512 system?

On an international level the German DIN 4512 system has been effectively superseded in the 1980s by ISO 6:1974, ISO 2240:1982, and ISO 5800:1979 where the same sensitivity is written in linear and logarithmic form as "ISO 100/21°" (now again with degree symbol). These ISO standards were subsequently adopted by DIN as well. Finally, the latest DIN 4512 revisions were replaced by corresponding ISO standards, DIN 4512-1:1993-05 by DIN ISO 6:1996-02 in September 2000, DIN 4512-4:1985-08 by DIN ISO 2240:1998-06 and DIN 4512-5:1990-11 by DIN ISO 5800:1998-06 both in July 2002.


How is sensitivity shown in the ISO systems?


What standards did the DIN begin to use?


When were the ISO standards first adopted?


When were the last ISO standards adopted?


What system was used previous to the ASA system?

Before the advent of the ASA system, the system of Weston film speed ratings was introduced by Edward Faraday Weston (1878–1971) and his father Dr. Edward Weston (1850–1936), a British-born electrical engineer, industrialist and founder of the US-based Weston Electrical Instrument Corporation, with the Weston model 617, one of the earliest photo-electric exposure meters, in August 1932. The meter and film rating system were invented by William Nelson Goodwin, Jr., who worked for them and later received a Howard N. Potts Medal for his contributions to engineering.


Who devised the Weston film speed ratings?


What company did Dr. Edward Weston start?


Who is credited with creating the film and meter system?


Which cameras were first of their type to adopt the ASA scale?

The Weston Cadet (model 852 introduced in 1949), Direct Reading (model 853 introduced 1954) and Master III (models 737 and S141.3 introduced in 1956) were the first in their line of exposure meters to switch and utilize the meanwhile established ASA scale instead. Other models used the original Weston scale up until ca. 1955. The company continued to publish Weston film ratings after 1955, but while their recommended values often differed slightly from the ASA film speeds found on film boxes, these newer Weston values were based on the ASA system and had to be converted for use with older Weston meters by subtracting 1/3 exposure stop as per Weston's recommendation. Vice versa, "old" Weston film speed ratings could be converted into "new" Westons and the ASA scale by adding the same amount, that is, a film rating of 100 Weston (up to 1955) corresponded with 125 ASA (as per ASA PH2.5-1954 and before). This conversion was not necessary on Weston meters manufactured and Weston film ratings published since 1956 due to their inherent use of the ASA system; however the changes of the ASA PH2.5-1960 revision may be taken into account when comparing with newer ASA or ISO values.


What were updated Weston values based on?


How were Weston values changed to ASA values?


Beginning with which year was the Weston to ASA conversion not necessary?


Until what year did other models use the original Weston scale?


Which company adopted the ASA scale in 1946?

General Electric switched to use the ASA scale in 1946. Meters manufactured since February 1946 were equipped with the ASA scale (labeled "Exposure Index") already. For some of the older meters with scales in "Film Speed" or "Film Value" (e.g. models DW-48, DW-49 as well as early DW-58 and GW-68 variants), replaceable hoods with ASA scales were available from the manufacturer. The company continued to publish recommended film values after that date, however, they were now aligned to the ASA scale.


Beginning what year were cameras built with the ASA meter?


How did older models convert to ASA scale?


How was the ASA scale shown on models built after 1946?


What were recommended film values lined up with after 1946?


Who pioneered research that led to the new ANSI values?

Based on earlier research work by Loyd Ancile Jones (1884–1954) of Kodak and inspired by the systems of Weston film speed ratings and General Electric film values, the American Standards Association (now named ANSI) defined a new method to determine and specify film speeds of black-and-white negative films in 1943. ASA Z38.2.1-1943 was revised in 1946 and 1947 before the standard grew into ASA PH2.5-1954. Originally, ASA values were frequently referred to as American standard speed numbers or ASA exposure-index numbers. (See also: Exposure Index (EI).)


What standards were the ANSI developed from?


What types of film did the ANSI measure?


When did the ANSI define its new measure?


What were ANSI values often called in the beginning?


In what year were big changes made to the ANSI?

The ASA standard underwent a major revision in 1960 with ASA PH2.5-1960, when the method to determine film speed was refined and previously applied safety factors against under-exposure were abandoned, effectively doubling the nominal speed of many black-and-white negative films. For example, an Ilford HP3 that had been rated at 200 ASA before 1960 was labeled 400 ASA afterwards without any change to the emulsion. Similar changes were applied to the DIN system with DIN 4512:1961-10 and the BS system with BS 1380:1963 in the following years.


What did the 1960 changes to film speed measures lead to?


Which other system were these changes applied to?


In what year was the BS system modified?


What safety factors were done away with beginning with the modifications to the standards?


What is the plot from which film speed is derived called?

Film speed is found from a plot of optical density vs. log of exposure for the film, known as the D–log H curve or Hurter–Driffield curve. There typically are five regions in the curve: the base + fog, the toe, the linear region, the shoulder, and the overexposed region. For black-and-white negative film, the “speed point” m is the point on the curve where density exceeds the base + fog density by 0.1 when the negative is developed so that a point n where the log of exposure is 1.3 units greater than the exposure at point m has a density 0.8 greater than the density at point m. The exposure Hm, in lux-s, is that for point m when the specified contrast condition is satisfied. The ISO arithmetic speed is determined from:


How many regions does the Hurter-Driffield curve have?


What is plotted in the Hurter-Driffield curve?


What is denoted when the specified contrast condition is met?


What are the five regions of the Hurter-Driffield curve?


What is the effective f-number proportional to?

Film speed is used in the exposure equations to find the appropriate exposure parameters. Four variables are available to the photographer to obtain the desired effect: lighting, film speed, f-number (aperture size), and shutter speed (exposure time). The equation may be expressed as ratios, or, by taking the logarithm (base 2) of both sides, by addition, using the APEX system, in which every increment of 1 is a doubling of exposure; this increment is commonly known as a "stop". The effective f-number is proportional to the ratio between the lens focal length and aperture diameter, the diameter itself being proportional to the square root of the aperture area. Thus, a lens set to f/1.4 allows twice as much light to strike the focal plane as a lens set to f/2. Therefore, each f-number factor of the square root of two (approximately 1.4) is also a stop, so lenses are typically marked in that progression: f/1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, 32, etc.


What is used to discover the right exposure parameters?


What variables help the photographer produce the desired effect?


A lens with a setting of f/1.4 lets how much to hit the focal plane compared with a setting of f/2?


In the APEX system, the increment that doubles the exposure is called what?


What determines the effect on the emulsion after exposure?

Upon exposure, the amount of light energy that reaches the film determines the effect upon the emulsion. If the brightness of the light is multiplied by a factor and the exposure of the film decreased by the same factor by varying the camera's shutter speed and aperture, so that the energy received is the same, the film will be developed to the same density. This rule is called reciprocity. The systems for determining the sensitivity for an emulsion are possible because reciprocity holds. In practice, reciprocity works reasonably well for normal photographic films for the range of exposures between 1/1000 second to 1/2 second. However, this relationship breaks down outside these limits, a phenomenon known as reciprocity failure.


In what range of exposures does reciprocity usually work?


How are ways of finding an emulsion's sensitivity possible?


What happens outside the 1/1000 second to 1/second exposure range?


What are two examples of films that are marketed with speeds above their true ISO speed?

Some high-speed black-and-white films, such as Ilford Delta 3200 and Kodak T-MAX P3200, are marketed with film speeds in excess of their true ISO speed as determined using the ISO testing method. For example, the Ilford product is actually an ISO 1000 film, according to its data sheet. The manufacturers do not indicate that the 3200 number is an ISO rating on their packaging. Kodak and Fuji also marketed E6 films designed for pushing (hence the "P" prefix), such as Ektachrome P800/1600 and Fujichrome P1600, both with a base speed of ISO 400.


What speed of film is the Ilford Delta 3200?


Which two companies produced E6 films meant for "pushing"?


What is the base speed of Ektachrome P800/1600 and Fujichrome P1600?


What type of films are Ilford Delta 3200 and Kodak T-MAX P3200?


What is another name for an exposure index rating?

For digital photo cameras ("digital still cameras"), an exposure index (EI) rating—commonly called ISO setting—is specified by the manufacturer such that the sRGB image files produced by the camera will have a lightness similar to what would be obtained with film of the same EI rating at the same exposure. The usual design is that the camera's parameters for interpreting the sensor data values into sRGB values are fixed, and a number of different EI choices are accommodated by varying the sensor's signal gain in the analog realm, prior to conversion to digital. Some camera designs provide at least some EI choices by adjusting the sensor's signal gain in the digital realm. A few camera designs also provide EI adjustment through a choice of lightness parameters for the interpretation of sensor data values into sRGB; this variation allows different tradeoffs between the range of highlights that can be captured and the amount of noise introduced into the shadow areas of the photo.


How do some camera designs give some EI choices?


What are digital photo cameras also called?


What types of cameras have proven to be much more sensitive to light than film?

Digital cameras have far surpassed film in terms of sensitivity to light, with ISO equivalent speeds of up to 409,600, a number that is unfathomable in the realm of conventional film photography. Faster processors, as well as advances in software noise reduction techniques allow this type of processing to be executed the moment the photo is captured, allowing photographers to store images that have a higher level of refinement and would have been prohibitively time consuming to process with earlier generations of digital camera hardware.


What ISO equivalent speeds can digital cameras obtain?


What is responsible for these vast increases in speed?


What is one thing that limited speeds of older digital hardware?


What does the higher speed do for the images produced?


How many techniques are available because of ISO 12232:2006?

The ISO standard ISO 12232:2006 gives digital still camera manufacturers a choice of five different techniques for determining the exposure index rating at each sensitivity setting provided by a particular camera model. Three of the techniques in ISO 12232:2006 are carried over from the 1998 version of the standard, while two new techniques allowing for measurement of JPEG output files are introduced from CIPA DC-004. Depending on the technique selected, the exposure index rating can depend on the sensor sensitivity, the sensor noise, and the appearance of the resulting image. The standard specifies the measurement of light sensitivity of the entire digital camera system and not of individual components such as digital sensors, although Kodak has reported using a variation to characterize the sensitivity of two of their sensors in 2001.


What techniques did CIPA DC-004 provide?


What factors affect the exposure index rating?


What does the standard of ISO 12232:2006 specify?


In what year did Kodak start using a different way of characterizing two sensors?


What option does the Recommended Exposure Index give manufacturers?

The Recommended Exposure Index (REI) technique, new in the 2006 version of the standard, allows the manufacturer to specify a camera model’s EI choices arbitrarily. The choices are based solely on the manufacturer’s opinion of what EI values produce well-exposed sRGB images at the various sensor sensitivity settings. This is the only technique available under the standard for output formats that are not in the sRGB color space. This is also the only technique available under the standard when multi-zone metering (also called pattern metering) is used.


What is another name for multi-zone metering?


What distinction does the Recommended Exposure Index have?


When was the Recommended Exposure Index introduced?


What is the only technique that can be used when multi-zone metering is used?


What year was the Standard Output Sensitivity technique introduced?

The Standard Output Sensitivity (SOS) technique, also new in the 2006 version of the standard, effectively specifies that the average level in the sRGB image must be 18% gray plus or minus 1/3 stop when the exposure is controlled by an automatic exposure control system calibrated per ISO 2721 and set to the EI with no exposure compensation. Because the output level is measured in the sRGB output from the camera, it is only applicable to sRGB images—typically JPEG—and not to output files in raw image format. It is not applicable when multi-zone metering is used.


What does the Standard Output Sensitivity technique apply to?


With what type of metering can the Standard Output Sensitivity not be used?


With what standard is the automatic exposure control system calibrated?


Which methods are required by CIPA DC-004?

The CIPA DC-004 standard requires that Japanese manufacturers of digital still cameras use either the REI or SOS techniques, and DC-008 updates the Exif specification to differentiate between these values. Consequently, the three EI techniques carried over from ISO 12232:1998 are not widely used in recent camera models (approximately 2007 and later). As those earlier techniques did not allow for measurement from images produced with lossy compression, they cannot be used at all on cameras that produce images only in JPEG format.


In what year did the three EI techniques from ISO 12232:1998 largely stop being used?


With what cameras can earlier techniques not be used?


What nation's cameras does the CIPA DC-004 apply to?


where is the maximum possible exposure that does not lead to a clipped or bloomed camera output. Typically, the lower limit of the saturation speed is determined by the sensor itself, but with the gain of the amplifier between the sensor and the analog-to-digital converter, the saturation speed can be increased. The factor 78 is chosen such that exposure settings based on a standard light meter and an 18-percent reflective surface will result in an image with a grey level of 18%/√2 = 12.7% of saturation. The factor √2 indicates that there is half a stop of headroom to deal with specular reflections that would appear brighter than a 100% reflecting white surface.


How can the saturation speed be increased?


Which ratios are employed to calculate noise-based speed?

The noise-based speed is defined as the exposure that will lead to a given signal-to-noise ratio on individual pixels. Two ratios are used, the 40:1 ("excellent image quality") and the 10:1 ("acceptable image quality") ratio. These ratios have been subjectively determined based on a resolution of 70 pixels per cm (178 DPI) when viewed at 25 cm (9.8 inch) distance. The signal-to-noise ratio is defined as the standard deviation of a weighted average of the luminance and color of individual pixels. The noise-based speed is mostly determined by the properties of the sensor and somewhat affected by the noise in the electronic gain and AD converter.


What is a definition of signal-to-noise ratio?


What factors influence the noise-based speed?


What is the range for exposure latitude?

The standard specifies how speed ratings should be reported by the camera. If the noise-based speed (40:1) is higher than the saturation-based speed, the noise-based speed should be reported, rounded downwards to a standard value (e.g. 200, 250, 320, or 400). The rationale is that exposure according to the lower saturation-based speed would not result in a visibly better image. In addition, an exposure latitude can be specified, ranging from the saturation-based speed to the 10:1 noise-based speed. If the noise-based speed (40:1) is lower than the saturation-based speed, or undefined because of high noise, the saturation-based speed is specified, rounded upwards to a standard value, because using the noise-based speed would lead to overexposed images. The camera may also report the SOS-based speed (explicitly as being an SOS speed), rounded to the nearest standard speed rating.


What is another speed that can also be reported by the camera?


When should the noise-based speed be used?


Why should noise-based speed be rounded down to a lower standard?


What measures might the user "ISO" setting correspond to?

Despite these detailed standard definitions, cameras typically do not clearly indicate whether the user "ISO" setting refers to the noise-based speed, saturation-based speed, or the specified output sensitivity, or even some made-up number for marketing purposes. Because the 1998 version of ISO 12232 did not permit measurement of camera output that had lossy compression, it was not possible to correctly apply any of those measurements to cameras that did not produce sRGB files in an uncompressed format such as TIFF. Following the publication of CIPA DC-004 in 2006, Japanese manufacturers of digital still cameras are required to specify whether a sensitivity rating is REI or SOS.[citation needed]


What did the 1998 version of ISO 12232 not permit?


What types of sensitivity ratings can be specified by a camera?


What standards changed what Japanese camera makers have to specify?


In what year was CIPA DC-004 introduced?


How man feet above sea level is Mexico City

Mexico City, or the City of Mexico (Spanish: Ciudad de México audio (help·info) American Spanish: [sjuˈða(ð) ðe ˈméxiko]; abbreviated as "CDMX"), is the capital of Mexico. As an "alpha" global city, Mexico City is one of the most important financial centers in the Americas. It is located in the Valley of Mexico (Valle de México), a large valley in the high plateaus at the center of Mexico, at an altitude of 2,240 metres (7,350 ft). The city consists of sixteen municipalities (previously called boroughs).


How many municipalities are in Mexico City?


What did they used to call the municipalities within Mexico City?


What is the Spanish word for Mexico City?


How many meters above sea is Mexico City?