Who directed the 1951 classic movie The Day The Earth Stood Still?

The Day the Earth Stood Still (1951) directed by Robert Wise • Reviews, film + cast • Letterboxd 2 A message movie that really works. The message being - that our first response to the unknown is often fear and prejudice, not reason or understanding. To the visiting spaceman Klaatu played by the great stony faced Michael Rennie - his mission is to warn us of this potentially dangerous emotional flaw before it results in the destruction of all people, then Earth. It's simplistically told. All scenes are free of script fat: making their points quickly, serving the overall narrative efficiently before deftly moving on to the next. It's a masterclass of focused storytelling. What's surprising to me on this re-watch though, is that the only element that really dates the movie (other than Gort's flexible 'metal' pants) is… Gort! Klaatu barada nikto! -Helen Robert Wise might have been criticized during his career for never challenging the studios and perhaps being a bit too much of a "team player" but as Hollywood directors go you'd be hard-pressed to find another studio director that could dabble in ALL genres while turning out not only successful films, but films that have stood the test of time. Here Wise and screenwriter Edmund H. North turnout not just a memorable movie, but a landmark film in science-fiction. In an age of goofy-ass flying saucer films The Day the Earth Stood Still stands out because despite it's simplistic nature actually works on different levels. On purpose no less. That's actually something a lot of… 3 There have been some high moments in early science fiction since Georges Méliès released Le Voyage dans la Lune, and through the close of the 1950’s, notably Fritz Lang’s Metropolis and William Cameron Menzies’ 1936 adaptation of H.G. Well’s The Shape of Things to Come; both social criticism guised in the clothing of a futuristic world, the tenant of true hard sci-fi. The majority of films classified loosely in the genre were nothing much more than monster, war, or westerns set in outer space; the staple of the drive-in, the Saturday Double Feature, and later, 60’s Saturday afternoon TV fodder; which is exactly where I first encountered the form. Sci-Fi seemed to explode in the late 40’s and 50’s with… Review by Sally Jane Black 3 Gort is beautiful. That chrome shine and faceless visage, that fluid and human movement, that cold white dome. He's sometimes menacing, sometimes distant, sometimes unnerving, but he's always beautiful to behold. This absurd belief that these beings need to look "realistic" is what leads us to this unending parade of bad animation and CGI, these lifeless, soulless creations that suck all of the creativity and grace out of our aliens, robots, and monsters. You demand perfection, and you get ill-gotten computers trying to replicate human artistry. Fuck that. Gort is fucking beautiful. Yeah, it's a man in a suit. Yeah, you can tell especially when he walks. It just makes it better. It's jarring to see those legs bend like… 11 With "The Day the Earth Stood Still," director, Robert Wise, offers a stately, controlled science fiction vision with zero hint of the B-movie sensibilities often associated with genre offerings of the era. Serious and weighty, the film is both a document to the fears of the past and piece of work with still timely importance. Its premise is simple: a man from space comes to Earth with a dire warning regarding its future. Humankind must find peace or face its eventual destruction. Of course, humankind mucks everything up by, literally, shooting the messenger, forcing him to live among Washington D.C.'s humans and spreading his message. The story provides an outsider's view of humanity along with that outsider's necessary message. Wise's… 2 Robert Wise's The Day the Earth Stood Still plays like an interesting sci-fi and a cautionary tale about world peace. The story written by Harry Bates and adapted to the screen by Edmund H. North shows us how visitors from another planet might see our selfish ways. How someone from the outside looking in might see our plan


Who wrote the novel The Left Hand Of Darkness?

Left Hand of Darkness - Study Guide :: THE LEFT HAND OF DARKNESS: ITS PLACE IN THE HISTORY OF SCIENCE FICTION :: Male dominance. The first science fiction novel, it is largely agreed, was written by a woman, Mary Shelley, the daughter of the feminist Mary Wollstonecraft and the wife of the English romantic poet Shelley. She wrote Frankenstein in 1818 when she was only nineteen. However, the field has since been dominated by male writers who have made the domain of science fiction almost exclusively male. Indeed, in his book Billion Year Spree - The True History of Science Fiction, Brian Aldiss describes the genre as an "all-male escapist power fantasy" and calls its writers "Philistine-male-chauvinist pigs" who work in the "Ghetto of Retarded Boyhood." Immature heroes. The heroes that these male writers created were generally immature men seeking to remain forever young and powerful, playing with imaginative and powerful toys, hoping to escape from girls or women, mothers or wives, as well as to avoid the responsibilities of a demanding reality, enclosing themselves in their exclusive men's club. Female heroine followers. Needless to say, all these heroes were virile males served by their followers, the female characters. With all their invention and often daring imagination, these writers failed to explore alternative roles for women in a future society. Jules Verne and H.G. Wells, the lions in the genre, had hardly any place for women in their fantasies. Other writers who did employ female characters pictured the relationships between the heroes and their women largely along the same lines as did the existing society: women as assistants to men, women in the role of entertaining dolls. A classic example is the story "Helen O'Loy" by Lester del Rey (1938) which features a man who builds a robot programmed to be a perfect wife. These writers, naturally, aimed their stories mainly at male readers, mostly young boys who often stopped reading science fiction novels once they grew up. No women writers. In her fine introduction to Women of Wonder, Pamela Sargent, herself a prolific science-fiction writer, calls traditional science fiction "an escapist literature for men and boys." She claims that women have traditionally been discouraged from entering scientific and technological fields, based on two assumptions: first, that women lack the aptitude, and second, that they are essentially intuitive rather than rational, and are "hostile to any kind of intellectual exploration." Few women dared to invade the field and even when they did, they imitated their male colleagues. Catherine Moore, for example, wrote from the male point of view, "a necessity," Pamela Sargent explains, "for anyone who wished to publish in the pulp magazines which had dominated American sf since the 1920s." Change. A change began to take place after World War II, when some women science-fiction writers joined the field. However, they too, like their male colleagues, usually presented housewife heroines, passive, naive, ignorant child-raisers, who solve problems not through their intelligence and daring but through ineptitude or accident. Only in the 1960s, a decade that gave birth to much questioning of conventions as well as to many social revolutions (including feminism), women science-fiction writers began to question the very nature of science fiction, and as a result, took it in a completely new direction: software replaced hardware, human relationships replaced technology, social science took the place of the physical sciences. Substance and emotional content introduced depth and meaning into what had often been flat, boy scouts' literature. Women writers. In 1973 Brian Aldiss said that much of the best writing in science fiction of that time was done by women who brought the genre closer to mainstream fiction. Although there was still much "Sword-and-Sorcery" writing in the market, the best of science fiction is more reality-oriented, reflected in better and more careful writing, better characterization, and more diversity of subjects. Although muc


Neil Simon - Biography - IMDb Neil Simon Jump to: Overview  (4) | Mini Bio  (1) | Spouse  (5) | Trivia  (23) | Personal Quotes  (7) Overview (4) 6' 1½" (1.87 m) Mini Bio (1) Neil Simon was born on July 4, 1927 in The Bronx, New York City, New York, USA as Marvin Neil Simon. He is a writer and producer, known for The Odd Couple (1968), Your Show of Shows (1950) and The Odd Couple (1970). He has been married to Elaine Joyce since September 11, 1999. He was previously married to Diane Lander , Marsha Mason and Joan Baim. Spouse (5) ( 10 September  1953      - 17 July  1973) (her death) (2 children) Trivia (23) Almost every one of his 30-plus plays, mostly Broadway comedies, has also been adapted into a motion picture-- the greatest such achievement of any playwright/author, even surpassing William Shakespeare As a result, Simon has received more Oscar and Tony nominations than any other writer in the history of show business. Received newly established 'Apple Award' from The Nederlander Company and Wayne State University. Named in honor of Sarah Applebaum Nederlander, who was known affectionately as 'Apple', the Apple Award will be presented annually to a nationally recognized theatre professional who has made significant contributions in his or her field. The Nederlander's and WSU established the award this year in celebration of the Fisher Theatre's 40th anniversary. [November 2001] Children: daughters Ellen, Nancy by Joan Baim; Bryn (adopted) with Diane Lander . He loves playing tennis. He has became so successful financially that he backs his own plays. His brother, Danny Simon , actually started writing the "The Odd Couple" but was not able to finish it. He asked Neil to take it over, and Neil did in exchange for sole author credit. However, he continued to pay Danny 10% of everything the property generated. The Alvin Theater at 250 W. 52nd Street on Broadway was renamed the Neil Simon Theater on June 23, 1983. 2004: Received kidney transplant donated by Bill Eveans, his publicist. His play, "Laughter on the 23rd Floor", was nominated for a 1997 Laurence Olivier Theatre Award for Best New Comedy of 1996. He won both a Tony Award and a Pulitzer Prize for "Lost In Yonkers" in 1991. Has won two Tony Awards as author of Best Play winners: in 1985 for "Biloxi Blues" and in 1991 for "Lost in Yonkers." Additionally, he has been Tony-nominated an impressive 15 times: in 1963, as Best Author (Musical) and book for Best Musical nominee "Little Me," in 1964, as author of Best Play nominee "Barefoot in the Park;" in 1965, as Best Author (Dramatic) and author of Best Play nominee "The Odd Couple;" in 1966, for book of Best Musical nominee "Sweet Charity;" in 1968, as author of Best Play nominee "Plaza Suite;" in 1969, for book for Best Musical nominee "Promises, Promises;" in 1970, as author of Best Play nominee "Last of the Red Hot Lovers;" in 1972, as author of Best Play nominee "The Prisoner of Second Avenue;" in 1973, as author of Best Play nominee "The Sunshine Boys;" in 1974, as Best Score, his lyrics with Peter Link 's music, for "The Good Doctor;" in 1978, as author of Best Play nominee "Chapter Two;" in 1979, as Best Book (Musical) for "They're Playing Our Song;" and in 1987, as author of Best Play nominee "Broadway Bound." Received the 2006 Mark Twain prize on October 15, 2006 at the Kennedy Center in Washington, D.C. Neil Simon was nominated for the 1987 Pulitzer Prize for Drama for the play "Broadway Bound" and the 1991 Pulitzer Prize for Drama for the play "Lost in Yonkers". Practiced Shaolin Qi Gong with Shaolin Warrior Monk Shi Yan Fan in Sherman Oaks before he moved to New York. Based his play 'The Odd Couple' on his brother Danny's divorce. He actually wrote two versions of it. The more famous version features Oscar Madison and Felix Ungar, and is written primarily for a male cast. The other one changes the leads to two women - Olive Madison and Florence Ungar. In 1966 Simon had four shows playing in Broadway theaters at the same time: 'Sweet Charity', 'The Star-Spangled Girl', 'The Odd Couple', and 'Barefoot


Augusto C Sandino international airport is in which country?

Augusto C. Sandino (Managua) International - Nicaragua gigi brenes January 27, 2015 at 10:13 pm AMAZING airport. I was very pleased; everything was very professional and this is by far the BEST airport I’ve been to, and trust me I’ve been to many; it left me thrilled and I suggest people go there. I love that place and I WILL go there as much as I possibly can. The place is the best and it totally deserves a 10000000000000000 or higher rate :-) International Managua Jay Coleman December 20, 2008 at 1:23 pm Great airport for the size of the country and the number of airlines that operate in Nicaragua, I do travel around the world and landed in several airports before and am pleased with two airports: Dubai and Managua. But what makes Managua one my favorite is the way they welcome you if you are using VIP services; it is amazing, not delay and they expedite the process so we can get meet with you family and friends, great reception after several trips all I can say: job well done, keep up the good work. Sandino International Richard Becton July 19, 2008 at 4:40 am For a private pilot flying in, the hurdles are daunting. They have a different system in place in Nicaragua than most other countries. There are services available, and fuel available, as well as all ground handling services. The parking fee for small airplanes is $5 US per day, and it will be collected. Filing a flight plan can be done, but patience is a virtue and a necessity to navigate the security issues. MGA Sergio Diaz October 23, 2007 at 10:02 pm This mornings departure from Managua was the worst airport experience ever. I understand airport security and their procedures, but they searched me, my wife and drop off and carry-on luggages repeatedly over (4 times) every stop/ every check point for no necessary and inexcusable reason. Even the spirit ticket rep was unprofessional and rude. I’ve traveled all over the world, Caribbean and Europe by boat and plane but this is by far the worst experience/service ever and believe me, I would spread this terrible experience to everyone that’s going to this airport. Managua International Airport


What was the second Oscar Hammerstein show to win the Pulitzer Prize?

Oscar Hammerstein II — Listen for free on Spotify Oscar Hammerstein II Play on Spotify During the '40s and '50s, lyricist/librettist Oscar Hammerstein II and composer Richard Rodgers were the most successful composing team on Broadway, writing several long-running shows that were eventually made into movie musicals. Hammerstein was also the second most prolific lyricist of the 20th century, second only to Irving Berlin . Born into a show business family in N.Y.C. on July 12, 1895, as Oscar Greeley Clendenning Hammerstein, he later dropped his middle names and adopted the "II." The grandfather he was named after was a theater builder and opera company director, and the lyricist's father worked as the manager of a historic vaudeville theater in New York. As a young man, Hammerstein attended Columbia University and law school and took part in school plays. He later became stage manager in his uncle Arthur's theater and tried his hand -- unsuccessfully -- at writing screenplays. Hammerstein co-wrote songs for Broadway during the '20s with lyricist Otto Harbach, including Showboat (1928) and Sweet Adeline (1929). He also collaborated with many composers over the years, including George Gershwin and Jerome Kern , but his most prolific and successful period was with composer Richard Rodgers . They teamed up after Rodgers' songwriting partner, Lorenz Hart, became ill and died in 1943. From this time until a year before Hammerstein's passing in 1960, Rodgers & Hammerstein were unmatched creators of smash hit Broadway musicals. Their first big hit was 1943's Oklahoma!, for which they received a Pulitzer Prize. The duo received another Pulitzer for 1949's South Pacific. Rodgers & Hammerstein were also responsible for such wildly successful musicals as The King & I (1951) and The Sound of Music (1959). Some of Hammerstein's best-known songs include "Ol' Man River," "Lover, Come Back to Me" (1928), "Why Was I Born?" (1929), "All the Things You Are" (1939), "People Will Say We're in Love" (1943), "Some Enchanted Evening" (1949), "Getting to Know You," and "My Favorite Things." Hammerstein produced many of the shows that he scored, and on some he didn't, including Annie Get Your Gun. He is also author of the book Lyrics. ~ Joslyn Layne, Rovi Read More Show less


Lionel Hampton played on which band until forming his own in1941?

Lionel Hampton/Oscar Peterson: The Complete Lionel Hampton Quartets and Quintets with Oscar Peterson on Verve - JazzTimes    By Jack Sohmer Lionel Hampton/Oscar Peterson: The Complete Lionel Hampton Quartets and Quintets with Oscar Peterson on Verve When Lionel Hampton left Benny Goodman in 1940 to form his own big band, he was only following in a line recently established by Goodman’s other star soloists, Gene Krupa, Harry James, and Teddy Wilson. But despite the presence of Ben Webster and some excellent arrangements, Teddy’s band failed within a year; Gene’s did not begin to take off until he nabbed Roy Eldridge and Anita O’Day in 1941; and Harry’s only began to see really big numbers when he shifted his emphasis to saccharine sweet ballads. By contrast, Hamp hit his public hard and heavy. Among the hip young jazzmen populating his first big band were Joe Newman, Fred Beckett, Dexter Gordon, and Illinois Jacquet, and in “Flying Home” and “Hamp’s Boogie Woogie” he nailed two hits which were to remain in his book forever after. At the time of the first session in this set, September 2, 1953, Hamp had just concluded a European tour with a band including Clifford Brown, Art Farmer, Jimmy Cleveland, Gigi Gryce, George Wallington, and other young boppers, so he was far from being unaware of recent trends in jazz when he confronted Oscar Peterson, Ray Brown, and Buddy Rich in Verve’s New York studio. As a matter of fact, he is the consummate jazz improviser on all of the performances in this set, and, just as importantly, he retains his own sound and personality throughout, never once alluding to any of the other modern vibists, such as Red Norvo, Milt Jackson, and Terry Gibbs. Yet, in his use of straight rather than syncopated eighth-notes and certain boppish trademark phrasings, such as sixteenth-note triplets, he is clearly not the same musician he was in the ’30s. The play list of the 50 tracks, from the first session to the last (on September 15, 1954), consists almost entirely of Swing Era standards and the occasional “original” blues theme. However, the most striking performances occur on Disc 3, where clarinetist Buddy De Franco’s eight tracks remind us not so much of Hamp’s days with Benny as to how much his other recordings would have benefited from similar unions with stellar hornmen, most particularly Roy Eldridge, Dizzy Gillespie, Coleman Hawkins, Ben Webster, Johnny Hodges, and Benny Carter, all of whom were available to Norman Granz’ Verve. Starting with the surprising way-up “It’s Only a Paper Moon,” upon which Hamp lays out, and the equally surprising down-tempo shift on the normally fast “The Way You Look Tonight,” DeFranco’s April 1954 session then goes on to an initially medium-paced and incrementally rushed 17-minute version of “Flying Home,” with the clarinetist’s tone taking on a raw but exciting harshness. “These Foolish Things,” by way of contrast, exemplifies both the best and worst of Buddy’s playing at this time: while he was the most adept of all modern jazz clarinetists in capturing the stylistic and technical nuances of Dizzy and Bird, what he sacrificed in tonal purity lost him the respect of many lovers of the instrument. On “Don’t Be That Way,” for example, he plays his lines as though he were playing alto or trumpet rather than clarinet, but, to his ongoing credit, Buddy ultimately overcame this problem. Today, 45 years later, he can still waste most of his juniors at playing incendiary bop clarinet. Other tunes on this disc are the heated “Dinah,” “On the Sunny Side of the Street,” and Hamp’s “Je Ne Sais Pas,” a medium-tempoed boppish swinger. Also deserving of praise, considering their reputations as widely popular soloists in their own right, are Peterson, Brown, Rich, and, on the final session, guitarist Herb Ellis, all of whom function in their roles as accompanists as the complete musicians they have always been. While Peterson is the most prominent soloist among the rhythm men, special commendation has to go to Rich for keeping his notorious ego in check and just doing his


In what year was indoor handball introduced as an Olympic event for men?

Handball - Summer Olympic Sport Handball Victoire surprenante des Françaises - London 2012 - Handball 01 Jan 0001 Handball is a fast-paced team game that was first played in Scandinavia and Germany at the end of the 19th century. European origins The modern game of handball was first played towards the end of the 19th century in Scandinavia and Germany. Field handball was first recognised at the turn of the century and G. Wallström introduced the sport of "handball" to Sweden in 1910. First competition The International Amateur Handball Federation (IAHF) was set up in 1928 on the occasion of the Olympic Games in Amsterdam, leading to the first Field Handball World Championships being played in Germany in 1938, following its appearance at the 1936 Berlin Games. Rival codes Between 1938 and 1966 both forms of handball were played at separate World Championships: an outdoor, 11-a-side game played on a football pitch and a new 7-a-side indoor version preferred by the Scandinavians. Olympic history After 1936, field handball was no longer played at the Games, except as a demonstration sport in 1952 in Helsinki. Indoor handball was presented for the first time at the 1972 Olympic Games in Munich. Yugoslavia was victorious and won the first gold medal after a competition between 16 men’s teams. The introduction of women’s handball to the Games took place in 1976 in Montreal. The Soviet Union won this first women’s Olympic competition, taking home two gold medals after the 11-team men’s competition and the six-team women’s one.


Which country does the airline Air Littoral come from?

Air Littoral .... Game Over - Airliners.net Airliners.net Sun Feb 15, 2004 4:21 am Even if it is not a surprise, now it is official: Air Littoral , the first airline I worked for, is dead. Their airline license has been revoked by the Transport minister, and they ceased operations Friday at midnight. I hope all the good profesionals of this airline will get jobs quickly. For those who read French, here is a link.(and if you have time, read the all story by clicking on the "infos" link.) Sun Feb 15, 2004 4:32 am Why do so many non-AF affiliated airlines fail? #3 Sun Feb 15, 2004 4:38 am Here, it has nothing to do with AF . It is the incompetence of the boss, and politics. (he is candidate for the next regional elections) Here is the link to the web site of a union that will provide a lot of analysis and links to various newspapers. (one again, only in French) Wed Feb 18, 2004 6:50 am and the reason why I'm today a airline enthusiastic is dead   well I'm still a airline enthusiastic but I'll never forget my first flight with Air Littoral   and due to all other reasons I won't write anything there are too many circumstances why they failed .... Good Bye Air Littoral, but you have a (virtual and plastic) place (the same model was shown on euronews when the announced that FU is dead) on my working place forever .... Wed Feb 18, 2004 7:33 am Why so many ex-Qualilfyer airlines fail ? Wed Feb 18, 2004 11:01 pm Konrad, there is a very simple explanation to that: SR strategy was to buy as many troubled airlines as they could, and managed them very poorly so that they become more and more troubled. For instance, in France, they tried to merge AOM, Airliberte and Air Littoral. But those 3 airlines had very little in common. As a result, losses increased, instead of decreasing. And they increased to the point that SR had to be grounded, the later SN , then AirLib, and now Air Littoral. After Friday's grounding by the Civil Aviation, the tribunal has pronounced the liquidation yesterday. And only 50 to 60 employees (working for Air littoral school) have saved their job . They were over 1000 last summer... Teva #7 Wed Feb 18, 2004 11:08 pm Shame about FU - I did their PNR migration from Atraxis to Amadeus, about 2 years ago. It was a good little airline, and they provided good connections from NCE to lots of secondary cities round Europe and in North Africa - those will be hard to replace. Maybe Easyjet will accept the inevitable and open a proper base in NCE (they have enough flights to/from NCE already to justify it) - the could add flights straight away to FCO, NAP, SXB, LIL, NTE, MAD, BCN, MUC, VCE. Lets just hope the Cote D'Azur Chamber of Commerce doesn't get desperate and make a deal with FR (shudders). [Edited 2004-02-18 15:12:52] Wed Feb 18, 2004 11:18 pm What's their fleet and what will happen to it? Wed Feb 18, 2004 11:43 pm They operated 17 Fokker 100s in the end. Swiss aviation news junkie living all over the place Wed Feb 18, 2004 11:47 pm 17 Fokker 100's ? Er, no. 17 CRJ Thu Feb 19, 2004 1:06 am Their website is not current. They had only the CRJs. The F70 and ATR have been removed from the fleet last yeart (Oct or Nov) Just for those who didn't know them, they have been the first airline in the world to operate the ATR42 Teva Thu Feb 19, 2004 1:10 am 4 of theirs ATR 42-500 were bought by EuroLOT in 2002. #13 Fri Feb 20, 2004 7:27 am I flew with these guys from Nice NCE to Calvi CLY in Corsica, wonderful short hop across some of the med. Great service, loved the "provencal" motifs. Wonder now how to get to CLY without going through Air France, that airline is the anti-christ of airtravel. You breathe to do good and have fun. #14 Fri Feb 20, 2004 7:45 am I think it's a little too easy to blame SR for FU 's closure and other qualiflyer group airlines' demise..... - FU was nice, but certainly poorly run by its French management. I don't think the airline ever posted a profit. -AOM/Air Lib were hopeless in the first place. SR or not! You just can't turn pigs into swans. These airlines never made a significant profit either,


In which country was Emilio Estevez born?

Emilio Estevez - IMDb IMDb Official Photos » Emilio Estevez was born on May 12, 1962, in New York City. He is the eldest son of actor Martin Sheen , who at the time was just breaking into the business. His mother, Janet Sheen (née Templeton), was a former New York art student who had met Emilio's father right after he had moved to Manhattan. Martin and Janet had three other children, Charlie ... See full bio » Born: Famous Directors: From Sundance to Prominence From Christopher Nolan to Quentin Tarantino and every Coen brother in between, many of today's most popular directors got their start at the Sundance Film Festival . Here's a list of some of the biggest names to go from Sundance to Hollywood prominence. a list of 36 people created 25 Apr 2012 a list of 30 people created 16 Aug 2013 a list of 42 people created 10 Jun 2014 a list of 29 people created 31 May 2015 a list of 43 people created 9 months ago Do you have a demo reel? Add it to your IMDbPage How much of Emilio Estevez's work have you seen? User Polls 4 wins & 10 nominations. See more awards  » Known For Men at Work James St. James (1990)  2012 Abominable Christmas (TV Movie) Mr. Winterbottom (voice)  1982 Making the Grade (TV Series) Dwayne  2010/I The Way (written for the screen by)  2006 Bobby (written by)  1990 Men at Work (written by)  1987 Wisdom (written by)  1995 The Jerky Boys (executive producer) Hide   2010/I The Way (additional photography) Hide   1996 The War at Home (performer: "Fuer Elise") Hide   2010 King's Man (additional thanks) Hide   2010-2011 The Hour (TV Series) Himself - Guest  2011 CBS News Sunday Morning (TV Series documentary) Himself - Guest  2011 Chelsea Lately (TV Series) Himself - Guest  2011 Tavis Smiley (TV Series) Himself - Guest  2011 Made in Hollywood (TV Series) Himself  2006-2011 Live! with Kelly (TV Series) Himself - Guest  2011 Sidewalks Entertainment (TV Series) Himself  2011 The One Show (TV Series) Himself  2010 Días de cine (TV Series) Himself  2010 El hormiguero (TV Series) Himself - Guest  2007 Film 2016 (TV Series) Himself  2006 Larry King Live (TV Series) Himself - Guest  2006 History in Focus (TV Series documentary) Himself - Episode #3.46 (2006) ... Himself - Guest  2006 Shootout (TV Series)  2006 Corazón de... (TV Series) Himself  2006 Entertainment Tonight (TV Series) Himself  2005 Dude Room (TV Series) Himself  2003 E! True Hollywood Story (TV Series documentary) Himself  1996 The Single Guy (TV Series) Himself  1994 Saturday Night Live (TV Series) Himself - Host / Various - Emilio Estevez/Pearl Jam (1994) ... Himself - Host / Various  1994 Later (TV Series)  1989-1991 Good Morning America (TV Series) Himself - Guest  1990 America This Morning (TV Series) Himself  2015 Entertainment Tonight (TV Series) Himself  2010 E! True Hollywood Story (TV Series documentary) Himself  2007 Biography (TV Series documentary) Himself Personal Details Other Works: Appeared in Bon Jovi 's music video, "Say It Isn't So", along with Matt LeBlanc , Claudia Schiffer and Arnold Schwarzenegger (2000). See more » Publicity Listings: 2 Print Biographies | 7 Interviews | 1 Article | 2 Magazine Cover Photos | See more » Alternate Names: Did You Know? Personal Quote: What's the level of compromise for making that kind of money? How far do I have to sell my soul? What's the price of that? And I don't know if I want to make those kind of compromises any more. I think I'm a different person. I think I've matured to a great extent. I think that I want different things now. That it's not about the celebrity status that you receive because you're doing the next hot... See more » Trivia: Uncle of Sam Sheen , Lola Rose Sheen and Cassandra Sheen. See more » Trademark: As a film director, he often puts the most focus on the characters rather than the plot itself. See more » Star Sign:


Which brand had to apologize for a logo said to be like the Arabic for Allah?

MUSLIMS WANT NIKE TO APOLOGIZE : COUNCIL SAYS LOGO RESEMBLES ALLAH IN ARABIC SCRIPT. - Free Online Library MUSLIMS WANT NIKE TO APOLOGIZE : COUNCIL SAYS LOGO RESEMBLES ALLAH IN ARABIC SCRIPT. <a href="https://www.thefreelibrary.com/MUSLIMS+WANT+NIKE+TO+APOLOGIZE+%3a+COUNCIL+SAYS+LOGO+RESEMBLES+ALLAH+IN...-a083863678 Citations: Chicago style: The Free Library. S.v. MUSLIMS WANT NIKE TO APOLOGIZE : COUNCIL SAYS LOGO RESEMBLES ALLAH IN ARABIC SCRIPT.." Retrieved Jan 02 2017 from https://www.thefreelibrary.com/MUSLIMS+WANT+NIKE+TO+APOLOGIZE+%3a+COUNCIL+SAYS+LOGO+RESEMBLES+ALLAH+IN...-a083863678 APA style: MUSLIMS WANT NIKE TO APOLOGIZE : COUNCIL SAYS LOGO RESEMBLES ALLAH IN ARABIC SCRIPT.. (n.d.) >The Free Library. (2014). Retrieved Jan 02 2017 from https://www.thefreelibrary.com/MUSLIMS+WANT+NIKE+TO+APOLOGIZE+%3a+COUNCIL+SAYS+LOGO+RESEMBLES+ALLAH+IN...-a083863678 Byline: Donna Abu-Nasr Associated Press The Council on American-Islamic Relations demanded Wednesday that Nike Inc. apologize for using a logo on athletic shoes that resembles the word ``Allah'' in the Arabic script. Nike said the logo was meant to look like flames for a line of shoes to be sold this summer with the names Air Bakin', Air Melt, Air Grill and Air B-Que. The company said it caught the problem six months ago, long before the shoes went into production. A new logo separates the A in ``Air'' from the IR, Nike spokeswoman Vizhier Corpuz said. ``We absolutely regret any misunderstanding, and we regret that this appeared in retail stores,'' Corpuz said at Nike headquarters near Portland, Ore. ``We have changed the design to ensure that there's no confusion between the word `air' and any other word.'' ``Allah'' is Arabic for God, used by Muslims and Christian Arabs to refer to the deity. The Islamic council's executive director, Nihad Awad, insisted at a Washington news conference that the shoes have been seen at stores across the country, one pair in New Jersey as recently as Tuesday. Holding up a pair of black-and-white Nikes with the logo, which he said were bought recently in the Boston area, Awad demanded that the company investigate to determine whether ``there are people at the company who want to insult Muslims.'' In 1995, Nike removed a billboard near the University of Southern California that depicted a basketball player with the headline, ``They called him Allah.'' The Council on American-Islamic Relations had told Nike officials the billboard offended Muslims. Another leading athletic supplies manufacturer, Reebok International Ltd., was embarrassed in February to learn that the designation of its women's running shoe, ``Incubus,'' is the word for a mythical demon that preyed on sleeping women. CAPTION(S): Photo Photo: (Color) Nihad Awad, executive director of the Council on American-Islamic Relations, calls on Nike to apologize. Associated Press COPYRIGHT 1997 Daily News No portion of this article can be reproduced without the express written permission from the copyright holder. Copyright 1997, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company. Article Details


What was the Blue Swede's only No 1 hit?

Blue Swede - Hooked On A Feeling (Guardians of the Galaxy - Music Trailer) - YouTube Blue Swede - Hooked On A Feeling (Guardians of the Galaxy - Music Trailer) Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Feb 19, 2014 Blue Swede's, Hooked On A Feeling is the song that's been used on the trailer for the latest addition to Marvel cinematic universe in the Guardians of the Galaxy film. I DO NOT OWN ANY RIGHTS... ALL RIGHTS BELONG TO THEIR RESPECTFUL OWNERS. Category


New York-born Sir Jacob Epstein worked in which branch of the arts?

Y by Mark Wallinger > View an interview with Mark Wallinger discussing Y   Further Information The University of Oxford and its constituent colleges have a long and distinguished history of commissioning the leading architects and artists of their day, from Sir Christopher Wren’s Sheldonian Theatre , which was erected to provide an appropriate secular venue for the principal meetings and public ceremonies of the University, to Sir Jacob Epstein’s haunting Lazarus in New College Chapel . There have been few opportunities for the finest artists in the 21st century, but this has now changed with Magdalen College’s 550th anniversary commission to Mark Wallinger. Wallinger’s Y is a two-faced sculpture formed in square section steel and has a silvery, metallic finish. It is positioned in the small clearing at the east end of Bat Willow Meadow among a mature stand of trees and faces westwards, towards the main College buildings, to reflect the setting sun of midsummer. Y alludes to the history of Magdalen College, its architecture and its deer, and the abundant vegetation in its grounds. "The bifurcating forks or tines," the artist explains, "are like the branches of the College’s ancestral tree or the antlers of the College deer. The repeated figure references divining rods, typically cut from the trees found in Bat Willow Meadow, and the structure echoes the Gothic tracery, which is present within the architecture of the College. The forks represent the life force - the encoded mathematics of creation, the order of things - pushing out to the future, while the divining fork takes us back to our source, the earth. This reaching out and drawing back is implied in the map of a family tree, when we place ourselves as the trunk, when we surely know we are the furthest tiniest branch. In the sculpture each branch of the tree represents a progenitor going back seventeen generations to the year 1458, when the College was established." The artist has used the golden ratio to generate the linear form of his sculpture. The golden ratio is the name given to an irrational proportion, known at least since the time of the ancient Greek mathematician Euclid, which has often been thought to possess aesthetic virtue, some hidden harmonic proportion in tune with the universe. In mathematics and the arts, two quantities are in the golden ratio if the ratio between the sum of those quantities and the larger one is the same as the ratio between the larger one and the smaller. In practice, this works out at about 8:13. A whole host of other contexts are also referenced in Wallinger’s work. In mathematics, for example, the y-axis is the vertical axis in a plane coordinate system and one of the three axes of a three-dimensional Cartesian coordinate system. In biology, Y-chromosome DNA is a type of DNA that is only carried by men and it is only inherited from their fathers. Men who share a common paternal ancestor will have virtually the same Y-DNA, even if that male ancestor lived many generations ago. Significantly, in the system of Greek numerals the letter upsilon, whose upper case form closely resembles the letter Y in the Latin alphabet, has a value of 400. In the system of medieval Roman numerals, however, the letter Y has a value of 150. By adding these two values together we arrive at the number 550, which is the very anniversary for which the work has been commissioned. Included in the artworks on display to the public in Magdalen College is the best surviving copy of Leonardo da Vinci’s Last Supper by a close Milanese follower, where it is displayed in a late 15th-century setting high on the wall of the Chapel. In Chaplain’s Quadrangle there is a bronze sculpture of Christ and Mary Magdalen presented to the College by David Wynne in 1964. To these exceptional pieces can now be added Mark Wallinger’s Y, a bold and uncompromising sculpture by one of today’s supreme artists. Education notes Magdalen College has asked freelance educator Miranda Millward to create a set of education notes to provide some initial guidance for group visits to see


How old was Dodi Fayed at the time of his death in 1997?

CNN - Princess Diana killed in Paris car crash - August 31, 1997 Princess Diana killed in Paris car crash Prince Charles to accompany body to Britain August 31, 1997 Web posted at: 11:35 a.m. EDT (1535 GMT) PARIS (CNN) -- Britain's Princess Diana died early Sunday after suffering massive internal injuries in a high-speed car crash, reportedly after being chased by photographers who were trying to snap photographs of the princess. Her companion and rumored lover, Dodi Fayed , and their chauffeur also died when the Mercedes crashed shortly after midnight in a tunnel along the Seine River at the Pont de l'Alma bridge, less than a half mile north of the Eiffel Tower. A fourth person in the car, a bodyguard of the princess, was also seriously injured. The 36-year-old princess died from internal bleeding stemming from major chest, lung and head injuries, doctors said at a 6 a.m. news conference. "Diana's body arrived at the hospital in a condition of serious hemorrhage and shock. Shortly thereafter, she went into cardiac arrest," said Dr. Bruno Riou, an anesthesiologist at Paris Hospital de la Petie Salpetriere. "An urgent surgery showed a severe wound to the left pulmonary vein. Despite the closure of this wound and the two-hour external and internal cardiac massage, no official respiratory circulation could be established and she died at 4 a.m. Paris time," he said. Prince Charles heads to France Diana's body was to arrive in London around 7 p.m. (2 p.m. EDT) Sunday, French police said. Prince Charles left Scotland early Sunday afternoon for Paris. From there he will accompany the body of his former wife on its return to Britain. Charles will also visit the hospital where Diana died to thank doctors for having tried to save her life. Fayed's body was to return to Britain Sunday according to a Harrods spokesman. No further details are available. The Prince of Wales woke their children, Princes William, 15, and Harry, 12, and informed them of their mother's death at Balmoral Castle, Scotland, where they were spending the summer. Queen Elizabeth II and Prince Charles said in statements early Sunday that they were "deeply shocked and distressed by this terrible news." British Prime Minister Tony Blair said, "I feel like everyone else in this country: utterly devastated. ... She was a wonderful, warm human being." 7 photographers detained Diana's car was traveling at 80 to 85 mph (128 to 136 kph) when the car slammed into a concrete abutment in the narrow tunnel , careened into a wall and was crushed like an accordion, police said. According to witnesses, Paparazzi -- the commercial photographers who constantly followed Diana -- were pursuing the car on motorcycles. Authorities said seven photographers -- six reported to be French and one Macedonian -- were in custody, and a criminal investigation was under way. Police seized two motorcycles and a motor scooter believed used in the chase. France Info radio said at least some of the photographers took pictures before help arrived -- and that one of the photographers was beaten at the scene by horrified witnesses. Harrods spokesperson Michael Cole relates Dodi's feelings for Diana 264 K/24 sec. AIFF or WAV sound "Serious questions will need to be asked as to whether the aggressive intrusion into her privacy has contributed to this tragedy," said British Foreign Secretary Robin Cook. Mourners gather at Kensington Palace In London, people began gathering outside Diana's Kensington Palace residence before dawn. Some sat with their heads in their hands and wept. Flowers from mourners adorned the palace gate . One man lit two candles at Kensington Palace. "I just feel disbelief more than shock," said student Fiona von Schank, 24, who brought two roses. "It's amazing that this woman who finally seemed to have just about found some happiness has now died so tragically." Diana and Fayed, the 42-year-old son of the billionaire Egyptian owner of London's prestigious Harrods department store, had arrived in Paris on Saturday afternoon on a private visit


In which country is the Angostura bridge?

Angostura Bridge | bridge, Venezuela | Britannica.com Angostura Bridge THIS IS A DIRECTORY PAGE. Britannica does not currently have an article on this topic. Learn about this topic in these articles:   in Ciudad Guayana The Angostura Bridge (completed 1967) across the Orinoco at Ciudad Bolívar (67 miles west of Ciudad Guayana) is an important link between the Guiana region and the rest of the country. Ciudad Guayana also has forestry, diamond mining, refractory brick, and paper and pulp enterprises and has attracted numerous small industries. Pop. (2001) 619,784; (2011) 672,651. in Orinoco River: Transportation Considerable road construction has been undertaken in the Venezuelan Llanos since World War II. The Llanos and the Guiana region were connected in 1967 with the completion of a mile-long bridge across the Orinoco at Ciudad Bolívar. Earlier, in 1961, the mouth of the Caroní was bridged to connect the new industrial town of Puerto Ordaz with the old Orinoco port of San Félix,...


Elle Macpherson - IMDb IMDb Actress | Producer Elle Macpherson was born on March 29, 1964 in Cronulla, Sydney, New South Wales, Australia as Eleanor Nancy Gow. She is an actress and producer, known for Britain and Ireland's Next Top Model (2005), Miss Universe 2001 (2001) and 42nd Annual TV Week Logie Awards (2000). She has been married to Jeffrey Soffer since July 2013. She was previously ... See full bio » Born:


Which instrument is associated with Lester 'Prez' Young?

Mississippi Jazz Musician Lester (Prez) Young Prez At His Very Best Lester Young: A Biography by Hashim Welch (SHS) Hashim Welch, SHS Researcher Lester Willis Young, nicknamed Prez, was born in Woodville, Mississippi, on August 27, 1909. Lester was taught how to play music by his father, Willis Handy Young, who was a very good musician in his own right.  Lester was first taught to play the violin, the trumpet, and the drums.(Early years). He later decided to stick to the alto saxophone, despite the fact that the drums were his favorite instrument to play. When he was eleven years of age, Lester and his father moved to Minneapolis where they formed a family band and Lester played alto saxophone with them at age 13.(Bennett). He had a long history of disagreements with his father, and this caused him to leave the band when he was 19 (Early Years). After leaving his family’s band, Lester went on to play with Art Bronson in Phoenix, Arizona.  He played with Bronson until 1930, when he moved to Minneapolis, Minnesota and played with various bands.  He also took a brief trip back home to play with his family.  In 1932, while playing at a club with Frank Hines, Young was signed as a member of “The Thirteen Original Blue Devils.”  He and the other band members moved to Kansas City to join Bennie Moten near the end of 1933. During the years following 1933, Lester Young played in bands with Bennie Moten, George Lee, King Oliver, Count Basie, Fletcher Henderson, Andy Kirk, and many others. In 1936, when Young rejoined Count Basie, he rose to national fame for the first time. Lester’s rising fame was significant in making Kansas City a major jazz city at this time.  Of all the places he played, Lester will probably always be remembered as a Kansas City jazz man. For the next several years he and Basie toured, and recorded.  He recorded on recordings featuring Billie Holiday who gave him the nickname, “The Prez.”  (She nicknamed him for president of the tenor saxophone, while he bestowed on her the name ‘Lady Day’.) In the early 1940’s, Young played in small bands in the Los Angeles area alongside his brother, Lee Young, and musicians such as Red Callender, Nat ‘King’ Cole and Al Sears. During this period he returned briefly to the Basie band, making some excellent recordings, and also worked with Dizzy Gillespie.  Late in 1944 he was conscripted into the US Army but was discharged in mid-summer the following year, having spent part of his military service in hospital and part in an army prison. In the mid 40’s he was filmed by Gjon Mili in the classic jazz short, Jammin’ The Blues, a venture which was co-produced by Norman Granz. At this time he also joined Granz’s “Jazz At The Philharmonic,” package, remaining with the organization for a number of years.  He also led small groups for club and record dates, toured the USA and visited Europe. Young’s style was the traditional swing style that will always be linked with Basie’s bands. Several famous musicians including Charlie Parker, Dexter Gordon, and Al Cohn were greatly influenced by Young.  A majority of the songs Young played while in the Basie band where 32 bar blues with an AABA structure. When he began recording on his own, he mixed together ballads, blues, and moderate and fast tempo AABA structured tunes. He gradually moved toward his famous soft tone that inspired, most notably, Stan Getz. In the late 1950’s, Lester began to have health problems.  While he was on tour, he continued to record and make concert and festival appearances and was featured on television’s The Sound Of Jazz in 1957. In these final years his health was slowly deteriorating; and his band broke up.  Lester went on tour with Miles Davis, but was very disheartened to receive bad ratings.  Despite this recent downfall, the Encyclopedia Yearbook of Jazz named Lester Young the greatest tenor saxophone ever in 1956 (Late Years).  Young had taken to drinking excessively and wasn’t eating well.  It is likely that the disrespect he was beginning to receive led him to drink even more.  Young had other complica


Which criminal was set up by the Lady In Red?

THE BIOGRAPH THEATER THE     BIOGRAPH THEATER THE LIFE & MYSTERIOUS DEATH OF     JOHN DILLINGER The scene outside of Chicago's Biograph Theater less than one hour after Dillinger.  was allegedly killed by the FBI. On the evening of July 22, 1934 a dapper-looking  man wearing a straw hat and a pin-striped suit stepped out of the Biograph Theater in  downtown Chicago where he and two girlfriends had watched a film called Manhattan  Melodrama starring Clark Gable. No sooner had they reached the sidewalk when a man  appeared and identified himself as Melvin Purvis of the FBI. He ordered the man in the  straw hat to surrender.  Experience the   Ghosts, Local Legends & Best Kept Secrets of the Windy City! Weird Chicago   Tours! Several shots rang out and the fleeing man  in the straw hat fell dead to the pavement, his left eye shredded by one of  the shots fired by the other agents who lay in wait. So ended the life of John Herbert Dillinger, the most prolific bank robber in modern  American history and the general public's favorite Public Enemy No. 1...... or did it? One of the most famous haunted theaters in the history of Chicago is the  Biograph Theater, located on North Lincoln Avenue in downtown  Chicago. It was here, in 1934, that John Dillinger supposedly  met his end.... The theater has gained a reputation for being haunted, but the story of  the ghost seen here actually revolves around the alleyway  outside. But the theater, and the surrounding businesses, have banked on the criminal's  name for many years. On the day after the fatal shots were fired, the bar next door placed  a sign in the window that read "Dillinger had his last drink here". Theater  patrons can examine a window in the box office that describes the set-up of Dillinger by  the FBI. They can sit in the same seat where Dillinger sat nearly 65 years ago and after  the film, they can emerge into "Dillinger's Alley.... it is here where the ghost is  said to appear. But what really happened in the final moments  of Dillinger's life? To answer the strange and perplexing questions surrounding his  possible death, we have to first look at his bloody and violent life. On the evening that he was killed, Dillinger left the theater in the  company of Anna Sage (the famed "Lady in Red") and with another girlfriend,  Polly Hamilton. He had been hiding out in her North Halstead Street apartment but for  months he had been pursued diligently by Melvin Purvis, the  head of the Chicago branch of the FBI. Purvis had lived and breathed Dillinger (and would,  after the robber's death, commit suicide) and had narrowly missed him several times at a  State Street and Austin Cafe; at Dillinger's north woods hideout in Sault St. Marie; and  at Wisconsin's Little Bohemia, where FBI agents recklessly killed a civilian and injured  two others. It was finally at the Biograph where Purvis caught up with Dillinger and put an end to his  career. The criminal life of John Dillinger started in 1925 when he held up a  grocery store in his hometown of Mooresville, Indiana. Pleading guilty, he was sentenced  to serve 10-20 years in prison while his accomplice, who claimed not guilty, only received  a sentence of 2 years. Dillinger spent the next 8 years in jail but when he was released  in May of 1933, he robbed three banks in three months and netted more than $40,000. Thus  began Dillinger's wild spree of crime. Dillinger was captured in September 1933 and imprisoned in Lima, Ohio. In  three weeks, his gang sprung him in a dangerous escape and again were back to bank robbing.  In January 1934, Dillinger shot and killed a police officer in East Chicago, for which he  was arrested in Arizona and jailed in Crown Point, Indiana to await trial. He escaped a  month later, using a fake gun that he had carved from a bar of soap and blackened with  shoe polish. He eluded the police for another month, shooting his way out of an ambush in St. Paul and  dodging the FBI near Mercer, Wisconsin.  Dillinger arrived in Chicago in late June  and proc


Top 10 Kenny Rogers Songs Top 10 Kenny Rogers Songs REDDIT Theo Wargo, Getty Images Kenny Rogers ‘ songs are iconic, but truth be told, the singer has seen success in just about every form of entertainment. In honor of one of the longest and most varied careers in showbiz history, we’d like to take a moment to honor some of his most memorable recordings. As one can imagine, this Top 10 Kenny Rogers songs list was extremely challenging to narrow down. However, we’ve tried to select songs that represent several chapters of his career. From the obvious “Coward of the County” and “Ruby” to classic American love songs like “Lady” and “Through the Years,” these are the cream of Rogers’ crop. 10 From ‘They Don’t Make Them Like They Used To ‘ (1986)     Kenny Rogers has become known as one of the great storytellers in country music. The gravelly voice has been the narrator for such story songs as “The Greatest,” “Tomb of the Unknown Love” and “The Factory.” In addition to the story songs that appear on this list of the Top Kenny Rogers songs, we’ve included “Twenty Years Ago,” a sentimental journey back in time. Regardless of age, the chorus seems to resonate the feelings of everyone — that “life was so much easier twenty years ago.”       We could have easily compiled a list of just top Kenny Rogers love songs. Throughout his career, power ballads like “I Don’t Need You,” “She Believes in Me” and “Crazy” were best-sellers. In addition to the duets and the love songs that have made this list, we’ve selected “You Decorated My Life” as one of Rogers’ overall best. From easy listening AM stations, hot country FM stations, and wedding receptions, this song has meant a lot to a lot of people.   “Ruby, Don’t Take Your Love to Town” (with the First Edition) From ‘Ruby, Don’t Take Your Love to Town’ (1969)     As the lead singer of the First Edition, Kenny Rogers’ voice was at the forefront of some of their biggest hits — like this one. Penned by Mel Tillis, “Ruby” was Rogers’ first country chart entry. Although the song peaked at a modest No. 39, it’s since become a staple of his catalog of hits and live shows. The tragic love story, set to a catchy beat, is a must-have on our list of Top 10 Kenny Rogers Songs.   “Buy Me a Rose” (with Alison Krauss and Billy Dean) From ‘She Rides Wild Horses’ (1999)     In the ‘80s, Rogers was the biggest act in country music, selling out arenas night after night. However, when the ‘90s rolled along, the trends changed and the consistent hitmaker fell off the charts. Rogers kept touring to big crowds and working on other entertainment projects, and in 1999 “Buy Me a Rose” brought the legend back to radio with a No. 1 hit. At the age of 61, the Gambler made history as the oldest singer to ever have a No. 1 solo it on the Billboard Country charts.       After years of success with the Commodores, with songs like “Brick House,” “Easy” and “Three Times a Lady,” Lionel Richie began a career transition by writing a monster hit for Rogers in 1980. It’s no surprise that there would be a mega hit in combining these successful hitmakers. “Lady” topped the Country, Hot 100, and Adult Contemporary charts. The song’s overwhelming success set the stage for Richie to release his first solo album in 1982.   “Islands in the Stream” (with Dolly Parton) From ‘Eyes That See in the Dark’ (1983)     Penned by the Bee Gees, “Islands in the Stream” was one of the biggest multi-format hits in American music following its release. Played around the world (in every format), everyone just fell in love with the chemistry between Kenny and Dolly. The duet launched other successful projects, including a 1984 Christmas TV special, holiday album and 1985’s No. 1 hit “Real Love,” which was also accompanied by a TV special. This all-time favorite country duet is a must-include on our Top 10 Kenny Rogers songs compilation.


Who had a 50s No 1 with Heartaches By The Number?

YouTube Undo Close "GUY MITCHELL- "HEARTACHES..." The YouTube account associated with this video has been terminated due to multiple third-party notifications of copyright infringement. Sorry about that.


In which country was power seized in the 70s by the Gang of Four?

China Celebrates Victory Over “Gang of Four” China Celebrates Victory Over “Gang of Four” First Published: The Call, Vol. 6, No. 30, August 1, 1977. Transcription, Editing and Markup: Paul Saba Copyright: This work is in the Public Domain under the Creative Commons Common Deed . You can freely copy, distribute and display this work; as well as make derivative and commercial works. Please credit the Encyclopedia of Anti-Revisionism On-Line as your source, include the url to this work, and note any of the transcribers, editors & proofreaders above. A great victory has been won. A great wrong has been set right. The visit of our delegation to the People’s Republic of China left us with these positive conclusions. On our last day in China, we joined together with the millions of people in every corner of the country in massive demonstrations and celebrations of support for the important decisions, made at last week’s plenary session of the Central Committee of the Communist Party of China. We were in Canton when the news of the decisions was announced. Hua Kuo-feng was confirmed as chairman of the Party and head of the Military Commission of the Party’s Central Committee. Secondly, Teng Hsiao-ping, the target of an attack by the “gang of four,” was returned to all of his former positions, including vice-chairman of the Party, vice-premier of the State Council, vice-chairman of the Military Commission and chief of the general staff of the People’s Liberation Army. The “gang of four” (Wang Hung-wen, Chang Chun-chiao, Chiang Ching, and Yao Wen-yuan) were removed from the Party. And finally, the plans were laid for the holding of the 11th National Congress of the CPC. In the eyes of the 800 million people of China, justice had been carried out. On the afternoon of July 21, in anticipation of the announcement of the Central Committee decisions, wall posters had gone up all over the country supporting Chairman Hua and welcoming the return of Teng Hsiao-ping to his posts. By afternoon, the wine stores had already been emptied of Mao Tai and other wines. Every firecracker had been grabbed up. In Canton, despite a request that fireworks not be set off for fear of fires in this 2,000-year-old city, the explosions began with the public announcement of the Party communique. The air was filled with a massive bursting of fireworks as the celebrations began, first in the local units and then pouring out into the streets. From every corner of the city, the marchers came, carrying brightly painted banners and pictures of Chairman Mao and his successor Chairman Hua. Gongs and drums beat loudly well into the morning hours. The pictures of our delegation’s meeting with Chairman Hua had appeared earlier on the front page of the newspapers, and many people stopped on the streets to shake our hands and congratulate us on the founding of our Party. The following day, in every city and locality in China, mass meetings of millions of people were held as speakers explained the decisions of the plenary session and summed up the 11th two-line struggle in the history of this 56-year-old party. These meetings and festivals consolidated the victory. The people who had poured out their tears many times in the past year–with the passing of their beloved leaders, Chairman Mao, Premier Chou, and Chu Teh, with the terrible toll of human lives in the massive earthquakes last July–were now delirious with joy. To understand why, it is important to see the real nature of the attacks on Teng Hsiao-ping and what his return means, as well as to understand the crimes of the “gang of four” and what their victory would have meant for the future of China. It was in the course of the campaign against “the right-deviationist wind” last year that the “gang of four” prepared for their attempted seizure of power after Chairman Mao’s death. While it was, in the main, a correct campaign, aimed at consolidating the “socialist new things” that emerged from the Great Proletarian Cultural Revolution of the sixties, the “gang of four” departed from the orientation of the Party’s Cent


At which sport did Jonah Barrington win international success?

Profile: The big noise of squash: Jonah Barrington - Owen Slot studies the qualities of a sporting legend who is keen to put officialdom in its place | The Independent Profile: The big noise of squash: Jonah Barrington - Owen Slot studies the qualities of a sporting legend who is keen to put officialdom in its place Saturday 13 August 1994 23:02 BST Click to follow The Independent Online TWENTY-ONE years after his last great triumph, Jonah Barrington, the most successful British squash player ever, can be found, for hours every day, still stalking the courts. He is now 53 and shackled by a limp, but though the body weakens, no punishment that time can mete out will ever shake his resolve, the element which won him six British Open titles. For, as he says himself, there were far more talented players around. Barrington's career was a victory for the man of limited means. He was the inspiration for many then, as he still is now for the proteges who are graced with his presence on court. But you would have to go to Holland to see him in action, for there is no place for Barrington in the British game. There was until last December, when his five-year role as the director of excellence with the Squash Rackets Association was deemed further to requirements. What the suits who dismissed him hardly expected was his nomination, last week, to join their company as the Association's head. Barringtonwas furious when his contract was not renewed but his ambition to become SRA president is born neither of revenge, nor of an ego in need of a massage. It is pure affection for the sport that has thrown him into the fight; squash in Britain is sick and he sees it as his duty to nurse it back to health. It was he, after all, who helped it come of age. Much of Barrington's good work is still there. As a director of excellence he has taken Britain to the verge of greatness: there are at present 23 British professionals in the world's Top 50, most of them young and with the potential to improve. What infuriated Barrington about the SRA's decision was that here was the class of the future, nurtured to excellence, scaling the heights of the world game, and just as they approach its peak, they were robbed of the mentor who had talked them through every step of the climb and left to go the distance unguided. This is no exaggeration. Barrington has worked with some of these boys since 1979 when he started running national junior squads. When funding from the SRA ceased temporarily, the squads started to live not only off his knowledge, but out of his own pocket too. Knocking around in his under-10 classes in those early days were both Peter Marshall and Simon Parke, now the top two in Britain, but both missing his influence. 'I'd like to see him now,' Parke said. 'If only to have a feeding session before the season begins. Even then his electrifying enthusiasm comes right through.' So much for the healthier side of the game. The debit lies in the bank balance: a deficit in the last tax year of nearly pounds 100,000 thanks in part to a reduction in the Sports Council's grant, but also to the sport's credibility which has dipped so low that its national league cannot find a sponsor. Barrington was one of four SRA employees squeezed out in the resultant belt-tightening; he argues that the image crisis would best be solved by a champion or two, which is the area in which he can be most helpful. Among Barrington's less well- known achievements is a book, Murder on the Squash Court, which is not an account of his recent treatment at the hands of the SRA, but a flashback to his greatest matches. 'Murder' refers to the way he would win, not through superior skill, but through what he calls 'boxing with rackets', through stamina, relentlessly keeping the ball in play, grinding away at his opponents, waiting for their physical and mental defences to break and then going in for the kill. As a coach, he loathes his players 'going cheap' - losing a point through going for a winner because they do not have the mental strength to extend the rally and go for the


What was the nationality of composer Aaron Copland?

Aaron Copland | About the Composer | American Masters | PBS About the Composer Aaron Copland: A Self Portrait About the Composer Comments Aaron Copland. Photo: The Library of Congress Aaron Copland was one of the most respected American classical composers of the twentieth century. By incorporating popular forms of American music such as jazz and folk into his compositions, he created pieces both exceptional and innovative. As a spokesman for the advancement of indigenous American music, Copland made great strides in liberating it from European influence. Today, ten years after his death, Copland’s life and work continue to inspire many of America’s young composers. Copland was born in Brooklyn, New York, on November 14, 1900. The child of Jewish immigrants from Lithuania, he first learned to play the piano from his older sister. At the age of sixteen he went to Manhattan to study with Rubin Goldmark, a respected private music instructor who taught Copland the fundamentals of counterpoint and composition. During these early years he immersed himself in contemporary classical music by attending performances at the New York Symphony and Brooklyn Academy of Music. He found, however, that like many other young musicians, he was attracted to the classical history and musicians of Europe. So, at the age of twenty, he left New York for the Summer School of Music for American Students at Fountainebleau, France. In France, Copland found a musical community unlike any he had known. It was at this time that he sold his first composition to Durand and Sons, the most respected music publisher in France. While in Europe Copeland met many of the important artists of the time, including the famous composer Serge Koussevitsky. Koussevitsky requested that Copland write a piece for the Boston Symphony Orchestra. The piece, “Symphony for Organ and Orchestra” (1925) was Copland’s entry into the life of professional American music. He followed this with “Music for the Theater” (1925) and “Piano Concerto” (1926), both of which relied heavily on the jazz idioms of the time. For Copland, jazz was the first genuinely American major musical movement. From jazz he hoped to draw the inspiration for a new type of symphonic music, one that could distinguish itself from the music of Europe. In the late 1920s Copland’s attention turned to popular music of other countries. He had moved away from his interest in jazz and began to concern himself with expanding the audience for American classical music. He believed that classical music could eventually be as popular as jazz in America or folk music in Mexico. He worked toward this goal with both his music and a firm commitment to organizing and producing. He was an active member of many organizations, including both the American Composers’ Alliance and the League of Composers. Along with his friend Roger Sessions, he began the Copland-Sessions concerts, dedicated to presenting the works of young composers. It was around this same time that his plans for an American music festival (similar to ones in Europe) materialized as the Yaddo Festival of American Music (1932). By the mid-’30s Copland had become not only one of the most popular composers in the country, but a leader of the community of American classical musicians. It was in 1935 with “El Salón México” that Copland began his most productive and popular years. The piece presented a new sound that had its roots in Mexican folk music. Copland believed that through this music, he could find his way to a more popular symphonic music. In his search for the widest audience, Copland began composing for the movies and ballet. Among his most popular compositions for film are those for “Of Mice and Men” (1939), “Our Town ” (1940), and “The Heiress” (1949), which won him an Academy Award for best score. He composed scores for a number of ballets, including two of the most popular of the time: “Agnes DeMille’s Rodeo” (1942) and Martha Graham ‘s “Appalachian Spring” (1944), for which he won the Pulitzer Prize. Both ballets presented views of American country life


What was the occupation of Edith Cavell who was shot by the Germans in WWI?

Edith Cavell, shot by Germans during WWI, celebrated 100 years on | World news | The Guardian First world war Edith Cavell, shot by Germans during WWI, celebrated 100 years on Centenary of death of British nurse executed for treason in 1915 marked as evidence emerges of possible links to British intelligence Edith Cavell was hailed as a Christian martyr and dubbed ‘our Joan of Arc’ by the British press. Photograph: UniversalImagesGroup/Getty Images Monday 12 October 2015 02.00 EDT Last modified on Tuesday 13 October 2015 14.12 EDT Close This article is 1 year old On 12 October 1915, British nurse Edith Cavell was shot at dawn by a German firing squad in Brussels for helping hundreds of allied soldiers escape from occupied Belgium. From the archive, 22 October 1915: The execution of Miss Cavell Read more A century later, she is being celebrated in exhibitions and concerts in Norwich Cathedral and in public buildings in the city, and in the nearby village of Swardeston where her father was vicar and where she grew up. Cavell was hailed as a Christian martyr concerned only with saving the lives of allied soldiers. Her execution provoked outrage in Britain. Egged on by the government, she was dubbed “our Joan of Arc” by the press. Pinterest The wording on the monument to Edith Cavell near Trafalgar Square in London remains controversial. Photograph: Graeme Robertson for the Guardian “Everybody must feel disgusted at the barbarous actions of the German soldiery in murdering this great and glorious specimen of womanhood,” wrote Arthur Conan Doyle. A headline in the Manchester Guardian on 22 October 1915 read: “Merciless Execution of Nurse Cavell,” while an editorial dwelled on the “callousness” and “brutality” of the German occupiers in Belgium, and the way Cavell’s execution was carried out quickly and secretly. Pinterest Edith Cavell’s grave in France. Photograph: Tim Ockenden/PA Her death, at a time when the war was going badly for the allies, led to a huge increase in the number of volunteers signing up to join the British army. Cavell is remembered in Norwich above all as a pioneering nurse. One of her lasting legacies is the Cavell Nurses’ Trust , which provides financial support for nurses in need. She had returned to Belgium, where she had set up the first secular training hospital for nurses, after the outbreak of war in 1914, saying: “At a time like this, I am needed more than ever”. Nick Miller, the chair of the Norfolk Cavell 2015 Partnership said: “To me she seems to embody the Good Samaritan. Edith risked her own life over nine months to help men who came to her with no way home.” Edith Cavell: nurse, martyr, and spy? | Vanessa Heggie Read more But other, more uncomfortable, sides to her story are emerging amid renewed controversy over her legacy, and even the wording on her statue outside St Martin-in-the-Fields near Trafalgar Square in London. Cavell’s biographer, Diana Souhami, records that following her execution, MI5 was anxious to suppress anything that would implicate Cavell in spying. Stella Rimington, a former head of the intelligence agency, said recently after researching Belgian archives: “Her main objective was to get hidden allied soldiers back to Britain but, contrary to the common perception of her, we have uncovered clear evidence that her organisation was involved in sending back secret intelligence to the allies.” The intelligence included information about a German trench system, the location of munitions dumps and aircraft. Details were written in ink on strips of fabric and sewn into clothes, or hidden in shoes and boots. Yet it remained unclear, Rimington told BBC Radio 4’s programme, The Untold Story of Edith Cavell, last month, what Cavell precisely knew about the spying network. Richard Maguire of the University of East Anglia (UEA), goes further. He told the Guardian: “Cavell was not merely acting as a nurse and treating the wounded – she could have done this without helping those soldiers to then escape”. He added: “I think we now have to accept that the likelihood is that Cavell was w


Why is the trio Satyajit Ray, Ritwik Ghatak, and Mrinal Sen considered as the greatest film directors from India? - Quora Quora Written Nov 25, 2014 If there is any discussion even remotely associated with parallel cinema or Indian cinema in general, it finds a root in the thriving rivalry of perhaps three of the greatest filmmakers the country has nurtured. The dawn of "parallel" cinema in India is often attributed to Satyajit Ray, Mrinal Sen and Ritwik Ghatak, who began working in the Bengali film industry in the early '50s. Parallel cinema was considered an adversary to conventional cinema, a brand of cinema that churned out economical films and focused mainly on social realism, humanitarianism, expressionism and societal issues like caste. In 1955, with some financial help from the West Bengal government and after a rather lengthy production, Ray's Pather Panchali debuted internationally to broad critical acclaim and was one of the first films to provide a glimpse into the traditions of this country to the global audiences. Pather Panchali, an outstanding cinematic achievement as it stands presently, is understandably considered to be a landmark film for the very reason that it was one of the early films to rival mainstream films so dauntlessly in India, and was also a fillip to the emerging new type of cinema. Prior to this, only Chetan Anand's Neecha Nagar was an Indian film that had made any kind of substantial impact globally when it won the Grand Prix at the Cannes Film Festival in 1946. The films of V. Shantaram were also occasionally screened abroad, wresting praise from none other than Charlie Chaplin himself for his film, Manoos, but this particular titbit wasn't momentous. Mrinal Sen also made his debut with Raat Bhore the same year, but the outset of his career wasn't as distinguished as Ray's. Ghatak's Nagarik, finished in 1952, was perhaps one of the earliest attempts to create an independent art film tackling neo-realism as a subject, but even his directorial debut was suppressed by Pather Panchali because Nagarik was mysteriously released in 1977. However, Nagarik is still recognized as a film that perhaps gave a helping hand to the teetering Indian independent film movement back then. Though Ray continued to dominate the international film scene with two succeeding installments in his Apu Trilogy, and followed it up with Mahanagar and Charulata in the early '60s, fame came fairly late for his two eminent rivals. Though the works of the three remained heavily praised in their birth country, only Ray's works made international headlines. In 1969 and with a little monetary aid from the Indian government, Sen's Bhuvan Shome, a film I personally consider to be among the finest Hindi films I have seen, finally fetched him international acclaim. By then, Ray was already an established legend in the world of film while Ghatak's films remained in the realms of his homeland. The three continued their meritorious rivalry to the end of their careers, but remained ardent admirers of each other's oeuvre. What elevates the work of these auteurs is that not only have they taken the cinema of this country to the foreign audiences, but also they had given it an  - albeit temporary - identity. Their films were steeped in socio-realism, a rarity in modern films that routinely illustrate distorted portraits of the Indian society, and represented a level of artistry in Indian cinema that hasn't been matched ever since. After the initiation of the independent film movement in the Bengali film industry, other Indian filmmakers from different film industries, most notably Adoor Gopalakrishnan and Shyam Benegal, took it up enthusiastically as well. After consideration, I can only say that the work of these three auteurs had been epoch-making, and it set a standard as far as Indian films were concerned. Written May 8, 2015 Not sure, if you want to mean "from India" or "from Bengal" only... But yes these 3 were considered greatest from their time. Some few more names from Bengal who were equally talented and had great fans/follo


Who had a 1980s No 1 hit with Don't You (Forget About Me)?

Simple Minds - Don't You (Forget About Me) - YouTube Simple Minds - Don't You (Forget About Me) Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Dec 3, 2010 Acoustic – 12 songs reimagined acoustically - out now on CD/Vinyl/Stream/Download – featuring Don’t You (Forget About Me), Promised You A Miracle FT KT Tunstall, American and many more. https://SimpleMindsInl.lnk.to/AcousticID Listen to the complete playlist on Spotify here: https://SimpleMindsInl.lnk.to/ListenID Sign up for news http://po.st/SMNewsLetter Follow Simple Minds online:


Which Japanese company bought CBS records in 1988?

Sony purchased CBS records in 1988 then set its - AMERICAN I - American I View Full Document Sony purchased CBS records in 1988, then set its sight on a motion picture company. Other cash-rich Japanese companies had put up money to make some movies in the past, but Morita wanted Sony to be the first Japanese company to own a Hollywood studio lock, stock, and barrel. Not all of Sony’s top executives were convinced purchasing a studio would be beneficial for the company. To some, Morita’s argument for a “software-hardware synergy” sounded less than totally convincing, especially after Sony’s chairman decided to purchase the Columbia Picture group for $3.4 billion for the studio, which some people in Hollywood estimated was $1 billion more than Columbia was worth. A struggling studio like Columbia, which had less than a 10 percent share of the domestic market in the 1980’s, hardly had the power to drive the sale of Sony’s hardware. Many people in Japan speculated that at least in part, Morita’s acquisition of an American film studio was motivated by his “bruised ego and an overwhelming desire to awe his opponents into submission” (Klein, Hollywood ). Sony’s top executives were not the only ones with reservations about the acquisition. Business associates also warned Akio Morita that the management styles in Japan and America were not compatible calling the decision to purchase the troubled studio a “mistake.” Keiji Shima, then the chairman of NHK, the Japanese public broadcasting company reportedly told Morita, “’you don’t understand Hollywood. It won’t work. You’re asking for trouble. You’re getting into a business that you won’t be able to control. Don’t do it! ’” (Klein, Hollywood ). Despite the concerns, Sony’s board 6 This preview has intentionally blurred sections. Sign up to view the full version. View Full                             Document of directors approved Morita’s plan to purchase Columbia Pictures in 1989. Morita was reportedly proud of the fact that this acquisition would rank as the most expensive foreign takeover of an American company. To head Sony’s new motion picture division, Akio Morita turned to veteran producers Peter Guber and Jon Peters, a producing team riding high on the international success of Batman and Rain Man , two of the biggest blockbusters of the 1980’s. Despite the team’s limited high-level executive experience, the partners managed to dazzle the Sony chairman, who decided to buy out Guber-Peters Entertainment Company for $200 million, and hired the two producers to run Sony Pictures Entertainment. Many entertainment industry insiders believed Sony’s decision to hire the two producers was a recipe for disaster, and guaranteed the failure of their venture into Hollywood. Frank Price, former head of Columbia who worked briefly with Sony in the late 1980’s said, “What the Japanese got with Guber and Peters was two hustlers” (Klein, Tycoon ). After Guber and Peters were brought onboard, Sony learned that the two producers were legally bound by an exclusive production contract to Warner Brothers. Warner Brothers refused to release Guber and Peters from their contract until Sony paid This is the end of the preview. Sign up to                   access the rest of the document. TERM AMERICAN I American I               -               Spring 2012 B1. (Choosing financial targets) Bixton Companys new chief financial officer is evalu bixton


How many of Mark Spitz's Olympic golds were for solo events?

Mark Spitz | Olympics Wiki | Fandom powered by Wikia Edit Spitz was born in Modesto, California, the first of three children [3] of Arnold and Lenore (Smith) Spitz. His family is Jewish. [4] When he was two years old, Spitz's family moved to Honolulu, Hawaii, where he swam at Waikiki Beach every day. "You should have seen that little boy dash into the ocean. He'd run like he was trying to commit suicide." Lenore Spitz told a reporter for Time (April 12, 1968). [3] At age six his family returned to Sacramento, California, and he began to compete at his local swim club. At age nine, he was training at Arden Hills Swim Club in Sacramento with swimming coach Sherm Chavoor, who mentored seven Olympic medal winners including Spitz. Before he was 10, Spitz held 17 national age-group records, and one world record. At 14 his family moved to Santa Clara so Spitz could train with George F. Haines of the Santa Clara Swim Club. From 1964 to 1968 Mark trained with Haines at SCSC and Santa Clara High School. During his four years there, Mark held national high school records in every stroke and in every distance. It was a remarkable and unprecedented achievement. In 1966 at age 16 he won the 100 meter butterfly at the National AAU Championships, the first of his 24 AAU titles. The following year Mark set his first world record at a small California meet in the 400 meter freestyle with a time of 4:10.60, and emerged on the world swimming stage. [5] Swimming career Edit The 1965 Maccabiah Games was his first international competition. At age 15 in Tel Aviv, Spitz, won four gold medals and was named the most outstanding athlete. [3] He returned to Israel in 1969 following the Mexico Olympics to again compete in the Maccabiah Games. This time he won six gold medals. [6] He was again named outstanding athlete of the Games. [7] In 1985 Spitz lit a torch to open the Maccabiah Games. [8] In 2005 he was a member of the U.S. delegation at the 17th Maccabiah Games. He spoke at the JCC Maccabiah Games Opening Ceremonies, which was held in Richmond, Virginia. The Weinstein JCC in Richmond was one of the Host JCC's for the 2005 games with over 1,000 teenagers participating in various sports, including swimming. Pan American Games In 1967 he won five gold medals at the Pan American Games, thereby setting a record that lasted until 2007 when Brazilian swimmer, Thiago Pereira, won six golds at the XV Pan American Games in Rio de Janeiro. 1968 Olympics Edit Holder of ten world records already, Spitz predicted brashly he would win six golds at the 1968 Summer Olympics in Mexico City. However, he won only two team golds: the 4 × 100 meter freestyle relay in 3:31:70, and the 4 × 200 meter freestyle relay in 7:52:33. In addition, Spitz finished second in the 100m butterfly in 00:56:40. In this event he was beaten by fellow American Doug Russell by a half second, despite holding the world record and having beaten Russell the previous ten times they had swum against each other that year. [9] Russell did briefly match Spitz's world record in late August 1967, holding the world record equally with Spitz for five days before Spitz regained it solely on October 2, 1967. As a result of being beaten by Russell, Spitz did not get to swim in the 4 × 100 meter medley relay, which gave Russell his second gold medal and the USA team another World Record swim. College training Edit Disappointed in his 1968 Olympic performance, Spitz decided in January 1969 to swim for the Indiana University Hoosiers [2] to train with legendary coach, Doc Counsilman, [10] who was also his coach in Mexico City. He called choosing Indiana and Counsilman "the biggest decision of my life (and) the best." While at Indiana, Spitz won eight individual NCAA titles. In 1971 he won the James E. Sullivan Award as the top amateur athlete in the United States. Spitz also set a number of world records during the U.S. Olympic Swim Trials held in Chicago's Portage Park in 1972. He was nicknamed "Mark the Shark" by his teammates. 1972 Olympics Edit At the 1972 Summer Olympics in Munich (West Germany), Spi


Who made the album Honky Tonk Angels with Dolly Parton and Tammy Wynette?

Honky Tonk Angels by Dolly Parton, Loretta Lynn & Tammy Wynette on Apple Music 12 Songs Album Review Legend is a hefty title to carry, especially if you're still kicking. The standards are high, the expectations immense. Dolly Parton, Loretta Lynn, and Tammy Wynette are, nevertheless, legends of country music with decades of albums and awards to prove it. And they are very much still kicking on Honky Tonk Angels — just in case anyone needs a little reminder. You can even hear how much fun they had singing together, setting aside any historic competition and letting their love of country music shine through, each gracefully moving between lead and harmony vocals. As for the song selection, it covers a wide swath of country history from tunes made famous by early pioneers like Ferlin Husky, the Davis Sisters, and Hank Locklin to their own more contemporary compositions. If that weren't enough credibility, Kitty Wells lends her amazing voice to the opening anthem "It Wasn't God Who Made Honky Tonk Angels." Pure goodness. In another twist, Patsy Cline sings on "Lovesick Blues" with Parton, Lynn, and Wynette backing her. The closing track sums up the humorous reverence that permeates much of country music. "I Dreamed of a Hillbilly Heaven" was a hit for Tex Ritter in 1961 and is a surprising choice that seems a bit out of place, but somehow works well enough. For fans of traditional country or great singers, this is a fun listen because it nicely captures three of the best voices around. Customer Reviews Great traditional country music - period       by          Buzzmike This outstanding traditional country music album by three legends blending their voices and talents makes this album a must have. I love "It Wasn't God Who Made...." a lot. It's Great : )       by          AddieBelle I really like this cd! It has three of my favorite singers: Dolly, Tammy, and Loretta! Patsy Cline and Kitty Wells gest star on it too.Their cover of Linda Ronstadts' "Silver Threads and Golde Needles" is amazing. Some of my favorite songs on it include "Sittin on the Front Porch Swing" and "Let Her Fly". The song "I Dreamed of a Hillbilly Heaven" is another one of my favorites but by now is a little out of date. Dolly seems to sing the most songs on the album and also produces it with Steve Buckingham. A must have for any classic country music fan! Alan It just does not get much better then these three amazing ladies... Biography Born: January 19, 1946 in Locust Ridge, TN Genre: Country Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s It's difficult to find a country performer who has moved from her country roots to international fame more successfully than Dolly Parton. Her autobiographical single "Coat of Many Colors" shows the poverty of growing up one of 12 children on a rundown farm in Locust Ridge, Tennessee. At 12 years old, she was appearing on Knoxville television; at 13 she was recording on a small label and appearing on the Grand Ole Opry. Her 1967 hit "Dumb Blonde" (which she's not) caught Porter Wagoner's ear, and... Top Albums and Songs by Dolly Parton 1.


How many Nobel prizes did Marie curie win?

Marie Curie - Questions and Answers Marie Curie The Nobel Prize in Chemistry 1911 Marie Curie Marie Curie - Questions and Answers Question: When was Marie Curie born? Answer: Marie Curie was born on 7 November 1867. Question: When did she die? Answer: Marie Curie died on 4 July 1934, in Savoy, France. She died of aplastic anaemia, a blood disease that often results from exposure to large amounts of radiation. Question: Where was she born? Answer: She was born in Warsaw, now the capital of Poland, but at that time the city belonged to the Russian Empire. Question: What was her maiden name? Answer: Her maiden name was Maria Sklodowska. She was also called 'Manya' by her family and friends. She later changed her name to 'Marie' when she moved to Paris, France in later years. Question: What was her family background? Answer: Marie had four brothers and sisters. Both her parents were teachers. Her father was a patriot whose views about an independent Poland often made it difficult for him to keep his job. When Marie was 11 years old, her oldest sister died of typhus and her mother of tuberculosis. Question: What was her educational background? Answer: Marie finished high school at 15, with the highest honours. She worked as a private tutor for children in Poland before moving to Paris, France at the age of 24 to study mathematics and physics at the Sorbonne. Her goal was to get a teacher's diploma and return to Poland. Question: Why did she not return to Poland? Answer: Marie stayed in France after she met a French scientist, Pierre Curie, in the spring of 1894. Pierre was the head of a laboratory at the School of Industrial Physics and Chemistry. She later married Pierre and they had two daughters, Irène , born in 1897, and Eve, born in 1904. Marie and Pierre worked together in the laboratory, which later resulted in a Nobel Prize in Physics in 1903, making Marie Curie the first woman to receive the Nobel Prize. Question: What was the 1903 Nobel Prize in Physics awarded for? Answer: Henri Becquerel was awarded half of the prize for his discovery of spontaneous radioactivity. Marie and Pierre Curie were awarded half the prize for their research on the radiation phenomena discovered by Becquerel. Question: What did Marie Curie discover? Answer: Marie Curie studied the radiation of all compounds containing the known radioactive elements, including uranium and thorium, which she later discovered was also radioactive. She also found out that: - you can exactly measure the strength of the radiation from uranium; - the intensity of the radiation is proportional to the amount of uranium or thorium in the compound - no matter what compound it is; - the ability to emit radiation does not depend on the arrangement of the atoms in a molecule; it must be linked to the interior of the atom itself - a revolutionary discovery! When she realized that some uranium and/or thorium compounds had stronger radiation than uranium, she made the following hypothesis: there must be an unknown element in the compound which had a stronger radiation than uranium or thorium. Her work aroused the interest of her husband, Pierre Curie, who stopped his own research on crystals and joined the "detective work" with his wife. And Marie was proven right: in 1898 the Curies discovered two new radioactive elements: radium (named after the Latin word for ray) and polonium (named after Marie's home country, Poland).  Question: Was she awarded another Nobel Prize? Answer: Yes, Marie Curie was awarded the 1911 Nobel Prize in Chemistry for her discoveries and studies of the elements radium and polonium. She is the only woman so far, who has been awarded the Nobel Prize twice. Question: Were there other members of Marie Curie's family who were awarded the Nobel Prize? Answer: Yes, Marie and Pierre's (who died in an accident in 1906) daughter, Irène Joliot-Curie, was awarded the 1935 Nobel Prize in Chemistry , sharing it with her husband, Frédéric Joliot, for their synthesis of new radioactive elements. Sources:


In which country is the deepwater port of Belem?

Brazil Country Code 55 Country Code BR About Brazil Hide CountryCode.org is your complete guide to make a call from anywhere in the world, to anywhere in the world. This page details Brazil phone code. The Brazil country code 55 will allow you to call Brazil from another country. Brazil telephone code 55 is dialed after the IDD. Brazil international dialing 55 is followed by an area code. The Brazil area code table below shows the various city codes for Brazil. Brazil country codes are followed by these area codes. With the complete Brazil dialing code, you can make your international call.


In which country was Danny De Vito born?

Danny DeVito - Biography - IMDb Danny DeVito Biography Showing all 61 items Jump to: Overview  (3) | Mini Bio  (1) | Spouse  (1) | Trade Mark  (4) | Trivia  (44) | Personal Quotes  (7) | Salary  (1) Overview (3) 4' 10" (1.47 m) Mini Bio (1) Danny DeVito has amassed a formidable and versatile body of work as an actor, producer and director that spans the stage, television and film. Daniel Michael DeVito Jr. was born on November 17, 1944, in Neptune, New Jersey, to Italian-American parents. His mother, Julia (Moccello), was a homemaker. His father, Daniel, Sr., was a small business owner whose ventures included a dry cleaning shop, a dairy outlet, a diner, and a pool hall. While growing up in Asbury Park, his parents sent him to private schools. He attended Our Lady of Mount Carmel grammar school and Oratory Prep School. Following graduation in 1962, he took a job as a cosmetician at his sister's beauty salon. A year later, he enrolled at New York's American Academy of Dramatic Arts so he could learn more about cosmetology. While at the academy, he fell in love with acting and decided to further pursue an acting career. During this time, he met another aspiring actor Michael Douglas at the National Playwrights Conference in Waterford, Connecticut. The two would later go on to collaborate on numerous projects. Soon after he also met an actress named Rhea Perlman . The two fell in love and moved in together. They were married in 1982 and had three children together. In 1968, Danny landed his first part in a movie when he appeared as a thug in the obscure Dreams of Glass (1970). Despite this minor triumph, Danny became discouraged with the film industry and decided to focus on stage productions. He made his Off-Broadway debut in 1969 in "The Man With the Flower in His Mouth." He followed this up with stage roles in "The Shrinking Bride," and "Lady Liberty." In 1975, he was approached by director Milos Forman and Michael Douglas about appearing in the film version of One Flew Over the Cuckoo's Nest (1975), which would star Jack Nicholson in the leading role. With box office success almost guaranteed and a chance for national exposure, Danny agreed to the role. The movie became a huge hit, both critically and financially, and still ranks today as one the greatest movies of all time. Unfortunately, the movie did very little to help Danny's career. In the years following, he was relegated to small movie roles and guest appearances on television shows. His big break came in 1978 when he auditioned for a role on an ABC sitcom pilot called Taxi (1978), which centered around taxi cab drivers at a New York City garage. Danny auditioned for the role of dispatcher Louie DePalma. At the audition, the producers told Danny that he needed to show more attitude in order to get the part. He then slammed down the script and yelled, "Who wrote this sh**?" The producers, realizing he was perfect for the part, brought him on board. The show was a huge success, running from 1978 to 1983. Louie DePalma, played flawlessly by Danny, became one of the most memorable (and reviled) characters in television history. While he was universally hated by TV viewers, he was well-praised by critics, winning an Emmy award and being nominated three other times. Throughout the 1980s and 1990s, Danny maintained his status as a great character actor with memorable roles in movies like Romancing the Stone (1984), Ruthless People (1986), Throw Momma from the Train (1987) and Twins (1988). He also had a great deal of success behind the camera, directing movies like The War of the Roses (1989) and Hoffa (1992). In 1992, Danny was introduced to a new generation of moviegoers when he was given the role of The Penguin/Oswald Cobblepot in Tim Burton 's highly successful Batman Returns (1992). This earned him a nomination for Best Villain at the MTV Movie Awards. That same year, along with his then-wife Rhea Perlman , Danny co-founded Jersey Films, which has produced many popular films and TV shows, including Pulp Fiction (1994), Get Shorty (1995), Man on the Moon (1999) and