Which city is served by Marco Polo airport?

Venice Marco Polo Airport | Italy Heaven Tourist Guide Venice Marco Polo Airport Marco Polo Airport is Venice's official airport, and is just a few miles from the city. Venice Marco Polo Airport International flights to Venice usually land at Marco Polo Airport, 8 miles from Venice (Aeroporto di Venezia Marco Polo; IATA code VCE). Easyjet operate budget flights to the airport from the UK, and British Airways also fly there, with prices which can sometimes compete with the low-cost airlines. Ryanair fly to Treviso Airport , further away. Flight time from London is around an hour and forty minutes. The airport is modern, busy and fairly efficient. Transport into Venice is straightforward, although services stop at night. You should think about your travel plans in advance, as travel within Venice can be time-consuming, and the location of your hotel will determine your best route from the airport. Travel from Marco Polo Airport into Venice Public boats and water taxis A water taxi is by far the most romantic and glamorous way to arrive in Venice - especially if your hotel is one of the grander ones and has a water entrance. Unsurprisingly, this is a very expensive option, likely to cost from ï¿½110. There is a desk at the airport run by the Consorzio Motoscafi Venezia where you can organise a water taxi. A cheaper way to arrive in Venice by boat is to take a public ferry. A ferry service called Alilaguna runs waterbuses (motoscafi) across the lagoon to a number of the major ferry stops in Venice, including San Marco (for the St. Mark's area), Zattere and Arsenale as well as the Lido and Murano. Check with your hotel to make sure you get off at the nearest stop to your accommodation: it's very tiring to drag cases around Venice's alleys and over bridges. If your hotel is in an outlying location, such as the Lido , an Alilaguna ferry may be your most efficient means of transport. Alilaguna run several different routes, distinguished by colour, so make sure you catch the best one for your destination. A one-way ticket costs ï¿½15 and a return is ï¿½25 (see our transport page for more information on travel once you get to Venice). It takes several minutes to walk (following the signs) to the ferry stops on the lagoon shore. Tickets for the ferries can be bought at desks in the arrivals hall and also by the jetty. Bus services into Venice The cheapest transport from the airport into Venice is by bus, and there are two options which link Marco Polo Airport with Piazzale Roma (this is as far into Venice as you can get with land transport). Piazzale Roma is in the corner of Venice alongside the lagoon's road-bridge. Unless you are staying nearby, you will then need to use Venice's public boat services to continue your journey - this is why the Alilaguna ferry from the airport is often a quicker option. Buses depart from a row of stops opposite the exits to the airport building; there are electronic departures boards. An express coach service is run by a company called ATVO - the line is number 35, but it's clearly labelled for Venice (Venezia). It runs directly to Piazzale Roma, takes 20 minutes, and costs ï¿½5. Details and timetables for the buses are available on the airport and ATVO websites (see links panel on the right). They run approximately every half-hour, and the last departure from the airport is at 12:20am. A local urban bus service, the number 5, also links the airport with Piazzale Roma. This is run by ACTV, is usually a low-slung orange or blue bus, and is the cheapest option, costing ï¿½2.50. It stops en route, but is still reasonably quick, with a scheduled journey time of 25 minutes (traffic permitting). The 5 leaves the airport every half-hour until 11.10, after which there are services at 12.10am and 1.10am. Bus tickets You should buy bus tickets before you get on the vehicle - tickets for all the airport bus services are available from ticket kiosks inside the terminal building. There are also ticket machines by the stops, although I wouldn't rely on them working. Stamp them in the machine provided when


Which Greek mathematician is known as the Father of Geometry?

Greek Geometry - Euclid, Pythagoras, Archimedes and Thales Greek Geometry Greek Geometry - Euclid, Pythagoras, Archimedes and Thales . This article is a part of the guide: Select from one of the other courses available: Discover 44 more articles on this topic Don't miss these related articles: 8.6Mental Hospitals Save this course for later Don't have time for it all now? No problem, save it as a course and come back to it later. Like Explorable? Take it with you wherever you go. Download Explorable Now! Subscribe to our RSS Feed Like us on Facebook Share this page on your website: Greek Geometry Geometry can conceivably lay claim to being the oldest branch of mathematics outside arithmetic, and humanity has probably used geometrical techniques since before the dawn of recorded history. Initially, as with the Egyptians, geometry originated from practical necessity and the need to measure land; the word 'Geometry' means 'Earth Measuring'. This article is a part of the guide: Select from one of the other courses available: Discover 44 more articles on this topic Don't miss these related articles: . Euclid, illustrating geometry in "The School of Athens", by Raffaello Sanzio (Public Domain) Certainly, for measuring boundaries and for erecting buildings, humans need to have some inbuilt mechanism and instinct for judging distances, angles, and height. As civilizations developed, these instincts were augmented by observations and procedures gained from experience, experimentation, and intuition. The Babylonians were certainly skilled geometers, and the Egyptians developed a rich and complex mathematics based around surveying. Both of these cultures would pass their information on to the Greeks. . The Start of Greek Geometry The Egyptians and the Babylonians were not really interested in finding out axioms and underlying principles governing geometry. Their approach was very pragmatic and aimed very much at practical uses. The Babylonians, for example, assumed that Pi was exactly 3, and saw no reason to change this. The Egyptian mathematicians had no structure to their geometry, just a collection of rules and solutions aimed at specific circumstances, such as calculating the volume of a truncated pyramid. They also used trigonometry at that point, in development of a subset of geometry, for surveying and for measuring the dimensions of pyramids. These cultures did not appear to use deductive reasoning to uncover geometric techniques from first principles. Instead, they used trial and error and, if a solution was not readily available, used trial and error to arrive at an approximation. However, these cultures laid the foundations of Greek geometry and influenced the Greeks, who would bring a deductive methodology to geometry, trying to find elegant rules underpinning the field. . Early Greek Geometry Thales of Miletus (Public Domain) The early history of Greek geometry is unclear, because no original sources of information remain and all of our knowledge is from secondary sources written many years after the early period. However, we can still see a decent overview and also start to look at some of the great names, the Greek mathematicians who would shape the course of Greek geometry. The first, and one of the greatest names, is Thales of Miletus, a mathematician living in the 6th century BCE. He is regarded as the father of geometry and began the process of using deduction from first principles. It is believed that he travelled to Egypt and Babylon, picking up geometric techniques from these cultures, and he certainly would have had access to their work. Thales strongly believed that reasoning should supersede experimentation and intuition, and began to look for solid principles upon which he could build theorems. This introduced the idea of proof into geometry and he proposed some axioms that he believed to be mathematical truths. A circle is bisected by any of its diameters The base angles of an isosceles triangle are equal When two straight lines cross, the opposing angles


How many players are there on a basketball team?

How many players are on each basketball team? | Reference.com How many players are on each basketball team? A: Quick Answer A conventional game of basketball involves five players on the floor at a time from each of the two teams competing. However, teams often have substitute players on the bench who relieve starters. In the NBA, for instance, a team is allowed to have 12 active players throughout the season.


"Which scientist and inventor became known as the ""Wizard of Menlo Park""?"

Edison Who is Edison? Thomas Alva Edison (February 11, 1847 – October 18, 1931) was an American inventor, scientist, and businessman who developed many devices that greatly influenced life around the world, including the phonograph, the motion picture camera, and a long-lasting, practical electric light bulb. Dubbed "The Wizard of Menlo Park" (now Edison, New Jersey) by a newspaper reporter, he was one of the first inventors to apply the principles of mass production and large teamwork to the process of invention, and therefore is often credited with the creation of the first industrial research laboratory. Edison is considered one of the most prolific inventors in history, holding 1,093 U.S. patents in his name, as well as many patents in the United Kingdom, France, and Germany. Early Life   Thomas Edison was born in Milan, Ohio, and grew up in Port Huron, Michigan. He was the seventh and last child of Samuel Ogden Edison, Jr. (1804–1896, born in Marshalltown, Nova Scotia, Canada) and Nancy Matthews Elliott (1810–1871).His father had to escape from Canada because he took part in the unsuccessful Mackenzie Rebellion of 1837. Edison considered himself to be of Dutch ancestry. In school, the young Edison's mind often wandered, and his teacher, the Reverend Engle, was overheard calling him "addled". This ended Edison's three months of official schooling. Edison recalled later, "My mother was the making of me. She was so true, so sure of me; and I felt I had something to live for, someone I must not disappoint." His mother homeschooled him.Much of his education came from reading R.G. Parker's School of Natural Philosophy and The Cooper Union. Edison developed hearing problems at an early age. The cause of his deafness has been attributed to a bout of scarlet fever during childhood and recurring untreated middle ear infections. Around the middle of his career Edison attributed the hearing impairment to being struck on the ears by a train conductor when his chemical laboratory in a boxcar caught fire and he was thrown off the train in Smiths Creek, Michigan, along with his apparatus and chemicals. In his later years he modified the story to say the injury occurred when the conductor, in helping him onto a moving train, lifted him by the ears. Edison's family was forced to move to Port Huron, Michigan, when the railroad bypassed Milan in 1854, but his life there was bittersweet. He sold candy and newspapers on trains running from Port Huron to Detroit, and he sold vegetables to supplement his income. This began Edison's long streak of entrepreneurial ventures as he discovered his talents as a businessman. These talents eventually led him to found 14 companies, including General Electric, which is still in existence and is one of the largest publicly traded companies in the world Marriage On December 25, 1871, Edison married 16-year-old Mary Stilwell, whom he had met two months earlier as she was an employee at one of his shops. They had three children: • Marion Estelle Edison (1873–1965), nicknamed "Dot" • Thomas Alva Edison, Jr. (1876–1935), nicknamed "Dash" • William Leslie Edison (1878–1937) Inventor, graduate of the Sheffield Scientific School at Yale, 1900 Mary Edison died on August 9, 1884, possibly from a brain tumor. On February 24, 1886, at the age of thirty nine, Edison married 20-year-old Mina Miller in Akron, Ohio. She was the daughter of inventor Lewis Miller, co-founder of the Chautauqua Institution and a benefactor of Methodist charities. They also had three children: • Madeleine Edison (1888–1979), who married John Eyre Sloane. • Charles Edison (1890–1969), who took over the company upon his father's death and who later was elected Governor of New Jersey. He also took charge of his father's experimental laboratories in West Orange. • Theodore Edison (1898–1992), (MIT Physics 1923), had over 80 patents to his credit. Mina outlived Thomas Edison, dying on August 24, 1947. Beginning his career Photograph of Edison with his phonograph, taken by Mathew Brady in 1877 Thomas Edison began his career as an inventor in N


In which Yorkshire town is the Captain Cook Memorial Museum?

Captain Cook Memorial Museum - Culture & Art - Whitby - North Yorkshire | Welcome to Yorkshire Captain Cook Memorial Museum Nearby Overview & description This handsome 17thC harbourside house is where the great explorer, James Cook, came to serve his apprenticeship in Whitby in the year 1746. It belonged to Cook's master, the Quaker ship owner, Captain John Walker. When the young Cook was not at sea, he lodged here in the attic with Walker's 'other family' of apprentices. The house is now a museum. It houses a superb collection of original exhibits about Yorkshire’s most famous son. See letters in Cook’s own hand, original paintings and drawings, ship models and maps, and strange objects from newly discovered lands. From the bleak Antarctic Ocean to the fertile beauty of Pacific islands, all Europe was fascinated by the images and objects brought back. Discover how Cook became a household name in Britain and beyond, and his voyages a model for others to follow. Free house guide (in 6 languages). Free Activities Sheet for children. Gift Shop’ ‘For further information and for details of our special exhibition for 2016 ‘Wives and Sweethearts, the Sailor’s Farewell’, please visit the Museum’s website, www.cookmuseumwhitby,co.uk In 2016, the Museum is open daily from Saturday 13 February to Sunday 6 November. From 7 November 2016, prearranged private individual visits will be accepted for up to 9 people at £7.50 per person. The Museum will reopen for February half term 2017 and then daily through the 2017 season For detailed times and prices see ‘Times and Prices’ above. Winner of the Gold Award 2013 for the best small visitor attraction in Visit England's Awards for Excellence. Twice winners in Yorkshire's White Rose Awards, 2005 and 2012. One of Britain’s Best!


Sarah Woodruffe is the eponymous heroine of which classic 20th century novel?

The French Lieutenant's Woman: Novel Summary | Novelguide The French Lieutenant's Woman: Novel Summary Total Votes: 321 Summary As with each chapter of The French Lieutenant’s Woman, Chapter One begins with an epigraph. This first one is taken from ‘The Riddle’ by Thomas Hardy: ‘Stretching eyes west/Over the sea,/Wind foul or fair,/Always stood she/Prospect impressed;/Solely out there/Did her gaze rest,/Never elsewhere/Seemed charm to be.’ As the chapters progress, it becomes apparent that this quotation offers a fair description of the eponymous heroine. The narrative begins in March 1867 and with a description of Lyme Bay in England. A man and woman are walking down the quay at Lyme Regis on a sharp and blustery morning. The Cobb, which is a 700-year-old sea-rampart, is described as the most beautiful on the south coast of England. The first-person narrator says the Cobb has changed little ‘since the year of which I write’, but Lyme Regis has. In 1867, this town lies to the east of where the Cobb runs back to the land. Sombre gray cliffs lie to the west and there are dense woods above and beyond them. The narrative returns to the couple and how the local spy might think the two are strangers and ‘people of some taste’. The young lady is dressed fashionably, more so than the ladies of the area, There is also another figure on the Cobb, which is dressed in black and standing motionless whilst staring out to sea. It is described as ‘more like a living memorial to the drowned, a figure from myth, than any proper fragment of the petty provincial day’. One of the epigraphs introducing Chapter Two makes references to the surplus of women in the nineteenth century. The chapter itself begins with the man (Charles Smithson) and the woman (Tina, or rather, Ernestina as she is usually referred to) walking down the Cobb. He wants to walk back, but she wants to carry on and they agree to do as she desires. She asks what he and her father discussed last Thursday and he tells her ironically that they had a ‘small philosophical disagreement’ about Darwin. Her father clearly does not believe in his theories of evolution as Charles does. She thinks that the greatest obstacle to their betrothal is that despite her father’s great wealth her grandfather was ‘only’ a draper whereas Charles’s ‘had been a baronet’. He reminds her he is a scientist and, therefore, is bound to disagree with her father and she points out to him that they have been walking on fossils. Charles notices the other figure on the Cobb and realizes it is a woman. Ernestina informs him it must be ‘poor Tragedy’ and that she has other nicknames. The fishermen call her ‘The French Lieutenant’s …Woman’. Ernestina also says this woman is ‘a little mad’ and she does not like to go near her. After Charles prompts her, she goes on to explain that there is a rumor that the woman did ‘worse’ than fall in love with the French lieutenant and she is now waiting for his return. She now works as ‘a servant of some kind’ for Mrs Poulteney. On Charles’s instigation, they walk closer to the woman and it is noted that she is wearing a man’s riding coat and appears to be oblivious to fashion. Charles makes conversation with her and when she turns to look at him he feels as though she looks straight through him. He thinks her face ‘is not the one expected of the age’, as there is ‘no artifice there, no hypocrisy, no hysteria, no mask’. Afterwards, Charles thinks repeatedly of the look she gave him. He compares it to a ‘lance’ and feels she has seen him as an ‘unjust enemy’. When Charles and Ernestina walk away from the woman, he tells her that he wishes she had not told him the ‘sordid facts’ as there is no mystery or romance about the woman now. Ernestina teases him for this as he is the scientist, ‘the despiser of novels’. Analysis – Chapters One and Two These first two chapters introduce the enigmatic French Lieutenant’s Woman and the readers recognize her difference from others immediately. She is isolated as she stands on the Cobb and rumors are passed around about her in the town, whic


Which composer wrote the scores for the Errol Flynn swashbucklers such as Captain Blood and The Adventures of Robin Hood?

PERFORMING ARTS : First-Class Hollywood Composers : Six makers of film music will at last get their own stamps this week. - latimes PERFORMING ARTS : First-Class Hollywood Composers : Six makers of film music will at last get their own stamps this week. September 12, 1999 |JON BURLINGAME | Jon Burlingame is an occasional contributor to Calendar Six of the movies' greatest composers--men whose music was far better known than their names--are about to receive an unprecedented degree of nationwide face time: Their images on postage stamps. Max Steiner, Erich Wolfgang Korngold, Alfred Newman, Franz Waxman, Bernard Herrmann and Dimitri Tiomkin are featured in the Hollywood Composers series of 33-cent stamps to be unveiled in ceremonies at 10 a.m. Thursday at the Hollywood Bowl. Film historian Leonard Maltin will host the event, which will feature American Film Institute director Jean Picker Firstenberg as speaker and John Mauceri conducting the Hollywood Bowl Orchestra in an "open rehearsal" of music by the six Oscar-winning composers, who are best known for their work during Hollywood's golden age. The mini-concert will include music from such classics as "Gone With the Wind," "The Adventures of Robin Hood" and "Vertigo." More than 1,500 youngsters from Los Angeles-area schools are expected to attend, and the event is free and open to the public. For film music champions like Mauceri, who often programs movie scores at the Bowl, the recognition is long overdue. "After many years of neglect, and sometimes worse than neglect, the composers of film music are being treated as American heroes, along with athletes, presidents and political figures of all kinds," he said. "It means that they are being recognized along with other people of achievement in the United States." David Newman, son of Alfred Newman and a Hollywood composer himself, said he felt that "the whole industry is being honored" with this event. According to Azeezaly Jaffer, executive director of stamp services for the U.S. Postal Service, the six Hollywood Composers stamps, along with six Broadway Songwriters stamps to be released next week, are the last in the Legends of American Music series launched in 1993 with the best-selling Elvis Presley stamp. Jaffer said that the selection and design process dates back to 1991 with the initial recommendations of the Citizens Stamp Advisory Committee, which were screened by musicologists at the Smithsonian Institution and other experts. "They've been talking about it for several years," said Olivia Tiomkin Douglas, Tiomkin's widow, by phone from her home near London. "We thought it was something that probably would never come off. It's almost unbelievable." John W. Waxman, Franz Waxman's son, thinks his father would be "really thrilled that his adopted country has embraced him in this way. Here is a man who came from a country where the only people who ever appeared on stamps were dictators or dogs." In fact, four of the six composers were European emigres. Steiner and Korngold were Austrian, Waxman was German, Tiomkin a Russian. Herrmann was a New Yorker and Newman was born in New Haven, Conn. All six arrived in Hollywood within a 10-year period (1929-39) and, while three of them also enjoyed careers in concert music, all owed their lasting fame to the movies. Steiner and Newman came to Hollywood after enormous success as Broadway conductors in the '20s. The prolific Steiner (1888-1971) counted among his works for 300 films such seminal scores as "King Kong" and "Gone With the Wind." He spent nearly 30 years at Warner Bros., where he cleverly interpolated the song "As Time Goes By" throughout "Casablanca," accompanied Bette Davis' romantic adventures in "Now, Voyager" and rode the pop charts to success (at the age of 71) with the theme for "A Summer Place." Newman (1900-1970) was the most honored composer in Hollywood history, winning nine Oscars out of 45 nominations. Musical director of 20th Century Fox throughout the '40s and '50s, he was widely considered the finest conductor in movies and composed such memorable


In which year did Bjorn Borg become Men's Singles champion at Wimbledon for the first time?

BBC SPORT | Tennis | Wimbledon History | Wimbledon legends: Bjorn Borg Wimbledon legends: Bjorn Borg 1976, 1977, 1978, 1979, 1980 Runner up: 1981 Grand Slam titles: 11 Prize money: $3,655,751 Bjorn Borg seemed an unlikely Wimbledon champion as his play was more suited to the slow clay courts of Europe. He won the French Open six times but was no slouch on the grass either. Between losing to eventual champion Arthur Ashe in 1975 and John McEnroe in the 1981 final, he won a record 41 consecutive matches in SW19. That run saw 'Ice Borg' claim an unprecedented five successive titles beating Ilie Nastase, Jimmy Connors - twice - Roscoe Tanner and John McEnroe. What makes that run even more amazing is that it came in an era when there were so many great champions gunning for the greatest prize in the game. There were three years when he won both the French and Wimbledon, and in those days there was only one week of preparation for the grass between the two events. The one rule of grass-court tennis is that you have be a supreme volleyer. But Borg was the exception that proved the rule. Although no stranger to the net, Borg powered away from the baseline with powerful ground strokes, including a double-handed backhand. He hit the ball high and brought it down with excessive top-spin. It made it very difficult for opponents to attack him. In other words, he developed the style of play that still dominates the world game today. Many things about Borg are still an enigma. He retired having just turned 25 after losing the 1981 final to John McEnroe. The year before the pair had played the all-time classic Wimbledon final - but not everyone remembers Borg actually won that match, focusing instead on McEnroe's memorable tie-break win in the fourth set.


In Morse code, which letter of the alphabet is designated by a single dash?

International Morse Code International Morse Code For learning Morse code it is recommended that you do not try to remember dots and dashes, but remember the Morse code sounds instead. Letter CL, Going off the air ("clear") -.-..-.. DO, Change to wabun code -..--- KN, Invite a specific station to transmit -.--. SK, End of transmission (also VA) ...-.- I am ready to copy QRV? Are you ready to copy? QRL The frequency is in use QRL? Is the frequency in use? QTH What is your location? Notes If the duration of a dot is taken to be one unit then that of a dash is three units. The space between the components of one character is one unit, between characters is three units and between words seven units. To indicate that a mistake has been made         and for the receiver to delete the last word, send ........ (eight dots). The prosigns are combinations of two letters sent together with no space in between. The other abbreviations and Q codes are sent with the normal spacing. I am a father and foster carer a principal research engineer at the IT Innovation Centre a Woodcraft Folk district coordinator a salsa teacher and in my spare time I write and maintain this web site © Copyright Stephen C. Phillips, 2015


The name of which feature of a volcano comes from the Spanish for 'cooking pot'?

What does Caldera mean? Definitions for Calderakælˈdɛr ə, kɔl- This page provides all possible meanings and translations of the word Caldera Princeton's WordNet(0.00 / 0 votes)Rate this definition: caldera(noun) a large crater caused by the violent explosion of a volcano that collapses into a depression Wiktionary(0.00 / 0 votes)Rate this definition: caldera(Noun) A large crater formed by a volcanic explosion or by collapse of the cone of a volcano. Origin: From caldera, from caldaria. Freebase(0.00 / 0 votes)Rate this definition: Caldera A caldera is a cauldron-like volcanic feature usually formed by the collapse of land following a volcanic eruption. They are sometimes confused with volcanic craters. The word comes from Spanish caldera, and this from Latin CALDARIA, meaning "cooking pot". In some texts the English term cauldron is also used. In 1815, the German geologist Leopold von Buch visited the Las Cañadas caldera of Teide on Tenerife, and the Caldera de Taburiente on La Palma, both in the Canary Islands. When he published his memoirs he introduced the term caldera into the geological vocabulary. Numerology The numerical value of Caldera in Chaldean Numerology is: 1 Pythagorean Numerology


Aboard which U.S. ship was the Japanese surrender signed in 1945?

September 2, 1945: Formal Surrender of Japan in Images - The History Reader Home › Modern History › September 2, 1945: Formal Surrender of Japan in Images September 2, 1945: Formal Surrender of Japan in Images By Callie Oettinger September 2, 1945, the formal ceremonies, marking the surrender of Japan, took place aboard the USS Missouri. This collection of images features pictures taken the morning of–and during–the ceremony, the two-page Instrument of Surrender, and a copy of the “souvenir” card given to those aboard the ship that day. USS Missouri, anchored in Tokyo Bay, Japan, 2 September 1945, the day that Japanese surrender ceremonies were held on her deck. Naval Historical Center. A U.S. Army honor guard presents arms as representatives of the Allied Powers arrive at pierside to be taken to USS Missouri for the surrender ceremonies, 2 September 1945. Uniform patches and unit flag indicate that the honor guard is from the 11th Airborne Division Reconnaissance Battalion. USS Buchanan (DD-484) is alongside the pier. She carried some of the dignitaries out to the Missouri. Credit: Naval Historical Center. General Jacques LeClerc leads the French delegation on board USS Nicholas (DD-449) to be taken to USS Missouri for the surrender ceremonies, 2 September 1945. Credit: Naval Historical Center. The Japanese delegation comes on board USS Nicholas (DD-449) to be taken to USS Missouri for the surrender ceremonies, 2 September 1945. Most sources state that the Japanese were transported to Missouri by USS Lansdowne (DD-486), while Nicholas carried members of the Allied Powers’ delegations. Credit: Naval Historical Center. Spectators and photographers crowd USS Missouri’s superstructure to witness the formal ceremonies marking Japan’s surrender, 2 September 1945. The framed flag in lower right is that hoisted by Commodore Matthew C. Perry on 14 July 1853, in Yedo (Tokyo) Bay, on his first expedition to negotiate the opening of Japan. It had been brought from its permanent home in Memorial Hall at the U.S. Naval Academy for use during the surrender ceremonies. Credit: Naval Historical Center.   Japanese representatives on board USS Missouri (BB-63) during the surrender ceremonies, 2 September 1945. Standing in front are: Foreign Minister Mamoru Shigemitsu (wearing top hat) and General Yoshijiro Umezu, Chief of the Army General Staff. Behind them are three representatives each of the Foreign Ministry, the Army and the Navy. They include, in middle row, left to right: Major General Yatsuji Nagai, Army; Katsuo Okazaki, Foreign Ministry; Rear Admiral Tadatoshi Tomioka, Navy; Toshikazu Kase, Foreign Ministry, and Lieutenant General Suichi Miyakazi, Army. In the the back row, left to right (not all are visible): Rear Admiral Ichiro Yokoyama, Navy; Saburo Ota, Foreign Ministry; Captain Katsuo Shiba, Navy, and Colonel Kaziyi Sugita, Army. Credit: Naval Historical Center.   General of the Army Douglas MacArthur, Supreme Allied Commander, reading his speech to open the surrender ceremonies, on board USS Missouri (BB-63). The representatives of the Allied Powers are behind him, including (from left to right): Admiral Sir Bruce Fraser, RN, United Kingdom; Lieutenant General Kuzma Derevyanko, Soviet Union; General Sir Thomas Blamey, Australia; Colonel Lawrence Moore Cosgrave, Canada; General Jacques LeClerc, France; Admiral Conrad E.L. Helfrich, The Netherlands and Air Vice Marshall Leonard M. Isitt, New Zealand. Lieutenant General Richard K. Sutherland, U.S. Army, is just to the right of Air Vice Marshall Isitt. Off camera, to left, are the representative of China, General Hsu Yung-chang, and the U.S. representative, Fleet Admiral Chester W. Nimitz, USN. Framed flag in upper left is that flown by Commodore Matthew C. Perry’s flagship when she entered Tokyo Bay in 1853. Credit: Naval Historical Center.   Japanese Foreign Minister Mamoru Shigemitsu signs the Instrument of Surrender on behalf of the Japanese Government, on board USS Missouri (BB-63), 2 September 1945. Lieutentant General Richard K. Sutherland, U.S. Army, watches from the opp


The Card Players and The Boy in the Red Vestare are works by which 19th century French artist?

The Boy in the Red Vest, Paul Cezanne: Analysis The Boy in the Red Vest By Paul Cezanne. The Boy in the Red Vest (1889-90) Contents Name: "The Boy in the Red Vest" ("The Boy in the Red Waistcoat") (1889-90) French: Le Garcon au gilet rouge Movement: Impressionism Location: E.G. Buhrle Collection, Zurich, Switzerland For an interpretation of other pictures      from the 19th and 20th centuries, see: Analysis      of Modern Paintings (1800-2000). HOW TO UNDERSTAND See: How to Appreciate Art . Background Belonging to Cezanne's late period, this     painting - a unique mix of Impressionism and Classicism - ranks alongside Man Smoking a Pipe (1890-2), The Card Players (1892-6), Woman with a Coffee Pot (1890-5), Lady in Blue (1900),     and Young Italian Woman Leaning on     her Elbow (1900) as one of Cezanne's greatest masterpieces of modern art . Actually he painted four Impressionist     portraits of this particular Italian boy, each in a different pose,     of which the E.G. Buhrle painting (boy with head cradled in hand) is the     most famous. The 19th century art critic Gustave Geffroy stated that it     compared with the finest figure painting of the Old Masters. The other three, equally fine, versions are in the National Gallery     of Art, Washington DC (boy with hand on hip); MOMA (boy in profile); and the Barnes     Foundation (boy from front). In February 2008, the E.G.Buhrle portrait     was stolen from the Buhrle Foundation's premises in Zurich. Valued at     close to $100 million, it was finally recovered in April 2012, hidden     in a car roof in Serbia. In addition to the four oil paintings, Cezanne     also produced a watercolour and pencil drawing entitled The Boy in the Red Vest (1889-90, Private Collection). Analysis of The     Boy in the Red Vest by Cezanne This picture, also known as The Boy     in the Red Waistcoat, is a strikingly modern production in colour     and form, with distinctive blocks of red, grey, brown, blue or greeny-blue,     and white - all in keeping with the sitter's traditional Italian dress,     with its red waistcoat, blue kerchief and belt. The reduced palette creates     a sense of balance, repeating colours in several areas. A number of diagonals intersect and echo each other: such as the angle of the sitter's tilted     back and head, his arms and forearms, and the long diagonal of the seat     and table top rising from the lower left. These not only create a complex     and optically interesting structure, but also they help to direct the     viewer's eye around a circle made up of the face, right-arm and up to     the supporting elbow which points back to the face. Note that the same     interior can be seen in portraits of the artist's wife, Hortense Fiquet     (1850-1922).     Like Woman with a Coffee Pot, viewpoints     change across the canvas. The table surface, for instance, is seen from     above, while the boy is viewed from the side. It was this device of using     multiple viewpoints that inspired Picasso (1881-1973) to invent Analytical     Cubism along with Georges     Braque (1882-1963). Cezanne sold this version of The Boy     in the Red Vest in 1895 to his art dealer Ambroise     Vollard (1866-1939), after which it passed through the hands of art     collectors like the Hungarian Marcell Nemes (1866-1930), in 1909,     and the German businessman Gottlieb Reber (1880-1959) in 1913. In 1948     Reber sold it to the art collector and patron Emil Georg Buhrle. In 1960,     in the wake of Buhrle's death, the painting was donated to the E.G. Buhrle     Foundation. NOTE: For other major paintings by Paul      Cezanne, please see: The House      of the Hanged Man (1873); The      Bridge at Maincy (1879); the Mont      Sainte-Victoire paintings (1882-1906) and The      Large Bathers (1894-1905). E.G. Buhrle Collection Emil Georg Buhrle (1890


Is Quinine in Tonic Water Safe? - The People's Pharmacy Loading... Is Quinine in Tonic Water Safe? The pros and cons of quinine make tonic water a challenging choice for many people in their fight against leg cramps. What else works for muscle cramps? Terry Graedon The People's Pharmacy October 11, 2010 Alternative Health 200 Comments Quinine is bitter. It gives tonic water a distinctive flavor. Not that long ago you could buy quinine pills over the counter in most pharmacies under brand names like Legatrin, Quinamm and Q-vel. But the Food and Drug Administration banned the use of OTC quinine to treat leg cramps in 1994. Although this drug has been available for centuries, the FDA has determined that it is far too dangerous to use for anything but malaria. See this link for more information on the ban. Quinine Dangers The trouble is that some people are extremely sensitive to quinine’s toxic effects. This drug can cause headache, rash, ringing in the ears, nausea, dizziness and blurred vision. The most serious reactions are rare but can be life threatening. Blood disorders can lead to hemorrhaging. Dozens of hospitalizations and two deaths are linked to the drug. The FDA ordered drug companies to stop selling quinine for anything but malaria in 2007. Only one product was allowed. Qualaquin can be prescribed by physicians but the cost is high. One pill of Qualaquin could cost over $6. That could make sense for a drug to treat malaria, which is rare in the US. Muscle cramps are anything but rare. Any physician who prescribes Qualaquin for leg cramps could risk the wrath of the FDA. On July 8, 2010, the agency issued the following warning. “The U.S. Food and Drug Administration today warned that the unapproved use of the malaria drug Qualaquin (quinine sulfate) to treat night time leg cramps has resulted in serious side effects and prompted the manufacturer to develop a risk management plan aimed at educating health care professionals and patients about the potential risks. “Qualaquin is not FDA-approved to treat or prevent night time leg cramps. “A review of reports submitted to the FDA’s Adverse Event Reporting System (AERS) between April 2005 and Oct. 1, 2008, found 38 U.S. cases of serious side effects associated with the use of quinine, the active drug in Qualaquin. “Quinine use resulted in serious and life-threatening reactions in 24 cases, including low level of platelets in the blood (thrombocytopenia), and hemolytic uremic syndrome/thrombotic thrombocytopenic purpura, a blood disorder that results in clots in small blood vessels around the body that can be accompanied by kidney impairment. “In some patients, these side effects resulted in permanent kidney impairment and hospitalization. Two patients died. Most of those reporting serious side effects took the drug to prevent or treat leg cramps or restless leg syndrome.” What about Tonic Water? Clearly, quinine can be dangerous for certain people, but the FDA has not banned quinine from tonic water. To do so would make the FDA a laughing stock. It would also aggravate millions of people who like gin and tonic…or just plain tonic. It is an acquired taste, but some people really like it. It’s also possible that the FDA doesn’t consider tonic water a danger to public health. Because of this loophole, many people have discovered that drinking tonic water can help prevent muscle cramps. One reader related her experience: “I suffered with nightly leg cramps until one magic day on the Greek island Santorini. I had gone on tour as a guest singer of the New York Choral Society. One free afternoon, a group of us went to a black sand beach where I swam. The only other member of the group who also swam was a New York trauma surgeon. I developed a cramp and was trying to walk it out when he told me about Schweppes tonic, which contains a very small amount of quinine. “I couldn’t find any tonic on Santorini or in Athens, but as soon as I returned home I started drinking a large glass (diet, with cranberry) every night. It has worked for me for several years, but I definitely know


On which place in Paris is the Arc de Triumphe from which several thoroughfares radiate?

Paris Tourism - Paris Attractions - Paris, France Things to Do and See Arc de Triomphe - Paris, France  Place du General de Gaulle - Paris, France 75008 This online   resource was designed to provide you with attraction and sightseeing information   for Paris, France. If you want to jump back to the home page, just click this link: the Paris Directory ARC DE TRIOMPHE The     Arc de Triomphe is engraved with names of generals who commanded French     troops during Napoleon's regime. Standing at the end of the Champs-Elys�es, it is now one of the most     famous landmarks in Paris, together with the Eiffel Tower symbol of     France's capital.  12 Streets radiate from the circular square. The streets are named after     French military leaders.     The design of the arch by Jean Chalgrin is based on the Arch of Titus in     Rome. The Arc de Triomphe is higher but it has exactly the same     proportions. The triumphal arch is adorned with many reliefs, most of     them commemorating previous battles. HISTORY - It was not until the year 1730, when five streets radiated out from     this "Etoile de Chaillot". And in 1758, after several plans were drawn up, such as a bizarre one in     the midst of the square - a gigantic elephant housing ballrooms and a     theater. However, the plans appeared a bit too ambitious. And, Napoleon     Bonaparte had other ideas, he built a monument for the glorification of     his Grande Arm? a triumphal arch in classical style - the Arc de     Triomphe. The Arch was finished for the inauguration in 1836, during the     reign of Louis Philippe. However, the rest of the "Place de L'Etoile" was not finished until 1854. Haussman, responsible for redesigning Paris (1853-1870), added another     seven avenuesto the existing five ones of them stretching up to the     boulevard called after him. The Arc de Triomphe and its massive piers are decorated with bas reliefs     depicting scenes trom the revolutionary era (including the First     Empire). To the right on the side facing the Champs-Elysees is the     Marseillaise by Rude (the departure of the volunteers to the front in     1792); to the left is Napoleon's Triumph of 1810 by Cortot. The     resistance of 1814 and the Peace of 1815 are on the other side, modestly     facing away from the city. To get a closer look at the Arc de Triomphe, you can take an underpass     on the Champs-Elysees or Avenue de la Grande Armee that leads you to the     center of the plaza. Cultural centers, deluxe hotels and other     activities that participate in the tradition and prestige of the Champs-Elysees     are encouraged to return by the municipality. Metro : lines 1, 2 et 6 station Charles-de Gaulle-Etoile. RER : line A station Charles-de Gaulle-Etoile. Bus :     lines 22, 30, 31, 52, 73, 92 and Balabus. HOURS: From 1er april to 30 september from 9h30am to 11pm From 1er october to 31 march from 10am ?0h30pm Closed on 1st january, 1st may, 8 may (morning), 14 july (morning), 11     november (morning) and on 25 d?mber.


From which flower is the spice saffron obtained?

Crocus | The Flower Expert - Flowers Encyclopedia Buy From OurStores Crocus The name of the genus is derived from the Latin adjective crocatus, meaning saffron yellow. Saffron is a spice derived from the flower of the saffron crocus (Crocus sativus), a species of crocus in the family Iridaceae. The word Crocus is Latin for Saffron. The flower's three stigmas (the distal ends of the plant's carpels, or female reproductive organs) and parts of its style (a stalk connecting the stigmas to the rest of the plant) are often dried and used in cooking as a seasoning and colouring agent. Crocus is the native of Southern Europe and Asia. There are about 80 species of crocus, of which approximately 30 are cultivated. These cup-shaped, solitary, salverform flowers taper off into a narrow tube. Knowing this, it should not surprise you that Saffron comes from the stigma of the Saffron Crocus. But, it takes thousands of flowers to get an ounce of Saffron. Saffron, which has for decades been the world's most expensive spice by weight, is native to Southwest Asia. It was first cultivated in the vicinity of Greece. Kingdom Species Crocus sativus The spice saffron is obtained from the stamens of Crocus sativus, a fall-blooming species. The hay saffron (Crocus sativus L.) is a sterile triploid plant, known in human culture only, with no fertile seeds produced. The origin of saffron is still a mist, however it is assumed to be an autopoliploid mutant or a hybrid. The recent classification and most of the former taxonomic publications define C. sativus to be derived from C. cartwrightianus, a wild species. Saffron is considered to be the worlds most expensive spice. The flower of Crocus sativa is a light purple, but it is the thread-like reddish colored stigma of the flower that is valued both as a spice and as a natural colorant. Saffron is hand harvested in the autumn, and the stigma is laboriously separated to yield the reddish colored spice. It takes in excess of 70,000 flowers to yield just one pound (0.45 kilo) of saffron spice. The odour of saffron is sometimes described as like the sea air. Saffron is characterised by a bitter taste and an iodoform- or hay-like fragrance; these are caused by the chemicals picrocrocin and safranal. It also contains a carotenoid dye, crocin, that gives food a rich golden-yellow hue. These qualities make saffron a much sought-after ingredient in many foods worldwide. Saffron also has medicinal applications. Facts About crocus Flowers The word saffron originated from the 12th century Old French term safran, which derives from the Latin word safranum. Safranum is also related to the Italian zafferano and Spanish azafr?n. Safranum comes from the Arabic word asfar , which means yellow, via the paronymous za?faran , the name of the spice in Arabic. In the Greco-Roman classical period (8th century BC to the 3rd century AD), the saffron harvest is first portrayed in the palace frescoes of Minoan Crete, which depict the flowers being picked by young girls and monkeys. The best-known Greek legend involving saffron was that detailing the tragedy of Crocus and Smilax. The people best known as growers of this bulb were the Minoans. The Minoans grew it throughout its range in the Aegean Sea and the parts of Asia Minor which they controlled. It was produced by crushing the dried stigmas of the flower for the powder. The stigma is the female part of the flower which is surrounded by the male stamens. According to a theory, after ancient Persia conquered Kashmir, Persian saffron crocus corms were transplanted to Kashmiri soil. The first harvest then occurred sometime prior to 500 BC. Phoenicians then began in the 6th century BC to market the new Kashmiri saffron by utilising their extensive trade routes. Once sold, Kashmiri saffron was used in the treatment of melancholy and as a fabric dye. Saffron-based pigments have been found in the prehistoric paints used to depict beasts in 50,000-year-old cave art in what is today Iraq. Later, the Sumerians used saffron as an ingredient in their remedies and magical potions. The


Dale Arden was the girlfriend of which science fiction hero?

Super-Hero Films: Flash Gordon Flash Gordon Greatest Super-Hero Films: Flash    Gordon (chronological by time period and film title) Flash Gordon -      was a super-hero derived from the science-fiction adventure comic      strip by Alex Raymond, first published as a King Features syndicated      Sunday comic strip on January 7, 1934. Cartoonist Austin Briggs began      a daily Flash Gordon strip beginning on May 27, 1940. Raymond's      authoring of the Sunday comic strip lasted until April 30, 1944, although      the strip (both daily and Sunday) continued to exist with new stories      until March 16, 2003. First Flash Gordon Comic Strip January 7, 1934, Sunday comic strip Earth Bombarded by Meteors Another Example of Flash Gordon Sunday Strip February 25, 1934 Reprints of the Austin Briggs Comic Strip Dailies Flash Gordon Dailies Flash Gordon Dailies (1940-42) Many iterations of the     character were developed (to compete with Buck Rogers) in the adventurous,      sci-fiction/fantasy Flash     Gordon serials of     the late 1930s (with Buster Crabbe as Flash Gordon and Jean Rogers as     blonde Dale Arden). Flash fought daring intergalactic battles to save     mankind. The action-oriented episodes were filled with fantastic      spaceships, androids, death rays, futuristic scenes and cities, monsters,      exotic enemies and other imaginative creations. Title Screen Poster Flash Gordon (1936) - Theatrical        Serial A 13-installment     serial from Universal, the first Flash Gordon screen adventure,     and the first pure science-fiction serial. The original and the best     of its type, with Buster Crabbe as adventurer Flash Gordon, Jean Rogers     as girlfriend Dale Arden, Frank Shannon as scientist Dr. Zarkov, and     Charles Middleton as Planet Mongo tyrant Ming the Merciless. Later retitled     for its home video release in the mid-1950s as Flash Gordon's Space     Soldiers,    to differentiate it from the same-titled TV series. It     was condensed from the 245-minute serial    into two feature films (cutting out the repetitive opening titles, duplicate      footage, etc.), both released in 1966: Rocket    Ship (1966), 66 minutes, released theatrically, and Spaceship    to the Unknown (1966) (aka Atomic Rocketship), 97 minutes, released    to TV and non-theatrical rental markets: Theatrical release - 1966 TV feature film - 1966 Flash Gordon's Trip to Mars (1938)        - Theatrical Serial A 15-episode serial from Universal, the sequel to the 1936     serial, with Jean Rogers as a brunette. It was the final appearance     of Jean Rogers as Dale Arden. Later retitled for TV viewing in the mid-1950s   as Space Soldiers' Trip to Mars, to differentiate it from the same-titled   TV series. There were two edited or condensed versions of the 15-part     1938 Universal serial, both released in 1966: the     99 minute The     Deadly Ray From Mars (1966) released to TV in a syndication package,     without the cliffhangers, the repetitive openings, etc. Another     version that condensed the 15 parts of the 1938 serial into a 68 minute     theatrically-released film was Mars     Attacks the World (1966). TV feature film - 1966 Theatrical release - 1966 Flash Gordon Conquers the Universe        (1940) - Theatrical Serial A 12-part serial from Universal, the third of three serials     in the late 1930s, and the last of the trilogy of serials. With Carol     Hughes as Dale Arden. Later retitled for TV viewing in the mid-1950s     as Space     Soldiers Conquer the Universe, to differentiate it from the same-titled    TV series. The    multi-part serial from 1940 was edited into two halves, for two feature     films shown on TV: the 88-minute The Purple     Death from Outer Space (1966) (the feature-length edited version     of Chapters 1-6), and the 85-minute The Peril from     Planet Mongo (1966


Feste is a jester in which of Shakespeare's comedies?

William Shakespeare Essay - Shakespeare's Clowns and Fools - eNotes.com Shakespeare's Clowns and Fools link Link Shakespeare's Clowns and Fools Appearing in most of Shakespeare's dramas, the clown or fool figure remains one of the most intriguing stage characters in the Shakespearean oeuvre and has frequently captured the interest of contemporary critics and modern audiences. Taking many forms, Shakespearean fools may be generally divided into two categories: the clown, a general term that was originally intended to designate a rustic or otherwise uneducated individual whose dramatic purpose was to evoke laughter with his ignorance; and the courtly fool or jester, in whom wit and pointed satire accompany low comedy. The dramatic sources of Shakespeare's simple-minded clowns are at least as old as classical antiquity. In the plays themselves, such figures as Bottom of A Midsummer Night's Dream and Dogberry of Much Ado About Nothing are typically classified as clowns, their principal function being to arouse the mirth of audiences. The history of the courtly fool or jester in England is somewhat briefer, with these fools making early appearances in the courts of medieval aristocracy during the twelfth century. By the time of Queen Elizabeth's reign, courtly fools were a common feature of English society, and were seen as one of two types: natural or artificial. The former could include misshapen or mentally-deficient individuals, or those afflicted with dwarfism. Such fools were often considered pets—though generally dearly loved by their masters—and appear infrequently in Shakespeare's writing. The artificial fool, in contrast, was possessed of a verbal wit and talent for intellectual repartee. Into this category critics place Shakespeare's intellectual or "wise-fools," notably Touchstone of As You Like It, Feste of Twelfth Night, and King Lear's unnamed Fool. Critical analysis of Shakespearean clowns and fools has largely explored the thematic function of these peculiar individuals. Many commentators have observed the satirical potential of the fool. Considered an outcast to a degree, the fool was frequently given reign to comment on society and the actions of his social betters; thus, some Shakespearean fools demonstrate a subversive potential. They may present a radically different worldview than those held by the majority of a play's characters, as critic Roger Ellis (1968) has observed. Likewise, such figures can be construed as disrupting the traditional order of society and the meaning of conventional language, as Roberta Mullini (1985) has argued. As for so-called clowns—including the simple "mechanicals" of A Midsummer Night's Dream, Trinculo of The Tempest, and Launcelot Gobbo of The Merchant of Venice—most are thought to parody the actions of other characters in the main plots of their respective plays and to provide low humor for the entertainment of groundlings. Several critics, however, have acknowledged the deeper, thematic functions of Shakespeare's clowns, some of whom are said to possess a degree of wisdom within their apparent ignorance. Other topics of critical inquiry concerning fools are varied. Several scholars have studied the significance of certain Elizabethan actors who were thought to have initially enacted the roles Shakespeare wrote. Preeminent among these is the comedic actor Robert Armin, for whom several critics have suggested Shakespeare created the witty, even philosophical, fool roles of Feste, Touchstone, and Lear's Fool. Still other critics have focused on Shakespeare's less easily categorized clowns. Walter Kaiser (1963) has examined Falstaff's multifaceted function in the Henriad, which he has argued bears similarities to those of Shakespeare's other "wise fools." William Willeford (1969) has focused on the darker side of folly by exploring the title character of Hamlet as a unique form of the Shakespearean fool. Additionally, Catherine I. Cox (1992) has investigated Shakespeare's characteristic blending of comedy and tragedy through the use of clowns and other purveyors of laughter


In astrology, which sign of the zodiac is known as The Maiden?

Virgo The Maiden – Star Sign Style SHOP The Corn Carrying Maiden, Virgo… Virgo is so often mistakenly taken as the Virgin, depicted as a nun or chaste woman. The real representation of this constellation is Virgo the Maiden, who carries an ear of corn. Discerning, discriminating and full of grace, yes, she’s pure, but she’s not the ‘snow white’ angel that some would have you think… The Mythology Of Virgo The Maiden… The Star Maiden or Star Goddess Astraea was daughter of Zeus and Themis. She personified innocence, purity and justice, andwas the last immortal to live on earth. However she fled, disgusted by human greed and brutality, then was placed among the stars as the constellation, ‘Virgo’. The mythology of Astraea is intertwined with Libra, as known as the ‘Goddess of Justice’, she is often seen holding the Scales that became this, the next constellation in the zodiac (Libra). Across the spectrum of ancient cultures, the Virgo Maiden was consistently recognised as a Great Goddess, a nurturing woman linked to fertility and the harvest, which is no surprise as during the Sun’s transit of the Virgo constellation, it’s harvest time. So, when Virgo birthdays abound, around late Summer and September, it’s time to reap the fruits of labour, daily toil and hard work put in during the days before. Virgo is intrinsically linked to the concept of service and daily ritual and work, so the image of the corn carry Maiden has quite a few layers to it! People born under the sign of Virgo will often work in professions like nursing or healthcare, accountancy or any job where there is detailed work involved. They are meticulous and excellent at sifting through tasks, sorting the wheat from the chaff – metaphorically and literally! The Greeks associated the constellation with Demeter, goddess of the harvest, the Romans as Ceres, also linked to wheat and agriculture. Virgo is also identified as Isis by ancient Egyptians, and Ishtar, goddess of procreation by the Babylonians. She is the only woman within the symbols of the zodiac, very often seen carrying her sheaf of wheat. Art For Virgo The Maiden


What special infantry brigade was founded in the Far East by Orde Wingate in World war II?

Orde Wingate | Military Wiki | Fandom powered by Wikia MID (1 April 1941) [4] Major-General Orde Charles Wingate DSO** (26 February 1903 – 24 March 1944), was a British Army officer known for creating special military units in Palestine in the 1930s, and in Abyssinia, Sudan and Burma during World War II . He is most famous for his creation of the Chindits , airborne deep-penetration troops trained to work behind enemy lines in the Far East campaigns against the Japanese during World War II. Wingate is regarded as one of the founders of modern guerrilla warfare. His early ideas on the use of unconventional irregular troops in guerrilla warfare during the successful Abyssinia campaign were later developed by special forces in North Africa, where the newly formed Special Air Service worked behind enemy lines in a similar fashion. [5] Wingate later used the same techniques in Burma. His long-range penetration techniques influenced military strategy and tactics. [6] Wingate was also noted for his support of Zionism. A highly religious Christian, Wingate saw it as his religious and moral [7] duty to help the Jewish community in Palestine form a Jewish state . Assigned to the British Mandate of Palestine in 1936, he set about training members of the Haganah , the Jewish paramilitary organization, which became the Israel Defense Forces with the establishment in 1948 of the state of Israel. [8] Wingate became known to the Jewish men he commanded during the Arab Revolt as "The Friend". [9] Contents Edit Wingate was born 26 February 1903, in Naini Tal , near Almora , in Kumaon, India to a military family. His father had become a committed member of the Plymouth Brethren early in his army career in India, and at the age of 46 married the oldest daughter of a family who were also Plymouth Brethren, after wooing her for 20 years. [10] His father reached retirement from the army two years after Wingate was born. Most of Wingate's childhood was spent in England. For the first 12 years of his life, he socialized primarily with his siblings. [11] The seven Wingate children received a typical Christian education for the era. Each day time was set aside for studying and memorizing the Scriptures. [11] In 1916, his family moved to Godalming , where Orde attended Charterhouse School as a day boy. He did not board at the school nor did he participate in the activities of an public school education. Instead, Orde was kept busy at home by his parents, who encouraged their children to tackle challenging projects which fostered independent thought, initiative and self-reliance. [12] Early army career Edit After four years Wingate left Charterhouse and in 1921 he was accepted into the Royal Military Academy at Woolwich, the Royal Artillery 's officers' training school. For committing a minor offence against the rules, a first-year student would be subjected to a ragging ritual named "running". This ritual consisted of the first-year being stripped and forced to run a gauntlet of senior students, all of whom wielded a knotted towel, which they used to hit the accused on his journey along the line. On reaching the end, the first-year would then be thrown into an icy-cold cistern of water. When it came time for Wingate to run the gauntlet, for allegedly having returned a horse to the stables too late, he walked to the senior student at the head of the gauntlet, stared at him and dared him to strike. The senior refused. Wingate moved to the next senior and did the same; he too refused. In turn, each senior declined to strike; coming to the end of the line, Wingate walked to the cistern and dived straight into the icy-cold water. [13] In 1923 Wingate received his gunnery officer's commission [14] and was posted to the 5th Medium Brigade at Larkhill on Salisbury Plain. [13] During this period he was able to exercise his great interest in horse riding, gaining a reputation for his skill (and great success) in point-to-point races and during fox hunting, particularly for finding suitable places to cross rivers, which earned him the nickname "Otter". [15]


In which year did Steve Davis win his first World Professional Snooker championship title?

Steve Davis - World Snooker Steve Davis The Nugget Sunday 11 Jan 2015 05:50pm Steve Davis called time on his glittering 38-year professional career in 2016. Announcing his decision at the World Championship, he said: “It has been a fantastic. The game will move on to other places but I feel like the grandfather of the sport. I will still do exhibitions and enjoy snooker and be part of it. Hopefully I’ll be with the BBC team for as many years as they want me. I will still be involved in the coaching and schools project because I think those things are important. I just don’t want to play any more, it’s too difficult. “It had cross my mind that perhaps I could go for the challenge of Q School next year just to see how I got on. In a way it would be going full circle to see if I could qualify to turn pro again. But my father wasn’t well so I entered the World Championship for him this year. He was still alive when I entered, then he passed away so I played the match against Fergal and it was only one I ever played without him.” In fact Davis dropped off the professional tour at the end of the 2013/14 season, though he played in certain events for the next two seasons with an invitational wild card. Emerging in the early days of snooker’s development as a major television sport, Davis came to dominate the green baize throughout the 1980s. He won his first world title in 1981 when he beat Doug Mountjoy 18-12 in the final and his sixth in 1989 with a record 18-3 thrashing of Parrott. Perhaps more famous than Davis’ victories, though, were his two defeats in the Crucible final. In 1985 he lost 18-17 on the final black at 12.20am to Dennis Taylor in one of the most memorable occasions in all of sport, watched by 18.5 million BBC2 viewers. “It’s all there in black and white,” Davis observed with typical deadpan humour. The following year he went down 18-12 to rank outsider Joe Johnson. The man nicknamed the Ginger Magician recorded snooker’s first televised maximum 147 at the 1982 Lada Classic and received a Lada car for his troubles. He has won 28 ranking titles in all. He was made an MBE in 1988 and an OBE in The Queen’s New Year Honours in 2001. Davis reached an incredible landmark in 2010 by appearing at the Crucible for a record 30th time. A nail-biting 10-9 defeat of Mark King in the first round was followed by an extraordinary 13-11 defeat of John Higgins. Beating a man in the prime of his career and defending the world title will go down as one of the supreme achievements of Davis’s glorious career. “To beat John Higgins, one of the greatest players to have held a cue at the Crucible, as the champion, is just amazing. I had a tear in my eye through shock and disbelief,” said snooker legend Davis. That was where the fairlytale ended, however, as he lost 13-5 to eventual champion Neil Robertson in the quarter-finals. He achieved a remarkable milestone at the 2005 UK Championship by reaching his 100th major final. After knocking out Mark Allen, Stephen Maguire, Ken Doherty and Stephen Hendry, his run was finally ended by Chinese whizzkid Ding Junhui who triumphed 10-6. His previous major final was at the 2004 Welsh Open when he led Ronnie O’Sullivan 8-5 only to lose 9-8. The Rocket was his victim when Davis won his last major title – the 1997 Masters when he took the last six frames of the final at Wembley to win 10-8. Father-of-two Davis is a keen poker player. He loves collecting and listening to music and hosts a weekly radio show on Phoenix FM, as well as DJ-ing at festivals including Glastonbury. He is also an accomplished chess player and a former president of the British Chess Federation. Latest News


What is the name of Superman's biological father?

Superman as a father | Superman Wiki | Fandom powered by Wikia Superman as a father [ show ] The issue of Superman fathering a child has been one of some debate. Some writers have attempted to establish Kryptonian and Terran DNA as incompatible (in Lois & Clark: The New Adventures of Superman , for example). Others have skirted over the details and written stories that have no problem with the idea of a Kryptonian and human having a biological offspring. Superman has also fathered children with women of other races. Kryptonian primarily, but also other super-powered beings such as Wonder Woman . And, although she was unsuccessful, Maxima (an Almeracian), tried for years to make Superman her mate with strong suggestions that she carry his child. This article serves to provide a list of instances in which Superman has been depicted as a father. The means by which include biological procreation, assisted fertilization, and adoption within the broad scope of imaginary stories, alternate realities, possible futures, and outright hoaxes. For Superman's lineage beyond his children, see the article about Superman's Descendants . The page covering Superman Clones may also be of interest. Lois tells Superman she's pregnant, in the Superman Dailies (1946) Twins in foster care, World's Finest Comics #35 (Jul/Aug 1948) A son, with Lois Lane in the Superman dailies (1949) An adopted son, Tommy in Superman #57 (Mar/Apr 1949) An adopted daughter in Superman dailies (Oct-Dec 1952) Adopted Baby Bliss in Action Comics #217 (June 1956) A son with Lois Lane in Showcase #9 (August 1957) Adopted son, Johnny Kirk in Action Comics #232 (September 1957) Adopted Jimmy Olsen in Superman's Pal Jimmy Olsen #30 (August 1958) Robin as Superman Jr in Superman's Girl Friend Lois Lane #6 (January 1959) Twins, with a mystery woman in Superman #131 (August 1959) Lyle and Lili, in Superman's Girl Friend Lois Lane #15 (February 1960) Adopted Supergirl, with Lois Lane in Superman's Girl Friend Lois Lane #20 (October 1960) Krypto's fantasy, in Superman #141 (January 1961) Larry and Carole, with Lois Lane in Superman's Girl Friend Lois Lane #23 (February 1961) Lola Kent (Supermaid), with Lois Lane in Superman's Pal Jimmy Olsen #56 (October 1961) A son, with Mooki (a mermaid) in Superman's Girl Friend Lois Lane #30 (January 1962) Larry and Carole, with Lois Lane in Superman's Girl Friend Lois Lane #36 (October 1962) Larry, with Lois Lane in Superman's Girl Friend Lois Lane #39 (February 1963) Two sets of twins with Lana Lang (as Superman Blue) and Lois Lane (as Superman Red) in Superman #162 (July 1963) Kal and Jor, with a mystery woman in Superman #166 (January 1964) Jane, with Lana Lang in Superman's Girl Friend Lois Lane #46 (January 1964) Twins, with Supergirl in Superman's Girl Friend Lois Lane #55 (February 1965) Jor-El II in Action Comics #327 (August 1965) Clark Jr, with Lois Lane in Superman #192 (January 1967) A son with Lois Lane in Superman #194 (February 1967) Von, with Lasil in Action Comics #370 (December 1968) Lisa (Superlass), with Lois Lane in Superman's Girl Friend Lois Lane #91 (April 1969) Laney, with Lois Lane in Superman #215 (April 1969) Carl, with Larissa Lenox in Superman #218 (July 1969) Jor, with Lois Lane in Superman's Girlfriend Lois Lane #94 (August 1969) A super genius baby, with Lois Lane in Superman #224 (February 1970) Adopted Gregor Nagy in Action Comics #400 (May 1971) Krys, in Action Comics #410 (March 1972) Clark Kent Jr, from the Super-Sons team in World's Finest Comics (January 1973) A stepson with Lois Lane in Superman's Girl Friend Lois Lane #131 (June 1973) A son and daughter with Lana Lang in Action Comics #492 (February 1979) Laura Kent, with Lois Lane in Superman Family #200 (April 1980) Jorel Kent (recurring in "The Superman of 2020") in Superman #355 (January 1981) Clark Jr, with Lana Lang in Superman #404 (February 1985) Jonathan Elliot, with Lois Lane in " Whatever Happened to the Man of Tomorrow? " (1986) and Superman/Batman #18 (2005) A son and daughter (Superboy and Supergirl) with Wonder Woman (known as Super


According to the Chinese, 2012 will be the year of which mythical creature?

Chinese dragon vs. Western dragon - China.org.cn You are here: Home  >  China  >  Features Chinese dragon vs. Western dragon By Xu Lin E-mail China.org.cn, February 6, 2012 Adjust font size: The year 2012 is also the Year of the Dragon according to the Chinese lunar calendar. The mighty and mythical creature appears in many legends and fairytales around the world. However, different cultures produced various types of dragons with distinctive features. The Chinese dragon is a far different beast from its Western counterparts. A foreign tourist is taking a photo of the engraving of Chinese dragon in Qianmen, a famous business street in Beijing, during the Spring Festival of 2012. In all the cultures, the dragon combines parts from different animals, such as a snake's body and large, powerful claws. Sometimes, it has features such as a strong body covered with scales, a head with horns or ruffles, sharp teeth and a long tail. Most of the Western dragons have wings and breathe fire. "Drache" means "dragon" in German. It is derived from "draco" in Latin and "drakon" in Greek, which both mean "snake." In the Western cultures, Dragon is regarded as an evil being, a destroyer and a transmitter of disasters, making it the enemy of everything in the world. The dragons are always killed by brave heroes in Western folktales. In North European and the Germanic Culture, dragon-slayer Siegfried is such a hero. In "The Song of the Nibelungs," an epic poem in Middle High German, he killed a dragon and then bathed in its blood, which rendered him invulnerable. However, the Chinese dragon is an auspicious creature. In the ancient times, the dragon was the symbol of imperial power. Even today, as a magical creature beloved by the people, it still represents wealth, wisdom, success, power and good fortune. Chinese people proudly claim that they are the descendants of the dragon. The dragon also often appears in the publications of Western media as the symbol of China. In fact, dragons have become positive characters in many Western music dramas and children literary works, such as Tabaluga, a cartoon character created by German Rock musician Peter Maffay, and Grisu, a young dragon in an Italian story. Nowadays, most Europeans understand that dragon is a lucky creature in China, and it is one of the 12 Chinese Zodiac Signs. Chinese dragon is kind, friendly and even humorous, instead of a harbinger of evil and misfortune.


What name was given to the fast, light ships famously used to transport tea from China in the 19th century?

Ship & Shipbuilding Terminology, complete terminology database listing Anchor building tools in the Age of Sail. Anchor's Aweigh: Expression for when the anchor is just clear of the bottom. Was also called atrip. Anchorage: Any location where a ship savely can and is allowed to drop anchor , most often a location within or just outside a harbour. Apeak: When an object such as an anchor or an oar is in a vertical position (straight-up). The anchor was said to be apeak when directly under the hawse . When oars where apeak, they were held straight up. Apron: 1. A planked platform at the entrance to a dock. 2. A rectangular piece of metal mounted over the touch-hole of a cannon to keep the charge covered and dry. 3. A curved timber fixed behind the lower part of the stem , immediately above the foremost end of the keel . An apron was intended to strengthen the connection between the stem and the keel . Also called gripe or gripe piece. Armada: A large fleet of warships. Articles: Signed documents indicating a crew member's responsibilities, duties, rank and/or position on board a ship. Astern: Any distance behind a ship, as opposed to a-head, which is before her. Astrolabe: A navigational instrument. It consisted of a dial, showing degrees, with an arm (alidade) pivoting through the centre. This arm, had a projection with a small hole on each end, you would line these up so a celestial body would be visible through both and the astrolabe's degree markings would indicate the celestial object's angle in the sky. It was used to determine a ships position by finding and predicting the position of the stars and the sun through triangulation. With the mariners astrolabe, latitude could be determined using the Pole Star or the Sun. The astrolabe was the main navigational instrument until the invention of the sextant in the 16th century. Athwart: From side to side; crosswise or perpendicular to the keel . Auger: A shipwright's tool for drilling holes in timbers . Avast: Stop! Halt! Cease! Awning: A canopy, often made from extra sail material, over a weather deck , gallery or quarter gallery , intended to shield the officers and crew from the sun in warmer climates or hot weather. Axe: A shipwright's tool, the shipwright's axe came in a variety of shapes. The shape of the blade depended on the function of the axe. De edge of the blade was either straight or curved, most were curved; The angle of the blade also varied depending whether hard or softer wood was to be cut, a thinner blade was required for the hardest woods. A typical size would be a 1.4" (3.5cm) thick blade, a blade height of 4.1" (10.5cm) and a blade length of 7.4" (19cm). Azimuth: Used in celestial navigation , it was the angle measured clockwise around the horizon from the North point to a point on the horizon vertically below the observed celestial object. Azimuth was determined with the help of a compass . - North = 0/360 degrees Balance Frame: The forward-most and aftermost frame of the full-width part of the hull . Balinger: A small single-masted sailing vessel, used in the 15th and 16th century. Ballast: Heavy material, such as iron, lead or stone placed in the bottom of a ship's hold to keep the vessel steady by lowering her centre of gravity and increasing her draft . Baltimore Clipper: A two-masted fore-and-aft gaff-rigged schooner-like ship also carrying square sails on the foremast and often used in the role of a blockade-runner or privateer . The masts were set at extreme angles, as it was believed at the time to provide for better speed. Baltimore clippers were also used to transport prospectors and settlers from the East Coast to the West Coast during the California gold-rush. Banking: A term for fishing the Grand Banks of Newfoundland. A vessel doing so was called a banker. Barca-longa: A two- or three-masted Mediterranean vessel carrying lugsails . Barque Longue: A relatively small 17th century two-masted square-rigged sailing vessel best known for its use by early Fench explorers. Examples of a barque Longue Barratry: An unlawful act or fraudulent brea


What is the famous slogan of the Ringling Bros. and Barnum and Bailey circus?

History of the Circus Museum | The Ringling History Of The Circus Museum   History of the Circus Museum It was thought to be ostentatious for a man of John Ringling’s generation to bring attention to the source of his wealth. As a result, the idea of a Museum celebrating the history of the American Circus was not Ringling’s but A. Everett “Chick” Austin Jr.’s, The Ringlings’ first Director and a member of the International Brotherhood of Magicians. Established in 1948, the Ringling Museum of the American Circus was the first to document the rich history of this phenomenally popular entertainment. And because in 1927 John Ringling had made Sarasota the Winter Quarters of the Ringling Bros and Barnum & Bailey® Circus, many of the performers moved to the immediate area. As a result of their generosity, the Museum’s collection of wardrobes and circus memorabilia quickly grew. Today, the Circus Museum is home to the newly restored Wisconsin. Worthy of the man called the “King of the Circus”, the Wisconsin is the railroad car on which John and Mable Ringling traveled across the country looking for feature acts that would keep audiences filling the seats of the big top. Visitors to the museum will find performers’ wardrobes, performing props, as well as all types of equipment, including beautifully carved parade wagons, sturdy utility wagons, tent poles, massive bail rings that suspended the tent canvas and even a cannon that shot fearless performers across the big top. There is also an incredible wealth of 19th and early 20th century posters and props used by famous performers as well as a large collection of circus history and literature that includes newspaper clippings dating as far back as 1816. A must-see in the Museum is the film The Life and Times of John and Mable Ringling, narrated by Hal Holbrook. It features the lives of John and Mable Ringling, the history of Ringling Bros. circus, the building of the Ca' d’Zan and the Museum of Art, as well as John’s influence in the development of Sarasota. In January of 2006, the Circus Museum Tibbals Learning Center opened to house posters, special exhibitions and its centerpiece – the 3,800 square foot Howard Bros. Circus Model, a 44,000-piece re-creation of the Ringling Bros. and Barnum & Bailey® Circus combined shows from 1919-1938. The Tibbals Learning Center also houses The Greatest Show on Earth, a 924-square-foot mural depicting the Ringling Bros. and Barnum & Bailey® show of the 1970s and 80s. Donated by the Feld family and Feld Entertainment Inc., the parent company of Ringling Bros. and Barnum & Bailey®, this colossal work salutes such feature acts as aerialist Dolly Jacobs, her father, master clown Lou Jacobs, and the celebrated animal presenter Gunther Gebel-Williams. In 2012, a west wing was added to the Tibbals Learning Center. Here, visitors to these interactive galleries can walk the wire, squeeze into a clown car and have their picture take with a faux tiger. The 12,000-square-foot second floor houses the Archives that houses one of the country’s most important collections of rare handbills and art prints, circus papers, business records, heralds and photos. So much of this has been made possible by the generosity of Howard Tibbals and his wife Janice. Tibbals fell in love with the circus as a boy and devoted his life to creating the miniature circus and lending his family name to the Learning Center.


Which composer wrote the scores for the Hitchcock thrillers Psycho and Vertigo?

Bernard Herrmann - an overview of the composer and his music for film and television All Film Composers Bernard Herrmann (1911-1975) - perfect partner to Hitchcock thrillers While the name Alfred Hitchcock is universally well known, that of Bernard Herrmann is relatively unknown outside of musical circles. Yet his music has accompanied the Director's finest work and is every bit as accomplished and inventive. Whether it is the screaming strings from Psycho, the dizzying arpeggios from Vertigo or the bird sounds edited together as the soundtrack to The Birds, Herrmann always rose to the challenge. See our article Alfred Hitchcock and Bernard Herrmann: Torn Curtain by Steve Vertlieb for a wealth of information about the stormy relationship between these creative geniuses and the films they made together. Before the association with Hitchcock, Herrmann's first film (now frequently listed by film critics as the finest ever made) was Citizen Kane, having worked with Orson Welles during his radio days. He also went on to work with Welles on "The Magnificent Ambersons". The French director Francois Truffaut also used Herrmann's talents for two of his films, The Bride Wore Black and Fahrenheit 451. Since Truffaut is known to have idolised Alfred Hitchcock's directorial talent, it was perhaps this association which prompted Truffaut to seek out Herrmann in this way. There are not many composers who have appeared on the film screen (coincidentally Truffaut's frequent composer partner Georges Delerue has done so in "Shoot the Pianist"), but Bernard Herrmann played the part of the conductor in the climax of Hitchcock's 1956 remake of "The Man Who Knew Too Much" set in the Royal Albert Hall. Herrmann conducts Arthur Benjamin's "Storm Clouds Cantata" (which Herrmann admired from Hitchcock's original 1934 version, adapting it only slightly), while Doris Day and James Stewart try to stop an assassination attempt due to coincide with a climactic cymbal crash (here is the concert scene on youtube). Herrmann is even credited as conductor on the poster in an earlier scene outside the hall. The film also features bold percussion music during the opening titles. The London Symphony Orchestra were so impressed by Herrmann's musical knowledge that when filming was completed, they presented the composer/conductor with a book inscribed "To Bernard Herrmann: The Man Who Knows So Much". Herrmann's theme for Cape Fear with its 4-note brass motive (watch out for the Simpsons "Thomsons" episode which parodies this) was re-used in the remake of that film by Elmer Bernstein . The association with Hitchcock came to an end when the director famously rejected his score for Torn Curtain when the composer's fittingly dark orchestration clashed with the Hollywood desire to emphasise the movie's romantic interest. Although the director then chose John Addison to score the movie, he decided to show the key murder scene most effectively without any musical accompaniment. However Bernstein also included some of the unused music from Torn Curtain in the remake of Cape Fear, and the full Herrmann version of the score has since been recorded. This is full of the tension to be expected in the real spy business, with only some brief relief in the form of a waltz. His musical style was bold and direct, yet certainly not typical of the day. Rather than full-blown themes, his knack was to select and develop simple mottos such as those high-pitched Psycho violins or in Vertigo those augmented chord arpeggios that seemed to encapsulate the whole concept of the movie. The orchestration also tended to be unusual but again tailored perfectly to the particular need. Psycho used strings only, which seemed to match the black and white photography. The orchestration for that rejected score for Torn Curtain was played using large numbers of flutes, horns and trombones. By way of contrast Fahrenheit 451 employs lots of tuned percussion. In a number of ways, Herrmann's musical style follows in the footsteps of Miklos Rozsa being bold and dark and an integral part of the film experie


Who famously stole the 'Mona Lisa' in 1911?

Mona Lisa: The theft that created a legend - CNN.com Mona Lisa: The theft that created a legend By Sheena McKenzie, for CNN Updated 7:26 AM ET, Tue November 19, 2013 Chat with us in Facebook Messenger. Find out what's happening in the world as it unfolds. Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – More than 100 years ago, in August 1911, the Mona Lisa was stolen off the walls of the Louvre in Paris. The famous Leonardo da Vinci painting wasn't recovered until two years later, in December 1913. Hide Caption 1 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – Vincenzo Peruggia, the Italian handyman who stole the Mona Lisa, had trouble with the law before -- once for attempting to rob a prostitute and once for carrying a gun during a fistfight. Hide Caption 2 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – This reconstruction shows how Peruggia perpetrated the greatest art theft of the 20th century. After hiding in a closet overnight, he simply removed the painting, hid it under his smock and walked out with it under his arm. Hide Caption 3 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – Peruggia encountered a locked door as he tried to leave through the Visconti courtyard. He desperately removed the doorknob, to no avail. Then a plumber who was passing by opened the door with a key. Hide Caption 4 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – It would be 24 hours before someone noticed the painting was missing. Artwork was often removed to be photographed or cleaned. Hide Caption 5 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – Achille Beltrame illustrated the theft in September 1911. "The Louvre had over 400 rooms but only 200 guards and even fewer on duty overnight," said Noah Charney, professor of art history and author of "The Thefts of the Mona Lisa." "There were basically no alarms in play." Hide Caption 6 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – A man in Paris offers the score of "Did you? Mona Lisa!!" It was a satirical song about the theft. Hide Caption 7 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – Seen here is Peruggia's apartment in Paris, where Peruggia hid the Mona Lisa in a false bottom of a wooden trunk. Hide Caption 8 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – Police ransacked Peruggia's apartment in 1911 looking for the stolen painting. They didn't find it. Hide Caption 9 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – The poet Guillaume Apollinaire was arrested September 7, 1911, and jailed on suspicion of the Mona Lisa's theft. He was released five days later because prosecutors didn't have the evidence to build a case. Hide Caption 10 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – Spanish painter Pablo Picasso was also questioned by police after buying two stone statues from Apollinaire's secretary, Josephe-Honoré Géry Pieret. Once Pieret admitted to stealing the statues from the Louvre in 1907, Apollinaire and Picasso returned them. Hide Caption 11 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – The Titanic sank on April 14, 1912, and focus shifted away from the failed investigation of the Mona Lisa theft. The trail had gone cold, and it was reported that the painting had been shipped out of France. Hide Caption 12 of 22 Photos: 100th anniversary: The Mona Lisa is recovered Mona Lisa recovered 100 years ago – The Hotel Tripoli-Italia, now called the Hotel La Gioconda, is where Peruggia showed the stolen painting to art dealer Alfredo Geri and Uffizi Gallery director Giovanni Poggi in Florence, Italy, on December 10, 1913


A food dish dubbed 'chasseur' contains which vegetable?

Chicken Chasseur (Hunter-style Chicken) Recipe : Bobby Flay : Food Network Chicken Chasseur Bobby makes a cooking school classic, Chicken Chasseur (Hunter's Chicken). Ingredients 5 ounces cremini mushrooms, emincer (thinly sliced) 1 large shallot, ciseler (fine dice) 2 ounces Cognac 2 ounces dry white wine 1 1/2 cups enriched chicken stock 1/4 cup tomato concasse (peeled, seeded, and diced tomato) 1 -ounce cold butter 1 teaspoon finely chopped fresh tarragon leaves 1 teaspoon finely chopped fresh chervil leaves or flat-leaf parsley Directions Watch how to make this recipe. Preheat oven to 375 degrees F. Season chicken pieces on both sides with salt and pepper. Heat a few tablespoons of clarified butter in a Dutch oven over high heat. Place chicken in skin side down and cook until golden brown. Turn the chicken over and brown the other side. Remove chicken to a baking sheet and bake in the oven until just cooked through, about 12 to 15 minutes. Remove all but 2 tablespoons of the fat from the pan. Add the mushrooms, season with salt and pepper, and saute until golden brown. Add the shallots and cook for 30 seconds. Remove the pan from the heat and add the Cognac and cook until completely reduced. Add the wine and cook until completely reduced. Add the stock and tomato and bring to a simmer . Cook until the sauce is thick enough to coat the back of a spoon ("nappe") and then swirl in the butter ("monter au beurre "). Once the butter is added, the sauce can not be further reduced because it will break. Season with salt and pepper and stir in the tarragon and chervil. Remove the chicken from the oven and let rest for 5 minutes. Remove the breastbone from the breast. Cut each breast into 2 even pieces on the bias. Cut the legs into 2 pieces at the joint and on the bias and remove the thighbones. Serve 1 leg piece and 1 breast piece. Make sure only 1 piece contains a bone. Serve on hot plates, napped with the sauce. Recipe courtesy of Bobby Flay CATEGORIES:


What is the name of the family in the TV series Outnumbered?

Outnumbered (TV Series 2007–2014) - IMDb IMDb There was an error trying to load your rating for this title. Some parts of this page won't work property. Please reload or try later. X Beta I'm Watching This! Keep track of everything you watch; tell your friends. Error A part-improvised comedy about a couple bringing up their three young children. Stars: Even before the Brockmans have set out for cousin Julie's wedding 'Executive Bridesmaid' Karen has got locked in the toilet and Ben needs a lecture on behaving himself in public. Arriving for the big... 8.8 Communication Skills Sue is trying to organize a conference so it falls to Pete to let Karen in after school but he has to go to buy a central heating pump so rings Jake to come home. Jake has lost his Oyster card and ... 8.7 Despite the truce when they allied against Angela and Brick Sue is still angry with Pete for kissing Mimi and,whilst Ben attempts to climb Everest on the stairs, Karen is quick to pick up on her ... 8.7 a list of 21 titles created 31 Jul 2012 a list of 21 titles created 04 Aug 2013 a list of 31 titles created 26 Mar 2014 a list of 40 titles created 29 Jun 2014 a list of 40 titles created 11 months ago Search for " Outnumbered " on Amazon.com Connect with IMDb Want to share IMDb's rating on your own site? Use the HTML below. You must be a registered user to use the IMDb rating plugin. 7 wins & 21 nominations. See more awards  » Photos Gavin & Stacey (TV Series 2007) Comedy | Romance Gavin and Stacey have been continuing their romance on-line and by telephone for the last six months. Now they want to be together but will their friends and family let them? Stars: Joanna Page, Mathew Horne, Alison Steadman Not Going Out (TV Series 2006) Comedy The mishaps of slacker Lee, Lee's best mate Tim, Lee's long-suffering landlady and the love of Lee's life, Lucy, and Tim's well-meaning but dim-witted girlfriend Daisy. Stars: Lee Mack, Sally Bretton, Katy Wix Mock the Week (TV Series 2005) Comedy | Game-Show A comedic look at current events. Stars: Dara O'Briain, Hugh Dennis, Andy Parsons Bad Education (TV Series 2012) Comedy A comedy series about a teacher who is a bigger kid than the kids he teaches. Stars: Jack Binstead, Mathew Horne, Ethan Lawrence Comedy about Ben, a dentist, and his family. They don't exactly get along well. Stars: Robert Lindsay, Zoë Wanamaker, Gabriel Thomson Friday Night Dinner (TV Series 2011) Comedy Two siblings share their Friday night dinners at their parents home and, somehow, something always goes wrong. Stars: Tamsin Greig, Simon Bird, Paul Ritter A topical news panel show with Jimmy Carr as host, and team captains Sean Lock and Jon Richardson. Stars: Jimmy Carr, Sean Lock, John Pohlhammer An edition of Countdown (1982) with the stars of 8 Out of 10 Cats (2005). Stars: Jimmy Carr, Rachel Riley, Susie Dent Two teams, lead by their team leader (either Lee Mack or David Mitchell), have to try and make the other team believe their crazy stories. Stars: David Mitchell, Lee Mack, Rob Brydon Follows four friends and their antics during their final years of school. Stars: Simon Bird, James Buckley, Blake Harrison A boisterous female minister comes to serve in an eccentricly conservative small town's church. Stars: Dawn French, James Fleet, Trevor Peacock Isot ja pienet See more  » Filming Locations: Did You Know? Trivia Claire Skinner and Samantha Bond both provided the voices of Jhinna and Eike in Strings (2004). See more » Connections Funny and charming with great acting. 31 August 2007 | by happykatt When I first saw the adverts for this show all that crossed my mind was the horror of another family sitcom full of clichés and ridiculous situations. So I had to watch it. Everyone needs something to bitch about, right? But when I started laughing and smiling, I realised that Outnumbered had cast away any doubters with brilliant performances from some very talented actors, Hugh Dennis and the children made it look like we were actually watching a real family. The jokes were funny and realistic, you may argue that a


Which of Beethoven's symphonies is also known as the Pastoral Symphony?

Brief Histories of Beethoven Symphonies Brief Histories of Beethoven Symphonies Brief Histories of Beethoven Symphonies Hulton Archive/Getty Images Share By Aaron Green Beethoven remains as one of the most well known composers in the modern world. It is, no doubt, made possible by his ground breaking symphonies. Beethoven's symphonies number only nine; each one unique, each one preparing the way for the next. Beethovens most popular symphonies, No's. 3, 5, and 9, have graced the ears of millions of listeners. Their histories, for the most part, are known by many. However, what about the other six symphonies? Below you will find brief histories of all nine Beethoven symphonies. Beethoven Symphony No. 1, Op. 21, C Major Beethoven began writing Symphony No. 1 in 1799. It premiered April 2, 1800, in Vienna. Compared to other Beethoven symphonies, this symphony sounds the tamest. However, when it premiered, imagine how the audience reacted. After all, they were used to hearing the purely classical styles of Haydn and Mozart. They must have been shocked to hear the piece begin on a dissonant chord . Beethoven Symphony No. 2, Op. 36, D Major Beethoven laid the ground for this symphony at least three years before its completion in 1802. continue reading below our video Highest Paid Female Actors Ever This was a dramatic time for Beethoven as his hearing was quickly diminishing. Some believe the overall sunny nature of this symphony is Beethovens personal will to overcome his problem. Others believe the opposite: not every composer writes music set to their own inner-struggles; Beethoven was almost suicidal because of his hearing. Beethoven Symphony No. 3, Op. 55, E flat Major, Eroica The Eroica Symphony was first performed privately in early August, 1804. We know from discovered writings of Lobkowitz, one of Beethovens patrons, that the first public performance was on April 7, 1805 at the Theater-an-der-Wien in Vienna, Austria. It is clear that the performance was not as well accepted or understood as the composer would have liked. Harold Schonberg tells us that, Musical Vienna was divided on the merits of the Eroica. Some called it Beethovens masterpiece. Others said that the work merely illustrated a striving for originality that did not come off. Full Review: Beethoven "Eroica" Symphony Beethoven Symphony No. 4, Op. 60, B flat Major While Beethoven was composing his famous 5th Symphony, he set it aside to work on a symphonic commission he received from the Sicilian Count, Oppersdorff. Much is unknown why he set it aside; perhaps it was too heavy and dramatic for the Count's liking. As a result, Symphony No. 4, composed in 1806, became one of Beethovens lighter symphonies. Beethoven Symphony No. 5, Op. 67, C Minor Composed during 1804-08, Beethoven premiered Symphony No. 5 in Viennas Theater an der Wein on December 22, 1808. Beethovens Symphony No. 5 is by far the most well known symphony in the world. Its opening four notes are far from being indistinguishable. When Symphony No. 5 premiered, Beethoven also premiered Symphony No. 6, but in the actual concert program, the numbers of the symphonies were switched. Beethoven Symphony No. 6, Op. 68, F Major, Pastoral In the concert program in which it first premiered, Beethoven labeled Symphony No. 6 with the title Recollections of Country Life. Although many believe this symphony to house some of Beethovens most beautiful writing, the audience at its first performance was not too happy with it. I would probably agree with them after having heard Symphony No. 5 before it. However, Beethovens Pastoral Symphony remains popular and is played in symphony halls throughout the world. Beethoven Symphony No. 7, Op. 92, A Major Beethovens Symphony No. 7 was completed in 1812 and conducted its premier on December 8, 1813 in the University of Vienna. Beethovens Symphony No. 7 is widely viewed as a symphony of dance, where as, Wagner described it as the apotheosis of the dance. Its highly enjoyable, haunting 2nd movement was often most encored. Beethoven Symphony No. 8


Edmond Dantes is the protagonist of which famous French novel?

Protagonist in The Count of Monte Cristo Character Role Analysis Edmond Dantès, the Count of Monte Cristo Edmond is definitely the hero of this novel. His is the story we follow through a thousand pages, as he transforms from a naïve young man into the mysterious, sophisticated, calculating Count of Monte Cristo. It's his wrongful imprisonment that gets the story going, and his elaborate revenge mission that drives the action in the majority of the novel. Though we may not admire all of his actions, we're definitely rooting for Edmond all the way.