The foremost of the Nine Muses, according to Hesiod, who was the muse of epic poetry?

Calliope | Greek Muse | Britannica.com Greek Muse Re Calliope, also spelled Kalliope, in Greek mythology , according to Hesiod ’s Theogony, foremost of the nine Muses; she was later called the patron of epic poetry . At the behest of Zeus , the king of the gods, she judged the dispute between the goddesses Aphrodite and Persephone over Adonis . In most accounts she and King Oeagrus of Thrace were the parents of Orpheus , the lyre -playing hero. She was also loved by the god Apollo , by whom she had two sons, Hymen and Ialemus. Other versions present her as the mother of Rhesus, king of Thrace and a victim of the Trojan War ; or as the mother of Linus the musician, inventor of melody and rhythm. Her image appears on the François Vase , made by the potter Ergotimos about 570 bce. François Vase, Attic vessel made by Ergotimos, c. 570 bce; in the collection of the … By permission of the Regional Museums of Tuscany, Florence. All rights reserved. Learn More in these related articles: Greek mythology body of stories concerning the gods, heroes, and rituals of the ancient Greeks. That the myths contained a considerable element of fiction was recognized by the more critical Greeks, such as the philosopher Plato in the 5th–4th century bce. In general, however, in the popular piety of the... Zeus in ancient Greek religion, chief deity of the pantheon, a sky and weather god who was identical with the Roman god Jupiter. His name clearly comes from that of the sky god Dyaus of the ancient Hindu Rigveda. Zeus was regarded as the sender of thunder and lightning, rain, and winds, and his... 1 Reference found in Britannica Articles Assorted Reference Corrections? Updates? Help us improve this article! Contact our editors with your feedback. MEDIA FOR: You have successfully emailed this. Error when sending the email. Try again later. Edit Mode Submit Tips For Editing We welcome suggested improvements to any of our articles. You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. Encyclopædia Britannica articles are written in a neutral objective tone for a general audience. You may find it helpful to search within the site to see how similar or related subjects are covered. Any text you add should be original, not copied from other sources. At the bottom of the article, feel free to list any sources that support your changes, so that we can fully understand their context. (Internet URLs are the best.) Your contribution may be further edited by our staff, and its publication is subject to our final approval. Unfortunately, our editorial approach may not be able to accommodate all contributions. Submit Thank You for Your Contribution! Our editors will review what you've submitted, and if it meets our criteria, we'll add it to the article. Please note that our editors may make some formatting changes or correct spelling or grammatical errors, and may also contact you if any clarifications are needed. Uh Oh There was a problem with your submission. Please try again later. Close Date Published: January 28, 2016 URL: https://www.britannica.com/topic/Calliope-Greek-Muse Access Date: January 02, 2017 Share


Which is the main river flowing through the Portuguese capital of Lisbon?

Tagus River | river, Iberian Peninsula | Britannica.com river, Iberian Peninsula river Tagus River, Portuguese Rio Tejo, Spanish Río Tajo, longest waterway of the Iberian Peninsula . It rises in the Sierra de Albarracín of eastern Spain , at a point about 90 miles (150 km) from the Mediterranean coast, and flows westward across Spain and Portugal for 626 miles (1,007 km) to empty into the Atlantic Ocean near Lisbon . Its drainage basin of 31,505 square miles (81,600 square km) is only exceeded on the peninsula by that of the Ebro River , to the northeast. The Tagus covers the heart of Portugal and Spain and has been of vital importance to the modern economic development of the two nations. Tagus River, Port. Okamok The upper Tagus cuts into limestone rocks and flows generally southwestward through narrow, sinuous valleys with deep canyons and abundant ravines. Near Trillo (Guadalajara province) it runs more peacefully, and just before the town of Bolarque it is held back by the dams of Entrepeñas and Buendía, forming an artificial lake known as the Sea of Castile, which covers an area of 51 square miles (132 square km). Again flowing southwestward, the river irrigates the fertile lands of Aranjuez and the areas around Toledo and Talavera de la Reina until it reaches the province of Cáceres. Here it again flows through narrow, steep-edged trenches formed by quartzites and shales. At Puente de Alcántara another dam on the river has formed one of the greatest man-made lakes in Europe , with a length of 57 miles (92 km). Less than 10 miles (16 km) downstream the river becomes the frontier between Spain and Portugal for 27 miles (43 km). It enters Portugal at Beira and the Sierra de Carbajo, then crosses the fertile region of Abrantes. After flowing across Portugal for 111 miles (179 km), it forms at Vila Franca de Xira the Tagus (or Lisbon) estuary, emptying into the Atlantic Ocean. Toledo is the only large Spanish city that lies along the river, which flows past the cities of Santarém and Lisbon in Portugal and supplies the latter with a fine natural harbour. Only the lower portion of the river is used for navigation of any importance. Similar Topics


Brouilly, Morgon, Fleurie and Julienas are among the better classifications of wine from which popular wine-growing area of France?

The Beaus You Love Are The Beaujolais - Portland Food and Drink Portland Food and Drink Throwing Ourselves On The Grenade of Bad Food to Save You You are here: Home / Alcohol / Wine / The Beaus You Love Are The Beaujolais The Beaus You Love Are The Beaujolais By Marshall Manning 7 Comments “Yes, you read that correctly…Beaujolais. I’m not talking about Beaujolais Nouveau, the overproduced wine that’s rushed to market right after the harvest, more as a gimmick and celebration wine than anything else.” As I type this, I’m enjoying some good roasted chicken. While this may not be the best way to keep the laptop keyboard clean, I find it’s easier to write about wine when I’m enjoying wine, and roasted chicken is a great match with a few different wines. Possibly the best is a top-notch aged Burgundy, but drinking one of the few older Burgs in the cellar by myself on a Wednesday night isn’t the best way to score points with the wife. And yeah, you can drink Oregon or other New World Pinot and have a decent match, as long as the wine isn’t too big, too oaky, and has decent acidity. That leaves about 10-15 producers between OR and CA. So, what’s the next best wine with roasted chicken when you don’t want to open a $30-75 Burgundy? Would you believe Beaujolais? Yes, you read that correctly…Beaujolais. I’m not talking about Beaujolais Nouveau, the overproduced wine that’s rushed to market right after the harvest, more as a gimmick and celebration wine than anything else. Not only is most of that from mediocre to poor producers, but it usually tastes like berry Kool-Aid and is better off suited to washing back Aunt Edna’s yams than it is as a serious wine. What I’m referring to are the Cru Beaujolais, the best wines produced in the region, and some of the most underrated wines in the world. Beaujolais is a region in Southern Burgundy, south of the Macon, and while it’s technically in Burgundy, it’s south of the Cote d’Or and is generally not considered part of Burgundy proper. Like most wine regions in France, grapes have been grown in Beaujolais for hundreds of years, if not thousands. And during this time, the vintners have learned which areas produce the best wines, which hillsides have prime exposure, and which areas have the best soil. Again, like most growing regions in France, these preferred sites have been determined to be better and are given a separate classification. So, while Beaujolais may be one general area, there are three separate classifications. The most general is the generic Beaujolais appellation (the French term for a controlled wine-growing area), which includes most of the vineyards in the 45-mile stretch of land that forms Beaujolais. The next step up is the Beaujolais-Villages appellation, a group of 35 villages with better sites that allow for more body, depth and intensity than generic Beaujolais. The best wines from Beaujolais, and the wines I’m referring to here, are the Cru Beaujolais. There are 10 Cru Beaujolais villages: Moulin-à-Vent, Fleurie, Régnié, Chiroubles, Chénas, Morgon, Juliénas, St.-Amour, Brouilly, and Côte de Brouilly. The best Gamay Noir on the planet comes from these ten villages, and the wines from the best producers are not only extremely tasty, but they are also inexpensive. Most generic Beaujolais retails for $6-10, and is generally best avoided. There are a few good producers of Beaujolais-Villages (usually $10-15), most notably Jean-Paul Brun and Pierre Chermette, but most of the top Beaujolais producers are located in the Crus. While you don’t see many wines locally from Chiroubles, Chénas, Juliénas, Régnié or St.-Amour, the other Crus are easier to find, and have a high concentration of top-quality producers. Morgon has a large number of excellent producers, including Jean Foillard, Marcel Lapierre, Jean-Paul Thevenet, Guy Breton, Claude Desvignes, and Savoye. Moulin-à-Vent boasts Jadot’s Chateau du Jacques estate as well as Diochon. The Côte de Brouilly counts Perroud and Pacalet among its top wineries, while Brouilly’s best include Michaud and Thivin. Fleurie also has a n


"Who wrote the operetta, ""The Merry Widow"", first performed in 1905?"

Franz Lehár - The Merry Widow - Overture - YouTube Franz Lehár - The Merry Widow - Overture Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Oct 9, 2011 The Merry Widow (German: Die lustige Witwe) is an operetta by the Austro--Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story -- concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband -- on an 1861 comedy play, L'attaché d'ambassade (The Embassy Attaché) by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the "Vilja Song", "Da geh' ich zu Maxim" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". The operetta was first performed at the Theater an der Wien in Vienna on 30 December 1905 with Mizzi Günther as Hanna, Louis Treumann as Danilo, Siegmund Natzler as Baron Zeta and Annie Wünsch as Valencienne. It was Lehár's first major success, becoming internationally the best-known operetta of its era. The operetta originally had no overture; Lehár wrote one for the Vienna Philharmonic to perform at his 70th birthday concert in April 1940. Photo: The librettist Viktor Léon, Leo Stein and the composer Franz Lehár. Category


"In ""The Prisoner of Azkaban"" who was Harry Potter's godfather?"

Sirius Black | Harry Potter Wiki | Fandom powered by Wikia —Sirius Black giving Harry Potter advice Sirius Black ( 3 November , [9] 1959 [10] – 18 June , 1996 [4] ), also known as Padfoot or Snuffles (in his Animagus form) was a pure-blood wizard , the older son of Orion and Walburga Black , and the brother of Regulus Black. Although he was the heir of the House of Black , Sirius disagreed with his family's belief in blood purity and defied tradition when he was Sorted into Gryffindor House instead of Slytherin at Hogwarts School of Witchcraft and Wizardry , which he attended from 1971 - 1978 . As the rest of his family had been in Slytherin, he was the odd one out. As Sirius's relationship with his relatives deteriorated, he gained lifelong friendship in James Potter and Remus Lupin . Peter Pettigrew was a friend as well for ten years. The four friends, also known as the Marauders, joined the Order of the Phoenix to fight against Lord Voldemort and his Death Eaters during the First Wizarding War . Sirius was named the godfather of Harry James Potter , the only son of James and Lily Potter . When Pettigrew betrayed the Potters to Voldemort, Sirius sought to exact revenge on Pettigrew. However, Pettigrew was able to frame Sirius for his betrayal of the Potters, the murder of twelve Muggles, and the staged murder of Pettigrew before Sirius could accomplish this. Sirius was sent to Azkaban , and after twelve years became the only known person to escape the prison unassisted by transforming into his Animagus form of a massive black dog confused with a "Grim", an omen said to cause death. Sirius exposed Pettigrew's treachery to his old friend Remus and his godson. After Lord Voldemort returned in 1995 , Sirius rejoined the Order. He was murdered by his cousin Bellatrix Lestrange during the Battle of the Department of Mysteries and subsequently cleared of all charges by the Ministry of Magic, though he was too late to enjoy his freedom. He briefly appeared again to Harry through the Resurrection Stone on 2 May, 1998 , along with James and Lily Potter, and Remus Lupin. Harry later named his first son James Sirius Potter after him. Contents [ show ] Biography "Sirius was a brave, clever, and energetic man, and such men are not usually content to sit at home in hiding while they believe others to be in danger." — Albus Dumbledore 's opinion of Sirius [src] Early life (1959-1971) Harry Potter: "Were — were your parents Death Eaters as well?" Sirius: "No, no, but believe me, they thought Voldemort had the right idea, they were all for the purification of the wizarding race, getting rid of Muggle-borns and having pure-bloods in charge." — Sirius regarding his family's beliefs [src] Sirius was the last remaining heir of the House of Black , a once-notable pure-blood wizarding family. His parents, Orion and Walburga , were both Blacks by birth and second cousins. Sirius had a younger brother, Regulus , who died after turning against Lord Voldemort in 1979 by attempting to destroy his Horcruxes . He was killed by the Inferi guarding one of his Horcruxes (although Sirius did not know this). Sirius did not share a close relationship with his brother, calling him "a better son" than himself. [11] "Sirius" is a traditional Black family name, recurring in at least three generations and following a family tradition of naming children after stars, constellations, and galaxies. The names Cygnus, Arcturus, and Regulus have also occurred at least twice each. Notably, however, only one Sirius (the subject's great-grandfather ) left a line of descent, which ended with the youngest Sirius, as he did not have children. [12] The Blacks in the early 1970s The Black family believed strongly in pure-blood elitism. They refused to consort with Muggles or Muggle-borns , Squibs and blood traitors and even disowned Squib family members, such as Sirius's great-uncle Marius Black , and insisted that their family members only marry within respectable pure-blood classes; because of these beliefs, they were forced to marry their own cousins. They also held the D


In 2001 Martin Creed notoriously won the Turner Prize, for an installation consisting of an empty room, with what happening every five seconds?

The Aristos Awards (Annotated List of Winners) The Aristos Awards Annotated List of Winners Individuals whose names are marked with an asterisk [*] were cited in What Art Is: The Esthetic Theory of Ayn Rand (2000). Unless otherwise indicated, all entries dated on or before October 2,   2005, were originally posted in the February 2006 issue of Aristos. ): Kate Davis (New York City). 2016 For a comment on Cart Full of Action (1986), by Cady Noland . As our statement of purpose makes clear, the Aristos Awards are not restricted to arts critics and scholars, or to journalists and columnists who occasionally write on the arts, but are also given to ordinary people (non-experts) who question the art status of avant-garde work. Regarding the recent exhibition Unfinished: Thoughts Left Visible at Met Breuer, the new avant-garde outpost of the Metropolitan Museum of Art, the New York Times wrote: "We wanted to better understand the modern museumgoer. So we went to the . . . exhibition . . . and talked to visitors" [" What Do You See in Art? Nearly 50 People Told Us ," New York Times, August 25, 2016]. Kate Davis was one of those interviewed. Asked what she thought of Noland's Cart (consisting of an industrial cart filled with hubcaps and other car parts), Davis , 24, replied: I don't like this. I think the question is not even if it is finished but is this even art? I could see this in a parking lot. We do not know what Davis thought of the rest of the mostly non-art on view on the fourth floor at the exhibition (the third floor was devoted to impressive work by Old Masters and other noted past artists), but it took both courage and a spirit of independence for her to express so forthright and public a criticism of Noland's work and, by implication, of the museum itself, whose " outstanding faculty of curators " (see "Exhibition Credits") and staff members mounted the exhibition. 2012 National Civic Art Society (Cultural Institution)   [ about ] [posted 8/12] For the Counterculture " (accessed July 2012), and for the Society's promotion of   classical sculpture and painting. In its defining statement the Society forthrightly states: During the 20th century the United States emerged as the richest, most powerful    nation in history. And the quality of its civic art--its community planning,    institutional architecture, and public monuments--deteriorated to the point of    catastrophe. Such a coincidence of unrivaled political and economic might with    profound cultural dysfunction is unprecedented. . . . Further, it announces its support for a traditional artistic counterculture . . . emerging as the indispensable    alternative to a postmodern, elitist culture that has reduced its works of "art" to    a dependence on rarified discourse incomprehensible to ordinary people. While Aristos does not concern itself with community planning or   institutional architecture, as it does not include architecture among the fine arts,   we find much to praise in the work of the National Civic Art Society. Of late, this   has included its resolute opposition [ more ]   to the design proposed by celebrity architect Frank Gehry for the projected Dwight D.   Eisenhower Memorial in Washington D.C. As it has argued, Gehry's conception of a   memorial to honor the nation's 34th president and the Supreme Allied Commander in   Europe during World War II is "a travesty that cuts a great man down to size" by   depicting him not at the height of his glory but as a barefoot farm boy. In a culture where proponents of enduring values in sculpture and painting   continue to fight an uphill battle against the avant-garde, the Civic Art Society's   advocacy of "an indispensable alternative" is surely commendable. (See also Aristos Award to Andrew Ferguson .) On the Indispensable Alternative During the nineteenth century and the early decades of the twentieth, America's   sculptors-- ranging from John Quincy Adams Ward (1830-1910) to Augustus Saint-Gaudens   (1848-1907) and Daniel Chester French (1850-1931)--cr


In which constellation is Arcturus, the fifth brightest star in the night sky, located?

Arcturus cuts through galaxy's disk | Brightest Stars | EarthSky Arcturus is roughly 25 times greater in diameter than our sun. Arcturus / Antares/ sun size comparison from Wikimedia Commons . Arcturus, brightest star in the constellation Bootes What does the proper motion of Arcturus tell us? It tells us that Arcturus is moving at a tremendous rate of speed (122 km/s) relative to our solar system. Moreover, Arcturus is not moving with the general stream of stars in the flat disk of our Milky Way galaxy. Instead, it is cutting perpendicularly through the galactic disk. Arcturus is thought to be an old star. It appears to be moving with a group of at least 52 other such stars, known as the Arcturus stream. Arcturus is likely to be considerably older than our sun. When the sun evolves to become a red giant, the sun might be a star much like Arcturus is now. As it cuts through the galactic disk, Arcturus will eventually reach a closest point to our sun. The closest approach of Arcturus will happen in about 4,000 years, when the star will be a few hundredths of a light-year closer to Earth than it is today. But remember that Arcturus is not moving with the general stream of stars in the disk of our Milky Way galaxy. Thus, we will lose sight of this star relatively quickly. Millions of years from now, this star will be lost from the view of any future inhabitants of Earth, or at least those who are earthbound and looking with the eye alone. The red giant Arcturus is roughly 25 times the diameter of our sun. It is not the largest of the red giant, however, as the diagram below shows. Because of its larger size, in visible light Arcturus radiates more than 100 times the light of our sun. If you consider infrared and other forms of radiant energy, Arcturus is about 200 times more powerful than the sun. Its mass is hard to exactly determine, but may be slightly greater than that of our sun (1.1-0.4+0.6 solar mass). The reddish or orange color of Arcturus signifies its temperature, which is about 7,300 degrees Fahrenheit. That makes it several thousand degrees cooler than the surface of the sun. Arcturus is the brightest star in the kite-shaped constellation Bootes. Spring evenings are a good time to “follow the arc to Arcturus.” Face east. Find the Big Dipper. Follow the curve in the Dipper’s handle to the orange star Arcturus. How to see the star Arcturus. Arcturus is the alpha star of a cone-shaped constellation called Bootes the Herdsman. It is far enough north on the sky’s dome that – for northern hemisphere observers – it’s visible during some part of the night throughout most of the year. You might notice this bright orange star passing high overhead on late spring evenings. In summer, Arcturus is high overhead shortly after dark. Autumn observers need to look early because then it sets by mid-evening. The best time to observe it in winter is in the wee hours before dawn. Our chart shows this constellation as you stand facing south on spring evenings. Seeing a Herdsman in these stars might be difficult, but the constellation is easy to imagine as a kite. There’s an easy mnemonic for remembering how to identify this bright, orange star. Just remember the phrase: follow the arc to Arcturus. First, locate the Big Dipper in the northern sky. Notice that the handle of the Big Dipper is a curve or arc. Extend this curve past the end of the Big Dipper’s handle, and you will come to Arcturus. Arcturus is the brightest star north of the celestial equator. What does that mean? Imagine that Earth’s equator can be projected onto the sky. This line above Earth’s equator is called the celestial equator. It divides the sky into northern and southern hemispheres, just as Earth’s equator does for Earth. The three brightest stars of the sky – Sirius, Canopus and Alpha Centauri – are south of the celestial equator. Meanwhile, Arcturus is the brightest star in the northern part of the sky. It is only marginally brighter than the northern hemisphere’s second-brightest star, Vega . To the eye, Arcturus and Vega reign as co-stars in the northern


"Who played Eliza Doolittle in the 1964 film ""My Fair Lady""?"

My Fair Lady (1964) - IMDb IMDb There was an error trying to load your rating for this title. Some parts of this page won't work property. Please reload or try later. X Beta I'm Watching This! Keep track of everything you watch; tell your friends. Error A misogynistic and snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society. Director: Alan Jay Lerner (book), George Bernard Shaw (from a play by) (as Bernard Shaw) | 1 more credit  » Stars: a list of 44 titles created 10 Dec 2011 a list of 35 titles created 21 Dec 2011 a list of 40 titles created 25 Apr 2012 a list of 30 titles created 03 Feb 2013 a list of 24 titles created 5 months ago Title: My Fair Lady (1964) 7.9/10 Want to share IMDb's rating on your own site? Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won     8     Oscars. Another    15 wins & 13 nominations. See more awards  » Videos A woman leaves an Austrian convent to become a governess to the children of a Naval officer widower. Director: Robert Wise Young Oliver Twist runs away from an orphanage and meets a group of boys trained to be pickpockets by an elderly mentor. Director: Carol Reed A magical nanny helps bring the two children she's in charge of closer to their father through songs and magical adventures. Director: Robert Stevenson A Victorian Englishman bets that with the new steamships and railways he can circumnavigate the globe in eighty days. Directors: Michael Anderson, John Farrow Stars: David Niven, Cantinflas, Finlay Currie Edit Storyline Pompous phonetics professor Henry Higgins is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society. His subject turns out to be the lovely Eliza Doolittle, who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond -- one that is threatened by an aristocratic suitor. Written by Jwelch5742 The loverliest motion picture of them all! See more  » Genres: 25 December 1964 (USA) See more  » Also Known As: Mi bella dama See more  » Filming Locations: Did You Know? Trivia Of the main cast only Stanley Holloway actually sang. The others were either dubbed or just talked their way through the songs. See more » Goofs In the Royal Ascot scene, the horses race in the wrong direction. Ascot is a right-handed track where the horses race clockwise and the grandstand is on the outside of the track. The camera is facing the crowd, so the horses should race from left to right, but they're shown racing the other way. See more » Quotes [first lines] [sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character] Mrs. Eynsford-Hill : Don't just stand there, Freddy, go and find a cab. Freddy Eynsford-Hill : All right, I'll get it, I'll get it. See more » Crazy Credits In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw". See more » Connections I've Grown Accustomed to Her Face (1956) (uncredited) A musical with a brain as well as a heart 28 August 2003 | by eliza-doolittle (Cambridge) – See all my reviews There's a lot of negative things been said about Audrey Hepburn's interpretation of the role of Eliza. Perhaps she's not ideal in the earliest scenes of the movie - her "dirtiness" is never quite believable - but it has to be said that despite this smallish drawback she still glows, and makes an amazing Eliza overall. The reason for this is simple; Audrey Hepburn brings her "own spark of divine fire", (to quote Higgins) to the role and her vulnerability, mixed with her sweet, naive charm and even her wonderfully juvenile pettishness shown in "Just You Wait" all prove what a talented actress she really is. For an example of this, jus


Since 1843, in which town of southern England has Arkell's brewery been located?

Beer in Wiltshire | Hotfrog UK Swindon's quirkiest and most ecclectic Pub. Live music, art gallery and... BEER Alcoholic BeveragesPubslive music Devizes, Wiltshire 01380 728608 With almost 400 pubs, hotels and inns in our family, and an enviable range of beer and cider, your next pint is probably only just around the corner   Frontier is a refreshing golden beer that speaks volumes to o… Hopsbrewery Marlborough, Wiltshire 01672 700037 With almost 400 pubs, hotels and inns in our family, and an enviable range of beer and cider, your next pint is probably only just around the corner   Frontier is a refreshing golden beer that speaks volumes to o… Hopsbrewery Chippenham, Wiltshire 01249 444668 With almost 400 pubs, hotels and inns in our family, and an enviable range of beer and cider, your next pint is probably only just around the corner   Frontier is a refreshing golden beer that speaks volumes to o… Hopsbrewery Salisbury, Wiltshire 01722 790131 Following the success of the last eleven events, the 12th Langford Beer Festival is to take place on the 16th and 17th September 2011 at the Langford Sports Ground in Steeple Langford   Our designated charity this… Alcoholic Beverages Highworth, Wiltshire 01793 762297 Witshires premier Gastro Pub located near Swindon Wiltshire. Informal restaurant where you can dine in a relaxed atmosphere and enjoy good food, great wines and beers in our country pub restaurant winepubgastro pubgreat food Warminster, Wiltshire 01985 211777 Danny and Carly Keene have preserved as many of the fittings as possible and managed to create a traditional drinking and meeting space that is both comfortable and convivial. An art gallery has recently opened upstairs,… spiritsBeer Guidewinepub Sandy Lane, Wiltshire 01380 850403 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… brewerybrewinginheritancePubs Wanborough, Wiltshire 01793 790302 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewinginheritance Devizes, Wiltshire 01380 723361 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewinginheritance Lyneham, Wiltshire 01249 890795 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewinginheritance Westbury on Severn, Wiltshire 01373 822828 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewinginheritance Calne, Wiltshire 01249 815307 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewinginheritance Trowbridge, Wiltshire 01225 712266 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewinginheritance Studley, Wiltshire 01249 822633 Our skills and craft are important to us, but this is all backed up by a state of the art Steinecker brew house ensuring that our beers are the highest quality and consistency possible   With over 125 years histo… Traditional Cask Alebrewerybrewin


"Who is the author of the books ""Foucault's Pendulum"" and ""The Island of the Day Before""?"

Foucault's Pendulum (1989) Foucault's Pendulum (1989) Foucault's Pendulum (1989) Synopsis Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth. From the Publisher Brilliant 'Brilliant...A novel that is deeper and richer that The Name of the Rose' New York Times 'Brilliant, funny, encompassing everything you ever wanted to know about practically everything (including numerology, James Bond's foes, and the construction of sewers), this book is both extraordinarily learned and well plotted' Sunday Times 'Endlessly diverting...Even more intricate and absorbing than his international bestseller The Name of the Rose' Time Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired to have some fun by an extraordinary conspiracy story told to them by a strange colonel. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth. 'An intellectual adventure story, as ensational, thrilling and packed with arcana as Raiders of the Lost Ark or The Count of Monte Cristo' Washington Post Book World 'Umberto Eco is literature's great magician...He offers us many passages of brilliance, and treats us to a Shakespearean alternation of paroxysm and intimacy, madness and wisdom. There is something here for everyone. His genius affords his readers a selection of delights that will make their heads spin' Le Monde. North Americans click  here to buy, British here , Deutsch hier .


On which river do Basle, Strasbourg and Cologne stand?

Directions from Cologne to Basel via Rhine River, Cologne, 65385 Rüdesheim am Rhein, Strasbourg, Breisach Directions from Cologne to Basel via Rhine River, Cologne, 65385 Rüdesheim am Rhein, Strasbourg, Breisach Start Total driving distance travelled is 740 Km Day                 1 740 Cologne » Rhine River » Cologne » 65385 Rüdesheim am Rhein » Strasbourg » Breisach » Basel Road Route Plan from Cologne to Basel MODE: Directions from Cologne to Basel via Rhine River, Cologne, 65385 Rüdesheim am Rhein, Strasbourg, Breisach Get driving directions from Cologne to Basel Presented below are road directions from Cologne to Basel on Google Map. TIP: Click on each item below to automatically ZOOM the map to the see detailed directions above! * Note: Driving directions from Cologne to Basel are as given by Google Maps. We can't gurantee the accuracy and/or they being up to date. Add this Direction Calculation to your website! Make your content more creative and effective for your users. Embed using the following script! Embed Code Directions Summary and More Information Your directions start from Cologne, Germany. And Basel, Switzerland is the place you need to reach. Driving directions include the following stops- 1) Rhine River, Duisburg, Germany 2) Cologne, Germany 3) 65385 Rüdesheim am Rhein, Germany 4) Strasbourg, France 5) Breisach, Germany We are sure that after getting road driving directions from Cologne to Basel will help you find the route from Cologne to Basel easier! If you need more information on Distances, Travel Times, Flight Distances, Travel, please refer below- Want to get bigger driving directions Map? Want to see the how the bigger picture looks? You can see the Map from Cologne to Basel, Switzerland via Rhine River, Cologne, 65385 Rüdesheim am Rhein, Strasbourg, Breisach ! Wish you could just fly and jump from Cologne to Basel than following directions? Check the Flight distance between Cologne and Basel, Switzerland . With the road route plan from Cologne to Basel you might also want to know the Travel timeYou can find the the Travel Time from Cologne to Basel, Switzerland via Rhine River, Cologne, 65385 Rüdesheim am Rhein, Strasbourg, Breisach . This will help you estimate how much time you will spend driving from Cologne to Basel.


"Damien Hirst's ""The Physical Impossibility of Death in the Mind of Someone Living"", consisted of which creature preserved in formaldehyde?"

Damien Hirst - Shark - Art - Report - The New York Times The New York Times Art & Design |Swimming With Famous Dead Sharks Search Damien Hirst with a spare frozen shark. Credit Steve Forrest/Impact-Visual, for The New York Times ASTON DOWN  AIRFIELD, England IN this vast Gloucestershire flatland  dotted with abandoned airplane hangars, a former Royal Air Force Station where pilots once plotted classified missions during World War II, the artist Damien Hirst was overseeing a secret operation of his own one recent morning. It was a delicate undertaking, one that required rubberized protective jumpsuits, long tables of medical equipment and more than 224 gallons of formaldehyde. The goal: to replace the decaying tiger shark that floats in one of Mr. Hirst’s best-known works of Conceptual art, “The Physical Impossibility of Death in the Mind of Someone Living.” As rap music quietly played in the background, five men and one woman wearing bright yellow suits, black rubber gloves and breathing masks huddled over the shark’s hulking 13-foot-long replacement. The immediate impression was that the shark was being treated by a team of acupuncturists: some 200 large needles dotted its body. So toxic was the air that the property could be reached only through security-coded iron gates, and no one, not even the artist, was allowed near the shark without protective gear. As Mr. Hirst, 41, looked on, he plucked a long hypodermic needle from a nearby worktable. Continue reading the main story “Three different lengths of needles are being used to inject the shark with formaldehyde,’’ he said proudly, with the air of a child showing off a new toy. He flexed the syringe to demonstrate how the needles are inserted into the animal twice, each time penetrating deeper into the body cavity. “The last shark was never injected, so it decayed from the inside.’’ Advertisement Continue reading the main story The original shark — a 14-footer that was caught and killed by a fisherman in Australia at Mr. Hirst’s behest in 1991 — was first unveiled to the public in its glass tank the following year at the Saatchi Gallery in London. It quickly became a symbol of the shock tactics common to the circle known as the Young British Artists. Charles Saatchi, the advertising magnate and collector, had commissioned Mr. Hirst to make the work for £50,000,  now about $95,000. At the time that sum was considered so enormous that the British tabloid The Sun heralded the transaction with the headline “50,000 for Fish Without Chips.’’ But as a result of inadequate preservation efforts, time was not kind to the original, which slowly decomposed until its form changed, its skin grew deeply wrinkled, and the solution in the tank turned murky. (It didn’t help that the Saatchi Gallery added bleach to the solution, hastening the decay, staff members at Mr. Hirst’s studio said.) In 1993 Mr. Saatchi’s curators finally had the shark skinned and stretched the skin over a fiberglass mold. “It didn’t look as frightening,’’ Mr. Hirst recalled. “You could tell it wasn’t real. It had no weight.’’ In recent years Mr. Saatchi has been selling off works by the Young British Artists that he collected so voraciously in the 90’s, and two years ago “The Physical Impossibility of Death in the Mind of Someone Living’’ was purchased by the hedge fund billionaire Steven A. Cohen, who lives in Greenwich, Conn. He paid $8 million for it, one of the highest prices at the time for a work of contemporary art. The impetus was a call from Larry Gagosian, the Manhattan dealer, alerting him to Mr. Saatchi’s intention to sell. Mr. Cohen knew the shark’s history and its problems: that the piece was never properly injected with formaldehyde, and what was floating in the tank was a fiberglass shadow of its former self. But in a funny way, that too had its appeal. “Is it real?  Isn’t it real?’’ Mr. Cohen said. “I liked the whole fear factor.’’ But Mr. Hirst didn’t. When he learned of Mr. Cohen’s plans to buy the 22-ton work, he volunteered to replace the shark.  “I frequently work on things a


In which city is Kingsford Smith airport?

Sydney Airport Sydney Airport opens widened one-way road entranc… Read more CORPORATE Sydney Airport is committed to working with our airline partners and other aviation-related stakeholders to deliver a world-class passenger experience.


Which 1952 musical about the introduction of talkies, has a title song which was once parodied by Morecambe and Wise?

Singin' in the Rain (1952) - Connections - IMDb Singin' in the Rain (1952) Connections Showing all 439 items Jump to: Edited into  (2) | References  (11) | Referenced in  (300) | Features  (1) | Featured in  (81) | Spoofs  (2) | Spoofed in  (42) Edited into  Sunburst  (1975) A poster for this is in the shop owned by Rudy Vallee's character; the title can't be seen, but the stars' heads and umbrellas are visible and the tagline can be read. Network  (1976) When Max and Diana are arguing in their apartment, a Singin' in the Rain poster can be seen in the background in the bathroom Lou Grant: Babies  (1978) (TV Episode) When the hotel clerk mentions a movie called 'Swinging in the Rain', Billie asks if it's the one with Gene Kelly. Xanadu  (1980) Kira and Sonny wear slickers and carry umbrellas like in the opening title sequence of "Singin in the Rain" Fame: Star Quality  (1983) (TV Episode) Leroy performs Singin' in the Rain, using many of the same dancesteps as Gene Kelly Moonlighting: Knowing Her  (1985) (TV Episode) title song played over opening scene Rainbow: Resourcefulness  (1986) (TV Episode) John wistles singing in the rain as he twirls his umbrella Garfield Goes Hollywood  (1987) (TV Short) In a dream sequence Garfield, wearing a rain coat and carrying an umbrella twirls around a lamp post. Sunset  (1988) When Earp meets Mix in the studio where he finishes a Western shooting , the scene is the replica of Gene Kelly shooting the Western fight. Seinfeld: The Apartment  (1991) (TV Episode) Elaine sings part of "Good Morning" from "Singin' in the Rain." ReBoot: Talent Night  (1995) (TV Episode) Emma says the line "I can't stand him" in the same way that Lina Lamont does. Frasier: Leapin' Lizards  (1995) (TV Episode) title called "Singing in the Rain" The Object of My Affection  (1998) When George and Nina take the ballroom dance class, at one point, they are waltzing to a song from this film and Nina is wearing a long blue scarf similar to the scarf-y dress worn by Debbie Reynolds in the dance to the same song in "Singing in the Rain." Blind Terror  (2001) (TV Movie) Alan tells Susan that she hasn't seen his Gene Kelly impression. Spider-Man  (2002) just before the "upside down kiss", as MJ is running from the robbers, there is a shot from on top of the roof, very reminiscent of the iconic shot in singing in the rain with Gene Kelly swinging from the lampost, plus its raining! The Office: Charity  (2002) (TV Episode) Tim: "Dignity. Always dignity." The Goodbye Girl  (2004) (TV Movie) Poster in Lucy's room. Stargate SG-1: Chimera  (2004) (TV Episode) Sam and Pete discuss watching this film. While she insists it was romantic, he only considers cop movies classics. Alfie  (2004) When Alfie finds out that his results from the doctor is negative, he jumps into a pool of water and kicks into the water like Gene Kelly in the famous Singin' in the rain scene Everything You Want  (2005) (TV Movie) on movie marquee Jeopardy!: Episode #22.57  (2005) (TV Episode) referenced in clue in "Before & After" category NCIS: Family Secret  (2006) (TV Episode) Tony sings the song "Good Morning". Extras: Jonathan Ross  (2006) (TV Episode) Robert Lindsay re-enacts the "Make 'em Laugh" song and dance from this film followed by the line "I'm not really into musicals" House: Painless  (2009) (TV Episode) House makes a comment about "singing in the rain" Prozhektorperiskhilton: Episode #3.27  (2010) (TV Episode) Garik sings the main song and describes the scene featuring it. Glee: Duets  (2010) (TV Episode) Kurt mentions it to Sam. Prozhektorperiskhilton: Evgeniy Grishkovets  (2010) (TV Episode) The line "I'm singing in the rain" is portrayed/sung by Garik. Barfi!  (2012) Two scenes are inspired from this movie: a scene in the movie where Ranbir Kapoor walks into a door and his nose gets bent. There is also a scene where he sits on a sofa with a dummy and tries to entertain Priyanka Chopra. Jeopardy!: Episode #29.136  (2013) (TV Episode) Correct reponse in final Jeopardy Brooklyn  (2015) Eilis and Tony see this; after, Tony swings on a light po


"Which of Hector Berlioz's operas is based on ""Much Ado About Nothing”?"

Berlioz Meets Bard In 'Beatrice And Benedict' : NPR Berlioz Meets Bard In 'Beatrice And Benedict' Berlioz Meets Bard In 'Beatrice And Benedict' From the Champs-Elysees Theatre Embed Embed June 19, 200912:00 AM ET THE HIT SINGLE Act One ends with "Serene and Peaceful Night," a gentle duet for Hero and Ursula (sopranos Nathalie Manfrino and Elodie Mechain). While strolling in the moonlight, they reflect on the delights nighttime brings to the souls of lovers. "Serene and Peaceful Night" Embed Embed <iframe src="https://www.npr.org/player/embed/105621750/105609873" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player"> The B Side At the end of an extended, Act Two solo scene, Beatrice (mezzo-soprano Joyce DiDonato) wonders about her feelings for Benedict. In a virtuosic coda, she asks herself "Do I Love Him?" — and ecstatically concludes that she does. "Do I Love Him?" Embed Embed <iframe src="https://www.npr.org/player/embed/105621750/105610069" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player"> It's hardly a surprise that some of the greatest operas of all time are based on plays by Shakespeare. What is surprising is that there are so few of those operas. Hector Berlioz composed his operatic version of Shakespeare's Much Ado About Nothing early in the 1860s. Getty Images/Hulton Archive hide caption toggle caption Getty Images/Hulton Archive Actually, composers have cranked out hundreds of Shakespeare operas, but only a few of them truly cut the mustard. That is, barely a handful of those operas are widely considered worthy of Shakespeare's legacy, and of a regular place in the opera house.  Most opera fans would count three of Giuseppe Verdi 's operas among them: Macbeth , Otello and Falstaff . Others might include Charles Gounod 's Romeo and Juliet, or Benjamin Britten 's A Midsummer Night's Dream. And that's pretty close to the end of the list. Still, there may just be a Shakespeare-based, operatic dark horse that deserves more consideration than it gets. It's an appealing and insightful comedy, called Beatrice and Benedict, that combines the signature brilliance and bombast of composer Hector Berlioz with the sly, comedic insights of Shakespeare's Much Ado About Nothing. Yet somehow, the work scarcely registers on many people's operatic radar — maybe because Berlioz is known more for his brilliant orchestral works than for his operas. So it's ironic that it was the composer's instrumental music that gave him the opportunity to write the opera in the first place. Berlioz was 23, in the early 1830's, when he saw a series of Shakespeare's plays performed by an English theater company in Paris. He was overwhelmed by the experience, and began thinking about a musical setting of Much Ado About Nothing. But nothing came of the idea for nearly 30 years. Then, in the 1850s, Berlioz began presenting summertime concerts in the German spa town of Baden-Baden. The composer was hired by a casino owner to entertain his patrons, and the concerts were a great success. A few years later, the casino owner decided to commission a full-scale opera from Berlioz. The result was Beatrice and Benedict, which was premiered at a Baden-Baden theater in 1862. Article continues after sponsorship On this week's World of Opera, host Lisa Simeone presents Beatrice and Benedict from the Champs-Elysees Theatre in Paris. The stars are mezzo-soprano Joyce DiDonato and tenor Charles Workman in the title roles, and the performance is led by one of the world's foremost interpreters of Berlioz's music, Sir Colin Davis. See the previous edition of World of Opera or the full archive The Story of 'Beatrice and Benedict' June 18, 20094:52 PM ET WHO'S WHO? National Orchestra of France Radio France Chorus Sir Colin Davis, conductor American mezzo-soprano Joyce DiDonato stars as Beatrice in the Champs-Elysees Theatre's production of Beatrice and Benedict. Sheila Rock/Virgin Classics hide caption toggle caption Sheila Rock/Virgin Classics Hector Berlioz wrote the libretto for


"The winner of the Nobel prize for Literature in 1932, who wrote ""Forsyte Saga""?"

John Galsworthy | British writer | Britannica.com John Galsworthy John Galsworthy, (born Aug. 14, 1867, Kingston Hill, Surrey, Eng.—died Jan. 31, 1933, Grove Lodge, Hampstead), English novelist and playwright, winner of the Nobel Prize for Literature in 1932. Galsworthy, oil painting by Rudolf Sauter, 1923; in the University of Birmingham Library, England University of Birmingham Research and Cultural Collections; The Campus Collection of Fine and Decorative Art Galsworthy’s family, of Devonshire farming stock traceable to the 16th century, had made a comfortable fortune in property in the 19th century. His father was a solicitor. Educated at Harrow and New College, Oxford, Galsworthy was called to the bar in 1890. With a view to specializing in marine law, he took a voyage around the world, during which he encountered Joseph Conrad , then mate of a merchant ship. They became lifelong friends. Galsworthy found law uncongenial and took to writing. For his first works, From the Four Winds (1897), a collection of short stories, and the novel Jocelyn (1898), both published at his own expense, he used the pseudonym John Sinjohn. The Island Pharisees (1904) was the first book to appear under his own name. The Man of Property (1906) began the novel sequence known as The Forsyte Saga, by which Galsworthy is chiefly remembered; others in the same series are “Indian Summer of a Forsyte” (1918, in Five Tales), In Chancery (1920), Awakening (1920), and To Let (1921). The saga chronicles the lives of three generations of a large, upper middle-class family at the turn of the century. Having recently risen to wealth and success in the profession and business world, the Forsytes are tenaciously clannish and anxious to increase their wealth. The novels imply that their desire for property is morally wrong. The saga intersperses diatribes against wealth with lively passages describing character and background. In The Man of Property, Galsworthy attacks the Forsytes through the character of Soames Forsyte, a solicitor who considers his wife Irene as a mere form of property. Irene finds her husband physically unattractive and falls in love with a young architect who dies. The other two novels of the saga, In Chancery and To Let, trace the subsequent divorce of Soames and Irene, the second marriages they make, and the eventual romantic entanglements of their children. The story of the Forsyte family after World War I was continued in The White Monkey (1924), The Silver Spoon (1926), and Swan Song (1928), collected in A Modern Comedy (1929). Galsworthy’s other novels include The Country House (1907), The Patrician (1911), and The Freelands (1915). Britannica Stories EU Considers Rules For Robots Galsworthy was also a successful dramatist, his plays, written in a naturalistic style, usually examining some controversial ethical or social problem. They include The Silver Box (1906), which, like many of his other works, has a legal theme and depicts a bitter contrast of the law’s treatment of the rich and the poor; Strife (1909), a study of industrial relations; Justice (1910), a realistic portrayal of prison life that roused so much feeling that it led to reform; and Loyalties (1922), the best of his later plays. He also wrote verse. In 1905 Galsworthy married Ada Pearson, the divorced wife of his first cousin, A.J. Galsworthy. Galsworthy had, in secret, been closely associated with his future wife for about ten years before their marriage. Irene in The Forsyte Saga is to some extent a portrait of Ada Galsworthy, although her first husband was wholly unlike Soames Forsyte. Galsworthy’s novels, by their abstention from complicated psychology and their greatly simplified social viewpoint, became accepted as faithful patterns of English life for a time. Galsworthy is remembered for this evocation of Victorian and Edwardian upper middle-class life and for his creation of Soames Forsyte, a dislikable character who nevertheless compels the reader’s sympathy.


According to the Holy Bible, in order to marry which woman did King David send her husband, Uriah the Hittite, to meet his death in battle?

Bathsheba - King David's Most Famous Wife Current Affairs Bathsheba was King David's most famous wife because their marriage came after an illicit extramarital affair at the height of David's reign (circa 1005-965 B.C.). The story of Bathsheba and David has proved so enduring that its plot has been borrowed for countless romance novels, movies and daytime dramas. Who Seduced Whom? The relationship of Bathsheba and David centered on one question expressed by the Women in the Bible website: Who seduced whom? Their story is told in 2 Samuel 11 and 12, set against the backdrop of David's war against the Ammonites, a tribe from a region east of the Dead Sea that is now part of present-day Jordan. 2 Samuel 11:1 records that the king sent his army out to wage war, but he himself stayed behind in Jerusalem. Obviously David was secure enough on his throne that he no longer had need to go to war to prove his military power; he could send his generals instead. continue reading below our video 4 Tips for Improving Test Performance Thus King David was relaxing on a palace balcony above the city when he spied a beautiful woman taking a bath. Through his messengers, David learned that she was Bathsheba, wife of Uriah the Hittite, who had gone to battle for David. This raises a key question: did Bathsheba set her cap for the king, or did David force his lust on her? Traditional biblical scholarship holds that Bathsheba couldn't have been ignorant of her home's proximity to the palace, given that David was close enough that he could see her taking a bath outside. What's more, Bathsheba's husband, Uriah, had left her to go fight for David. Although feminist biblical interpretation contends that Bathsheba was a victim of David -- after all, who can say no to a king? -- other scholars find a clue to Bathsheba's complicity among King David's wives in 2 Samuel 4:11. This verse says unequivocally that when David sent messengers to fetch her, she came back with them. She wasn't coerced, nor did she use any of the many excuses she could have for not seeing another man, even a king, while her husband was away. Instead, she went to David of her own free will, and thus bears some responsibility for what happened afterward. King David Isn't Innocent, Either Even if Bathsheba had decided to seduce King David, scriptures deem David's sin in their affair to be greater for two reasons. Once he found out Bathsheba's identity, he knew that: she was married and he had sent her husband off to war. Clearly a liaison with her would violate the seventh commandment against adultery, and a king of Israel was supposed to be a religious leader as well as a political leader. Nonetheless, David and Bathsheba engaged in sexual intercourse, and she returned home. The whole thing might have ended there were it not for a subordinate clause in 2 Samuel 4:11: "she [Bathsheba] had just purified herself after her period." According to Jewish purity laws, a woman must wait seven days after her menses end before purifying herself ritually in a mikvah, a special immersion pool, so that she and her husband may resume sexual relations. The biblical text implies that this ritual purification was the bath that David saw Bathsheba taking. Depending on the length of a woman's period, this seven-day injunction before purification virtually guarantees that a woman will most likely be ovulating, or close to ovulating, when she resumes having sex. Consequently, Bathsheba and David had sex at one of the best possible moments for her to conceive -- which she did, with tragic results. Prev


"The ""Sons of the Desert"" is the international appreciation society of which cinematic duo?"

Sons of the Desert Sons of the Desert In 1933 Laurel and Hardy made a film called 'The Sons of the Desert ' in which they sneak off to a convention and pledge there loyalties to the national lodge of The Sons of the Desert. 60 years on, thousands of Laurel and Hardy fans from all over the world celebrate the lives, and work of Stan and 'Babe'. The Sons of The Desert ' -The Laurel and Hardy Appreciation Society was originally founded in 1965 by John McCabe [ Author of various books on the comedy duo - see books page for listing ],Al Kilgore ,Chuck McCann ,Orson Bean ,and John Municino. The first meeting took place on the 14th May 1965 at the 'Three Lions' pub in New York city . The Sons of the Desert was fully backed by Stan Laurel, who contributed to the constitution , which sets out the guidelines of the society. As the membership grew, different cities started their own branch of the appreciation society, each branch or 'tent ' as it is commonly known, takes it's name after a Laurel and Hardy film. Each 'tent' holds meetings at regular intervals, some have monthly get-together's while others have 2 meetings a year. At every meeting films are shown, quiz's take place,,members raise a glass and 'toast' Stan, Babe, Fin, Charlie Hall and Mae Busch and members sing the Sons of the Desert anthem.Some tents even sell memorabilia, including autographs, tee-shirts, film stills etc. If you would like to know the nearest United Kingdom tent to you click here , or if you are not from the UK To find out your nearest tent  in your country click   here Every two years different tents bid to hold the international convention. When and where the international conventions were held : YEAR AMSTERDAM / HOLLAND PERFECT DAY As well as internatinal conventions, conventions are held in Europe and in the UK every year. Most follow the same format with everybody linking their arms and singing out aloud " We are the Sons of the Desert " Lyrics to 'The Sons of the Deset ' Sons of the Desert We are the Sons of the Desert Having the time of our lives, Marching along , two thousand strong , Far from our sweethearts and wives , God bless them , Tramp , tramp , tramp the boys are marching , And dancing to this melody Dah ...dah..dah...dah..dah.. Sons of the desert are we For more Laurel and Hardy song lyrics click here


How many cards are used in the card game Bezique?

How to Play Bezique | HowStuffWorks How to Play Bezique NEXT PAGENEXT   Bezique, the forerunner of the card game Pinochle, was invented in the early 1800s in Sweden. By the 1850s, it was a hit all across Europe, and it soon arrived in America. It's still widely enjoyed in Britain. Over the years there have been many exciting variations of Bezique. In this article, you will. learn how to play classic Bezique, Rubicon Bezique, and Chinese Bezique. Let's get started with traditional Bezique: Number of players: Two Card Term Glossary Here's a quick reference for some of the card language you will find in this article. Follow suit: To play a card of the suit led. Lead: To play the first card to a trick. Marriage: A meld consisting of the king and queen. Meld: A combination of cards with scoring value, generally three or more cards in sequence in one suit or all of the same rank; also, to show or play such a combination. Stock: The undealt cards available for future use. Table: The playing area; also, to lay down a meld on the playing area. Trick: A round of cards played, one from each player's hand. Trump: A suit designated to be higher ranking than any other suit; any card in that suit. Also, to play a trump card on a trick. Upcard: The first card turned up after a deal, often to begin play or initiate a discard pile. For a complete listing of card terminology, click here . Object: To score points by melding and by taking tricks containing aces and 10s (brisques). The cards: Two sets of 32 cards, consisting of aces through 7s, are shuffled together into one 64-card deck. Cards rank -- from high to low -- A-10-K-Q-J-9-8-7. To play: Deal eight cards to each player, in groups of three, two, and three, and then turn up a card. This "upcard" will designate which suit will be trump. Place that card face up and so that it is slightly sticking out from under the draw pile. If the trump upcard is a 7, dealer scores 10 points immediately. Nondealer starts play by leading any card. At this stage of play, and as long as there remain cards to draw, you are not obliged to follow suit; you may play any of your cards. The highest trump in a trick wins it, or, if there is no trump card, the highest card of the suit led wins it. When two identical cards contend for the same trick (for example, two 10s), the first one played wins the trick. The winner of each trick scores 10 points for each ace or 10 (also called a "brisque") it contains, and may also table one meld. (You may tally the 10 points for a 7 of trumps along with a meld, and if you table the first 7 of trumps you may also trade it for the trump upcard.) Tally all points when you meld as you score them (see "Melds in Bezique" table below). Tally brisques at the end of the hand. Both players take a new card from the stock, with the winner of the previous trick drawing first and then leading to the next trick. Melded cards stay on the table until the stock is used up, but you may still play them on tricks. A card you meld one time can be used again, but only in a different meld and only with a winning trick. For example: Q melds with K in a marriage and can also meld later for 60 points with Q-- Q. But it can't meld with a second K -- a completely new pair is needed to score the second marriage. When only the upcard and one draw card remain, the upcard goes to the trick-loser. Put your remaining melded cards back in your hand, with the winner of the previous trick taking the last draw card and leading to the next trick. In the play of the final eight cards, each player must follow suit and also must win a trick whenever possible. Whoever wins the final trick scores an extra 10 points. ©2006 Publications International, Ltd. lead, though it gives opponent the chance to win a brisque. Instead, you could try either J, but as a card of lower rank, it is a more likely loser. Scoring: The first player to accumulate 1,000 points -- or any other agreed-upon sum -- wins. Tips: The play in Bezique has 32 tricks, in which your opponent will try to trump any ace or 10 you lead. Therefore, you sho


Who crowned Napoleon Bonaparte, Emperor of France, in 1804?

Napoleon's Coronation as Emperor of the French A LOL funny Regency romance spy romp. Download a free Kindle reader ap for your pc. Napoleon's Coronation as Emperor of the French Napoleon I was crowned Emperor of the French on a cold December 2nd in 1804.  Napoleon planed his coronation with as great a care as he did his wars. The task of organizing the coronation was given to L. Ph. de Ségur, the Grand master of Ceremonies, and A. L. de Rémusat, then First Chamberlain. The architects Percier and Fontaine took care of the temporary decorations and Jean Baptiste Isabey (1767-1855) designed the costumes. It was in March of 1804 that the senate offered First Consul Bonaparte the title of emperor. The French Senate voted a law on May 18, 1804 whose first article reads: "The government of the Republic is vested in an Emperor, who takes the title of Emperor of the French." The pomp of the Coronation day began when a dozen  processions of deputations from the cities of France,  the Army and Navy, the legislative assemblies, the  judiciary, the administrative corps, the Legion of  Honor, the Institute, and chambers of commerce left  different points to converge on Notre-Dame cathedral.  Then at 9 a.m. the Papal procession set out from the Pavilion de Flore at Tuileries. Pope Pius VII,  the cardinals, and grand officers of the Curia rode  to the coronation in gaily decorated coaches pulled  by horses of great beauty. The Papal procession was  led by a bishop on a mule bearing aloft the Papal  crucifix. Next the imperial cavalcade left Tuileries .  Marshal Murat, the governor of Paris led the procession.  Next came specially distinguished regiments of the  Army. Followed by the leading officers of the government  in carriages drawn by six horses. Then came a carriage  for the Bonaparte brothers and sisters. Last of all  was Napoleon's royal coach ornamented with gold and  emblazoned with a capital N, drawn by eight horses,  and bearing the Emperor dressed in purple velvet embroidered  with gems and gold. With him was Josephine robed in  silk and sparkling gems. "Her face so well made  up that," though forty-one, "she looked  like four-and-twenty." The procession passed  papier-mâché eagles lining the Champs-Elysées.  It took an hour for all the carriages to reach the  cathedral. As each group reached Notre-Dame cathedral, they took  their places. The Pope and his retinue marched up  the aisle in formal array and Pope Pius VII took his place on his throne at  the left of the altar. After Napoleon and Josephine arrived at the cathedral, they changed  into their red coronation robes. Napoleon took his  place on a throne at the right of the altar with Josephine  on a smaller throne five steps below. Napoleon skillfully imposed on the Republicans his preference for the cathedral Notre Dame de Paris (their choice would much more likely have been the Champ-de-mars), simultaneously obtaining their agreement for the presence of the Pope. Damaged during the French Revolution, the gothic Notre-Dame cathedral was saved from demolition and redecorated for Napoleon's coronation (1804) and was subsequently fully restored (1845-64) by Viollet-le-Duc. The architects Charles Percier and Pierre Fontaine carried out the decoration of the cathedral in the Empire style. Although the anointment of the Emperor had originally been planned for the week before the coronation, delays and difficulties in getting the Pope to Paris made it necessary to combine the anointment and the coronation. The common, malicious story, (apparently started by the Duchess d'Abrantes in her Memoirs) that Napoleon grabbed the crown from the Pope and crowned himself does not agree with the careful plans for the ceremony. Napoleon planned all along to avoid accepting the Pope as his overlord. Pope Pius VII, a practical man, agreed to the order of ceremony negotiated by Cardinal Papal legate G.B. Caprara in exchange for regaining several papal territories and a chance to visit France with the hope of winning the Fre


King Khalid international airport serves which capital city?

Riyadh Airport - King Khalid International Airport (RUH) Maps King Khalid International Airport - Riyadh Airport (RUH) Use this website to quickly find the most important information about Riyadh King Khalid International Airport or KKIA Airport: Flights (Departures, Arrivals and Delays), Parking, Car Hire, Hotels near the airport and other information about Riyadh airport. Plan your travel to RUH Airport with the information provided in this site.   Riyadh King Khalid International Airport (IATA: RUH, ICAO: OERK) is located 35 kilometers north of Riyadh, Saudi Arabia. The airport serves the city of Riyadh, the capital of the country. Is the second biggest airport in Saudi Arabia, after Jeddah airport. There are currently 40 Airlines (approx) that uses Riyadh Airport for scheduled passenger service. These airlines offers a wide range of destinations in all over the world. The airport is considered as the air gateway for the Kingdom of the Saudi Arabia. Riyadh King Khalid International Airport (IATA: RUH) is the 2nd largest airport in Saudi Arabia The mosque is the most important structure on the airport KKIA Airport served 22,3 Million passengers in 2015 Riyadh is the capital and largest city of Saudi Arabia with 5.7 million people This airport was built to handle the increasing local and international air transport requirements for Riyadh. The airport that KKIA replaced, Riyadh Airport (close to the city center), currently is a Royal Saudi Air Force airbase. The passengers handled by Riyadh King Khalid International Airport is increasing every year. In 2015, 22,3 million passengers used the airport and there were over 160,000 flight operations. In 2014, the airport handled more than 20 million passengers. Terminals at King Khalid International Airport At Riyadh airport there are operative 3 terminals: 1, 2 and 5, together with the Royal Terminal. Terminals 1, 2 and 5 link to each other by walkways. The complex has different facilities as cafés, restaurants, hotels and rent-a-car companies, banks, medical assistance and shops.   - Terminal 1: It is used for international flights with the exception of Air France, Saudia, Korean Air and Middle East Airlines (Skyteam members and flynas). Since the opening of Terminal 5, Terminal 1 operates the arrivals and departures of international flights.   - Terminal 2: It is used for international flights with the exception of the flynas members and Skyteam. Since the opening of Terminal 5, and as well as Terminal 1, T2 operates the departures and arrivals of international flights.


Prince Orlofsky, the maid Rosalinde, Dr Falke and the jailer Frosch, are all characters in which operetta, first performed in 1874?

Die Fledermaus | Opera Idaho Die Fledermaus Friday, November 4, 2016 • 7:30pm Sunday, November 6, 2016 • 2:30pm The Egyptian Theatre tickets POST-PERFORMANCE EVENT Keep the party going on opening night to celebrate our first opera of the season, J. Strauss Jr.’s Die Fledermaus, at a special benefit event for Opera Idaho. For more information about each cast member, click on the next to their name. Michele Detwiler, mezzo-soprano (en travesti)  Frosch, a jailer   Party goers and servants at Prince Orlofsky's (chorus) Cathleen Beynun, Merri Carr, Kristen Jackson, Gayle Dawn Hill, Ellen McKinney, Angela Tracy Miller, Kelly Moylan, Bonnie Saleski, Willis Carr, David Czerepinski, Nick Dumas, Tim Judy, Casey Lebold, Fernando Menéndez, Kyle Schlagel Overview The supreme example of Viennese operetta, Johann Strauss Jr.s’ Die Fledermaus both defines and transcends that genre. Its story centers on a magnificent masked ball, given by a Russian prince, which brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life. Performed in English with an all-Idaho cast, Die Fledermaus will be directed by Ben Spierman, who has recently directed Opera Idaho productions of Carmen and The Magic Flute. Despite its worldwide popularity, Die Fledermaus has only been produced once previously by Opera Idaho, that being in 2000. Act I Vienna, New Year’s Eve, 1899. Outside the Eisensteins’ apartment, the tenor Alfred serenades his old flame Rosalinde, who is now married to Gabriel von Eisenstein. Adele, Rosalinde’s chambermaid, wonders how to get the night off to attend a glamorous New Year’s Eve ball to which her sister has invited her. She tells her mistress she must visit a sick aunt, but Rosalinde refuses to let her go. Alfred appears and declares his love to Rosalinde, who resists him until he begins to sing. Hearing someone coming, she sends Alfred away, but not before he has convinced her to let him return later. Eisenstein and his lawyer, Blind, arrive from a session in court: Eisenstein has been sentenced to eight days in jail for striking a police officer and must begin his term that very night. He furiously dismisses Blind. His friend Falke urges Eisenstein to delay going to jail until morning and instead join him at the ball, which is being given by the wealthy Prince Orlofsky. Falke tells Eisenstein to bring along his infamous pocket watch to charm the ladies. While Eisenstein changes, Falke invites Rosalinde to the ball as well, telling her that if she comes in disguise, she’ll be able to observe her husband flirting with other women. Rosalinde at first doesn’t like the idea but changes her mind when Eisenstein reappears in evening dress. She joins Adele in a bittersweet farewell as her husband heads off to “prison.” Angry at Eisenstein’s deception, she then tells Adele to go see her “aunt” and receives the ardent Alfred. Their rendezvous is interrupted by the prison warden Frank, who has come to arrest Eisenstein. Rosalinde persuades Alfred to preserve her good name by posing as her husband, and Frank carts Alfred off to jail. Act II In the ballroom of Prince Orlofsky’s villa, the guests gossip about their host, who has a habit of paying someone to try to make him laugh—usually in vain. Orlofsky doubts that Falke’s promised evening of entertainment will brighten his spirits, but proclaims his guests should behave however they want and do anything they like. Adele arrives—to the surprise of her sister Ida, a dancer in a hit musical show, who claims she never invited her. Ida worries Adele isn’t classy enough to attend the ball, so they decide to present her as a Russian actress named Olga. Eisenstein enters, posing as a Frenchman, per Falke’s instructions. He immediately identifies Adele as his wife’s maid, but she laughs him off. Frank is also posing as a Frenchman, and he and Eisenstein become fast friends. Frank is so smitten with Ida and “Olga” th


"Who sang the theme tune to the James Bond film ""The Man with the Golden Gun""?"

James Bond 007 - The Man with the Golden Gun Theme - YouTube James Bond 007 - The Man with the Golden Gun Theme Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Feb 20, 2012 "The Man with the Golden Gun" performed by Lulu Category


By what one-word name is the painter, born around 1260 in Siena with the surname di Buoninsegna, usually known?

Abode Italy - Tuscany Area Guide Abode is an international associate of Savills Tuscany Area Guide Guide to Tuscany View All Areas Property for sale in Tuscany Property to rent in Tuscany Get Email Alerts for this area Tuscany is central Italy's largest region with a population of over 3.75 million. Located on Italy's west coast, Tuscany borders the Tyrrhenian Sea, the Ligurian coast, the Apennine Mountains and the regions of Umbria, Emilia-Romagna and Lazio. Tuscany includes a range of coastlines, coves, valleys, hills and mountains. The rich soils produce world famous wines and the Alpi Apuane of the northwest are home to the renowned Carrara marble quarry. Tuscany is seen as the essence of Italy in many ways; an idyll of olive groves, vineyards, hill-towns and frescoed churches. The national language evolved from the Tuscan dialect, a supremacy ensured by the Florentine Dante (who wrote the Divine Comedy in the vernacular of his birthplace) and other Tuscan writers such as Petrarch and Boccaccio. The Renaissance, which played so large a role in forming the culture, not just of Italy but of Europe, is associated more strongly with this part of the country than with anywhere else. Florence was the hot-bed of the Renaissance, flourishing principally through the all-powerful patronage of the Medici dynasty. Every eminent artistic figure from Giotto onwards – Masaccio, Brunelleschi, Alberti, Donatello, Botticelli, Leonardo da Vinci, Michelangelo – is represented here, in an unrivalled gathering of churches, galleries and museums.   If Florence is primarily about the Renaissance, in Siena it's the medieval period that predominates and it remains almost perfectly preserved. Here the city itself is the great attraction and you can have a wonderful time without setting foot in a single museum. The scallop-shaped Piazza del Campo is arguably the most beautiful public space in all of Italy whilst the duomo is one of the country's mightiest monuments. Pisa has much more to offer than just the leaning tower, which is certainly remarkable, but it is just a single component of the amazing Campo dei Miracoli, where the Duomo, Baptistery and Camposanto complete an unrivalled quartet of medieval masterpieces.  Nearby Lucca, on the other hand, is graceful with a largely traffic-free centre that's strewn with handsome buildings; you can hardly walk for five minutes without coming upon a small piazza and marble-fronted church facade. Tucked away to the west and south of Siena, dozens of small hill towns epitomize the region for many visitors. San Gimignano is worth visiting as much for its spectacular array of frescoes as for its bristle of medieval towers. Volterra, west of San Gimignano sits on a windswept plateau enclosed by volcanic hills and was described by D. H. Lawrence as "a sort of inland island," and it does have an air of being somewhat cut off from the rest of the region. Like Cortona, it was a major Etruscan settlement, and the town's museums are stuffed with relics of that enigmatic civilisation. The Val d’Orcia (or Valdorcia) extends from the hills of Siena to Monte Amiata. It is characterised by carefully cultivated hills punctuated with picturesque towns and villages such as Pienza, Radicofani and Montalcino. It is a landscape which has become familiar through its depiction in art from Renaissance paintings to modern photographs and became a world heritage site in 2004.   Areas we cover in the province of Siena Asciano  Asciano is located at the centre of the ‘Crete Senesi’ some 30 kilometres south-east of Siena. Asciano has evidence of Etruscan, Roman and Lombard settlements; an Etruscan necropolis dating back to the 5th century BC has been excavated nearby and the remains of Roman baths with fine mosaic paving were uncovered in the town in 1898. During medieval times the site was fought over by Siena and Florence at the battle of Montaperti in 1260; part of the centuries long conflict between the Guelphs (supporters of the Papacy) and the Ghibellines (supporters of the Holy Roman Emperor). Some twenty years later it wa


"Who played King Henry the Eighth opposite Paul Scofield's ""Sir Thomas More"" in the 1966 film, ""A Man for all Seasons""?"

Henry VIII: Three films | History Extra History Extra Directory Henry VIII: Three films Mark Glancy takes a closer look at three very different portrayals of Henry VIII, one of history's most infamous characters.   BBC History Magazine - 5 issues for £5 If you’ve watched The Tudors on BBC Two over the last few years, you’ll have seen Henry VIII as a young man. He was regarded as handsome, athletic and intellectually curious during the early years of his long reign (1509–47). The legendary Henry is the ageing, rotund and ill-tempered king who struggled to produce a male heir and sent two of his six wives to the executioner’s block. His story has been told innumerable times, in different styles and from many vantage points, and interest in it shows no signs of abating. Nevertheless, an early talkie, made in 1933 and on a modest budget, remains the definitive portrait of the man.   1. The Private Life of Henry VIII   Dir: Alexander Korda, UK, 1933. With Charles Laughton, Robert Donat, Merle Oberon, Elsa Lanchester As the title suggests, Alexander Korda’s film takes a through-the-keyhole vantage point on Henry, preferring his marital affairs to affairs of state. Catherine of Aragon is swept aside in the flippant opening titles (“her story is of no particular interest – she was a respectable woman”) and the film opens in 1536 as Anne Boleyn (played by Merle Oberon) faces execution with resigned, quiet dignity. It then makes its way through Henry’s marriages to Jane Seymour (Wendy Barrie), Anne of Cleves (Elsa Lanchester), Catherine Howard (Binnie Barnes) and Katherine Parr (Everley Gregg). Much of this is played for laughs. “It’s all chop and change,” one character observes from the sidelines, and Henry himself groans about “the things I’ve done for England” as he reluctantly enters into marriage with the unattractive Anne of Cleves. This is history as it would play at the music hall: filled with saucy comments, naughty puns, and a lusty hero whose appetites render him ridiculous. It is doubtful the film would hold together were it not for Charles Laughton. From the moment he strides into the frame, assuming the aggressive image made famous by Hans Holbein’s full-length portrait of Henry, Laughton manages to imbue the iconic figure with humanity, tragedy and humour. This Henry, like Holbein’s, is a middle-aged figure striking a powerful pose, but the film is daring enough to play this for laughs. No other actor or film has found this combination of malice and mirth in Henry. Yet as memorable as some of its jokes and its central performance may be, The Private Life of Henry VIII is actually a little too scrappy and rough around the edges to be a true film classic. Its status as a landmark in film history relies as much on its reception as its aesthetic qualities. In the early 1930s, British films rarely travelled well and historical films were out of fashion, but this was an international success and it brought many more historical films in its wake.   But is it accurate?   Most historians were not impressed. Some complained about the film’s focus on the private life, and its complete disinterest in worldly matters. There is no mention of the break with Rome or the English Reformation. Others complained about a plethora of tiny details, including the incorrect placement of the buckles on Henry’s shoes. Audiences did not share these concerns, and Korda followed a similar path with his subsequent films about Catherine the Great, Rembrandt and Nelson. Accuracy: 5/10 2. Anne of the Thousand Days   Dir: Charles Jarrott, UK/USA, 1969. With Richard Burton, Geneviève Bujold, Irene Papas, Anthony Quayle Korda’s film was made during the Depression, and portrays Henry as the embodiment of the people’s will. In the 1960s–70s, however, filmmakers regarded Henry’s reign as divisive and authoritarian. Censorship had loosened and religious issues were no longer off-limits, but this view of Henry also suited an era which questioned authority and saw the establishment as corrupt and self-serving. In Anne of the Thousand Days, Henry (Richard Bur


The American state of Georgia is known by what official nickname?

The Peach State | State Symbols USA State Symbols USA Perfect peaches; photo by liz west on Flickr (use permitted with attribution). The Peach State Georgia is best known as The Peach State. Georgia-grown peaches are recognized for their superior flavor, texture, appearance and nutritious qualities. Georgia also designated the peach as the official state fruit in 1995. Other nicknames for Georgia are The Goober State (goobers are an old word for peanuts), and The Empire State of the South. Georgia


"Who wrote the book on which Tchaikovsky based his opera, ""Eugene Onegin""?"

The opera novice: Eugene Onegin by Tchaikovsky - Telegraph The opera novice: Eugene Onegin by Tchaikovsky Tchaikovsky’s Eugene Onegin perfectly captures teenage angst, says Sameer  Rahim. Hannah Pedley, Anna Leese and Mark Stone in Eugene Onegin  Photo: FRITZ CURZON Follow When I started on my opera journey, I hoped to hear some hidden gems – works I’d never heard of, let alone heard. Tchaikovsky’s lyrical adaptation of Pushkin’s poem Eugene Onegin is one such gem. Superbly crafted, intense and with dramatically rich music, the opera is up there with Rigoletto and Die Walküre as one of my favourites so far. It helps that I’ve seen Onegin three times since the Autumn (a not-so hidden gem then, if you’re paying attention): Deborah Warner’s traditional-dress production at ENO; the small-scale English Touring Opera version at the Hackney Empire; and, last week, Daniel Slater’s version set before and after the Russian Revolution at Opera Holland Park. It’s also a piece I’ve listened to many times outside the theatre, the swelling music keeping me company on many late-night walks home. Only after I saw my first Onegin did I get round to reading the poem. The two works are quite different in tone. Tchaikovsky’s opera begins in the Russian countryside and introduces the heroine Tatyana, a bookish girl fond of Richardson's novels, and her sister Olga, a flirt engaged to Lensky, the poet who lives next door. Lensky brings round his friend, the enigmatic Eugene Onegin, and Tatyana swiftly falls for him. Like the obsessive teenager she is, Tatyana writes a letter confessing her feelings . Tchaikovsky doesn’t colour in Onegin's character much early on: he didn't need to. The Russian audience for the opera – first performed in Moscow in 1879 – already knew him well. In Pushkin’s poem Onegin is a seducer who speaks callously of waiting for his rich uncle to die so he can inherit his country estate. They would all have been expecting it when, in the next scene, Onegin dismisses Tatyana’s hopes. They might, however, have been surprised at the shift in tone from poem to opera. Pushkin was a kind of Russian Byron; his Onegin is deeply witty, the authorial asides as pleasurable as the story. Tchaikovsky was a very different artist, less interested in the rake Onegin than the crushed hopes of Tatyana. He was also working in a different medium. When he first had the idea of adapting Pushkin, he read the poem “over again with rapture and passed a sleepless night, of which the result was a charming plot with words from Pushkin”, as he wrote. The composer transformed this feeling using the trembling strings of the letter-writing scene , in which Tatyana says she is filled with the “rapture of life”. The music also captures well the hysteria of teenage love. Related Articles Wagner's The Ring: 'like Lord of the Rings on speed' 24 Sep 2012 Act two signals a darker turn. On Tatyana’s name-day party, Onegin flirts with Olga, his friend Lensky’s fiancée, and the two men argue. To the horror of the onlookers, they agree to fight a duel. At Holland Park this scene was done chillingly. The production’s overall conceit was that Tatyana (Anna Leese) and Onegin (Mark Stone) are reliving the bad turns their lives have taken. At the party, rather than impressive but bland ballroom dancing (as was the case at ENO), Tatyana is playfully blindfolded and spun round before Onegin whisks her off in a dance; this action is then repeated again and again, each time more quickly, as if trying to fast-forward a memory you can’t escape. The comic turn in the scene, a French tutor called Monsieur Triquet who sings embarrassing songs to Tatyana, is turned into an alcoholic who leers at her in a parody of her own unrequited love for Onegin. Before Lensky fights his duel, he sings sadly of his lost love, though what really hurts as much as Olga’s betrayal is Onegin’s. (I’m wary of reading too much into this, but while composing the opera Tchaikovsky was extricating himself from a disastrous marriage meant to hide his homosexuality.) When we meet the characters in the fina


The late-medieval musical instrument known as a psaltery was an early form of what later stringed instrument?

bandura | musical instrument | Britannica.com musical instrument zither (musical instrument) Bandura, also called kobza, a stringed instrument of the psaltery family considered the national musical instrument of Ukraine . It is used chiefly to accompany folk music . The bandura has an oval wooden body; a short, fretless neck attached to the soundboard in an off-centre position; 4 to 8 bass strings running from the neck of the instrument to the body; and 30 or more (sometimes 60) chromatically tuned treble strings stretched over the soundboard. The instrument is played in a seated position, the body of the instrument held on the lap in a nearly vertical position parallel to the torso. The bass strings are plucked with the fingers of the left hand and the treble strings strummed with a plectrum held in the right hand. Person playing the bandura. Courtesy of Walter Fryz A precursor to the bandura was the kobza, a three- to eight-string instrument mentioned in Greek literature of the 6th century. During the Middle Ages it was prominent in eastern European courts, where it was used to accompany singing and dancing. Additional strings were added to the kobza in the 14th or 15th century, when it became known as the bandura, but the term kobza remains a synonym for bandura. By the 15th century the bandura had been adopted by kobzari, professional musicians—many of whom were blind—who used the instrument as an accompaniment for epic ballads (dumy) that recounted the exploits of the Ukrainian Cossacks . By the late 19th and early 20th centuries kobzari were persecuted for expressing nationalistic sentiments in their music, and in the 1930s Stalin ordered the execution of a number of them. Despite Soviet censure , interest in the bandura increased in the 20th century. Many bandura ensembles and schools were formed, and the instrument, which was by tradition tuned diatonically, now has chromatically tuned versions. At the turn of the 21st century, bandura ensembles continued to be popular in Ukraine and in North American Ukrainian immigrant communities . Learn More in these related articles:


Despite its name how many bytes are actually in a kilobyte?

KB to MB Conversion Kilobytes to Megabytes Calculator 8,000,000 bits Kilobytes Kilobyte (KB) is a common measurement unit of digital information (including text, sound, graphic, video, and other sorts of information) that equals to 1000 bytes. In practical information technology, KB is actually equal to 210 bytes, which makes it equal to 1024 bytes. Decades ago, this unit used to be one of the most popular ones, but recently, since the volumes of information increased drastically, such unit as gigabyte has become more commonly used. Kilobyte in SI and base 10 (decimal) 1 Kilobyte = 10001 bytes 1 Kilobyte = 1000 bytes Kilobyte in base 2 (binary) 1 Kilobyte = 210 bytes 1 Kilobyte = 10241 bytes 1 Kilobyte = 1024 bytes Megabytes Megabyte (MB) is a unit of transferred or stored digital information, which is extensively used in information and computer technology. In SI, one megabyte is equal to 1,000,000 bytes. At the same time, practically 1 megabyte is used as 220 B, which means 1,048,576 bytes. Nowadays, the amount of information measured by megabytes is used for representing the size of a typical MP3 file, the size of a JPEG image, and so on. Megabyte in SI and base 10 (decimal) 1 Megabyte = 10002 bytes 1 Megabyte = 1,000,000 bytes Megabyte in base 2 (binary) 1 Megabyte = 220 bytes 1 Megabyte = 10242 bytes 1 Megabyte = 1,048,576 bytes How to Calculate Kilobytes to Megabytes Kilobyte in SI 1 Kilobyte = 10001 bytes We know that 1MB = 10002 bytes, so 1 byte = 1000-2 MB putting 1 byte in kilobyte equation; 1 Kilobyte = 10001 * 1000-2 MB 1 Kilobyte = 1000-1 MB 1 Kilobyte = 0.001 Megabytes KB to MB in Base 2 (binary) Kilobyte in base 2 1 Kilobyte = 210 bytes 1 Kilobyte = 10241 bytes 1 byte = 1024-2 MB 1 Kilobyte = 10241 * 1024-2 MB 1 Kilobyte = 1024-1 MB 1 Kilobyte = 2-10 Megabytes 1 Kilobyte = 0.0009765625 Megabytes KB to MB Conversion Table Kilobytes (KB)


Sea Fever by John Masefield - Poetry Reading - YouTube Sea Fever by John Masefield - Poetry Reading Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. The interactive transcript could not be loaded. Loading... Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Mar 19, 2013 Sea Fever - A poem by John Masefield. I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must go down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must go down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way, where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover, And quiet sleep and a sweet dream when the long trick's over. About The Poem - Salt-Water Poems and Ballads includes "Sea-Fever" and "Cargoes", two of Masefield's best known poems. "Sea-Fever" first appeared in Salt-Water Ballads -- Masefield's first volume of poetry published in 1902 in London by Grant Richards. In The Collected Poems of John Masefield the opening line was changed to the text now more commonly anthologised: "I must go down to the sea again, to the lonely sea and the sky". The first lines of the second and third stanzas retained the form "I must down to the seas again. "Sea-Fever" has been set to music by many composers, the most famous version is by John Ireland. About The Poet - John Edward Masefield (1878 -- 1967) was an English poet and writer, and Poet Laureate of the United Kingdom from 1930 until his death in 1967. He was born in Herefordshire, England. Many of Masefield's short poems were set as art songs by British composers of the time. For more videos log onto http://www.youtube.com/pearlsofwisdom Also find us on Facebook at https://www.facebook.com/pearlsofwisd... Subscribe & Stay Tuned - http://www.youtube.com/subscription_c...


Who was the first Chancellor of the re-united Germany in 1990?

East and West Germany reunite after 45 years - Oct 03, 1990 - HISTORY.com East and West Germany reunite after 45 years Share this: East and West Germany reunite after 45 years Author East and West Germany reunite after 45 years URL Publisher A+E Networks Less than one year after the destruction of the Berlin Wall, East and West Germany come together on what is known as “Unity Day.” Since 1945, when Soviet forces occupied eastern Germany, and the United States and other Allied forces occupied the western half of the nation at the close of World War II, divided Germany had come to serve as one of the most enduring symbols of the Cold War. Some of the most dramatic episodes of the Cold War took place there. The Berlin Blockade (June 1948–May 1949), during which the Soviet Union blocked all ground travel into West Berlin, and the construction of the Berlin Wall in 1961 were perhaps the most famous. With the gradual waning of Soviet power in the late 1980s, the Communist Party in East Germany began to lose its grip on power. Tens of thousands of East Germans began to flee the nation, and by late 1989 the Berlin Wall started to come down. Shortly thereafter, talks between East and West German officials, joined by officials from the United States, Great Britain, France, and the USSR, began to explore the possibility of reunification. Two months following reunification, all-German elections took place and Helmut Kohl became the first chancellor of the reunified Germany. Although this action came more than a year before the dissolution of the Soviet Union, for many observers the reunification of Germany effectively marked the end of the Cold War. Related Videos


In which UK town or City is the Baltic Centre for Contemporary Arts?

What's On ::       BALTIC Centre for Contemporary Art. BALTIC Centre for Contemporary Art is supported by Arts Council England & Gateshead Council. BALTIC 39 is supported by Newcastle City Council & Arts Council England. Site by Founded . BALTIC Flour Mills Visual Arts Trust, incorporated in England and Wales, company limited by guarantee, No: 3589539 | Registered Charity No: 1076251 ×Close