The success of what shoe brand has resulted from the aerobics fitness craze of the 80s?

Minding Your Business: Kroger expanding at W. University location Minding Your Business: Kroger expanding at W. University location Minding Your Business: Kroger expanding at W. University location Post to Facebook Minding Your Business: Kroger expanding at W. University location Minding Your Business: Kroger expanding at W. University location Check out this story on jacksonsun.com: http://www.jacksonsun.com/story/money/2014/06/26/kroger-expanding-at-w-university-location/11363341/ CancelSend A link has been sent to your friend's email address. Posted! A link has been posted to your Facebook feed. Join the Conversation Minding Your Business: Kroger expanding at W. University location David Thomas Published 11:00 p.m. CT June 25, 2014 | Updated 11:06 p.m. CT June 25, 2014 Buy Photo United Steaks has closed at 907 Vann Drive. (Photo: DAVID THOMAS/The Jackson Sun )Buy Photo CONNECT TWEET LINKEDIN COMMENTEMAILMORE Kroger may be mum on the subject of what its intentions are at West Towne Commons, but it’s common knowledge the direction the company is headed at 35 W. University Parkway. The company which owns 10 acres of land to the west of the store will add in the neighborhood of 32,000 square feet to the 58,000 square feet to its existing location. “We have applied for permits and will expand substantially,” Joe Bell said. “The store has been there for quite a while; it’s doing well and overall, the Jackson market is a great market.” Bell is the manager of marketing and public affairs for Kroger’s Delta Division. A few of the areas of expansion are ones most would expect - perishables, the deli and bakery, dairy and fresh foods. Bell said the set up for meat will basically be the same, but one new department will be an organic foods section. Bell said no decision has been made on whether to build a new store or remodel the company’s third location in the city at 41 Stonebrook Place, in West Towne Commons, which opened in 1992. Closed United Steaks at 907 Vann Drive has closed and attempts to reach management were unsuccessful. Liking the Old Hickory Mall CBL&Associates Properties, Inc. announced they have launched Facebook pages and new websites at 22 CBL Malls, including Old Hickory Mall in partnership with PlaceWise Media, the industry leader in digital shopping center marketing. The new website includes an engaging new site design with robust feature sets that connect retailers and shoppers including the addition of Facebook for online social networking. The site provides a valuable resource to shoppers to plan purposeful shopping visits to the center with nine times more retailer deals and coupons. Shoppers wishing to use their smartphone can access a state of the art mobile website. The site also has complete social media integration with the mall Facebook page as well as retailer Facebook pages. Email marketing will start later this month. These changes allow Old Hickory Mall to maintain pace with the changing world of Internet, smartphone and social media. “The site is now live and we are excited to have added Facebook along with PlaceWise to enhance our digital efforts to provide a better online experience and resource for our shoppers,” Tracy Sudzum said. Sudzum is the general manager of Old Hickory Mall. Business After Hours Business After Hours will be held from 5 p.m. to 7 p.m. at Commercial Bank & Trust Company, 3093 N. Highland Avenue. Network, exchange business cards and enjoy refreshments. It’s free with no advance registration. Jackson Amphitheater The Rev. Jessie Show is front and center at the Jackson Amphitheater at 7:30 p.m., Friday. King Beez performs July 4; Rayburn Anthony, Carl Mann & The Rockabilly Show is set for July 25; Travis Cottrell, Aug. 1; The Kimberlie Helton Band, Aug. 8; and the Jackson Symphony Jazz Concert, Aug. 15. A surprise guest performs Sept. 5; the Jackson Swing Orchestra hits the stage, Sept. 20; and Paula Bridges, Chuck McGill & The Bandstand Group close out the season Oct. 4. Festival of the Lakes The Festival of the Lakes will be held July 4 at Beech Lake. The day begins wi


Which online business was named for a word from Gulliver's Travels that meant 'rude, unsophisticated, uncouth'? - Bayt.com Specialties Which online business was named for a word from Gulliver's Travels that meant 'rude, unsophisticated, uncouth'? Answer added by: VENKITARAMAN KRISHNA MOORTHY VRINDAVAN Project Execution Manager & Accounts Manager 2 years ago Yahoo Not the answer you are looking for? Browse other questions in International Business or ask your own question Register to Answer this Question Log in if you're already a Bayt.com member. More Questions Like This Is subliminal advertising illegal? If not, do you believe it's an effective method of advertising? Top Answer:     Subliminal Advertisement or subliminal messaging in an advertisement is illegal in some countries.   Some studies showed that it could be harmful to some humans; but regardless of the legal stature, to me it’s a stupid concept and agencies that use such outdated concepts reflect their lack of creativities. The most effective advertisement in today’s fast, intellect, interconnect societies is humor. How many people should approve an advertisement before it's published? Top Answer: That really depends on internal organization and personality of marcoms manager. When I worked as head of marcoms I had the authority to approve everything. My CMO wanted to see the ad before it aired for the first few months,after that she left it all to me. In some other companies it is not so simple. It also depends in how much responsibility each marcoms processional wants to take on her/his shoulders. If you screw up and you have noone else's signature on the ad but yours, it's your head! Do you think it's wise for companies to invest in gifts and giveaways as a form of marketing? Why or why not? Top Answer: Yes it is wise to invest in gifts and giveaways purely because it is part of social marketing. It is a practice that organizations should adopt although at manageable levels because it is the best way of pulling customers close to the organization. Customers are important stake holders of an organization and as such they need to be part and parcel of it, hence the need of constantly reminding them about the organization through gifts and giveaways. Is Digital Marketing correct medium for promoting the brand in Cement Industry of today? Top Answer: I think with Cement and other commodities that are less volatile when it come to prices, a producer should use a specialized marketing technique. For instance, the producer website should attract people who search for term like (cement, cement producer, cement wholesaler ...etc) by adding tags to their website. They also advertise in industrial magazines that directed towards contractors and building materials. Participating in exhibitions is also a good way to meet other wholesalers.


If you see the name of the organization American Humane Association in the credits of a movie or a television show, what 4-word phrase are you also most likely to see?

Disney Owns This Trope - TV Tropes Disney Owns This Trope You need to login to do this. Get Known if you don't have an account Share When you wish upon a star , all your dreams will become ours! "Like a true American, I love all things Disney. Mostly because all things are owned by Disney." — Stephen Colbert Trademarks are distinctive signs or symbols used by a person or company to promote and differentiate their products and services from the competitors. They typically consist of a name, word, phrase, logo, or combination of the four, and are distinctly associated with their brand. See the article on the subject for an in-depth explanation. Trademarks belong to a category called "intellectual property rights", alongside similar concepts called copyrights and patents. A full discussion of their definitions and purpose is beyond the scope of this entry, but the three terms all bear a common theme: They acknowledge creation or ownership of something, and provide the owner with some control over how it gets used. If somebody else attempts to use it commercially without the owner's permission (often with an exchange of money involved for such permission), the owner can take them to court and sue for damages. Now, in Real Life there are certain rules and limitations on what does and does not constitute an infringement, and what is and is not eligible for protection under intellectual property rights laws in the first place. These laws are also what (ostensibly) protect independent artists, inventors, and writers from having their work stolen or destroyed by Evil Inc. , Executive Meddling , severely Misaimed Fandom , or having the Serial Numbers Filed Off . But there are no such limitations or ethical quandaries in fiction! Some corporations (for example, Mega Corp. ) are so damn powerful and wield so much influence that they can put a stamp of ownership on literally anything. The grass in your front yard? Patented by a gardening company. The morning sunrise? Copyrighted. The name of your favorite pet? A bright sunny day? The word "the"? Yes, them too. If it exists, then somebody, somewhere, has stamped a copyright or trademark upon it, regardless of common sense or reason, and they'll happily send out their Army of Lawyers to collect royalties at even the slightest hint of infringement. It should be noted that not all copyright/trademark claims are valid; just look at the mess over " Happy Birthday to You " as an example of a company attempting this and (eventually) failing. Related to Stuck on Band-Aid Brand , where a company not only holds the trademark, but continually remind people of it. May overlap with Trade Snark , where words are labelled as trademarks for humorous purposes. Don't confuse this for tropes that the Walt Disney Company owns at using , such as the Disney Death or Disney Acid Sequence . It's more general and metaphorical than that. Examples: Real Life Examples:     Disney  All joking aside, the Walt Disney company now owns or at least claims the rights to a whole raft of characters from classic literature, Indiana Jones , The Muppets , Zorro , Star Wars , Pixar's entire film library (though that at least is justified, as they distributed all of Pixar's films prior to buying them), everything related to ABC and ESPN , and every single character published by Marvel Comics . And that's not even beginning to mention their own prodigious stable of original characters and franchises. The Swedish comic character Arne Anka (Arne Duck), a cartoon duck with a fondness for drinking, sex, classic literature and rants about politics, wasn't popular with the lawyers of Disney, who decided to sue his creator Charlie Christensen. At first, Christensen fruitlessly tried to use logical reasoning, saying "surely Disney don't hold the right to all cartoon ducks?" but then solved the problem by changing the look of Arne, particularly the beak. Arne kept that look for a few pages, but then he bought and put on a toy duck beak. That way, whenever Disney's lawyers complained, Christensen could point out that Arne wasn't really


What 1956 film was to be called The Reno Brothers when a hit song passing the one million sales mark was noticed by the producers causing a change in the title?

1956 Sun Sessions 2 - www.706unionavenue.nl 1956 Sun Sessions 2 CONTAINS 1956 SUN SESSIONS 2 Studio Session for Slim Rhodes, August 14, 1956 / Sun Records Studio Session for Dean Beard, August 26, 1956 / Sun Records Studio Session for Warren Smith, 1956 / Sun Records Studio Session for Warren Smith, August 1956 / Sun Records Studio Session for Hayden Thompson, August/September 1956 / Sun Records Studio Session for The Marigolds (Prisonaires), September 1956 / Excello Records Studio Session for Luke McDaniel, September 4, 5, 1956 / Sun Records Studio Session for Kenneth Parchman, September 9-10, 1956 / Sun Records Studio Session for Hayden Thompson, October 1, 1956 / Sun Records Studio Session for Carl Perkins, Probably Mid-1956 / Sun Records Studio Session for Johnny Cash, October 1, 1956 / Sun Records Studio Session for Onie Wheeler, October 9, 1956 / Columbia Records Studio Session for Rosco Gordon, October 25, 1956 / Sun Records Studio Session for Johnny Bernero, November 4, 1956 / Sun Records Studio Session for Jerry Lee Lewis, November 14, 1956 / Sun Records Studio Session for Harold Jenkins (Conway Twitty), November 16, 1956 / Sun Records Studio Session for Rufus Thomas, 1956 / Meteor Records Studio Session for Ramsey Kearney, December 1956 / Sun Records Studio Session for Carl Perkins, December 4, 1956 / Sun Records Studio Session for Carl Perkins, 1956/1957 / Sun Records Jam Session for The Million Dollar Quartet, December 4, 1956 / Sun Records Studio Session for Billy Riley, December 11, 1956 / Sun Records Studio Session for Billy Riley, December 1956 / Sun Records Studio Session for Ray Scott, Late 1956 / Sun Records Studio Session for Ernie Chaffin, December 10, 1956 / Sun Records Studio Session for Unknown Artist, 1956 / Sun Records Studio Session for Johnny Cash, December 13, 1956 / Sun Records TV Show Recordings for Roy Orbison, Fall 1956 / KOSA TV Studio Session for Roy Orbison, Possible Late 1956 / Sun Records Studio Session for Roy Orbison, December 14, 1956 / Sun Records Studio Session for The College Kids, December 14, 1956 / Sun Records Studio Session for Hayden Thompson, December 11, 1956 / Sun Records Studio Session for Hayden Thompson, December 20, 1956 / Sun Records Studio Session for Jerry Lee Lewis, November/December 1956 / Sun Records Studio Session for Glenn Honeycutt, December 28, 1956 / Sun Records Studio Session for Unknown Trio, Late 1956 / Sun Records Studio Session for Unknown Singer, Late 1956 / Sun Records Studio Session for Harold Jenkins (Conway Twitty), December 31, 1956 / Sun Records Studio Session for J.R. & J.W. Brown, Late 1956/Early 1957 / Sun Records Studio Session for Unknown Artist (Probably Chuck Stacy) 1956/1957 / Sun Records Studio Session for Jerry Arnold, 1956/1957 / Sun Records Studio Session for Rudy Grayzell, Fall 1956 (1) / Starday Records Studio Session for Rudy Grayzell, Probably 1957 (2) / Starday Records Studio Session for Milton Mitt Addington, Unknown Date (1) / Sun Records Studio Session for Mitt Addington, Unknown Date 1956 (2) / Sun Records Studio Session for Mitt Addington, Unknown Dates 1956/1957 (3) / Sun Records Biography of Artists (See: The Sun Biographies) Johnny Cash and his wife Vivian Loberto with two of their four daughters. > JULY 1956 Johnny Cash signs with the WSM Grand Ole Opry in Nashville. He then embarks on a tour of  Florida with Jim Reeves and Hawkshaw Hawkins, followed by a package tour with Roy  Orbison and Johnny Horton in both Texas and Canada. "Boppin' The Blues" appears as number one on several local charts, including Memphis and  St. Louis, but figures poorly on the national country chart, reaching number 9 at best. Hardrock Gunter and Sonny Durham from WWVA, Wheeling have been getting local reaction  to their recording of "Jukebox Help Me Find My Baby" on the Cross Country label. Sam  Phillips leases the record and issues it with 20 seconds edited from the original tape. The  Cross Country label had been established in January 1956 in Garfield, New Jersey by James  Frishione, Jack Peters, and Eddie McMullen. JULY 1956 Egyptian Pr


Reginald Rose was once part of a jury that debated a manslaughter case for eight hours. This incident inspired him to create what drama that has seen multiple adaptations?

Read American Values through film: lesson plans for teaching English and American studies American Values through Film --English Language Office (ELO) Moscow 1 American Values through Film English Language Office Public Affairs section U.S. Embassy, Moscow www.usembassy.ru/english HOW TO USE THIS CD-ROM This CD-Rom has a collection of PDF files that require Adobe Acrobat Reader (AAR). The AAR is loaded on this CD and should launch or install automatically when you put the CD in. You will need the AAR your computer in order to use the CD. Here is how to use the CD-Rom: Insert the CD into the CD drive of your computer. The program should launch/turn on automatically and you should use the File, Open command to open any of the PDF files you wish to use. If the CD does not automatically launch when you insert it into your CD drive, please launch it manually by clicking on the PDF files that look like this on your screen The CD has 7 individual PDF files, each with some material related to the teaching of English through film and individual lesson plans. Each PDF file has a selection of lesson plans written by teachers of English in Russia. The PDF files are organized according to the title of film. The lesson plans in each PDF file correspond to the movies listed below. You may open each PDF file and print the pages you wish to use. To print any material from the PDF files, it is essential to look at the page numbers that appear in the middle of the screen when you are in the PDF files: They will say, for example, 1 of 100. You may print all lesson plans or just the individual ones you want from different universities/authors. BEWARE! If you do not select specific pages to print, you may end up printing all contents of the CD --usually 100 pages or more. 2 American Values through Film: Lesson Plans for the English Teaching and American Studies By Bridget F. Gersten, Ph.D. English Language Officer for the Russian Federation Embassy of the United States of America Moscow, Russia No matter where in the world, film has an enchantment all of its own, uniting people from many walks of life and forming a creative cultural space. Growing up in the American Southwest, in Arizona, I saw my first Hollywood movies with my family. I still cherish memories of those outings to see life writ large on the big screen. As a teenager, my friends and I use to make it a point to get to any "sneak preview" we could, namely so we'd be among the lucky few to see a premiere before it made its way to the masses. Then, we sometimes would see the same film over and over, creating our own cult classics. Later, in college, I enjoyed getting away to the movies, both in English and in other languages, at local movie theatres with friends. During that time, a whole other world of cinema opened up to me and I created my own circle of cherished screen favorites, trying to become well-versed in the contributions of directors, producers, and other dimensions of film. To this day, I eagerly look forward to the release of new films starring my favorite actors, especially "indies" or independent films that distinguish themselves as a genre that is a different breed than Hollywood blockbusters. Most of us have our own connections with cinema, a magical world through which we can live out our dreams and aspirations, a place where we can get away from it all, one where we can face our fears and contemplate new possibilities, somewhere we can escape to, into a Technicolor world that allows us to create and recreate the world and even ourselves. In educational circles, much has been written about the value of film in the classroom. In fact, there are scores of books, journal articles, and web sites devoted to the topic of how to integrate film into the classroom successfully. From my earliest days of teaching, I remember how the idea of showing a film in class "as is" was not considered pedagogically sound teaching. I learned the importance and value of previewing, while-viewing, and post-viewing activities to engage students actively in th


In the 1983 thriller WarGames, the protagonists prevent nuclear war by directing a computer to play what game against itself?

WarGames (Film) - TV Tropes Calling the Old Man Out : Overlapping with What the Hell, Hero? , when David tells Falken "You don't care about death because you're already dead!". Changed My Mind, Kid : Professor Falken gives up on everyone, Lightman and Jennifer included. Last minute change of heart: cue the helicopter! Chekhov's Gun : A few instances of it in this film. Continuity Nod : The videogame sequel went out of its way to have more in common with the movie than the WOPR acronym; the human forces are commanded by General Berringer, and David, grown up, is CEO of Joshua Information Systems. There is an actual narrative that references the events of the movie directly at many points. In The Dead Code, Falken and WOPR make a return to help the second set of protagonists combat RIPLEY. Cut the Juice : When WOPR starts doing a brute force decryption for the launch codes, the general orders the computer depowered ("Why don't you just UNPLUG THE GODDAM THING?!"), but is then told that would be disastrous since the system has a fail deadly function: a sudden loss of power will be interpreted by the launch sites as the destruction of the NORAD base. Without communication from WOPR the keep-alives would fail, and the launch sites would default to their final instruction - spin up everything and launch. Defcon Five : Averted utterly though Word of God thought they had it wrong in the DVD commentary. Includes the memorable line: Flush the bombers. Get the subs on launch mode. We are at DEFCON 1. And at the end of the movie, when everyone's cheering and the day has been saved: "Sir...take us to DEFCON 5." Easter Egg : During the scene where David initiates the game, he says "sometimes people make mistakes." If you look at the screen afterwards, you can see that he demonstrated this himself by typing "sometimes people make mistak". The '80s : The hair, clothes, soundtrack and technology. More importantly and harder to define is the tone — this movie wouldn't be the same if made at any other time. Elaborate Underground Base : Where NORAD and WOPR are kept. So elaborate, in fact, that according to Peter Schwartz the military replicated the film design because the real life version was so unimpressive and small in comparison . Interestingly, it all came about after the makers of the film were denied permission to visit the real-life NORAD, so they had to build a fancy set based on what they thought it would look like. Eureka Moment : "GAMES!" Prior to that, while trying to figure out the password, David and Jennifer watch a short film featuring Falken and his son. David asks about the son's name, and when she answers that it's "Joshua", he mutters "It can't be that easy...", and it turns out it is the password. Everybody Laughs Ending : At the end everyone is cheering and happy. (Never mind there are gaping holes in our system and the whole military just buckled down for a false war twice in a few days.) Things like stopping global nuclear war and The End of the World as We Know It twice in span of 15 minutes are likely to to make people cheerful about their current situation. Note that no-one is laughing because of Joshua - they are simply glad they've managed to stop him. Everything Is Online : Justified , since David only discovered WOPR by " war-dialing " random numbers looking for one with a modem on the other end, and it's explained in-dialogue that the only reason WOPR had a modem connection to the outside world was due to a grave switching error at the phone company. After David's initial hack alerts the Air Force to this problem they remove it, requiring David to use internal NORAD terminals to communicate with WOPR for the remainder of the movie. Explosive Instrumentation : While it doesn't explain why it takes so long to cycle the game iterations of tic-tac-toe, the explosions are coming because Joshua's overclocking WOPR, briefly running at higher potential, which its hardware can't withstand. Failsafe Failure : Inverted. WOPR doesn't fail safe, it "fails deadly", and said "fail-deadly" works perfectly . Any "failure" i


Introducing what eventual Best Picture winner at the 76th Academy Awards ceremony in 2004 did host Billy Crystal quip that it received eleven nominations, one for each ending?

Oscars fast facts Home » fastfacts » Oscars fast facts Oscars fast facts The shortest Oscar ceremony ever was the first, held in 1929; it lasted only about 15 minutes as all the winners had been announced three months earlier. The longest Oscar awards ceremony was in 2000, running for 4 hours and 16 minutes – beating a previous record by 16 minutes. Bob Hope has hosted the Oscars 18 times; Billy Crystal is in second place with 8 times. Tom Hanks is the youngest recipient of the Academy’s Lifetime Achievement Award, which he received in 2002 at age 45. Kate Winslet received four Oscar nominations before reaching the age of 30. Elizabeth Taylor received four Oscar nominations before reaching the age of 28. Gone with the Wind, at 3 hours and 56 minutes, was the longest film to have won a Best Picture Oscar; it was also the first film in color to win Best Picture. The 1968 movie, War and Peace, was the longest film (431 minutes) to an Academy Award – for best Foreign picture. Julia Phillips was the first female producer to win Best Picture award, for The Sting (1973). The first female to win the Best Director award was Kathryn Bigelow for The Hurt Locker (2008). Henry Fonda was first nominated for a Best Actor Oscar in 1941 for his role in The Grapes of Wrath but had to wait 41 years before he finally achieved a win in 1982 for his role in On Golden Pond. At 76, he is the oldest actor yet to have received the Best Actor award. The oldest actress to win an Oscar is Jessica Tandy – at 81 she won the Best Actress Oscar in 1990 for her performance in Driving Miss Daisy. Anthony Quinn’s performance as painter Paul Gaugin in Lust for Life (1956) is the shortest ever to win a Best Supporting Actor Academy Award, his second Oscar. He was on screen for only 8 minutes. (He won a similar award in 1952 playing opposite Marlon Brando in Elia Kazan’s Viva Zapata!) The shortest-ever winning performance for Best Supporting Actress belongs to Beatrice Straight, who won an Oscar in 1976 for her 5 minutes 40 seconds appearance as devastated wife Louise Schumacher in Network. Dame Judi Dench won an Oscar in 1998 for less than 8 minutes of screen time playing Queen Elizabeth I in Shakespeare in Love. The shortest-ever Best Actor Oscar-winning performance was awarded to David Niven in 1958, having appeared for only 15 minutes and 38 seconds in Separate Tables. The second-shortest winning appearance was made by Anthony Hopkins in 1992, for less than 16 minutes of screen time as Dr Hannibal “The Cannibal” Lecter in The Silence of the Lambs. In 1948, Jane Wyman won Best Actress award without uttering a word; she played the role of a deaf -mute person in the movie Johnny Belinda. The fewest lines actually spoken by an Oscar-winning actress won Patty Duke a Best Actress in a Supporting Role portraying the deaf and blind Helen Keller in the 1962 film The Miracle Worker. In the role she speaks only one word in the last scene: “Wah-wah” (for “water”). In 1993, Holly Hunter won a Best Actress Oscar for her role as a deaf person in the movie The Piano but she narrated a few scenes and does speak (although her face is covered) in the last scene of the film. The films with the most Oscar wins are Ben-Hur, Titanic and Lord of the Rings: The Return of the King, each winning 11 Oscars from 12, 14 and 11 nominations respectively. See more in the  lists of Oscar winners . In total, the Middle-earth series (The Lord of the Rings – The Fellowship of the Ring (2001), The Two Towers (2002) and The Return of the King (2003) – and the The Hobbit: An Unexpected Journey) won 17 Oscars out of 33 nominations. William Wyler has directed more actors to Academy Award success than any other, with 34 nominations and 14 wins. Jack Nicholson leads the Best Actor Academy Award category with wins from 11 nominations, followed by Laurence Olivier, nominated 10 times and receiving one Best Actor award, and then Spencer Tracy with nine nominations resulting in two awards. Daniel Day-Lewis has won the most Best Actor awards, with 3 awards (1989, 2007, 2012). Meryl Streep had more Best


"Which nation launched the ""Heart of Eurasia"" campaign to counter the cultural learnings from a 2006 movie?"

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan - Wikipedia, the free encyclopedia Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan From Wikipedia, the free encyclopedia "Borat" redirects here. For the character, see Borat Sagdiyev . Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan Borat poster in faux cyrillic style. Some releases of the DVD have a " Я " in place of an "R" [1] Directed by Brüno Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan is a 2006 mockumentary comedy film starring the British comedian Sacha Baron Cohen in the role of a fictitious Kazakh journalist travelling through the United States, recording real-life interactions with Americans. It is the second film built around one of Cohen's characters from Da Ali G Show , following Ali G Indahouse , which also featured a cameo by Borat. Despite a limited initial release in the United States, the satire was a critical and commercial success. Cohen won the 2007 Golden Globe Award for Best Actor: Musical or Comedy , as Borat, while the film was nominated for Best Motion Picture in the same category. [2] Borat was also nominated for Best Adapted Screenplay at the 79th Academy Awards . Controversy surrounded the film even before its release. It was denounced for having a protagonist who is sexist , homophobic and antisemitic (although the director, and both producers—including Cohen—are Jewish), and, after the film's release, some of the film's subjects spoke against and even sued its creators. While the film was not officially distributed in Kazakhstan , Borat's purported homeland, the success of the movie prompted the Kazakhstani government and President Nursultan Nazarbayev to reevaluate their long-running condemnation of Baron Cohen and his parody of their Central Asian nation. [3] All Arab countries , except for Lebanon , banned it, [4] and the Russian government discouraged cinemas there from showing it. [5] It was released on DVD 5 March 2007 (a day later in Region 1 countries). Contents 10 External links Plot Borat Sagdiyev, a popular television personality, leaves his homeland of Kazakhstan for the "Greatest Country in the World," the " US and A " to make a documentary film at the behest of the fictitious Kazakh Ministry of Information. He leaves behind his mother, his wife, Oksana, and the town rapist, and brings along his producer Azamat Bagatov (played by Ken Davitian ), and his pet chicken, Buh-Kaw. Much of the movie features unscripted vignettes of Borat interviewing and interacting with Americans, who believe he is a foreigner with little or no understanding of American customs . [6] While in New York , he sees an episode of Baywatch on television and immediately falls in love with Pamela Anderson . While Borat is interviewing a panel of feminists whom he unknowingly offended when he informed them about his country's government scientist Dr Yamak claiming that woman's brain is only the size of squirrel's and he also learns that Pamela Anderson is living in California . Borat is informed via telegram that his violent wife has been violated and killed by a bear. Delighted by the news, he secretly resolves to go to California to make Anderson his new wife. Borat and Azamat were supposed to remain in New York, but Borat justifies the trip to California by telling his skeptical producer that " Pearl Harbor is there. So is Texas ." Because Azamat is afraid of a repetition of the September 11, 2001 attacks , which he believes were the work of the Jews , he will not fly there, so Borat takes driving lessons and buys a dilapidated ice-cream truck for the journey. During the cross-country trip, Borat acquires a Baywatch television show booklet at a yard sale, and continues gathering footage for his documentary. He meets gay pride parade participants, politicians (including Alan Keyes and Bob Barr ) and African American youths playing cee-lo . He is also interviewed on live television and proceeds to disrupt the weather


In 2013, in a gruesome incident in Italy, a mob boss was fed to pigs by a rival while he was still alive. Several newspapers reported this while evoking a scene from what 2001 movie?

'Mamma mia!': Mafia killer allegedly fed rival to starving pigs - NBC News advertisement Police say Francesco Raccosta was fed to pigs by a rival mobster. Ropi via Zuma Press An Italian mobster fed a rival gangster to starving pigs — and then marveled at how the victim screamed and how the swine gorged themselves, police say. The gruesome tale — right out the movie "Hannibal" — came to light when police released a wiretapped phone call by Simone Pepe, a member of the 'Ndrangheta, the most powerful and violent of Italy's four Mafias. The caller recounts how he used an iron bar to beat Francesco Raccosta, a member of another family in the Calabrian region, and then threw him into a sty.  "It was so satisfying hearing him scream ... mamma mia, he could scream!” he said, adding that there wasn't "a thing left" after the feeding frenzy. "People say sometimes they [the pigs] leave something," he added. "In the end there was nothing left...those pigs could certainly eat." Pepe, 24, who was allegedly trying to avenge the murder of a mob boss, was later arrested last week during a crackdown on the Mafia. Raccosta's body hasn't been found since he went missing last year. Play


The 1994 book Lost Moon is the basis of what subsequent year's Hollywood hit?

Apollo 13 Reviews & Ratings - IMDb IMDb 1 out of 2 people found the following review useful: Good movie from Leeds, England 19 July 2004 First off  I have to confess I am an avowed space junkie and this tends to raise the bar in terms of my expectations of this movie, being familiar with the true life events that form the background of this movie.  In summary, the movie surrounds the near-disaster which surrounded NASA's Ill-fated 3rd Mission to the moon. After two landings on the moon the missions had become almost commonplace and public interest in the space program was beginning to wane. This changed at 03:06 UT on 14 April 1970 when a malfunction in a heating coil caused an oxygen tank to explode, severely damaging the service module. The damage was so extensive that it forced the abandonment of the moon-landing and the severely compromised the ability of Astronauts Cpt James Lovell, John L Swigert and Fred Haise jnr to return home, a task they were able to accomplish only by jury-rigging their available equipment under the direction of Houston and suffering cold temperatures before they were able to successfully renter the Earths atmosphere in their spacecraft. Tom Hanks, Bill Paxton and Kevin Bacon are eerily convincing as the astronauts and excellently manage to convey the tension of being in mortal danger in a malfunctioning tin can a quarter of a million miles from home, facing not only the bitter disappointment at not completing the mission of landing on the moon but the prospect of losing their lives in such an inhospitable and lonely environment. Of course nobody except the original astronauts knows what was going through their minds but Hanks et al allow the audience to appreciate the state of disciplined tension and terror that the voyagers were subjected to. Other performances worthy of note include a determined and gritty portrayal of Charismatic and forceful Nasa Flight Director Gene Kranz by Ed Harris. The film is well directed and the pace does not lack, despite the difficulty of portraying events in a tense fashion in a space not much larger than a large caravan, and the long periods of inactivity that form a large part of manned space flight. Summary : An excellent `true life' movie, successful in portraying events both in space and the reaction of those left on the ground. Rating : 90% from Washington, USA 27 August 2002 I loved this movie so much, i bought it and watched it over and over for 2 days straight, you might think im crazy but talk to anyone else that loved this movie and you will understand why its so great. And if you still dont believe me, watch it for yourself!!!!! Was the above review useful to you? 1 out of 2 people found the following review useful: Amazing Tom Hanks movie from USA 21 May 2002 I enjoyed this movie a whole lot but mostly by the characters. The actors who play these characters hit the spot perfectly. Tom hanks, Gary Sinise, Kevin bacon, Bill Paxton, etc. all do a wonderful job. The plot is simple enough. 3 astronauts are on a mission to the moon and while on their mission, experience some big troubles. It takes them a lot of hardship to finish it. I like it better because it's a true story and it tells the story with no flaws. Overall this movie is just awesome and I loved every part of it. Possibly one of Ron Howard's best. Rating 10 out of 10. Was the above review useful to you? 1 out of 2 people found the following review useful: a spellbinding tale of courage and determination. thoroughly well made. from ktown 13 January 2002 a fantastic true story of courage and determination. Pulled by compelling performances by Tom Hanks and Ed Harris. Ron Howard's direction is masterful. A moving tale of how close we came to tragedy, and how far man will go to survive. a wonderful film, certainly a must see! Was the above review useful to you? 1 out of 2 people found the following review useful: Apollo 13, one of the best! from New York 5 September 2000 This is my all time favorite movie. To me it's human drama captured at it's finest, with great acting a


In which 2008 movie of Clint Eastwood are the Hmong people prominently featured?

Gran Torino: Clint Eastwood Has Smaller Eyes Than Asians – china C R A N K Just watched Gran Torino ( Wikipedia / IMDB ) on PPStream (老爷车). The movie features Clint Eastwood as an ornery old white war veteran stubbornly living in an increasingly run-down Detroit neighborhood that has been taken over by Hmong Asians. There’s culture clash, a lot of racial slurs thrown around, and most major American ethnicities get a cameo, including Hispanics and blacks. Despite the racial overtones, it’s ultimately a heart-warming tale–a drama with comedic elements–where Clint Eastwood’s character Walt Kowalski becomes an adoptive father figure to the Hmong family next door, specifically the two teenage children. The son, Thao, he catches trying to steal his prized 1972 Ford Gran Torino muscle car as a gang initiation rite. The daughter, Sue, he saves from the sexual harassment of three random black gangbangers…and his own real-life son Scott Eastwood’s cringe-inducing “bro-ness”. Clint Eastwood is hilarious as Walt, with his squinty-eyed disapproving growling being the reliable highs of the movie. The pinnacle would be his simmering rage on his birthday, sitting at the dining room table with a birthday cake before him, as his eldest son and daughter-in-law  broach the subject of moving him into a retirement home (@0:41:55). Lows of the movie would be the Hmong characters who repeatedly come across as unconvincing. Thao is for much of the movie so quiet and passive that his dejected head-hanging becomes obnoxious, to the point where Walt’s ribbing of him as a “pussy” doesn’t quite seem enough. In contrast, Sue is a bit too precocious and a bit too audacious, giving a bit too much lip to the three thugs harassing her, and so forward in befriending the cantankerous white racist next door, even if he did stop and pull a handgun out in her defense. How did one kid grow up so meek and the other so bold? Was that why there is the humorous scene where Thao’s mother and sister Sue simultaneously bark at him, shutting him up? Matriarchy and the subjugation of Asian men under the strong Asian women? Does that then explain why he’s lacking a father figure? Hm. Three more irksome bits that were barely made up for by Clint Eastwood’s subtle facial expressions of consternation: 1. The awkward high-school video project acting at the construction site (@1:17:30). If some runty kid I met for the first time just seconds ago tells me “the goddamn pricks at the shop want to bend me over for $2100”, I wouldn’t give him a job, much less bemoan being “fucked hard” for “just under $3200” over a transmission for my Chevy Tahoe. Who the hell has these kind of conversations in the context of interviewing for a construction job?  This attempt to reiterate Thao applying the “manly banter” lessons that Walt just taught him was just way too forced. 2. The world’s slowest punch by the Hmong gang member (@1:21:05) You would think Clint Eastwood could’ve–and would’ve–trained the actor better after Million Dollar Baby ( Wikipedia ). 3. Thao’s wholly unconvincing wailing after being locked behind the screen door to Walt’s basement at the film’s climax (@1:40:30). Regardless of whether you’re pissed that your righteous vengeance is being taken from you, or despondent that your adopted father-figure–who more or less put you back on the path to manhood, got you a job, and also hooked you up with the girl you’re dating–is leaving you behind on a suicide mission, you would think you’d scream just a bit louder and thrash just a bit more violently at that screen door. The filmmakers should’ve used a North Korean to play the part of Thao. All the in-your-face “gooks”, “zipperheads”, and “colored peoples” along with the garden-variety racial stereotyping in the Gran Torino should’ve quickly clued viewers into the fact that this movie vaguely involves racism, isn’t afraid of depicting it, and thus probably includes quite a few inaccuracies about its portrayal of the Hmong culture it features most prominently. People are going to dive into that and the whole “white man saves the min


"The 1952 movie Bwana Devil that had on its poster the lines ""A lion is in your lap!"" and ""A lover is in your arms!"" is known for sparking what craze?"

Film History of the 1950s Film History of the 1950s 1970s | 1980s | 1990s | 2000s | 2010s Hollywood's War Against Television: The width-to-height aspect ratio of most Hollywood films before the    50s was 4:3 (or 1.33:1), similar to the boxy-size of a television screen.    [However, it should be noted that there were early experiments in wide-screen    formats as early as the late 1920s, such as in French director Abel Gance's    epic Napoleon (1927), with its Polyvision and 3-screen projection,    or in Fox's 70mm. wide-gauge "Grandeur" system first used in    Raoul Walsh's The Big Trail (1930). Both systems were aborted attempts,    and turned out to be uneconomically viable at the time.] So in its war against television, the film industry had three major campaigns     involving technical advances with wide-screen experiences, color, and    scope: Cinerama Other Widescreen Formats and Processes Cinerama (1952-1962) Paramount's wrap-around, big-screen Cinerama debuted in 1952, a        break-through technique that required three cameras, three projectors,        interlocking, semi-curved (at 146 degrees) screens, and four-track stereo        sound. It made audiences feel that they were at the center of the action. The first film using the three-strip cinerama process was This is Cinerama          (1952), a travelogue of the world's vacation spots, with a thrilling         roller-coaster ride. Although there were a few successful box-office Cinerama hits in the 1950s, the process was ultimately abandoned because its novelty         wore off and the equipment and construction of special theatres was too     cost-prohibitive and cumbersome: Cinerama Holiday (1955) The Seven Wonders of the World (1957) the Lowell Thomas production of Search for Paradise       (1958) The Wonderful World of the Brothers Grimm (1962) the last Cinerama-released film, How the West       Was Won (1962) [In the 60s, MGM and UA also produced films including Khartoum (1966), It's a Mad, Mad, Mad, Mad World (1965), and The Greatest        Story Ever Told (1965) in 70 mm. Ultra Panavision for Cinerama       screens, dubbed Super Cinerama or Cinerama 70mm. In 1963,       the world's largest Cinerama screen - Cinerama Dome - was 90 feet wide       and unveiled in Hollywood.] 3-D Movies In         the same year as the debut of Cinerama (1952), showmanship and         gimmicks like 3-D were used to bring audiences back. Special polarized,         'stereoscopic' goggles or cardboard glasses worn by viewers made the action         jump off the screen - in reality, the glasses were unpopular, clunky and         the viewing was blurry, although it was difficult (and expensive) for         theatre owners to get cinema-goers to give them back. The 3-D effect was     unable to compensate for the inferior level of most of the films. The first full-length 3-D feature sound film was UA's cheaply-made jungle          adventure Bwana Devil (1952)) by writer/director Arch Oboler, and          starring Robert Stack - its taglines advertised: "A Lion in Your          Lap" and "A Lover In Your Arms." The film depicted man-eating          lion attacks upon the builders of the Uganda Railway. [Note: The first feature-length 3-D film was The Power of Love (1922).] The 3-D effect was also used in many different genres: in horror films (Warners' and B-film maker Andre de Toth's House of Wax (1953) with horror master Vincent Price, a remake      of Warners' The Mystery of the Wax Museum (1933)) - the first 3-D horror film to be in the top ten box office hits in its year of      release, Vincent Price portrayed the owner of a macabre wax museum in      his first horror film, House of Wax (1953) in musicals (George Sidney's Kiss Me Kate (1953)) in romantic musical comedies (The French Line (1953) starring busty Jane Russell) - on


A 1999 movie starring Peter O'Toole as Father Damien had the name of what island of the Hawaiian archipelago as its title?

Molokai: The Story Of Father Damien DVD | Catholic Video | Catholic Videos, Movies, and DVDs Resources Description To deal with the leprosy problem in the Hawaiian Islands in 1872, sufferers were relentlessly exiled to Molokai, a barren isle off the coast. There they lived in miserable surroundings, abandoned by the outside world, in their labor colony. To alleviate their fate, Father Damien was the first priest to go to Molokai. Damien's final instructions from his bishop were that "he must not touch anyone." Little by little, Damien earned the trust of the lepers, and eventually, his appeals for nuns and supplies resonated throughout the world, much to the displeasure of his superiors. Even when Damien contracted leprosy, his energy did not abate, and he carried on working for the well-being of his "fellow lepers" to the end. When he crumbled during Mass, he was taken to his own hospital to die. All the residents gathered at the entrance to pray for their Father. He is widely known as the "Apostle of the Lepers" or "The Leper Priest." Starring David Wenham, Sam Neill, Kris Kristofferson, Peter O'Toole. DVD Features: Subtitles: English **NO SPANISH AVAILABLE** Viewing Format: Fullscreen Chapter titles for easy scene access Bonus Material: - Theatrical trailer and "The Making of Molokai" - Biographical information on leading actors **THIS PROGRAM CAN ONLY BE SHIPPED TO LOCATIONS IN THE UNITED STATES AND CANADA.** Editorial Reviews This product does not yet have any editorial reviews Customer Reviews mary -                             Molokai A must see!! Very well done with moving simplicity. After seeing it once, I had to purchase for my own use.5 stars Peter -                             Fr. Damien The most underrated film of all time. It will become one of your favorites. it was one of mine from the first time I viewed it. A true story. I rate 910. Resources/File Downloads


In the 2010 movie Devil, a group of people each with their own secret are trapped in what location?

Movie Spoiler for the film - DEVIL DEVIL s NOTE: This spoiler was submitted by Spectre. The film opens with a voice over by Ramirez (Jacob Vargas) telling us when he was a boy his mother told him about the Devil and how he sometimes liked to personally torture his victims before taking them to hell. He said this act always started with a suicide. Cut to the building where the story takes place. A man is buffing the floor, oblivious to person who had just jumped out the window and landed on a truck behind him. Nearby, Detective Bowden (Chris Messina) is talking to his sponsor about forgiveness when he gets the call about the suicide. Meanwhile five strangers enter the same elevator. They are: Ben - A Temp Security guard Sarah - Heiress about to see her lawyer Vince - A Salesman Tony - An ex-soldier Jane - An older woman. The elevator gets stuck, something the security guards Lustiq (Matt Craven) and Ramirez notice. They send Dwight, a handyman, to fix it. The guards can speak to the group, but the group can't talk back.  As Dwight is trying to fix things, the lights flicker and Sarah is bitten by something.  The group thinks it was Vince that did it and become distrustful of him. Ramirez is becoming frightened as this is starting to remind him of his mother's story. He sees a face in the security feed, but Lustiq tells him to forget it. Det. Bowden, piecing together that the suicide actually happened at the building with the trapped group, is apprised of the situation. Ramirez talks about the Devil and how it is here with this group, but Bowden counters he doesn't believe in the Devil. Five years ago someone hit his wife's car, killing their son and her. The person only left a note saying, "I'm so sorry". Bowden says there isn't a Devil because people are bad enough without him. The lights flicker again, and Vince is killed with some broken glass in the neck. The group starts to really panic, and Bowden thinks one of them is a murderer. He calls in the cops, firemen and elevator people to figure out the mess.  Ramirez continues his voiceover, by saying that innocent people are also killed when they try inadvertently to interfere with the Devil's plan. Dwight, who has to rappel down to the elevator to see if he can fix it, has his harness break and falls until he hits the elevator. The group, who initially believe someone is here to save them, realize within minutes that he is dead. The lights go out again and Jane winds up hanged by the light's wire. Bowden orders them to a different corner and to not touch each other. Bowden finds out they all have a secret; Ben had hurt people physically, Jane was a thief, Sarah blackmailed men for money, and Vince ran a ponzi scheme. Ramirez tells Bowden more about the Devil myth, how the group each did bad things for this and they cannot be saved. Still trying to find a plausible explanation, Bowden realizes Sarah's husband owns the security company of the building and may have hired Ben to kill her. The firemen are trying to cut through the wall to get to the elevator so they have Lustiq turn off the gas. However, the Devil thinks he is interfering and causes an accident so he is electrocuted. The lights begin to flicker again and Ben tells Sarah to stand with him away from Tony. But when they come back on, Ben is killed instead.  Tony and Sarah think the other is a killer but are willing to stand down after Bowden talks to them.  The lights go out again and Sarah's throat is slashed. Tony is the only one left. Det. Bowden is approached by Tony's fiancée, telling him he was only there for a job offer. They confirm the sign in sheet and realized he signed in; the only one who didn't was.... The older woman Jane, whose corpse reanimates in front of Tony and the dying Sarah. Jane (as the Devil) asks Tony if he is ready.  Tony sees Sarah is still alive and offers to trade his life for hers. The Devil is enraged at his attempt at bargaining and causes the elevator to drop. Det. Bowden cannot believe what he is seeing.  Dwight's walkie talkie drops into the elevator and Tony, realizing he


What connects Martin Scorsese to the names The Dead Rabbits, The Daybreak Boys, and The Whyos (among others)?

7 Infamous Gangs of New York - History Lists History Lists June 4, 2013 By Evan Andrews Lower Manhattan's Five Points neighborhood. Share this: 7 Infamous Gangs of New York Author 7 Infamous Gangs of New York URL Google During the Victorian era of the mid-to-late 1800s, New York City was rocked by an epidemic of gang violence. Crime was especially rampant in Manhattan neighborhoods like Five Points, Hell’s Kitchen, the Fourth Ward and the Bowery, where back alleys and tenements became infested with thieves, hustlers and street thugs. These groups trafficked in everything from robbery and prostitution to murder, and their names could strike fear into the hearts of even the most crime-hardened city dwellers. From river pirates to knife-wielding adolescents, get the facts on seven of 19th century New York’s most notorious street gangs. The Forty Thieves One of Gotham’s earliest known criminal outfits, the Forty Thieves operated between the 1820s and 1850s in the Five Points neighborhood of Manhattan. This band of Irish thugs, pickpockets and ne’er-do-wells first came together in a grocery store and dive bar owned by a woman named Rosanna Peers. Under the leadership of Edward Coleman—a notorious rogue who was later hanged for beating his wife to death—what started as a motley group of petty criminals soon blossomed into a feared street gang with its own rules and organizational structure. Members of the Forty Thieves reportedly had quotas that required them to steal a certain amount of goods each day or face expulsion. What’s more, the gang even franchised itself in the form of the “Forty Little Thieves,” a collection of juvenile apprentices who served as pickpockets and lookouts. The Bowery Boys One of the most storied gangs of New York, the Bowery Boys were a band of lower Manhattan toughs who clashed with the Irish Five Points gangs during the 1840s, 50s and 60s. Unlike some of their criminal counterparts, most of the Bowery Boys dressed in elegant clothing and held legitimate employment as printers, mechanics and other apprentice tradesmen. But when they weren’t on the job, these young hoodlums haunted the saloons and back alleys of the Bowery and engaged in bloody turf wars with rival gangs like the Dead Rabbits. The Bowery Boys often acted more as a political club than a mob, and many of their brawls were with supporters of rival politicians. The gang would sometimes even station its members at polling places to intimidate voters into supporting a particular candidate. In return, the gang’s home district would receive money and preferential treatment once the politician was in office. The Dead Rabbits This crew of Irish immigrants was one of the most feared gangs to emerge from Five Points, so named for its location at the intersection of five crooked, narrow, downtown streets. For more than 60 years, Five Points (near modern-day Chinatown) was one of the city’s most notorious—and dangerous–neighborhoods. Throughout the 1850s, the Dead Rabbits excelled at robbery, pick-pocketing and brawling—particularly with their sworn enemies, the Bowery Boys. The group was made up mostly of young men, but it wasn’t unheard of for women to join in on the violence. According to legend, one of the most feared Dead Rabbits was “Hell-Cat Maggie,” a woman who reportedly filed her teeth to points and wore brass fingernails into battle. While the Rabbits mostly dabbled in petty crime, they were also famous for the events of July 4, 1857, when one of their street fights with the Bowery Boys turned into a bloody riot that killed a dozen people. The Dead Rabbits supposedly began as an offshoot of another gang called the Roach Guards, but some historians have suggested the two were actually one and the same. In fact, one popular theory argues that the term “dead rabbit” was simply a pejorative used by the Bowery Boys and the New York press in reference to members of the Roach Guards and other Five Points gangs. The Daybreak Boys New York’s 19th-century gang activity wasn’t limited to the rough and tumble streets of Manhattan—it also extended i


A sword called Green Destiny occupies a prominent spot in the story of what 2000 world-wide hit movie?

2000 Movie Reviews The 51st State (6.5) This British comedy gangster film borrows a star and maybe one or two ideas from America, but there's no harm in that when the result is this entertaining. Samuel L Jackson is the man with a plan - a plan to sell his formula for a new designer drug to whoever will pay the right price. Having pulled one over his former US employer 'The Lizard' (Meatloaf), he seeks an alternative deal with Liverpudlian kingpin Ricky Tomlinson. Things quite don't go to plan and soon he finds himself reluctantly teaming up with local fixer Robert Carlyle as they are chased around Liverpool by cops, skinhead thugs and a mysterious female assassin (Emily Mortimer). Ronny Yu's direction definitely lends something to the action scenes but occasionally allows the story to meander too much. This isn't particularly intellectually challenging stuff but no-one can deny that it's fun. Jackson and Carlyle work particularly well together, while Emily Watson may just be the coolest female assassin to grace the screen since Anne Parillaud starred as Nikita. Add to that an assortment of British supporting actors including a deliciously off-the-wall performance from Rhys-Ifans (Notting Hill) as a local drug lord. It doesn't have the intricate plotting of Lock, Stock or the hard edge of Snatch but does have enough pace and British charm to be hit both here and in the States.       Jay And Silent Bob Strike Back (4) Fans of Kevin Smithï¿½s previous movies (Clerks, Mall Rats, Chasing Amy, Dogma) will be immediately familiar with the title duo. The convenience store slacker dudes have been coveted by their creator. Now Smith sees a need to move on, and this movie is intended as their farewell send-off. The plot(?) centres around the duoï¿½s discovery that Hollywood are making a Bluntman and Chronic movie and have neglected to cut them in on the royalties, (Technically they own the IPR as they are the real people on which the comic characters were based). Sadly the end result is a very uneven comedy road movie. Whilst Jay and Silent Bob were great cameo characters, they canï¿½t support a full movie. Director Kevin Smith resorts to far to much foul language and endless dick jokes. Sometimes the comedy is hilarious but just is much isnï¿½t! There are a string of cameo performances ï¿½ notably from previous actors and characters in Smithï¿½s movies. (Chris Rock, Ben Affleck, Matt Damon to name but a few).  Star Wars gets a mention yet again, with both Mark Hamill and Carrie Fisher appearing in separate scenes. Sadly, it isnï¿½t enough.  For fans of Smithï¿½s previous movies only ï¿½ and even then donï¿½t expect too much!   Bandits (6) Bruce Willis and Billy Bob Thornton star as a pair of bank robbers who become notorious for pulling off a string of non-violent robberies. However, complications ensue when they take insecure housewife Cate Blanchett as a hostage during one of their raids. Not only does she choose to hitch up with them but an awkward love triangle begins to form. Barry Levinsonï¿½s character-driven romantic action comedy (it lurches unevenly between all 3) contains enjoyable performances from its 3 leads but never really sets the screen alight. Thorntonï¿½s performance stands out but Blanchettï¿½s kooky character is no less entertaining. A little more pace and a couple more twists could have improved this immensely (the blatantly obvious denouement lets it down badly), but it is still worth watching. Crowd-pleasing lightweight entertainment which wonï¿½t be troubling the likes of Bonnie & Clyde or Natural Born Killers.   Zoolander (6.5) Ben Stiller (Meet The Parents, Thereï¿½s Something About Mary) produces, directs and stars in this camp comedy about an international male model who is brainwashed by an evil fashion conglomerate into assassinating a foreign political leader. As if that wasnï¿½t enough, Derek Zoolander also has to contend with rival male model Owen Wilson. Much of the comedy hangs on the premise that all models are illiterate morons. However, the film manages to pull this off without ever being t


According to IMDB.com, what was the first film Jimmy Carter watched during his presidential tenure? Appropriate since it showed what led to his electoral win!

Movies in the Classroom by Bradley Wilson - issuu issuu Movies Modern techniques to complement guided instruction in the classroom Featuring lessons for Absence of Malice, All the President’s Men, Newsies, THe Paper and Shattered Glass. Genelle Belmas, Sarah Nichols, Cheryl Pratt, Jeff Salisbury, Howard Spanogle and Joyce Kasman Valenza Written by with additional contributions from Pam Bunka, Ronnie Campagna, Marsha Kalkowski, Katherine Kennedy, Reginald Ragland, April Van Buren and the Internet Movie Database, CBS Broadcasting, The History Place, Spring 2007 Communication: Journalism Education Today • 17 1 classroom Directors Screen of the Turn into a film advocate-educator. An academic entrepreneur. A giver of enlightenment. A donor of opportunities for insights. All by using visual media effectively. I tious journalism teacher of younger students. It is inexcusable if multiple viewings occur in classes under your leadership. WHEN YOU SHOW IT Pay attention to timing: during the year, for curriculum emphasis, for mental involvement, for publication schedules and for multi-year journalism students. In addition to scheduling films at the appropriate time each year, films should be on a two- or three-year plan so that students enrolled in advanced journalism classes do not experience repeats. Rather, students should increase their knowledge and broaden their perspectives. Nothing is more deadening than an exasperated student’s comment, “Oh, we’ve seen that before.” It is bad enough if the first viewing occurred in eighth grade under the guidance of an ambi- WHY YOU SHOW IT Every method needs a pedagogical purpose. While the temptation may be to think only of showing a film as a few easy class days, that approach, when repeated frequently, limits student learning and smothers teacher vitality. Plus, the approach is outdated, a word that is unwelcome in innovative journalism environments. Definitely showing a tape of a TV news broadcast or a documentary or a short news feature can help students connect principles and performance. They will learn about current problems and noteworthy actions. For journalism instruction, however, they will also learn to consider essential questions such as the following: How did the producers prepare for the interviews and the visual enhancement of the broadcast? What are the results? The slant? The value? The follow-up? And that kind of inquiry inculcates incentives and methodology that they can use for their own publications and broadcasts. Beyond those questions are the implications for the media that your students produce. How is media interacting? What are they doing to go beyond the traditional electronic and the print perspectives? How are they responding to blogs and to podcasts? The observations and the opportuni- n the journalism classroom, films and on-air tapes/DVDs are only as good as the teacher using them. As for any publication or broadcast, preparation unlocks the brain and the pathway to productive results. First, teachers must make strategic decisions. ties have obvious implications for contemporary media. Why should an active student newspaper have an online version of the newspaper, one that can be updated daily? What messages does that send about responsibility and about contemporary needs? HOW YOU SHOW IT Not always the same way please. Cautions are easy to imagine. However, the problems are rather easy to avoid with attentive effort. New possibilities are more stimulating to envision. Plan. Preview. Create pertinent worksheets and supplementary material. Avoid the time-filler syndrome. Instead, connect to goals, themes, timely topics and new approaches. Showing the complete film may be the first option, but it may not be the best choice. Consider other possibilities: using a small segment of a film, developing computer/digital presentations, assigning students to view and to critique a film as an out-of-class assignment and using film circles, in which groups of four to six students view different films together and report to the class. Make the most of the many resourc


What 1968 film during whose filming the music composer wore a gorilla mask for inspiration is said to hold the record for the highest make-up budget (when adjusted for inflation)?

IMDb: Most Popular People With Biographies Matching "60" Most Popular People With Biographies Matching "60" 1-50 of 2,668 names. Christian Bale Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Charles Howard Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice. His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna caught Steven Spielberg 's eye, leading to Bale's well-documented role in Empire of the Sun . For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor. Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh 's 1989 adaptation of Shakespeare's Henry V and starred as Jim Hawkins in a TV movie version of Treasure Island . Bale worked consistently through the 1990s, acting and singing in Newsies , Swing Kids , Little Women , The Portrait of a Lady , The Secret Agent , Metroland , Velvet Goldmine , All the Little Animals , and A Midsummer Night's Dream . Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique. Bale roared into the next decade with a lead role in American Psycho , director Mary Harron 's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30". Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft , Captain Corelli's Mandolin , the balmy Laurel Canyon , and Reign of Fire , a dragons-and-magic commercial misfire that has its share of defenders. Two more cult films followed: Equilibrium and The Machinist , the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year. Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins , the first chapter in Christopher Nolan 's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by Batman and Robin's massive commercial and critical failure. A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing. Bale segued into two indie features in the wake of Batman's phenomenal success: The New World and Harsh Times . He continued working with respected independent directors in 2006's Rescue Dawn , Werner Herzog 's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly . Leading up to the second Batman film, Bale starred in The Prestige , the remake of 3:10 to Yuma , and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There. . Anticipation


"Talking about what hit 2004 film did its writer say, ""The dad is always expected in the family to be strong ... moms are always pulled in a million different directions ... teenage girls, are insecure and defensive, ... ten-year-old boys are hyperactive energy balls ...""?"

Brad Bird biography, birth date, birth place and pictures Email Print Brad Bird has risen from being a basic unknown in the entertainment business to the stratospheres of the movie world with his 2004 film The Incredibles. A precocious child, Bird developed an interest in animation at a very young age and has had quite an impressive career ever since, working for such companies as Disney, Warner Bros., and most recently, Pixar Animation. He has worked on animation shows from The Simpsons to King of the Hill, and he was the brains behind the cult film favorite The Iron Giant. Bird's fans are always eager to see what the animation genius will do next, and he has yet to disappoint, introducing new techniques and fresh ideas into the world of animation. Bird, who is notoriously reticent about sharing his birth date, was born in Kalispell, Montana. He had three older sisters: Leslie, Susan, and Kathy. Bird's family moved to Oregon when he was still young, and he spent most of his childhood there. Bird became interested in animation very early on in his life, and he started making his first animated film at the age of eleven. He worked on the movie, an adaptation of the old tale about the tortoise and the hare, for four years, finishing it when he was a mere 14 years old. When The Tortoise and the Hare was finished he sent the film to Disney, hoping to come to the attention of someone at the famous animation company. This first of Bird's animated films eventually did indeed catch the attention of executives at Walt Disney Studios. They were so impressed that they invited him to enroll in their mentoring program. Bird graduated from Corvallis High School in Corvallis, Oregon, in 1975. Not long after, he was being mentored by the legendary Disney animator Milt Kahl, one of the group known in the industry as the Nine Old Men, the group responsible for most of Walt Disney's early animated movies. After the stint with Disney, Bird enrolled in the animation program at the California School of Arts. After he got his degree Bird returned to Disney where he had been offered a job as an animator. He was excited about the chance to work at Walt Disney Studios, applying the knowledge he had gained at the California School of Arts, as well as the information he had gleaned from Kahl. He started out his career as an animator on the Disney feature-length film The Fox and the Hound. Bird, however, soon became disenchanted with the Disney feature-length animation film department. He thought that the quality in recent years had gone down from what it once was and that they had cheapened the appeal of the films they made by allowing them to become television series. Bird had very strong opinions about maintaining a film's integrity and not corrupting the original story by making sequels just for the sake of making a sequel, and that included turning them into television shows. Bird left Disney in the mid-1980s. One of the things that brought him fame as an animator in the public eye was the work he did for Steven Spielberg. In 1985 he worked for Spielberg on an episode of Amazing Stories. The episode, "Family Dog," was a big hit, and the success of the short had Spielberg asking Bird to write the first draft of the screenplay for batteries not included. After "Family Dog," Bird started working on other television series as a consultant and guest animator. He began on The Tracey Ullman Show, which is where The Simpsons got its start. He then went on to work as a consultant on The Simpsons when it spun off as its own show. He went on to direct several episodes of The Simpsons and did most of the animation for the scenes with Krusty the Clown. By the mid-1990s Bird was the consultant on other shows, including The Critic from 1994 to 1995, and King of the Hill in 1997. Bird began working at Turner Featured Animation in the late 1990s and was working there when the company merged with Warner Bros. When that happened Bird began work on his version of The Iron Giant. The animated film of The Iron Giant was based on a children's book by British writer T


"The executive producer of what 2004 biopic stated that the main character in the movie ""is more akin to Jack Kerouac or Neal Cassady than Marx or Lenin""?"

the motorcycle diaries film : definition of the motorcycle diaries film and synonyms of the motorcycle diaries film (English) Quechua The Motorcycle Diaries ( Spanish : Diarios de motocicleta) is a 2004 biopic about the journey and written memoir of the 23-year-old Ernesto Guevara, who would several years later become internationally known as the iconic Marxist revolutionary Che Guevara . The film recounts the 1952 expedition, initially by motorcycle, across South America by Guevara and his friend Alberto Granado . As the adventure initially centered around youthful hedonism unfolds, Guevara discovers himself transformed by his observations on the life of the impoverished indigenous peasantry. Through the characters they encounter on their continental trek, Guevara and Granado witness firsthand the injustices that the destitute face and are exposed to people and social classes they would have never encountered otherwise. To their surprise, the road presents to them both a genuine and captivating picture of Latin American identity. As a result, the trip also plants the initial seed of cognitive dissonance and radicalization within Guevara, who ostensibly would later view armed revolution as a way to challenge the continent's endemic economic inequalities . The screenplay is based primarily on Guevara's travelogue The Motorcycle Diaries by Ernesto "Che" Guevara , with additional context supplied by Traveling with Che Guevara: The Making of a Revolutionary by Alberto Granado . Guevara is played by Mexican actor Gael García Bernal , and Granado by the Argentine actor Rodrigo de la Serna , who coincidentally is a second cousin to the real life Guevara on his maternal side. [1] Directed by Brazilian director Walter Salles and written by Puerto Rican playwright José Rivera , the film was an international co-production among production companies from Argentina , the United States, Germany, the United Kingdom, Chile , Peru and France. The film's executive producers were Robert Redford , Paul Webster , and Rebecca Yeldham; the producers were Edgard Tenenbaum, Michael Nozik , and Karen Tenkoff; and the co-producers were Daniel Burman and Diego Dubcovsky . Contents 11 External links   Plot "The Che of The Motorcycle Diaries is more akin to Jack Kerouac or Neal Cassady than Marx or Lenin ." — Paul Webster , executive producer [2] In 1952, a semester before Ernesto "Fuser" Guevara is due to complete his medical degree, he and his older friend Alberto Granado, a biochemist , leave Buenos Aires in order to travel across South America . While there is a goal at the end of their journey - they intend to work in a leper colony in Peru - the main purpose is initially fun and adventure. They desire to see as much of Latin America as they can, more than 5,000 miles (8,000 kilometers) in just four and a half months, while Granado's purpose is also to court as many women as will fall for his pick-up lines. Their initial method of transport is Granado's dilapidated Norton 500 motorcycle christened La Poderosa ("The Mighty One"). Their planned route is ambitious, bringing them north across the Andes , along the coast of Chile , through the Atacama Desert and into the Peruvian Amazon in order to reach Venezuela just in time for Granado's 30th birthday on April 2. However, due to La Poderosa's breakdown, they are forced to travel at a much slower pace, and don't make it to Caracas until July. During their expedition, Guevara and Granado encounter the poverty of the indigenous peasants, and the movie assumes a greater seriousness once the men gain a better sense of the disparity between the "haves" (to which they belong) and the "have-nots" (who make up the majority of those they encounter). In Chile for instance, they encounter a penniless and persecuted couple forced onto the road because of their communist beliefs. In a fire-lit scene, Guevara and Granado ashamedly admit to the couple that they are not out looking for work as well. The duo then accompanies the couple to the Chuquicamata copper mine, where Guevara becomes angry at the treatment of


If The Quiet American (2002) is to Vietnam, The Killing Fields (1984) is to Cambodia, then The Year of Living Dangerously (1982) is to what country?

The Ten Best Movies About Journalism by Farr | The Huffington Post The Ten Best Movies About Journalism by Farr 08/27/2009 05:12 am ET | Updated May 25, 2011 John Farr Editor, bestmoviesbyfarr.com I don't know how many of you caught the superb "American Masters" tribute to the late Walter Cronkite on PBS last week, but it was highly illuminating. Most of us think of "Uncle Walt" sitting behind his anchor desk at CBS, but this program also outlined just what brought him there. Throughout the Second World War, he served as a war correspondent for UPI, and appears to have seen nearly as much action as most battle-fatigued infantrymen. What's particularly interesting is that Cronkite never forgot his early training. Over the course of his long and distinguished television career, he was hardly chained to that anchor desk. The correspondent in him saw the value of going out into the field, whether to cover the space program or the Vietnam War. And the succeeding generation of top newscasters- Rather, Jennings, and Brokaw- would all follow his lead. We often speak of the "golden age of film", but juxtaposing Cronkite's legacy with what we're seeing now in the news business, there is no doubt that print and television journalism had its golden age too, and that sadly, we are now past it. In the wake of this revered figure's passing, I've attempted to isolate the ten best movies about journalism. Included are serious films about war correspondents, investigative journalists, as well as pictures which portray the sensationalism which Cronkite so hated, and which represents the enduring Achilles' heel of the industry. (Note: I've intentionally excluded "Citizen Kane", as it's such an obvious choice.) Here then are my own ten picks, in chronological order: Foreign Correspondent (1940)- Crime reporter Johnny Jones (Joel McCrea) is renamed Huntley Haverstock by his editor and sent to Europe as a foreign correspondent. On the brink of war and teeming with espionage, the continent is full of juicy stories - and Johnny/Huntley soon finds one. Covering a peace mission, he witnesses an assassination, and is soon on to a nefarious spy ring and wide-ranging plot to aid the war-mongering Fascists. Can this Yank in treacherous waters uncover the whole mystery, and survive long enough to post the biggest scoop of his career? This unsung Hitchcock thriller is outstanding, his first to deal directly with the new war in Europe. Bolstered by a first-rate script (both James Hilton and Robert Benchley contributed dialogue) and superb cast (with the suave yet treacherous Herbert Marshall particularly memorable), "Correspondent" is consistently engrossing and entertaining, with some indelible set-pieces only this director could conjure up. The Story Of G.I. Joe (1945)- At the height of World War II, war correspondent Ernie Pyle (Burgess Meredith) follows Company C, a platoon of infantrymen led by commander Lt. Bill Walker (Robert Mitchum), from the battlefields of North Africa to the devastated townships of Italy, getting to know each intimately. As the campaign progresses, Pyle sticks with them through the worst of circumstances and earns their respect. He, in turn, records their stories for readers at home, noting their courage, fierce loyalty to each other, and the mounting exhaustion they feel at the end of each battle. William Wellman's cinematic homage to the real-life Pyle, a Pulitzer Prize-winning journalist, has been called one of the greatest war films of all time, and it certainly earns that distinction. The combat scenes are intense and realistic, but the film also shows the humdrum day-to-day duties and concerns of enlisted men with an almost documentary-like fidelity. Meredith lovingly evokes Pyle's humanistic and devoted attitude toward the ordinary soldiers who were his subjects, and Mitchum - in an early, star-making role - combines grit with gut-wrenching emotion. Pyle advised Wellman on this treatment, but sadly never saw the end result: He was killed in action in 1945. Ace In The Hole (1951)- Thanks to womanizing, a drinking proble


What invention of Garrett Brown that 'smoothens' movie viewing experience saw its debut in Bound for Glory and subsequently in the chase scenes of Marathon Man?

AtheistJewoftheUS: New York, New York/Raging Bull/ Shutter Island/Hugo and Rocky film series Wikipedia pages New York, New York/Raging Bull/ Shutter Island/Hugo and Rocky film series Wikipedia pages New York, New York (film) From Wikipedia, the free encyclopedia Jump to: navigation, search New York New York poster.jpg Theatrical release poster Box office $13,800,000 New York, New York is a 1977 American musical-drama film directed by Martin Scorsese. It is a musical tribute, featuring new songs by John Kander and Fred Ebb as well as standards, to Scorsese's home town of New York City, and stars Robert De Niro and Liza Minnelli as a pair of musicians and lovers. The film marked the final screen appearance of actor Jack Haley. Contents  [hide] 7 External links Plot[edit] The story opens on V-J Day in 1945. A massive celebration in a New York City nightclub is underway, music provided by the Tommy Dorsey Orchestra. While there Jimmy Doyle (Robert De Niro), a selfish and smooth-talking saxophone player, meets Francine Evans (Liza Minnelli), a small-time singer. Francine is lonely but still, she wants nothing to do with Jimmy, who keeps pestering her for her phone number. The next morning, they end up sharing a cab, and, against her will, Francine accompanies Jimmy to an audition. There he gets into an argument with the club owner. Francine, to get the audition back on track, begins to sing the old standard, "You Brought a New Kind of Love to Me"; Jimmy joins in on his sax. The club owner is impressed and, to Francine's astonishment, they are both offered a job—a boy-girl act. From that moment on, Jimmy and Francine's relationship deepens into love. But there are problems—mainly, Jimmy's tendency to fight with everyone, and his increasingly violent arguments with Francine, who becomes pregnant with his child. An especially bad shouting match between them results in Francine going into labor. Jimmy rushes her to the hospital, but he is not ready to be a father, or a good husband, and he abandons his wife. Several years later, in a recording studio, Francine records "But the World Goes Round", a powerful anthem which makes the charts and turns her into a popular entertainment figure. In the following years, Jimmy and Francine both find success in the music industry. Doyle becomes a renowned jazz musician and club owner, while Francine becomes a successful singer and motion picture actress. Jimmy records a song of his on his saxophone which tops the charts, and Francine cements her stardom after singing Jimmy's song, "New York, New York". Her performance, received by a wildly appreciative audience, takes place in the same nightclub where, years earlier, she and Jimmy had met. After the show, Jimmy telephones his ex-wife, suggesting they get together for dinner. Francine is tempted, heads toward the stage door exit, but at the last moment changes her mind. Jimmy, waiting on the sidewalk, realizes he has been stood up and heads off down the street, accompanied by the song he has written—the "Theme from New York, New York". An alternate ending sees the pair reunite and walk off to dinner, sharing conversation about their son. Cast[edit] Liza Minnelli as Francine Evans Robert De Niro as Jimmy Doyle Lionel Stander as Tony Harwell Barry Primus as Paul Wilson Mary Kay Place as Bernice Bennett Frank Sivero as Eddie DiMuzio Georgie Auld as Frankie Harte George Memmoli as Nicky Dick Miller as Palm Club Owner Clarence Clemons as Cecil Powell Casey Kasem as DJ aka Midnight Bird Adam Winkler as Jimmy Doyle Jr. Jack Haley as Master of Ceremonies / Cameo Appearance (uncredited) Music[edit] 1."Main Title" (Theme / You Are My Lucky Star / Just You, Just Me / The Man I Love - Medley) - Ralph Burns (1:53) 2."You Brought a New Kind of Love to Me" - Liza Minnelli (1:47) 3."Flip the Dip" - orchestra (2:13) 4."V.J. Stomp" - orchestra (1:08) 5."Opus Number One" - orchestra (8:49) 6."Once in a While" - Liza Minnelli (2:17) 7."You Are My Lucky Star" - Liza Minnelli (1:18) 8."Game Over" - orchestra (2:25) 9."It's a Wonderful World" - orchestra (2:08) 10."


"The English actress Diana Dors once called herself ""the only sex symbol Britain has produced since"" which person? No peeping or you'll go blind."

Soho Golem | The Kim Newman Web Site The Kim Newman Web Site Subscribe to RSS Soho Golem “Of all quarters in the queer adventurous amalgam called London, Soho is perhaps least suited to the Forsyte spirit … Untidy, full of Greeks, Ishmaelites, cats, Italians, tomatoes, restaurants, organs, coloured stuffs, queer names, people looking out of upper windows, it dwells remote from the British Body Politic.” John Galsworthy 1: Spoiling the Barrel 'Soho Golem' was published in The Mammoth Book of Best New Horror. On a fine May day in 197—, Fred Regent and Richard Jeperson stood in Old Compton Street, London N1. The pavement underfoot was warm and slightly tacky, as if it might retain the prints of Fred’s scruffy but sturdy  Doc Martens and Richard’s elastic-sided claret-coloured thigh-high boots. Slightly to the north of but parallel with the theatrical parade of Shaftesbury Avenue, Old Compton Street was among Soho’s main thoroughfares. Blitzed in the War, the square-mile patch had regenerated patchwork fashion to satisfy or exploit the desires of a constant flux of passers-through. People came here for every kind of “lift.” Italian coffeehouses had opened on this street a century ago; now, you could buy a thousand varieties of frothy heart attack in a cup. This was where waves of “dangerous” music broke, from bebop to glitter rock. Within sight, careers had begun and ended: Tommy Steele strumming in an espresso  skiffle trio, Jimi Hendrix choking in an alley beside The Intrepid Fox. Also, famously and blatantly, Soho was a red-light district, home to the city’s vice rackets for two hundred years. Above window displays were neon and plastic come-ons: GIRLS GIRLS GIRLS—LIVE NUDE BED REVUE—GOLDILOXXX AND THE THREE BARES. Above doorbells were hand-printed cards: “French Model One Flight Up,” “Busty Brunette, Bell Two,” “House of Thwacks: Discipline Enforced.” Fred checked the address against his scribbled note. “The scene of the crime,” he told Richard. Richard took off and folded his slim, side-panelled sunglasses. They slid into a tube that clipped to his top pocket like a thick fountain pen. “Just the one crime?” he said. “Couldn’t say, guv,” replied Fred. “One big one, so far this week.” Richard shrugged—which, in today’s peacock-pattern watered-silk safari jacket, was dangerously close to flouncing. Even in the cosmopolitan freak show of Soho, Richard’s Carnabethan ensemble attracted attention from all sexes. Currently, he wore scarlet buccaneer britches fit tighter than a surgical glove, a black-and-white spiral-pattern beret pinned to his frizzy length of coal black hair, a frill-fronted mauve shirt with a collar-points wider than his shoulders, and a filmy ascot whose colours shifted with the light. “I certainly feel a measure of recent turmoil,” said Richard, who called himself “sensitive” rather than “spooky.” He flexed long fingers, as if taking a Braille reading from the air. “It certainly could be a death unnatural and occult. Still, in this parish, it’d be unusual not to find a soupçon of eldritch atmos, eh? This is east of Piccadilly, mon ami.Vibes swirl like a walnut whip. If London has a psychic storm centre, it’s on this page of the  A to Z. Look about, pal—most punters here are dowsing with their dickybirds. It’s not hard to find water.” A skinny blonde in hotpants, platforms and a paisley haltertop sidled out of Crawford Street. She cast a lazy look at them, eyes hoisting pennyweights of pancake and false lash. Richard bowed to her with a cavalier flourish, smile lifting his  Fu Manchu. The girl’s own psychic powers cut in. “ Fuzz,” she sniffed, and scarpered. “Everyone’s a detective,” Richard observed, straightening. “Or a  tart,” said Fred. The girl fled. Heart-shaped windows cut out of the seat of her shorts showed pale skin and a sliver of Marks and Sparks knicker. Four-inch stack-soles made for a tottering, Thunderbirds-puppet gait that was funnier than sexy. “That said, shouldn’t this place be veritably swarming with the  filth?” commented Richard. “One of their own down, and all that. Uniforms, sirens,


What is the only movie on IMDB.com that is rated out of 11 stars instead of the standard 10?

This Is Spinal Tap (1984) - IMDb IMDb There was an error trying to load your rating for this title. Some parts of this page won't work property. Please reload or try later. X Beta I'm Watching This! Keep track of everything you watch; tell your friends. Error This Is Spinal Tap ( 1984 ) R | Spinal Tap, one of England's loudest bands, is chronicled by film director Marty DeBergi on what proves to be a fateful tour. Director: From $2.99 (SD) on Amazon Video ON DISC Famous Directors: From Sundance to Prominence From Christopher Nolan to Quentin Tarantino and every Coen brother in between, many of today's most popular directors got their start at the Sundance Film Festival . Here's a list of some of the biggest names to go from Sundance to Hollywood prominence. a list of 36 titles created 26 Nov 2010 a list of 21 titles created 06 Sep 2011 a list of 25 titles created 03 Feb 2012 a list of 25 titles created 02 Apr 2013 a list of 35 titles created 15 Nov 2015 Title: This Is Spinal Tap (1984) 8/10 Want to share IMDb's rating on your own site? Use the HTML below. You must be a registered user to use the IMDb rating plugin. 2 wins & 2 nominations. See more awards  » Videos A colorful array of characters compete at a national dog show. Director: Christopher Guest An aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance. Director: Christopher Guest Mockumentary captures the reunion of 1960s folk trio the Folksmen as they prepare for a show at The Town Hall to memorialize a recently deceased concert promoter. Director: Christopher Guest Jake Blues, just out from prison, puts together his old band to save the Catholic home where he and brother Elwood were raised. Director: John Landis Edit Storyline In 1982 legendary British heavy metal band Spinal Tap attempt an American comeback tour accompanied by a fan who is also a film-maker. The resulting documentary, interspersed with powerful performances of Tap's pivotal music and profound lyrics, candidly follows a rock group heading towards crisis, culminating in the infamous affair of the eighteen-inch-high Stonehenge stage prop. Written by Jeremy Perkins <jwp@aber.ac.uk> Does for rock and roll what "The Sound of Music" did for hills Genres: 2 March 1984 (USA) See more  » Also Known As: Rock 'n' Roll Nightmare See more  » Filming Locations: $55,854        (USA) (8 September 2000) Gross: Did You Know? Trivia When the members of Spinal Tap talk about their drummer suffocating on vomit, it's a reference to a number of musicians who have died, or who are rumored to have died, the same way, including Jimi Hendrix , Led Zeppelin drummer John Bonham , AC/DC lead singer Bon Scott and big band leader Tommy Dorsey . See more » Goofs During "Rock and Roll Creation", when Derek is trapped inside the pod, a roadie hammers on it at one point, but clearly doesn't make contact. See more » Quotes [first lines] Marty DiBergi : Hello; my name is Marty DiBergi. I'm a filmmaker. I make a lot of commercials. That little dog that chases the covered wagon underneath the sink? That was mine. In 1966, I went down to Greenwich Village, New York City to a rock club called Electric Banana. Don't look for it; it's not there anymore. But that night, I heard a band that for me redefined the word "rock and roll". I remember being knocked out by their... their exuberance, their raw power - and their punctuality. That ... The Real Ian Faith .... Derek Sutton See more » Connections (North Hollywood, CA) – See all my reviews The humor of "This is Spinal Tap" has a special time-release formula. I didn't find myself rolling on the floor laughing the first time I saw this but as the day went on my friends and I couldn't stop recalling the dialogue. This movie is a legend. "See Spinal Tap" should be written in the dictionary next to satire. Lately satire has come to mean a simple mockery of pop-culture instead of "human vice or folly attacked through irony, derision or wit". Movies like


What Hitchcock classic is said to use the Madonna-whore complex to represent a lead figure, the same woman simultaneously representing virtue and debasement?

The Films of Alfred Hitchcock - by Michael E. Grost Classic Film and Television Home Page (with many articles on directors) Alfred Hitchcock Hitchcock as Himself Hitchcock was the star and introducer of his long running TV series (1955 - 1966); he was a household name in the United States during this period, and for a considerable period after, due to reruns. He also appeared in the trailers for his films, was a guest on TV talk shows, and in general was a celebrity. Before Hitchcock, Cecil B. DeMille was host and frequent director of the Lux Radio Theater, a high quality series of the 1940's. It made DeMille famous. Later DeMille hosted many of the trailers for his films, as well as appearing as himself in such films as Sunset Boulevard and Son of Paleface. Both of these men were much better known to the public, than any other directors who were not also actors (such as Orson Welles or Laurence Olivier). One suspects that De Mille was a role model for Hitchcock in these matters. Hitchcock's cameo appearances in his films are the visual equivalent of a signature. Hitchcock is a deeply visual director. These appearances perhaps constitute the real signing by Hitchcock of his films, rather than the verbal "directed by Alfred Hitchcock" that appears in the credits. Spy Films, and Hitchcock's use of genre From The Man Who Knew Too Much (1934) up to Notorious (1946), Hitchcock's tales tend to be espionage films, although Young and Innocent (1937) is an exception, being a crime story without espionage. He also did some romantic dramas, about hero-worshipping women who were involved with men who eventually got them caught up in murderous situations: Rebecca (1940), Suspicion (1942), Shadow of a Doubt (1943). From The Paradine Case (1947) through Marnie (1964), Hitchcock converted over to pure crime thrillers, largely without spy elements. His TV show also concentrated on such themes. There is a major change of approach here. Hitchcock did make some major spy films during this later era: the remake of The Man Who Knew Too Much (1956) and North by Northwest (1959). During his earlier period, Hitchcock was a member, perhaps the leading member, of a group of British directors who also frequently made espionage films: Michael Powell , Carol Reed, Tim Whelan (Q Planes). As in Hitchcock, these directors' works mixed spy thrills with comedy. The comic elements are usually comedy of manners, as Andrew Sarris has pointed out. The espionage background of these films gave all of these directors a ready made genre. Spy stories were common in prose fiction , especially those of British writers. They typically featured thrills and suspense, and avoided the puzzle plots of the Golden Age mystery writers who were their contemporaries. Hitchcock had filmed a Golden Age whodunit, as Murder! (1930), early in his career, but such films would never be his forte. Hitchcock in fact satirizes whodunit mysteries in Shadow of a Doubt. In the late 1960's, Hitchcock reverted back to the spy film in full force, with Torn Curtain (1966) and Topaz (1969). During the 1960's, Hitchcock branched out into the horror film, with Psycho (1960) and The Birds (1963). The horror film was one of the major genres of 1960's and early 1970's film making, attracting much of the top talent of the era. Peter Bogdanovich, William Castle , Roger Corman, Curtis Harrington , Seth Holt and Roman Polanski made horror films, as did Robert Aldrich with What Ever Happened to Baby Jane (1962) and Hush, Hush, Sweet Charlotte (1964) and Byron Haskin with The Power (1967), a film greatly influenced by Hitchcock's style. The Outer Limits (with its several Gerd Oswald episodes) and Twilight Zone TV shows also often fell into this category. The 1960's was the last period when most major Hollywood figures made genre movies. Such genre filmmaking had served Hollywood well for decades, at least since the 1910's. But from The Godfather (1972) and Deliverance (1972) on, Hollywood would turn instead to violence as an audience drawing card, ignoring all other storytelling features. Hitchcock's tel