Which group recorded the albums 'Gaze' and 'Painting It Red' and 'Blue is the colour'?

The Beautiful South on Apple Music To preview a song, mouse over the title and click Play. Open iTunes to buy and download music. Biography Following the disbandment of the British indie pop group the Housemartins in 1989, vocalist Paul Heaton and drummer David Hemmingway formed the Beautiful South. Where their previous group relied on jazzy guitars and witty, wry lyrics, the Beautiful South boasted a more sophisticated, jazzy pop sound, layered with keyboards, R&B-inflected female backing vocals and, occasionally, light orchestrations. Often, the group's relaxed, catchy songs contradicted the sarcastic, cynical thrust of the lyrics. Nevertheless, the band's pleasant arrangements often tempered whatever bitterness there was in Heaton's lyrics, and that's part of the reason why the Beautiful South became quite popular within its native Britain during the '90s. Though the group never found a niche in America -- by the middle of the decade, their records weren't even being released in the U.S. -- their string of melodic jazz-pop singles made them one of the most successful, if one of the least flashy, bands in Britain. Their popularity was confirmed by the astonishing success of their 1994 singles compilation, Carry on Up the Charts, which became one of the biggest-selling albums in British history. Heaton and Hemmingway formed the Beautiful South immediately after the breakup of the Housemartins, who were one of the most popular and well-reviewed British guitar pop bands of the mid-'80s. The Housemartins had earned a reputation for being somewhat downbeat Northerners, so the duo chose the name Beautiful South sarcastically. To complete the lineup, the pair hired former Anthill Runaways vocalist Briana Corrigan, bassist Sean Welch, drummer David Stead (formerly a Housemartins roadie), and guitarist David Rotheray, who became Heaton's new collaborator. In the summer of 1989, they released their first single, "Song for Whoever," on the Housemartins' old record label, Go!. "Song for Whoever" climbed to number two, while its follow-up "You Keep It All In" peaked at number eight in September, 1989. A month later, the group's debut, Welcome to the Beautiful South, was released to positive reviews. "A Little Time," the first single from the group's second album, Choke, became the group's first number one single in the fall of 1990. Choke was also well-received, even though it didn't quite match the performance of the debut, either in terms of sales or reviews. In particular, some critics complained that Heaton was becoming too clever and cynical for his own good. The Beautiful South released their third album, 0898, in 1992; it was their first record not to be released in the United States, yet it maintained their success in Britain. Following the release of 0898, Corrigan left the group, reportedly upset over some of Heaton's ironic lyrics. She was replaced with Jacqui Abbot, who made her first appearance on the band's fourth album, 1994's Miaow. While both 0898 and Miaow were popular, they were only moderate successes. Their respectable chart performances in no way prepared any observers, including the band themselves, for the blockbuster success of Carry on Up the Charts, a greatest-hits collection released at the end of 1994. Carry on Up the Charts entered the charts at number one. It was one of the fastest-selling albums in U.K. history and its success outlasted the Christmas season. The album stayed at number one for several months, going platinum many times over and, in the process, becoming one of the most popular albums in British history. Its success was a bit of a surprise, since the popularity of the Beautiful South's previous albums never indicated the across-the-boards success that greeted Carry on Up the Charts. The album wasn't released in America until late 1995, after it broke several U.K. records. The Beautiful South released their follow-up to Miaow, Blue Is the Colour, in the fall of 1996. Quench followed three years later, then Painting It Red in fall 2000, and Gaze in 2003. ~ Stephen Thomas Erlewine


The title character of which British TV detective series has not put in an appearance for nearly 14 years?

The top 50 TV detectives of all time | GamesRadar+ The top 50 TV detectives of all time Shares Sussing out the very best TV detectives To celebrate the launch of Crime Scene magazine we've been doing some sleuthing to figure out just who TV's best detective is by getting 50 of them into a room and systematically pointing at each of them. Who's our prime suspect? Read on to find out... Want to pick up a copy of Crime Scene? You can find it in stores tomorrow or online here . Prev Next 50. Magnum, PI (Magnum, PI) Tom Selleck narrowly missed out on playing archaeologist Indiana Jones, instead channelling his beefcake bravado into Thomas Sullivan Magnum IV - aka Magnum PI. A former military man he spends his off-hours relaxing in a former friend's swanky Hawaiian homestead, the grounds of which he shares with his verbal sparring partner, the quick-witted British veteran Higgins (John Hillerman). His trademark 'tache and gleaming red Ferrari are the more memorable associations of this sun-kissed snoop, and often take precedence over his dedication to sniffing out creeps. Never without a Hawaiian shirt on his back, he might be rockin' the casual flip-flop stylings of a beach bum, but that's perhaps his greatest asset: Magnum's targets never see him coming (unless he's on a jetski.) Prev Next 49. Inspector Lynley (The Inspector Lynley Mysteries) On the surface Detective Thomas Lynley (Nathaniel Parker) shares more than a passing similarity to 007; each drive prestigious cars and carry out their business in an air of elitism. And that's where it ends. Lynley's heritage - he's an Earl, don't you know - imbues him with a moral fortitude that often counters the thinking of his straight-shooting scrappy partner, Detective Sergeant Barbara Havers (Sharon Small). Part of the show's strength hails from their differences, and in particular Lynley's own personal affairs that regularly interfere and become entangled with his current cases. Over the six seasons, during which the pair traversed the lengths of the UK investigating a whole host of incidents, it's his own dalliances with the law that tested his mettle. Prev Next 48. Inspector George Gently (Inspector George Gently) All Inspector Gently (Martin Shaw) wants is for things to be done right. His tenure as a Northumberland copper in the late '60s is defined by his old-school techniques and strong moral guidelines. Faced with the changing culture of crime, in which police procedures deal with offenders in ways he strongly admonishes, Gently seeks to stamp out the rotten element of his beat. Even if that does involve busting down doors and interrogating witnesses without the proper authorisation, he's a man determined to always do the right thing. Wiping out corruption in the department ranks high on his list of priorities. Prev Next 47. Humphrey Goodman (Death In Paradise) The beautiful environments and light-hearted, slightly old-fashioned tone of Death In Paradise have been key to its success. A formulaic whodunit illuminated by glorious sunshine, Death In Paradise is also popular because of its loveable cast of characters, a mix of French, British and Caribbean coppers who oversee the fictional island resort of Saint Marie. So when Ben Miller's Detective Inspector Richard Poole was killed at the start of series three, who knew that the public would take his replacement to their hearts so quickly? Detective Inspector Humphrey Goodman, portrayed by Kris Marshall, is flown over from London to lead the small police team and almost immediately falls in love with his detective sergeant Camille Bordey. His bumbling and affable demeanour hides a sharp, deductive mind in the classic Sherlock/Poirot vein; based on the smallest of observations he can unpick dastardly murder plots - and then he usually gathers the suspects together for a drawing room (or more frequently poolside). Prev Next 46. Hank Schrader (Breaking Bad) Poor Hank. Poor, poor Hank. While many believe Walter White's brother-in-law really should have joined the dots before his eventual epiphany late in the final season of Bre


The atmosphere of the planet Mars consists almost entirely of which gas?

Venus' Atmosphere: Composition, Climate and Weather Venus' Atmosphere: Composition, Climate and Weather By Nola Taylor Redd, Space.com Contributor | November 16, 2012 06:23pm ET MORE Venus has the distinction of being the hottest planet in the solar system, and the fault lies solely with its atmosphere. What is it about the air on Venus that keeps the planet cooking? False-colour image of cloud features seen on Venus by the Venus Monitoring Camera (VMC) on Venus Express. Credit: ESA/MPS/DLR/IDA Atmospheric makeup The atmosphere of Venus is made up almost completely of carbon dioxide. Nitrogen exists in small doses, as do clouds of sulfuric acid. The air of Venus is so dense that the small traces of nitrogen are four times the amount found on Earth, although nitrogen makes up more than three-fourths of the terrestrial atmosphere. This composition causes a runaway greenhouse effect that heats the planet even hotter than the surface of Mercury, although Venus lies farther from the sun . When the rocky core of Venus formed , it captured much of the gas gravitationally. In addition to warming the planet, the heavy clouds shield it, preventing visible observations of the surface and protecting it from bombardment by all but the largest meteorites. Although Venus and Earth are similar in size , someone standing on the ground on Venus would experience air about 90 times heavier than Earth's atmosphere; pressures are similar to diving 3,000 feet beneath the ocean. Ironically, the most Earth-like atmosphere in the solar system occurs 30 to 40 miles (50 to 60 kilometers) above the surface of Venus. Both oxygen and hydrogen rise above the heavier gas layer covering the ground, and the pressures are similar to our planet. Carbon dioxide: 96 percent


Who wrote the novel 'The Prodigal Daughter' in 1982?

The Prodigal Daughter (Kane & Abel, #2) by Jeffrey Archer — Reviews, Discussion, Bookclubs, Lists Sep 07, 2011 Kyle rated it liked it The Prodigal Daughter focuses on the life of Florentyna Rosnovski Kane, the daughter of a Polish immigrant who lived the American dream. The first half of this book is a retelling of events from Kane and Abel. The reader gains a few new insights seeing things through Florentyna's eyes, but these were rare because so many passages were completely lifted from the original book and put into this sequel. One element that seemed to be missing in this book compared to Kane and Abel was the tension and The Prodigal Daughter focuses on the life of Florentyna Rosnovski Kane, the daughter of a Polish immigrant who lived the American dream. The first half of this book is a retelling of events from Kane and Abel. The reader gains a few new insights seeing things through Florentyna's eyes, but these were rare because so many passages were completely lifted from the original book and put into this sequel. One element that seemed to be missing in this book compared to Kane and Abel was the tension and plot twists that came about from the bitter feud between the Kane and Rosnovski patriarchs. These two strong wills really made the first book shine, whereas the summary retelling in this book was a bit disappointing. The latter half of the book deals with Florentyna's life in politics. I found this to be rather dry at times, and somewhat predictable as to where Florentyna would eventually end up. If I had read The Prodigal Daughter as a stand-alone book, my review would likely have been higher, but it seemed cheap and lazy to reuse so much material from the first book. ...more Jan 03, 2011 Melanie rated it it was amazing Recommends it for: Anyone with breif knowledge of the American Political system Honestly, I found this in my father's car and only popped in the first tape to have something to listen to on my 20 minutes drive to school. I was surprised to find myself engrossed in the novel about a young girl who was the daughter of a Polish immigrant who build his own American Deam in the form of the Baron hotels. Imagine my surprise in finding out that this was the sequel to another best seller, that I will be sure to pick up as soon as possible. The best part was the main character, Flor Honestly, I found this in my father's car and only popped in the first tape to have something to listen to on my 20 minutes drive to school. I was surprised to find myself engrossed in the novel about a young girl who was the daughter of a Polish immigrant who build his own American Deam in the form of the Baron hotels. Imagine my surprise in finding out that this was the sequel to another best seller, that I will be sure to pick up as soon as possible. The best part was the main character, Florentyna, and her unwavering honesty and diligence in not only her buisness life but also her politics. I found myself cursing the American political system at times for the unfairness in campaigning schemes and was heartbroken every time Florentyna was hit by a blow from the media during her efforts to make it into the political spotlight. I feel as if her character were a real person, she would be one of the only politicians I would admire. One thing I also loved was how the love story in the book did not take up a major amount of the reader's time, and rather was put in to help push the plot forward and added to the realness of the main character. Not only were the characters wonderful, but the historical facts in the book were added with subtlety and grace. I never knew much about the Polish and found myself engrossed in the telling of the Polish heritage from Florentyna's father. The connection to American politics throughout the whole book taught me more about the history of modern America than I could have ever learned in one of my college classes, all while intertwining it with the lives of the characters. I would reccomend this book to anyone who has knowledge of the American political system and likes fast paced historical


In Greek mythology who was the daughter of Zeus and Demeter who became the wife of Hades and Queen of the Underworld?

Persephone, Queen of the Underworld - Greeka.com Myths Persephone, Queen of the Underworld The story of Persephone, the sweet daughter of goddess Demeter who was kidnapped by Hades and later became the Queen of the Underworld, is known all over the world. It is actually the way of the ancient Greeks to explain the change of the seasons, the eternal cycle of the Nature's death and rebirth. Persephone is understood in people's mind as a naive little girl who flows between the protection of the mother and the love of her husband. The myth of Persephone was very popular in the ancient times and it is said that her story was represented in the Eleusinian Mysteries, the great private and secret celebrations of ancient Greece. Want to discover more myths? Discover the myth of Persephone, the Queen of the Underworld The abduction from Hades According to Greek Mythology, Persephone, the queen of the underworld, was the daughter of Zeus and Demeter, the goddess of harvest and fertility. She was also called Kore, which means "maiden" and grew up to be a lovely girl attracting the attention of many gods. However, Demeter had an obsessed love for her only daughter and kept all men away from her. The most persisting suitor of Persephone was Hades, the god of the Underworld. He was a hard, middle-aged man, living in the dark, among the shadows of the Dead. But his heart softened when he saw Persephone and was amazed by his youth, beauty and freshness. When he asked Demeter to marry her daughter, Demeter got furious and said there wasn't the slightest chance for that to happen. Hades was heart-broken and decided to get Persephone no matter what. One day, while the young girl was playing and picking flowers along with her friends in a valley, she beheld the most enchanting narcissus she had ever seen. As she stooped down to pick the flower, the earth beneath her feet suddenly cleaved open and through the gap Hades himself came out on his chariot with black horses. Hades grabbed the lovely maiden before she could scream for help and descended into his underworld kingdom while the gap in the earth closed after them. Desperately looking for Persephone The other girls had not seen anything because everything happened very quickly. They didn't have a clue for the sudden disappearance of Persephone. The whole incident, however, had been witnessed by Zeus, father of the maiden and brother of the abductor, as well as by Helios, god of the Sun. Zeus decided to keep silent about the whole thing to prevent a fight with his brother while Helios wisely thought it better not to get involved in anything that didn't concern him. A distraught and heartbroken Demeter wandered the earth looking for her daughter until her good friend Hecate, goddess of wilderness and childbirth, advised her to seek for the help of Helios, the all-seeing Sun god, in order to find her daughter. Helios felt sorry for Demeter, who was crying and pleading him to help her. Thus she revealed her that Persephone had been kidnapped by Hades. When she heard that, Demeter got angry and wanted to take revenge but Helios suggested that it was not such a bad thing for Persephone to be the wife of Hades and queen of the dead. Trying to find a solution Demeter, however, could not let it gone. She was furious at this insult and deeply believed that Hades, who after all had only dead people for company, was not the right husband for her sweet daughter. She also got angry at Zeus for not having revealed this to her. To punish gods and to grief, Demeter decided to take a long and indefinite leave from her duties as the goddess of harvest and fertility, with devastating consequences. The earth began to dry up,harvests failed, plants lost their fruitfulness, animals were dying for lack of food and famine spread to the whole earth, resulting in untold misery. The cries of the people who were suffering reached Olympus and the divine ears of Zeus. The mighty god finally realized that if he wouldn't do something about his wife's wrath, all humanity would disappear. Thus he tried to find another solu


Who won the 2007 Best Actor Oscar for his role in the film 'The Last King Of Scotland'?

Academy Awards Best Actor The Best Years of Our Lives (1946) );      two were consecutive nominations (from 1930/31-1931/32) Tom Hanks (5) - with two wins (Philadelphia (1993), Forrest Gump (1994)); two were      consecutive nominations (from 1993-1994) Sean Penn (5) - with two wins (Mystic River (2003) and Milk (2008)); nominations were from 1995-2008 The Most Best Actor Nominations: Actors with the highest number of Best Actor acting      nominations (in parentheses) include: Spencer Tracy (9) - with two wins Laurence Olivier (9) - with one win (Hamlet (1948)); two were consecutive nominations (from 1939-1940) Jack Nicholson (8) - with two wins Paul Newman (8) - with one win (The Color of Money (1986)); two were       consecutive nominations (from 1981-1982) Peter O'Toole (8) - with no wins; two were consecutive      nominations (from 1968-1969); nominations from 1962-2006 Marlon Brando (7) - with two wins Dustin Hoffman (7) - with two wins Jack Lemmon (7) - with one win (Save the Tiger (1973)); two were consecutive nominations (from 1959-1960, and from 1979-1980) Paul Muni (6) - with one win (The Story of Louis Pasteur (1936)); three were consecutive      nominations (from 1935-1937) Richard Burton (6) - with no wins; three were consecutive      nominations (from 1964-1966) Gary Cooper (5) - with two wins Tom Hanks (5) - with two wins Fredric March (5) - with two wins Sean Penn (5) - with two wins Daniel Day-Lewis (5) - with three wins James Stewart (5) - with one win ( Anthony Hopkins (3) - with one win ( The Silence of the Lambs (1991) ); nominations from 1991-1995 Russell Crowe (3) - with one win (Gladiator (2000)); three were      consecutive nominations (from 1999-2001) Jeff Bridges (3) - with one win (Crazy Heart (2009)); nominations from 1984-2010 George Clooney (3) - with no wins; nominations from        2007-2011 Consecutive Best Actor-Winning Performers: There are only two actresses       (Luise Rainer and Katharine Hepburn) who have received two consecutive Best Actress awards, as there are only two actors who have received     two consecutive Best Actor statuette wins: Spencer Tracy (Captains Courageous (1937) and Boys Town (1938)) Tom Hanks (Philadelphia (1993) and Forrest Gump (1994)) [Note: Jason Robards won two consecutive Best Supporting         Actor Oscars in 1976 and 1977.] Winners of Both a Lead and Supporting Actor Oscar: In 1997, Jack Nicholson tied Walter Brennan for the      most wins (3) for a male performer (Brennan has three Best Supporting      Actor trophies, Nicholson has two for Best Actor and one for Best Supporting     Actor). The only stars to win both a Best Actor and a Best Supporting Actor (BSA) Oscar are the following: Jack Nicholson (BA for Gene Hackman (BA for The French Connection (1971) , BSA for Unforgiven (1992) ) Kevin Spacey (BA for American Beauty (1999), BSA for The Usual Suspects (1995)) Denzel Washington (BA for Training Day (2001), BSA for Glory (1989)) The Only Best Actor Tie: In the Best Actor category, an unusual tie (the only      occurrence among male acting performances) occurred in 1931/32 between      Wallace Beery and Fredric March, for their respective performances in The Champ (1931/32) and Dr. Jekyll and Mr. Hyde (1931/32). The Most Best Actor Oscar Nominations - Without Winning: Peter O'Toole is the only star with eight Best Actor       Oscar nominations without a single win. His record extends 44 years,       from 1962 to 2006. Richard Burton was nominated seven times (and never won), although his first nomination was as Best Supporting Actor for My Cousin Rachel (1952) -- his last six nominations were as Best Actor. Oscar-Winning Actor Roles and Trends: Biographies of remarkable, real-life individuals (military      figures or soldiers, law-and-order enforcers, historical figures) and      portrayals of the mentally ill are heavily represented among male Oscar      winners, particularly in the acting awards. It helps an


Which horse ridden by Frankie Dettori won the 2007 Epsom Derby?

Frankie Dettori wins Epsom Derby on favourite Golden Horn - BBC Sport BBC Sport Frankie Dettori wins Epsom Derby on favourite Golden Horn By Frank Keogh From the section Horse Racing Share this page Read more about sharing. Dettori led favourite Golden Horn to victory by three-and-a-half lengths Frankie Dettori capped his renaissance with a thrilling victory on favourite Golden Horn to win the 236th running of the Derby at Epsom. Dettori produced an ice-cool ride on the 13-8 favourite to beat his John Gosden-trained stablemate Jack Hobbs by three-and-a-half lengths, with Storm The Stars third. The 44-year-old jockey punched the air as he passed the line and did a trademark flying dismount in the winner's enclosure. "It was unbelievable. The horse was brilliant," said Dettori, riding for the first time in the race since returning from a six-month drugs ban two years ago. In his 20th Derby ride, it was a second victory in the race for the Italian-born rider, who triumphed for the first time at the 15th attempt on Authorized in 2007. Dettori pushed Golden Horn clear of the challenge from Jack Hobbs in the final furlong He bided his time before pouncing in the final furlong to deny Jack Hobbs, ridden by William Buick, who was running in the colours of Dettori's former long-time employers Godolphin. "Where do I start? What an unbelievable day," Dettori told BBC Radio 5 live. "I was excited at the big job ahead of me, but it all went like clockwork from start to finish. "When you're young, you don't really appreciate the full importance of this Derby, so it means a great deal to win it for a second time. "I've had a colourful life, but I'm not finished." Racing correspondent Cornelius Lysaght's verdict: "Of course Dettori will grab most of the Derby headlines, but this was a highly significant result for all concerned. "Golden Horn retains his unbeaten record brilliantly, so confirming the form of the Dante Stakes in which Jack Hobbs was also runner-up. "It's all spectacularly vindicated Anthony Oppenheimer's decision to pay for the late entry, and his colt's stamina lasted every inch. "And to saddle two Derby runners, as Gosden did, and to finish first and second is nothing short of magnificent." Hans Holbein and Elm Park had battled for the lead early on, before the former stepped up the pace, but it was Jack Hobbs - named after the former England and Surrey cricketer - who hit the front as the race unfolded. Dettori had to find room wide and the question was whether his horse would see out the demanding mile-and-a-half trip. The answer was very much in the affirmative as he powered clear for a dominant victory to spark emotional scenes. The 44-year-old dismounted the 13-8 favourite with his trademark leap from the saddle Dettori had not ridden in the race since 2011 and had been written off by some observers when he initially struggled to regain his form after a split from Sheikh Mohammed's Godolphin team and a positive test for cocaine. But the three-time champion jockey has been rejuvenated recently and found a highly-talented partner in the unbeaten Golden Horn. Owner Anthony Oppenheimer had risked a £75,000 supplementary fee to add the horse as a late addition to the Derby field, and landed the first prize of more than £800,000. The result was a mirror image of the Dante Stakes at York in May, where Golden Horn had beaten Jack Hobbs, although Dettori was on the runner-up and Buick the winner that day. Buick was switched to Jack Hobbs after Godolphin bought a share in the colt. Dettori described the victory as "unbelievable" following his first Derby success in 2007 It was the first time since 2011 the two-time Derby winner Dettori had ridden in the race Share this page


What is the highest mountain on the Isle of Man?

Snaefell Summit Snaefell Summit Off with yon cloud, old Snafell ! that thine eye Over three Realms may take its widest range Wordsworth 1833 Snaefell is the highest mountain on the Island, its nominal height is generally given as 2034 ft above sea level - the name derives from the Norse for Snow Mountain. The Isle of Man lies close to the geographic centre of the British Isles and thus the top of its highest mountain can (weather permitting) offer some unrivalled views. The comment made by Earl James in letters to his son When I go on the mount you call Baroull,  and, but turning me round, can see England, Scotland, Ireland, and  Wales, I think shame so fruitlessly to see so many kingdoms at  once (which no place, I think, in any nation, that we know, under  heaven can afford such a prospect), and to have so little profit  by them. has subsequently been more usually applied to the higher Snaefell (South Barrule is considerably more convenient to Castletown and was a 'watch and ward' lookout). It is the answer to the often posed question as to where can one see seven kingdoms at the same time ? The seven Kingdoms being the four mentioned by Earl James, the Kingdom of Man, of Earth (in some answers that of Neptune) and of Heaven. Wordsworth was obviously familiar with the unpredictable weather by which Snaefell can suddenly be enveloped in mist out of a clear blue sky! He also quotes Cowley's setting on this mountain of a visionary debate with an angel on the subject of Cromwell's governance - presumably being set here because it was at the centre of Cromwell's territorial ambitions. Height Probably the first to determine the height of the mountain was Bishop Wilson who in his notebook records Barometer at every 2 ft. (ascending) ,  falls 10th of an inch, and at 164 2/10ths. July 10th, 1702, at Bishop's Court, 29 4/10ths. On the mountain above the house, it fell 1 inch 1/10th. On Snaefield, 2 in., acc. tis therefore 564 yards." [I'm not sure I fully understand Bishop Wilson's calculation (or possibly Keble's transcription ]. As his biographer, Keble, notes this process was then comparatively new, having been made known first by Halley, the Bishop's contemporary. Fannin in his map of 1789 quotes a height of 580 yards (1740 ft) above the sea level - this he probably arrived at by personal observation. Berger in his geological map of 1814 gives a height of 2000 ft (which was copied by Smythe in his 1826 and thus further copied by many others) - it is possible that this value was that determined by the original triangulation of the Ordnance Survey which used Snaefell. Cary in 1816 quotes 2004 ft, though on what authority I have not yet determined, which value found its way into several guidebooks. In 1838 the retriangulation of Great Britain by the Ordnance Survey took place and although they used South Barrule they would have redetermined the heights of the major mountains. In 1861 Stanford uses a value of 2024 ft which was then replaced by the 2034 determined by the Ordnance survey of 1868. Pilgrimages to the top of Snaefell obviously have a long history judging from the Lonan presentments quoted by Moore . Tourism Possibly the first luxorious 'picnic' on top was that organised by Mr Dixon of the British Hotel, Douglas , to celebrate the end of the Napoleonic Wars - another such visit was described by John Welch in 1836 - Leech's 1861 guide gives a good account of pre-railway visiting.   The opening of the Snaefell Mountain railway in 1896 made it one of the standard     tourist resorts. The castellated building shown on this card replaced a plain wooden building in 1906 - it burnt down     in 1982 and was replaced by a much plainer building. All food etc. for the public house had to be taken up by trailer     cars on the railway. The rustic seat was visible on an earlier view and may     have been part of a job lot as the Laxey terminus had     several huts in this style. Naturally at the summit the tourist could buy special cards - this is the     one for the 1907 season "Sold excl


Which comedian's real name is Michael Pennington?

Michael Pennington on life as Johnny Vegas - The Scotsman Michael Pennington on life as Johnny Vegas Michael Pennington, aka Johnny Vegas. Picture: Jane Barlow JANET CHRISTIE Have your say IT’S been quite an ordeal, but Michael Pennington is happier now he’s exorcised his foul-mouthed alter ego Johnny Vegas, to whom he owes everything. I WAS due to interview Johnny Vegas, but Michael Pennington showed up instead. The writer, actor and now director behind the foul-mouthed stand-up comedian – and potter – looks similar, but it’s a slimmed down, quieter version, minus the shouting and swagger, the I don’t give a s*** what you think of me attitude that made Vegas a household name. He still calls himself Vegas, but in the process of writing his autobiography feels he has finally stepped out of his alter ego’s larger-than-life shadow. When he appears on our screens this Christmas it’s in a profanity, drink and drugs free vehicle you can watch with your mum and kids without having to reach for the remote. “I’m in the Open All Hours Christmas Special on Boxing Day. It’s nice to have something respectable you can sit down and watch with the family,” he rasps quietly, his Lancashire accent intact. “My son Michael comes with us to St Helens so we’ll all be able to watch it. I never let him watch Benidorm because there was some choice language in that.” Ten-year-old Michael has never had the experience of seeing his dad doing his Johnny Vegas stand-up routine, much to Michael Senior’s relief. “There was so little of that on film. I was adamant at not putting Johnny on TV because it would never transfer. People wouldn’t have the fear. You had to be ten to 20 feet away and have all that shouting. With Johnny, people had to invest in it there and then,” he says, displaying his habit of talking about himself in the third person as “Johnny”, or more confusingly as “we”, ie Johnny and Michael. It’s hard to tell where Johnny ends and Michael begins, and as we talk it becomes clear that Johnny Vegas was much more than a creation for the purposes of stand-up. Rather he was a full-blown alter ego whose voice was loud and clear in Michael’s head. ‘No point in fighting the name’ For example, when I ask if he thinks he was ever an alcoholic when he was doing stand-up, given that Johnny liked a couple of bottles of wine before hitting the stage, he replies: “No, because Johnny didn’t worry about that kind of thing. He saw no difference between being drunk and sober, and the way Johnny saw it, if we were sober there’d be a chance I’d turn up to meetings and trade on his name.” Because everyone calls him Johnny, he decided to keep using the stage name most of the time. “In credits I’m Michael sometimes now, but people know you as something so there’s no point fighting it. Squiggle, you’ll always be Prince, and The Rock, just accept it. I want to move on, but not that much. So I’m still known as Johnny Vegas.” It was in writing his autobiography that the comedian got his head around the symbiotic relationship between Michael Pennington, born in St Helens, 1971, and Johnny Vegas, former redcoat and failed stand-up and potter. Called Becoming Johnny Vegas, it tracks the evolution of the character. “I have been doing enough since stand-up, working and living as Michael for a long time, so I can look back with clarity. I have more of a viewpoint on Johnny than when I was in the eye of the storm. He was a big part of my life and there seemed a genuine journey there, so I wanted to investigate it properly and work out how he came about, not just do an expanded version of Wikipedia for the Christmas market,” he says. It took Vegas four years to finish the book and it’s been far from a simple matter of trotting out a few anecdotes. When the process became too difficult, he called in ghostwriters, but found the results inauthentic and knuckled down himself once more. “With a ghostwriter it didn’t read true. It read like me with a monocle. Even doing it yourself you have to be careful not to re-write history. The first draft was like Little House On The Prair


Who composed the opera 'The Rake's Progress' in 1951?

Listen to "The Rake's Progress", Opera in Three Acts by Igor Stravinsky - Listening Library - The Saint Paul Chamber Orchestra Composed 1951 George Grantham Bain Collection (Library of Congress) Stravinsky thought of writing an opera in English not long after he arrived in the United States in 1939. The idea waited until 1947, when Stravinsky saw an exhibit of 18th-century engravings by William Hogarth titled A Rake’s Progress. Having found his subject, Stravinsky began looking for a librettist to elaborate the scenario, a search that led him to the poet W.H. Auden. The Russian composer and the British poet, meeting in America, embarked on a dynamic and fruitful collaboration; they sketched the shape of the opera in a matter of days. Auden brought in another poet, Chester Kallman, to assist with the elegant verse libretto. Stravinsky wrote his only full-length opera in a language he barely knew. Conductor Robert Craft, one of Stravinsky’s closest musical partners, met the composer on the very day Auden delivered the libretto in 1948, and recounted the unusual process by which Stravinsky set the unfamiliar words to music: He would ask me to read aloud, over and over and at varying speeds, the lines of whichever aria, recitative, or ensemble he was about to set to music. He would then memorize them, a line or a couplet at a time, and walk about the house repeating them, or [do so] when seated in his wife’s car (a second-hand, ancient and dilapidated Dodge) en route to a restaurant, movie, or doctor’s appointment. Much of the vocabulary was unfamiliar to him but he soon learned it and began to use it in his own conversation, charging someone with “dilatoriness,” or excusing himself for having to “impose” upon us, which sounded very odd from him. The piquant story and sophisticated libretto of The Rake’s Progress, entertaining as they are, might have been forgotten but for the miraculous music they inspired. After 30 years of neo-classical compositions, Stravinsky reached an apotheosis with this opera. It is, in some ways, his most mannered music, with self-conscious arias and old-fashioned recitatives accompanied by harpsichord. Yet somehow Stravinsky transcended mere stylistic mimicry to create music with beguiling clarity and lyricism, heir to the pure spirit of Monteverdi, Mozart and Rossini and utterly free of sarcasm (except where intended, e.g. Baba the Turk). Its first critics, many still hoping for a rehashing of The Rite of Spring, seemed not to know whether to take The Rake’s Progress seriously. Now, after nearly 60 years in the repertoire, the opera stands as a masterpiece of 20th-century musical drama, one of many high points in the wide-ranging career of the era’s most influential composer. The action of The Rake’s Progress centers on Tom Rakewell, a young man determined to “live by [his] wits and trust to [his] luck.” In Act I, he courts Anne Trulove, whose father disapproves of Tom’s lack of income. Just when Tom expresses his wish for money, the diabolical Nick Shadow appears with news that an unknown uncle has left Tom a fortune. Tom heads to London, with Nick as his new servant, and soon the pair find their way to Mother Goose’s brothel. After expressing his “sorrow” and “shame” in a beautiful cavatina, Tom exits with Mother Goose. Meanwhile, Anne worries about Tom and heads to London to find him. Act II begins with Tom bored and disconsolate. With the phrase “I wish I were happy,” Nick Shadow again makes a timely entrance, and manages to convince Tom to marry Baba the Turk, the hideous bearded lady from a nearby fair. In the next scene, Tom returns to his house in a coach with his unsightly new bride, and finds Anne waiting outside. He tells Anne to leave, professing himself “unworthy,” and enters his new life with the jealous and irascible Baba. The next scene shows the unhappy marriage, with Tom finally silencing the relentless Baba by throwing his wig over her head. Tom sleeps, and dreams of a “fantastic baroque machine” that converts stones to bread. Shadow just happens to have rigged just such a con


Libreville is the capital of which West African country?

Libreville Map, Capital of Gabon Disclaimer Close Disclaimer : All efforts have been made to make this image accurate. However Compare Infobase Limited,its directors and employees do not own any responsibility for the correctness or authenticity of the same. About city :  Libreville is the capital of Gabon. This beautiful country located on the west coast of Africa has become a unique destination of eco tourism and 10% of the country is covered by national parks inhabited by a diverse wildlife. The city lies on the Komo River near the Gulf of Guinea. The city was founded in 1848. The French had started dominating the region in 1839. In 1848, the French navy captured a Brazilian ship sailing with slaves who were freed. These freed slaves set up the city of Libreville or Freetown. The city remained a minor administrative and trading outpost. In 1930, the Bank of West Africa opened its branch here and the city began to gain importance. In 1960, when Gabon won its freedom, Libreville was declared to be the capital. Since then, the city has experienced rapid growth. Geography :  Libreville is located on the north of the Gabon estuary. It is built on a number of hills which has formed a sheltered port. Part of the city is covered by a plateau. Located on the northwestern part of the country, the capital runs along the shores of the Atlantic. The climate is warm and always sunny. The city receives intermittent rainfall and there are about 80 rainy days in a year. Humidity is often high. December and January are the warmest months. June and July are the driest months. The beaches enjoy mild climate and are a favorite haunt of both the locals and the tourists. How to reach (transport) :  Libreville is connected to some of the cities of Europe, Asia and Africa by air. The Libreville International Airport (LBV) is located about 12 kms from the city. Trans-Gabon Railway being the only railway in Gabon running from Libreville in east to Franceville has connected the capital to numerous towns in the country and revolutionized the economy. Libreville is also connected to other African cities by road. Connections exist with Yaounde (Cameroon), Brazzaville (Congo) and Bata (Equatorial Guinea). Though freight ships may agree to take passengers, sea route is not the common way to reach this capital city. When to visit :  The best time to visit Libreville is during the dry periods of the year. There are two dry periods. One occurs in the months from May to September and the other in December and January. The rest of the year is too hot and humid for a comfortable visit. Fairs and Festivals :  The area around Libreville was inhabited by the Mpongwe tribe. In the seventeenth century, the French set up their outpost there. Since then, colonial influence gradually overrode the native culture of Libreville. Today, the city is almost completely modernized as it has become a commercial hub. French has even become the native language of the city. Only in a few isolated places, the symbols of the original tribal culture can still be seen. One such symbol is the traditional wooden masks which are still seen around the city. These masks are believed to possess occult powers and are used to communicate with the dead. The designs of these masks have inspired European masters like Picasso and Matisse. The people of the city are very laid back and relaxed. Enjoy the sights rather than rushing from one place to another. The multicultural city offers a colorful experience to the tourists. Since most of the country has been Christianized, the residents of Libreville celebrate the Christian festivals. The Gabon Independence Day is celebrated on 17th August with military parade, traditional dances and speeches. The New Year's Day is a major festival in Libreville. Musicals, concerts and parties are common. Hotels, restaurants and pubs are decorated and gifts are exchanged. This is the time to experience gourmet cuisine and wine. In addition, Libreville hosts some other festivals in some years. In July this year, the International contemporary dance festival wa


What name is given to the larvae of the cranefly?

Crane Flies of Kentucky - University of Kentucky Entomology   WHAT       IS A CRANE FLY? Crane Flies       belong to the family Tipulidae.  Common crane flies are long       and thin with very long legs, and resemble giant mosquitoes.  Unlike       mosquitoes, though, crane flies do not bite humans or animals.  Crane       flies can be distinguished from other flies by the "V" shaped suture on the thorax (shown below).  Like all true flies (order       Diptera), crane flies have only 2 wings.   Crane fly: suture        (B. Newton, 2005) In many species,       male and female crane flies can be easily distinguished: females have       a pointy abdomen and males have a blunt abdomen.   Female crane        fly, Ctenophora sp. (B. Newton, 2005)   Immature        crane flies are legless and wormlike, and, like most fly larvae,        are very difficult to identify, even for experts.  Some crane        fly larvae are very large, up to almost 2" long.  Some        larvae develope a tough outer cuticle and are called "leatherjackets." SIZE: Adult body length up to 1", larvae up to about 1 3/4 "   LIFE       CYCLE Like all        flies, crane flies undergo complete metamorphosis with egg, larval,        pupal, and adult stages.  The larvae are legless and wormlike,        and some are very large.  Winged adults are active during warm        months, especially fall and spring, with different species of adults        active at different times during the year.  Adults live only        for a few days; just long enough to mate and lay eggs.  Most        species overwinter as larvae or pupae in moist soil, decaying vegetation,        or underwater.   Crane Fly Larva        (B. Newton, 2004) Crane Fly Larva,        detail (B. Newton, 2004)   ECOLOGY Crane flies are associated       with moist habitats.  The larvae of many crane fly species live       in moist soil where they feed on decaying vegetation or on plant roots.  Other species live in streams.  Many stream-living crane       fly larvae feed on decaying vegetation, but some are predators of       aquatic insects and other invertebrates.  Adult crane flies live       only a few days, and many species do not eat (some species are believed       to feed on nectar).  Adults are usually active at night or in       shady areas during the day.   Soil-dwelling crane       fly larvae are fed upon by a variety of creatures, including spiders,       centipedes, and predatory beetles.  Aquatic crane fly larvae       are fed upon by fish and aquatic insect predators, like dragonfly       naiads.  Adult crane flies are a common food source for spiders,       praying mantids, and birds.   PEST       STATUS Most crane        flies are beneficial decomposers.  Rarely, large populations        of crane flies can cause damage to turf in poorly-drained soils.  Crane flies are sometimes a nuisance when large numbers of        adults swarm in urban lawns, but adults are harmless and do not        harm humans, animals, plants, food, or homes.   COMMON       KENTUCKY CRANE FLIES GENERA: Tipula, Ctenophora, Nephrotoma, others There are dozens of crane        fly species in Kentucky, and most are similar in appearance and        biology.  The most commonly encountered species are in the Tipula genus, and these are typically 3/4" - 1" long and gray or brown in color.  Crane flies in the Ctenophora genus are usually large (about 1" long) and shiny black, some        with red or orange markings.  Some of these resemble wasps.  Members of the Nephrotoma genus are sometimes called "tiger crane flies", and these species often have banded        color patterns.       Tipula sp., female (R. Bessin, 2000) Tipula sp., male (R. Bessin, 2000)   Ctenophora sp., female (B


In which year did the Easter Rising, against British rule in Ireland, take place?

Ireland Marks 100 Years Since 'Easter Rising' Against British Rule | VICE News Ireland Marks 100 Years Since 'Easter Rising' Against British Rule Photo by Sally Hayden/VICE News By Sally Hayden March 28, 2016 | 3:40 pm "It was the volunteers who were the experts and the British who were the amateurs," says a uniformed man holding an 1871 "Howth" Mauser rifle. The gun weighs nearly 10 pounds and it's an original — the same kind many rebels were armed with during Ireland's momentous uprising in 1916. The man then grips a wooden chair with one hand, the whites of his knuckles showing, "just as [rebellion leader and trade unionist] James Connolly would have done" as he was executed by firing squad, he notes. We're in a mock-up of Kilmainham Jail, where the uprising's leaders were imprisoned and later shot, sandbags piled against the wall behind us. The exhibition in Dublin's Ambassador Theater is being run by Sinn Fein, the Irish republican party historically associated with the paramilitary Provisional Irish Republican Army (IRA), until it disarmed in 2005. It's billed as "the original and authentic exhibition" documenting "the nationalist narrative of what led to the 1916 Rising." The exhibition has been open for two weeks and one of the men on the door estimates 10,000 people have already visited. Every day at noon for 33 weeks an actor dressed as revolutionary Pádraig Pearse ventures outside onto the city center's O'Connell Street to read aloud the Irish proclamation — the document that declared Ireland's independence from the UK. This is just one of many events being held to mark the 100th anniversary of Ireland's Easter Rising — a landmark that means many different things to different people and has awakened a debate on who controls the narrative around historical events, and whether violent uprisings should be celebrated or commemorated more sedately. An Irish soldier holds a copy of the proclamation read out by rebels during the Easter Rising in 1916 (Photo by Sally Hayden/VICE News) Irish President Michael D. Higgins inspects the guard of honor during Easter Sunday's commemoration events (Photo by Sally Hayden/VICE News) The Easter Rising has been described as the "beginning of the end of the British empire," an armed rebellion that took place on Easter Monday, 1916, when a group of Irish nationalists including poets, teachers, and ex-British army soldiers took control of locations around Dublin, including the city center's prominent General Post Office (GPO). Though the British — who ruled over Ireland for centuries — were entrenched in World War One at the time, the uprising lasted just five days before it was suppressed, and the majority of public opinion rested strongly against it. However, after 15 of the leaders were executed during the following weeks, sympathy swayed sharply towards the dead and their fight for independence — the ensuing actions eventually culminated in a 26-county republic. Through the last century the Easter Rising has taken on almost mythical proportions in Ireland, being retold again and again through plays, music, and poetry . Though all its survivors have now passed away, many Irish people have some link to those who fought or were involved in the event. Related: 'I'm in Trouble': The Women Boarding Ireland's Illegal Abortion Bus Most of the almost 500 people who died during the Rising were civilians, though 107 British soldiers were also killed, including 31 from the Sherwood Foresters Regiment who were ambushed by Irish Volunteers near Dublin's Mount Street Bridge. This has prompted arguments by some UK politicians that those who died on the British side should also be formally remembered. The biggest of 2016's many memorial events in Ireland was Easter Sunday's military parade, which saw thousands of Irish citizens line the capital city's streets to witness more than one third of Ireland's military forces march 2.8 miles through Dublin, with seating around the GPO reserved for dignitaries and relatives of those who fought. Security was tight, with access to the area around the GPO


What term describes ranks in the Royal Navy above that of Captain?

Captain James Cook > Cook's Navy Cook's Navy   Over the past twelve months or so I have received a number of enquiries from Society members as well as non-members about the ranks and titles of James Cook. Questions such as: "Before taking command of the Endeavour, as Lieutenant, Cook is said to have held the rank of Master; isn't Master higher than Lieutenant? The guy in charge of the QE2 is described as Master". Or this question: "I am confused, I read that Cook was Captain on his first voyage of discovery, but held the rank of lieutenant and signed some of his charts as Commander: as far as I know he did not become Commander till after the first voyage". Etc etc; so I think it is time to put the record straight and tell you about the structure of the Navy in Cook's days and his roles in it. Master Before taking command of the Endeavour in 1768, Cook's rank in the Navy was that of Master. This was the highest ranking non-commissioned or Warrant officer, standing just below that of Lieutenant, yet outranking a Marine Lieutenant (despite the latter holding a commission from the Admiralty). The Master, originally called the Sailing Master, was responsible for navigating the vessel, but his actual duties were much broader. His assistants or mates, were typically Petty Officers and Midshipmen, who would one day also be in line for promotion to Master or Lieutenant. A Warrant Officer in Cook's navy was a specialist representing one or more of the skilled trades employed aboard ship. Examples of such trades include carpentry, navigation, medicine, artillery and sail making. A Warrant Officer was appointed to his position by "Warrant" issued by the Navy Board, whereas a Commissioned Naval Officer received his appointment from the Admiralty in the form of a "Commission". Advancement to Warrant Officer was afforded to any exceptionally skilled seaman or marine, as well as certain skilled landsmen such as shipwrights, surgeons, parsons and clerks. The one mandatory trait they all had to pass was the ability to read, write and "cipher". Warrant Officers were allotted a personal crew of subordinates or "Mates" to assist them in carrying out their duties. (Boatswain's mate, - pronounced Bosun -, Master's mate, Gunner's mate etc.) These "mates" were typically "Petty Officers" (appointed to their position by the ship's captain, but just as quickly could be demoted by him for any misbehaviour), but in some cases also included other Warrant Officers. Within their own ranks, Warrant Officers had varying levels of authority and status, categorised as Wardroom Officers, Standing Officers and Lower Grade Officers. Wardroom Officers were referred to as such because they had access to the Wardroom and Quarterdeck; privileges normally reserved for Commissioned Officers. They had the most prestige of others in their ranks. Included in this classification were the ship's Master, Surgeon, Chaplain and Purser. Standing Officers included the Boatswain, Carpenter and Gunner. Unlike their shipmates, who transferred from vessel to vessel, the Standing Officers remained permanently attached to their vessel, even while she was not in commission. These men were heavily involved with the fitting-out of the vessel. Lower Grade Officers were basically Petty Officers with warrants and like other Petty Officers could be demoted at the Captain's whim. Such were the Master-at Arms, Sailmaker, Caulker, Armourer, Ropemaker and Cook. The term "Master", meaning the person responsible for the running of the ship, was adopted by the merchant navy as the title for the Officer-in-charge or Captain, whilst his First Officer is to this day referred to as the "Mate". This tradition often causes confusion when Royal Navy and Merchant Navy ranks and titles are cross-referenced. James Cook was promoted to Lieutenant by the granting of a "Commission" from the Admiralty. The distinction of "Commissioned Officer" is very old and medieval in origin. In the feudal system, royalty and nobility exercised all military command. Their authority descended from the Sovereign; the "King's


Which American President acquired the nickname 'The Gipper'?

Why Did They Call Ronald Reagan the Gipper? Worms Why Did They Call Ronald Reagan the Gipper? Aside from being the 40th U.S. President, Ronald Reagan also has other interesting details and information about himself. In addition to his impressive political and economic policies, he also starred in numerous motion pictures. His beautiful and vibrant personality landed him special roles in the films “Kings Row” and “Knute Rockne.” To know more about this wonderful person, here is a quick take on why many people called Reagan by the nickname ‘the Gipper.’ The Professional Career of Reagan as Entertainer Why did they call Ronald Reagan ‘the Gipper?’ The former-U.S. president got the nickname because of the leading role he once played in the motion picture “Knute Rockne, All American.” In that particular film, he portrayed George Gipp, a very good college football player who went by the nickname ‘the Gipper.’ Although not as famous and successful like other huge celebrities, he had a relatively good background and career as professional entertainer. In 1937, his biggest break came when he signed an extensive contract to take part in various movies for Warner Brothers. He spent most of his career taking part in B-division films. His first starring role came in the film “Love Is on the Air.” In a span of two years, he had starred in a total 19 movies already. The  nickname came in 1940 as part of the motion picture “Knute Rockne, All American,” when he appeared as George ‘the Gipper’ Gipp. Throughout his decent career as entertainer, his favorite moment came in 1942, when he starred in the film “Kings Row.” Numerous film critics believed that he was at his best when he appeared for that motion picture. According to him, this movie propelled him to stardom. However, his career made a downturn when he entered the U.S. Army. When he returned from World War II, he resumed his acting career. He starred in films like “Dark  Victory,” “This Is the Army” and “Tennessee’s Partner.” Likewise, he also took part in motion pictures such as “Hellcats of the Navy,” “Cattle Queen of Montana” and “Bedtime for Bonzo.” Finally, he also had a great part in the movie “The Killers.” Additional Highlights and Other Relevant Information Not only did Reagan play an extensive length of time in motion pictures. In fact, he also had major contributions in the world of television. In 1941, he had his first stint as member of the Screen Actors Guild Board of Directors. In 1946, he was elected as Vice President. Related Posts


In a very well-known novel, who owns the house called Manderley?

Rebecca: Taking a Closer Look at Manderley in the 1939 Film Are you hooked? Take my quiz to find out. If you love houses as much as I do, then I bet you can't click just one! - Julia 4.11.10 “Rebecca:” Going Back to Manderley Again “Last night I dreamt I went to Manderley again.” Who could forget the opening line from Rebecca ? It lets us know that this is a story about a house, and it’s no ordinary pile of bricks. It’s Maxim de Winter’s ancestral estate on the Cornish coast. But even though Manderley looks like a dream home, it turns out to be a nightmare for him and his young bride. It may look like a real English estate, but according to Architectural Digest, this was actually a miniature built on a table. The interiors were created on soundstages and with painted backgrounds. In this promotional photo, the new Mrs. de Winter is introduced to her household staff: We never learn the name of Fontaine’s character in the novel or the film . She was referred to as “I” in the script. The novel was written by Daphne Du Maurier. David O. Selznick acquired the rights to it for $50,000. A little trivia: Did you know that Selznick added the “O” to his name because he thought it looked good? Totally made it up. In Hitchcock’s later film North by Northwest , Cary Grant’s character is named Roger O. Thornhill. When someone asks him what the “O” stands for, he says, “Nothing!” (You can see my post about that movie here .) Rebecca is a Gothic romance in which the Cinderella fairytale goes wrong. Gothic romances usually feature great houses like this one, and they often meet a tragic end (think Jane Eyre ). Rebecca was Hitchcock’s first film in the U.S. It won Best Picture at the Oscars, but he lost Best Director to John Ford for The Grapes of Wrath.  Movie critic Richard Schickel says that Hitchcock communicated in images that created the effect he wanted viewers to feel. For example, he shows how far apart the newlyweds are from each other — in more ways than one — when they eat at this vast and formal dining room table: Hitchcock dismissed the idea that Rebecca could be a classic, admitting, “The story lacks humor.” The story takes place in England, and most of the actors were British, but it was filmed in California. Joan Fontaine’s real name was Joan de Beauvoir de Havilland. She didn’t use her real last name because her older sister, Olivia de Havilland, was already becoming well known as an actress. When Rebecca began filming, her sister had just finished playing Melanie in Gone with the Wind . Her new bedroom at Manderley , as Mrs. Danvers points out, doesn’t have a view of the sea like Rebecca’s did: Du Maurier’s grandfather was George Du Maurier, author of the famous novel Trilby . When I first saw Rebecca as a teenager, I was captivated by the idea of having a Morning Room like hers where I could go after breakfast to sit by the fire and catch up on my correspondence. Maybe someday… 🙂 Rebecca’s writing desk with her distinctive monogram on everything: The upstairs hallway: Walking to the wing where Rebecca’s room was: Mrs. Danvers is more than happy to give the new Mrs. de Winter a tour of Rebecca’s wing: Censors worried about the homosexual undertones in the film when it came to Mrs. Danvers’ implied relationship with Rebecca (remember the scene where she fondles Rebecca’s lacy lingerie?). Because nothing was explicitly said or shown, however, they didn’t cut anything. Daphne Du Maurier is believed to have had relationships with both men and women herself. Mrs. Danvers preserved Rebecca’s things as she left them, down to the monogrammed pillow on her bed. We get a peek inside the fabulous bathroom and dressing area: George Sanders played Jack Favell, who was having an affair with Rebecca when she died and is determined to prove that her husband murdered her. Sanders was married to both Zsa Zsa Gabor and her sister Magda (but not at the same time, natch). In 1972, Sanders famously killed himself after writing a suicide note that said, “Dear World, I am leaving because I am bored. I feel I have lived long enough. I am leavin


In WW2, which company made the Halifax bomber?

Handley Page Halifax - Heavy Bomber / Night Bomber Aircraft - Specifications, History and Images 1 x 7.7mm machine gun in nose 4 x 7.7mm machine guns in dorsal turret 4 x 7.7mm machine guns in tail turret OPTIONAL: Internal bomb load of up to 13,000 lb (5,897 kg). Staff Writer (Updated: 6/23/2016): While the Lancaster Heavy Bomber will always be more identifiable in terms of the British night bombing campaigns of World War Two, the Handley Page Halifax series of bombers should be remembered as being just as equally important in that role as well as others. The Halifax began as the prototype order H.P.56 and originally featured a setup of just two Vulture piston engines. With lingering performance issues readily apparent, the Handley Page company designed another prototype featuring four Rolls-Royce powerplants with the new design designated as the H.P.57. Two H.P.57 prototypes were orders and put through the paces of real flight-testing. In 1940, the first official production version of the Halifax entered service designated as the Halifax B.Mk I of which 84 total aircraft of this type were produced. The B.Mk I featured 4 x Merlin X's (or "tens") that could generate 1,280 horsepower each. This initial batch of 84 were split into three series in production known as the Series I, Series II and Series III - each featuring minor modifications. The Series II featured an increased maximum take-off weight while the Series III was engineering with greater fuel capacity. The Halifax B.Mk II introduced the identifiable two-gun dorsal powered turret to compliment the four-gun turret assembly in the tail. Further variations were introduced with a dizzying array of powerplant setups and revised landing gear systems. The Halifax saw action in other roles during and after the war as well. The transport variants were nothing more than based on original models but placed into the transport role (sans weaponry). Maritime and airborne support models followed this suit as well. Post-war models included the Halton civilian transport and the C.Mk 8 and A.Mk 9 variants. In total, production of the Halifax series of aircraft was reported to be 6,177. The bombers were credited with dropping 227,610 tons of bombs through more than 75,530 sorties. In the end, the Halifax bomber proved to be an efficient heavy night bomber capable of fulfilling the other not-so-glorious roles of wartime. ©www.MilitaryFactory.com   Global Operators


Sir Joseph Bazalgette contributed to the better health of Londoners by building what?

Heritage: From London's sewers to the fresh air of Wimbledon (From Wimbledon Guardian) 0 comments Sir Joseph William Bazalgette (1819-1891), the man who created London’s sewerage system as well as the Thames Embankment and three major London Bridges, died at his Wimbledon home 121 years ago  last week. Only today, some 150 years after his sewers came into use, is Thames Water having to plan a major upgrade to meet modern demands. It is a mark of just how much Londoners owe this 19th century  engineering giant. Bazalgette came to Wimbledon in 1873 with his wife and ten children, moving into St Mary’s House, Arthur Road. They had previously lived for a time in what was then the Surrey countryside at  Morden. Before that their home was in St John’s Wood. A former railway specialist, Bazalgette served as Chief Engineer on London’s Metropolitan Board of Works from 1856 until 1889. In the preceding years thousands of Londoners had died of cholera  epidemics caused by contaminated water. As all drains emptied their contents into the Thames and the streets sometimes flowed with raw sewage, it is easy to understand why. However at the time, bad air rather than contaminated water was  blamed for the disease. By 1858 the river had become so badly polluted that air conditions were unbearable and a Parliamentary select committee was appointed to seek a solution. Bazalgette proposed the construction of  hundreds of miles of underground brick sewers to intercept sewage outflows and keep it from the streets. By improving the air, it was assumed that cholera would decline. It did - but only later was it understood why. He secured the funds to go ahead and as well as building the tunnels, the scheme involved major pumping stations at certain points on both sides of the Thames. The system was opened by the Prince of Wales in 1865 but work continued for another decade as further pumping stations were added. Between 1865 and 1870, Bazalgette also directed the construction of Victoria Embankment. This was prompted both by the new sewerage system and the need to relieve traffic congestion in Fleet Street and The Strand. It involved building out on to the river foreshore with a cut and cover  tunnel for what is now the District Line, and roofing this over for the new roadway. Once the work was done, two public gardens were laid out, giving a welcome green space between the government buildings of Whitehall and the river. From his Wimbledon home, Bazalgette was knighted for his efforts in 1875 and elected President of the Institution of Civil Engineers in 1883. His historic contributions to London continued with designs for new bridges across the Thames which opened at Putney in 1886 and Hammersmith in 1887. He also went on to design Battersea Bridge which formally opened in 1890. Bazalgette’s son Norman played a major role in Wimbledon’s own history, campaigning for the first free public library from 1880 onwards until it finally opened at the bottom of Wimbledon Hill Road  in 1886. When Sir Joseph himself died five years later he was buried in a family mausoleum at the parish church directly opposite their house. More than a century later this was decaying badly and the  Wimbledon Society raised funds towards its partial restoration. The Wimbledon Society is working with the Wimbledon Guardian to ensure that you, the readers, can share the fascinating discoveries that continue to emerge about our local heritage. For more information, visit wimbledonsociety.org.uk and www.wimbledonmuseum.org.uk .


Poison Information | The Rhubarb Compendium The Rhubarb Compendium More than you ever wanted to know about rhubarb You are here Poison Information dan - Fri, 04/09/2010 - 19:21 Rhubarb contains oxalate, which have been reported  to cause poisoning when large quantities of raw or cooked leaves are ingested. The poison in rhubarb Oxalates are contained in all parts of rhubarb plants, especially in the green leaves. There is some evidence that anthraquinone glycosides are also present and may be partly responsible. It is not clear as to the exact source of poisoning from rhubarb, possibly a  result of both compounds. The stalks contain low levels of oxalates, so this does not  cause problems. Chemical Composition of Rhubarb 7 - 34 mg/100g   During World War I rhubarb leaves were recommended as a substitute for other veggies that the war made unavailable. Apparently there were cases of acute poisoning and even some deaths. Some animals, including goats and swine, have also been poisoned by ingesting the leaves. The biodynamic (toxicity) mechanism by which oxalic acid works is somewhat different from organic poisons and is more analogous to heavy metal poisoning. Organic poisons often work through at the biochemical level, e.g. cyanide by interfering with respiration at the cellular level, strychnine by screwing up inter-synaptic transmission. There are many molecular substances in foods which offer no nutritional benefit, and must be processed and excreted. Oxalic acid, for example, is excreted in the urine, and its crystals are commonly found in microscopic urinalysis. Too much oxalic acid in the urine will result in kidney or bladder stones. Calcium combines with oxalic acid to form the less soluble salt, calcium oxalate, which is also found in kidney stones. Plant leaves, especially rhubarb,  cabbage, spinach, and beet tops, contain oxalic acid. Oxalic acid is also found in potatoes and peas. Vitamin C is metabolized to oxalic acid; it contributes to  over-saturation of the urine with crystals and possibly to stone formation. More about Oxalic acid Oxalic acid is a strong acid of the composition HOOC-COOH, which crystallizes as the ortho-acid (HO)3 CC (OH)3 . It is sometimes also called "ethane diacid". It occurs naturally in some vegetables (like rhubarb). The can also be produced by heating  sodium formate and treating the resulting oxides with sulfuric acid. It can also be obtained by the action of nitric acid on sugar, or of strong alkali's on sawdust. The product is normally traded as colorless crystals with a melting point of 101.5?C, and can be dissolved in water or alcohol. Oxalic acid reduces iron compounds, and is therefore used in metal polishes, stain removers, and writing inks. When it absorbs oxygen, it is converted to the volatile carbon dioxide and to water, and it is used as a bleaching  agent, in detergents, and as a mordant in dyeing processes. How toxic is rhubarb? 0.59 - 0.72 0.39 - 0.54 From an MSDS (Material Safety Data Sheet) for Oxalic acid, LD50 (LD50 is the Median Lethal Dose, which is the dose of a drug or chemical predicted to produce a lethal effect in 50 percent of the subjects to whom the dose is given) in rats is 375  mg/kg. So for a person about 145 pounds (65.7 kg) that's about 25 grams of pure oxalic acid required to cause death. Rhubarb leaves are probably around 0.5% oxalic acid, so that you would need to eat quite a large serving of leaves, like 5 kg (11 lbs), to get that 24 grams of oxalic acid. Note that it will only require a fraction of that to cause sickness. Symptoms of Oxalic Acid Poisoning On the body body as a whole one might experience weakness, burning in the mouth, death from cardiovascular collapse; on the respiratory system - difficulty breathing; on the eyes, ears, nose, and throat - burning in the throat; one the gastrointestinal system - abdominal pain, nausea, vomiting, diarrhea; and on the nervous system - Convulsions, coma. Precautions for rhubarb gardening


Who wrote the music for the 1948 film 'Scott of the Antarctic'?

The Orchestra of Opera North: Scott of the Antarctic - YouTube The Orchestra of Opera North: Scott of the Antarctic Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Mar 12, 2012 When Vaughan Williams wrote the music for the 1948 film Scott of the Antarctic he confirmed his status as one of the 20th century's great film composers. His Sinfonia Antartica was written using themes from the film music, and retains much of the remarkable colour and drama of the original score. As our celebration of the 100th anniversary of the heroic quest of Scott and his men, we present this great work in a dramatised version with narrator and specially commissioned film using images from the original expedition. An unique, unmissable event. Conductor: Richard Farnes


Which classical author became Mrs Arthur Nicholls?

Charlotte Bronte | British author | Britannica.com Alternative Titles: Currer Bell, Mrs. Arthur Bell Nicholls Charlotte Bronte Emily Brontë Charlotte Brontë, married name Mrs. Arthur Bell Nicholls, pseudonym Currer Bell (born April 21, 1816, Thornton, Yorkshire, England —died March 31, 1855, Haworth, Yorkshire), English novelist noted for Jane Eyre (1847), a strong narrative of a woman in conflict with her natural desires and social condition. The novel gave new truthfulness to Victorian fiction. She later wrote Shirley (1849) and Villette (1853). A portrait of Charlotte Brontë, based on a chalk pastel by George Richmond. © Photos.com/Thinkstock Life Her father was Patrick Brontë (1777–1861), an Anglican clergyman. Irish-born, he had changed his name from the more commonplace Brunty. After serving in several parishes, he moved with his wife, Maria Branwell Brontë, and their six small children to Haworth amid the Yorkshire moors in 1820, having been awarded a rectorship there. Soon after, Mrs. Brontë and the two eldest children (Maria and Elizabeth) died, leaving the father to care for the remaining three girls—Charlotte, Emily , and Anne —and a boy, Branwell . Their upbringing was aided by an aunt, Elizabeth Branwell, who left her native Cornwall and took up residence with the family at Haworth. In 1824 Charlotte and Emily, together with their elder sisters before their deaths, attended Clergy Daughters’ School at Cowan Bridge, near Kirkby Lonsdale, Lancashire . The fees were low, the food unattractive, and the discipline harsh. Charlotte condemned the school (perhaps exaggeratedly) long years afterward in Jane Eyre , under the thin disguise of Lowood Institution, and its principal, the Reverend William Carus Wilson, has been accepted as the counterpart of Mister Brocklehurst in the novel. Charlotte and Emily returned home in June 1825, and for more than five years the Brontë children learned and played there, writing and telling romantic tales for one another and inventing imaginative games played out at home or on the desolate moors. In 1831 Charlotte was sent to Miss Wooler’s school at Roe Head, near Huddersfield, where she stayed a year and made some lasting friendships; her correspondence with one of her friends, Ellen Nussey, continued until her death and has provided much of the current knowledge of her life. In 1832 she went home to teach her sisters but in 1835 returned to Roe Head as a teacher. She wished to improve her family’s position, and that was the only outlet that was offered to her unsatisfied energies. Branwell, moreover, was to start on his career as an artist, and it became necessary to supplement the family resources. The work, with its inevitable restrictions, was uncongenial to Charlotte. She fell into ill health and melancholia and in the summer of 1838 terminated her engagement. Britannica Stories Ringling Bros. Folds Its Tent In 1839 Charlotte declined a proposal from the Reverend Henry Nussey, her friend’s brother, and some months later one from another young clergyman. At the same time Charlotte’s ambition to make the practical best of her talents and the need to pay Branwell’s debts urged her to spend some months as governess with the Whites at Upperwood House, Rawdon. Branwell’s talents for writing and painting, his good classical scholarship, and his social charm had engendered high hopes for him, but he was fundamentally unstable, weak-willed, and intemperate. He went from job to job and took refuge in alcohol and opium . Meanwhile, his sisters had planned to open a school together, which their aunt agreed to finance, and in February 1842 Charlotte and Emily went to Brussels as pupils to improve their qualifications in French and acquire some German . The talent displayed by both brought them to the notice of Constantin Héger, a fine teacher and a man of unusual perception. After a brief trip home upon the death of her aunt, Charlotte returned to Brussels as a pupil-teacher. She stayed there during 1843 but was lonely and depressed. Her friends had left Brussels, and Madame Héger appears


Who made a series of television programmes from River Cottage?

River Cottage - All 4 River Cottage Hugh Fearnley-Whittingstall goes back to the land and the sea in search of an alternative culinary lifestyle. Hugh grows his own produce and sees if he can make vegetables the stars of any meal. First shown: 14 Feb 1999 This programme is subtitled


A sepoy was a soldier from which country?

Postcolonial Studies | Sepoy Mutiny of 1857 Sepoy Mutiny of 1857 · 2 Comments · In Terms & Issues The profound hypocrisy and inherent barbarism of bourgeois civilization lies unveiled before our eyes, turning from its home, where it assumes respectable forms, to the colonies, where it goes naked. Did they not, in India, to borrow an expression of that great robber, Lord Clive himself, resort to atrocious extortion, when simple corruption could not keep pace with their rapacity? While they prated in Europe about the inviolable sanctity of the national debt, did they not confiscate in India the dividends of the rajahs, who had invested their private savings in the Company’s own funds? While they combated the French revolution under the pretext of defending “our holy religion,” did they not forbid, at the same time, Christianity to be propagated in India, and did they not, in order to make money out of the pilgrims streaming to the temples of Orissa and Bengal, take up the trade in the murder and prostitution perpetrated in the temple of the Juggernaut? These are the men of “Property, Order, Family, and Religion.” Karl Marx, The New-York Daily Tribune. 22 July, 1853. The story of the Sepoy War of 1857, (an attempt at a compromise between two more controversial titles, ‘the Sepoy Mutiny of 1857′ and ‘the Sepoy Rebellion of 1857,’ though “insurgency”might also fit) began long before March of 1857. The history of the war delves deep into the colonization and conquest of India and the cultural and religious oppression imposed on Indians by British rule. Furthermore, the telling of the history of the war is, to this day, an ongoing battle between two competing narratives, the history belonging to the British that won the war, and the history claimed by the Indians who were defeated. This article is an attempt to present a history of the Sepoy War that is derived from various points of view, accounting for the context of the histories related, and the points of view of the historians relating them. Indian states during Revolt of 1857/CC Licensed The East India Company was a massive export company that was the force behind much of the colonization of India (See Spice Trade in India ). The power of the East India Company took nearly 150 years to build. As early as 1693, the annual expenditure in political “gifts” to men in power reached nearly 90,000 pounds (Marx 23). In bribing the Government, the East India Company was allowed to operate in overseas markets despite the fact that the cheap imports of South Asian silk, cotton, and other products hurt domestic business. By 1767, the Company was forced into an agreement that is should pay 400,000 pounds into the National Exchequer annually. By 1848, however, the East India Company’s financial difficulties had reached a point where expanding revenue required the massive expansion of British territories in South Asia. The Government began to set aside adoption rights of native princes and began the process of annexation of more than a dozen independent Rajs between 1848 and 1854 (Marx 51; Kaye 30). In an article published in The New York Daily Tribune on July 28, 1857, Karl Marx notes that “in 1854 the Raj of Berar, which comprises 80,000 square miles of land, a population from four to five million, and enormous treasures, was forcibly seized” (Marx 51). (See Geography and Empire , Marx and the Idea of Commodity ) In order to consolidate and control these new holdings, a well-established army of 200,000 South Asians officered by 40,000 British soldiers dominated India by 1857. The last vestiges of independent Indian states had disappeared and the East India Company exported tons of gold, silk, cotton, and a host of other precious materials back to England every year. Religion Historians like J.A.B. Palmer and John Kaye trace the origins of the soldiers’ rebellion at Meerut to the Lee-Enfield Rifle. It was developed at the Enfield arsenal by James P. Lee and fired a .303 caliber ammunition that had to manually loaded before firing. Loading involved biting the end of the cartridge, which


On a musical score, what does 'da capo' mean?

What does da capo mean? Definitions for da capodɑ ˈkɑ poʊ This page provides all possible meanings and translations of the word da capo Wiktionary(0.00 / 0 votes)Rate this definition: da capo(Adverb) Freebase(0.00 / 0 votes)Rate this definition: Da capo Da Capo is a musical term in Italian, meaning from the beginning. It is often abbreviated D.C. It is a composer or publisher's directive to repeat the previous part of music, often used to save space. In small pieces this might be the same thing as a repeat, but in larger works D.C. might occur after one or more repeats of small sections, indicating a return to the very beginning. The resulting structure of the piece is generally in ternary form. Sometimes the composer describes the part to be repeated, for example: Menuet da capo. In opera, where an aria of this structure is called a da capo aria, the repeated section is often adorned with grace notes. Variations of the direction are: ⁕Da Capo al Fine: repeat from beginning to the end. ⁕Da Capo al Coda: repeat from beginning to an indicated place and then play the tail part. D.C. al Coda is a musical direction used in sheet music. It means, literally, "dal Capo al Coda," or "from the head to the tail". It directs the musician to go back and repeat the music from the beginning, and to continue playing until one reaches the first coda symbol. Upon reaching the first coda, one is to skip to the second coda symbol, and continue playing until the end. The portion of the piece from the second coda to the end is often referred to as the "coda" of the piece, or quite literally as the "end." Chambers 20th Century Dictionary(0.00 / 0 votes)Rate this definition: Da capo dä kä′pō, a term in music, frequently placed at the end of a movement, indicating that the performer must return to the beginning of the music—usually written D.C. [It., 'from the beginning'—L. de, from, caput, head.] Numerology The numerical value of da capo in Chaldean Numerology is: 6 Pythagorean Numerology


In Jules Veme's 'Around the World in 80 Days', Phileas Fogg starts and finishes his journey at which London club?

��ࡱ�>�� WY����PQRSTUV��������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������M ����bjbj�=�= .f�W�W��������l��������|�|�|�|�|�k���~�~�~�~�~�~�~�~�������$%� E�~���~�~�~�~�~�څ���~�~%�څڅڅ�~b��~��~�څ�~�څ څ�����~�~  �(O�?��z�|���;�0k��Ó���Ó�څ�����Around the World with Phileas Fogg  Based on �Around the World in Eighty Days� by Jules Verne Character List Guide: Phileas Fogg / Archibald Travers: Princess Aouda: Passepartout: Andrew Stuart: John Sullivan: Samuel Fallentin: Thomas Flanagan: Gauthier Ralph: Inspector Fix: Constable Williams: Bartholomew Bottomley:  Brigadier Cromarty: Lord Albermarle: High Priestess: Commissioner Rowan: Japanese Consul: Moderator: Mandiboy: Kamefield: Colonel Proctor: William Hitch: Captain Dennis Mason: Thomas Weston: Captain Speedy: Reform Club Servant: Newspaper Boy: Bookmaker: Policeman: Consul's Servant: Indian Railway Guard: Hong Kong Sailor: American Railway Guard: Boatswain: Liverpool Sailor: Liverpool Harbourmaster: Liverpool Policeman: Birmingham Stationmaster: Child:  Act I: Scene I: Mr. Phileas Fogg (The doors at the back of the hall open and a smartly dressed person enters, closes the doors behind him, checks his clipboard and mutters to himself. One of the technical crew coughs and he looks up) Guide: Oh, have we started? (Coughs) Ladies and Gentlemen, Boys and Girls, welcome to this tour of the world. I am your guide for the duration and before I begin would like to make a few announcements. In the event of an emergency your exits are here (points to the front), here (points to the sides) and here (points behind him). At a suitable moment refreshments will be available there (points to the canteen) but would request that you hold all questions until the end of the tour. Thank you. (Lights up on stage revealing a room dressed in Victorian finery) Guide: Allow me to introduce you to the drawing room of Mr. Phileas Fogg Esquire in Number 7 Savile Row, located in Burlington Gardens in the great city of London. Today is Wednesday, October 2nd in the year of our Lord 1872 and we are just about to leave the 35th year of the glorious reign of Queen Victoria, Empress of India and Defender of the Faith (He bows to the stage). Mr. Fogg has been up and doing since eight o�clock this morning having done his morning constitutionals, had a cup of coffee served at precisely 180�F with precisely one-quarter pint of milk and two extra drops for luck. (Big Ben chimes the quarter hour and Mr. Fogg enters stage left carrying a newspaper and sits down on a chair as if expecting someone) Guide: And allow me to present Mr. Fogg himself. Mr. Fogg is one of the most noticeable members of the Reform Club of which we will see a bit more of later on although he seemed always to avoid attracting attention. He has been descri


Which literary work, completed in 1353, contains the tales of ten travellers escaping from the plague in Florence?

��ࡱ�>�� ad����`��������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������� ���bbjbj̚̚ 7~�����Z%�������  ���������8<<x4�0��"������@BBBBBB,��� �n������n���������������@��@�������� Q_g������hR�,�0��O �O ���&��L���nn�������������������������������������������������������������������������O ��������� � �:   Modern European History Unit 2 � The Renaissance Boccaccio: The Decameron �Introduction� The Decameron, subtitled�Prince Galehaut, is a collection of�novellas�by the 14th-century Italian author�Giovanni Boccaccio�(1313�1375). The book contains 100 tales told by a group of seven young women and three young men sheltering in a secluded villa for ten days after escaping from the plague that had hit Florence. Boccaccio probably conceived The Decameron after the epidemic of 1348, and completed it by 1353. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose and influenced great writers�such as Shakespeare�and Chaucer, both known to have borrowed from the masterpiece. Renowned poets such as George Eliot, Tennyson, Keats, Longfellow, and Swinburne have written poems revolving around the Decameron. Its literary value and widespread influence provide a document of life at the time.  Posy A posy of flowers was thought to ward off the contagion; the children's song, �London Bridge is Falling Down� is a song about the plague: the �pocketful of posies� refers to the posies of flowers people would carry around during epidemics. Sexton A sexton is a paid laborer who buries corpses; like most occupations in the Middle Ages, it was a profession and had its own guild. The fellows here, however, would be considered by Boccaccio�s audience as �non-professional� opportunists. Ancient Physicians These are the three great physicians of antiquity. Galen wrote several work


Which 'Bond girl' was married to a Beatle? Give either the name of the actress or the name of the character.

James Bond 007 girls   Mediainfo So here we are... The day has finally come that I let you all in on the big secret as to who the top ten Bond Girls are. Granted, I don't think the number one spot will be a huge surprise but I hope I throw a few curveballs at you so this doesn't seem like a complete waste of your time. After all, you are getting girl info, movie info, DVD info and looks at actual screenshots from the DVDs this entire time. What more can you ask for? So, without further delay let's take a look at the top ten Bond Girls of all time, and don't just rush down to the bottom for the number one girl. Take your time, enjoy your stay as I try to dig a bit deeper with each of the rankings... and if you haven't checked out the other 30 girls yet be sure to do so with the navigation at the top and bottom of this article  Miss Moneypenny "A TRIBUTE" Before we got to the top ten I thought a tribute was in order         to the one "Bond Girl" that actually shows up in every         one of the first 20 James Bond films ...         Miss Moneypenny. She has been played by three different actresses throughout the first 20 films and did not show up in         2006's Casino Royale. Throughout the first 14 films she         was played by Canadian actress Lois Maxwell, following Maxwell         was Caroline Bliss who starred in the two Timothy Dalton Bond         films and then the ironically named Samantha Bond took over the         role for the four Bond films starring Pierce Brosnan. While this         isn't an official ranking you can think of it as a tribute to a         Bond Gal that we have all come to know and expect just about         every time out of the gates...   (The Man with the Golden Gun)   You already saw her at the #23 spot two days ago for her part as         Octopussy in the movie with the same name, but Maud Adams had a         much more appealing role as Andrea Anders in The Man with the         Golden Gun. Anders is the girlfriend of baddie Francisco         Scaramanga played by Christopher Lee and she is the reason Bond         becomes interested in Scaramanga when she sends Bond a note and         a golden bullet engraved with 007. The note i seemingly from         Scaramanga and when Bond believes the assassin means to kill him         the game begins. However, this is a side note in a much larger         story but it gives us reason to see Anders get busy with the         commander, all while Mary Goodnight is in the closet (unbeknownst         to Anders). Although she is ultimately killed due to her         treachery Anders is one of the sexier Bond Girls and well         deserving of her spot at #10.    Shirley Eaton (Goldfinger) Yet another girl who has received mention already on the list         when we referenced her sister Tilly back at #32. Too bad for us         though Tilly is the Masterson sister that lived while Jill was         painted in gold at the beginning of Goldfinger. At the         beginning of the film we meet Jill as she is posing as         Goldfinger's girlfriend and helping him cheat in a game of Gin         Rummy. Then Bond breaks into the room and proceeds to humiliate         Goldfinger and win Jill's affection just as she has won ours         wearing a black bikini and showing off a killer body.         Unfortunately Goldfinger gets his revenge when he sends Oddjob         up to knock out Bond and paint Jill entirely in gold and         suffocating her skin which ultimately kills her. While her stay         in the film is short it is a beginning we will never forget.   (From Russia with Love)   She's a plain Jane, but Daniela Bianchi has a scene in From         Russia with Love that makes me want her. After a         conversation with Bond she takes his tie and holds it i


In a Dickens novel, who lived at Satis House?

SparkNotes: Great Expectations: Themes, Motifs & Symbols Themes, Motifs & Symbols Themes are the fundamental and often universal ideas explored in a literary work. Ambition and Self-Improvement The moral theme of Great Expectations is quite simple: affection, loyalty, and conscience are more important than social advancement, wealth, and class. Dickens establishes the theme and shows Pip learning this lesson, largely by exploring ideas of ambition and self-improvement—ideas that quickly become both the thematic center of the novel and the psychological mechanism that encourages much of Pip’s development. At heart, Pip is an idealist; whenever he can conceive of something that is better than what he already has, he immediately desires to obtain the improvement. When he sees Satis House, he longs to be a wealthy gentleman; when he thinks of his moral shortcomings, he longs to be good; when he realizes that he cannot read, he longs to learn how. Pip’s desire for self-improvement is the main source of the novel’s title: because he believes in the possibility of advancement in life, he has “great expectations” about his future. Ambition and self-improvement take three forms in Great Expectations—moral, social, and educational; these motivate Pip’s best and his worst behavior throughout the novel. First, Pip desires moral self-improvement. He is extremely hard on himself when he acts immorally and feels powerful guilt that spurs him to act better in the future. When he leaves for London, for instance, he torments himself about having behaved so wretchedly toward Joe and Biddy. Second, Pip desires social self-improvement. In love with Estella, he longs to become a member of her social class, and, encouraged by Mrs. Joe and Pumblechook, he entertains fantasies of becoming a gentleman. The working out of this fantasy forms the basic plot of the novel; it provides Dickens the opportunity to gently satirize the class system of his era and to make a point about its capricious nature. Significantly, Pip’s life as a gentleman is no more satisfying—and certainly no more moral—than his previous life as a blacksmith’s apprentice. Third, Pip desires educational improvement. This desire is deeply connected to his social ambition and longing to marry Estella: a full education is a requirement of being a gentleman. As long as he is an ignorant country boy, he has no hope of social advancement. Pip understands this fact as a child, when he learns to read at Mr. Wopsle’s aunt’s school, and as a young man, when he takes lessons from Matthew Pocket. Ultimately, through the examples of Joe, Biddy, and Magwitch, Pip learns that social and educational improvement are irrelevant to one’s real worth and that conscience and affection are to be valued above erudition and social standing. Social Class Throughout Great Expectations, Dickens explores the class system of Victorian England, ranging from the most wretched criminals (Magwitch) to the poor peasants of the marsh country (Joe and Biddy) to the middle class (Pumblechook) to the very rich (Miss Havisham). The theme of social class is central to the novel’s plot and to the ultimate moral theme of the book—Pip’s realization that wealth and class are less important than affection, loyalty, and inner worth. Pip achieves this realization when he is finally able to understand that, despite the esteem in which he holds Estella, one’s social status is in no way connected to one’s real character. Drummle, for instance, is an upper-class lout, while Magwitch, a persecuted convict, has a deep inner worth. Perhaps the most important thing to remember about the novel’s treatment of social class is that the class system it portrays is based on the post-Industrial Revolution model of Victorian England. Dickens generally ignores the nobility and the hereditary aristocracy in favor of characters whose fortunes have been earned through commerce. Even Miss Havisham’s family fortune was made through the brewery that is still connected to her manor. In this way, by connecting the theme of social class to the idea of w