In the Bible to where was Saul heading when he was blinded by the light and converted to Christianity?

Acts 9 Commentary - Paul's Conversion - BibleGateway.com View Acts 9:1-19 Paul's Conversion The most important event in human history apart from the life, death and resurrection of Jesus of Nazareth is the conversion to Christianity of Saul of Tarsus. If Saul had remained a Jewish rabbi, we would be missing thirteen of twenty-seven books of the New Testament and Christianity's early major expansion to the Gentiles. Humanly speaking, without Paul Christianity would probably be of only antiquarian or arcane interest, like the Dead Sea Scrolls community or the Samaritans. Saul the Enemy (9:1-2) With Old Testament imagery for anger--snorting through distended nostrils (Ps 18:8, 15)--Luke builds up the picture of Saul as a rampaging wild beast in his hateful opposition to the disciples of the Lord (compare Acts 8:3; Gal 1:13, 23). When the NIV renders "threats and murder" as murderous threats, something is lost of the reference to the two-part Jewish judicial process (Longenecker 1981:368) and the highlighting of Saul's violence (Lake and Cadbury 1979:99). Saul does not just make threats (compare Acts 4:17, 29); he helps bring about actual executions (8:1; 26:10). Aside from this initial note, Luke gives us no indication of Saul's inner thoughts and motives before, during or after his conversion (but see 7:54-8:1; 26:9-11; Rom 7:7-12; Gal 1:13, 14; Phil 3:4-11). Saul takes action. He goes to Caiaphas (4:6) and receives letters of introduction to the synagogues in Damascus, some 140 miles northeast. He seeks to enlist their aid, or at least permission, to arrest any fugitive Hellenistic Jewish Christians and return them to Jerusalem for trial (22:5). The hostility to Christianity of pre-Christian Saul presents both challenge and hope to any non-Christian. The hope is that if God can turn the fiercest opponent of the Lord into his most willing servant, he has the ability to save anyone. The challenge is not to be deceived by self-satisfaction. Saul was quite content with his life spiritually. But God's sovereign grace arrested him. Saul's Encounter with Christ (9:3-9) As Saul travels to Damascus at midday, he experiences the divine presence: a light from heaven flashing around him and a voice addressing him (compare 7:31/Ex 3:4-10). The descent from Mt. Hermon to Damascus in the plain goes through a region known for violent electrical storms. Though this flashing light may have had the effects of lightning, however, it was a supernatural midday phenomenon. Saul and his traveling companions see the light, but Saul sees more: the risen Lord Jesus in all his resplendent glory (9:17, 27; 22:14; 26:16; 1 Cor 9:1; 15:8). So overwhelming is the sight that Saul falls to the ground (compare Ezek 1:28; Dan 8:17). The sound or voice probably reminds him of the bat-qol ("daughter of the voice"), the way pious Jews believed God had directly communicated with human beings since the gift of prophecy had ceased with Malachi (Longenecker 1981:370). But the divine presence creates confusion for Saul, for if God is speaking with him, who is this heavenly figure addressing him? The voice gives the divine perspective on Paul's activity. With a repeated address (compare Gen 22:11; Ex 3:4; 1 Sam 3:10; Lk 10:41; 22:31) the voice asks, Saul, Saul, why do you persecute me? Jesus identifies with his disciples, his body (see Lk 10:16; Acts 1:1; 9:1; 1 Cor 12:27; Eph 4:12). In doing so he reveals that Saul's teacher Gamaliel's worst fears have materialized (Acts 5:39). Saul grapples with his dawning realization that his life, though lived in zeal for the one true God even to the point of persecuting the church, has in reality been one of "ignorance in unbelief" (1 Tim 1:13). Through the question "why?" he begins to see that in proving his commitment to God by persecuting the church, he has actually been proving himself an enemy of God. As Saul deeply considers that "why?" and accepts the divine perspective on his actions, his whole spiritual world will be turned upside down. What was gain will become loss (Phil 3:6-9). What was a badge of honor will become


The 'Telegraph & Argus' is a local daily newspaper based in which city?

Telegraph & Argus | British Newspapers Online The Telegraph & Argus (known locally as the “T&A”) is an evening tabloid newspaper sold from Mondays to Saturdays in and around the City and Metropolitan Borough of Bradford in West Yorkshire, including the neighbouring towns of Keighley, Shipley, Bingley and Ilkley. But that’s just its core distribution area. It’s also sold in Dewsbury in the Metropolitan Borough of Kirklees, Brighouse in the Metropolitan Borough of Calderdale and Pudsey and Otley in the City of Leeds; and in the smaller towns and villages of the south-eastern Yorkshire Dales, with a couple of hundred copies sold in small numbers as far afield as Scarborough and Lancaster. Its roots lie in two newspapers founded in the nineteenth century. The earlier of the two, a Liberal Party-supporting broadsheet called the Bradford Daily Telegraph


"Which early US President said ""if you want something that you've never had, you must be willing to do something that you've never done""?"

Lyndon B. Johnson - Wikiquote Lyndon B. Johnson Jump to: navigation , search There is no issue of States' rights or National rights. There is only the struggle for human rights. Lyndon Baines Johnson ( August 27 , 1908 – January 22 , 1973 ), often referred to as LBJ, was an American politician . After serving a long career in U.S. legislatures, Johnson became the Vice President of the United States of America under John F. Kennedy , from 1961 to 1963. A Democrat , Johnson became the 36th U.S. president , from 1963 to 1969, after Kennedy's assassination . Contents Quotes[ edit ] At times history and fate meet at a single time in a single place to shape a turning point in man's unending search for freedom. The challenge of the next half century is whether we have the wisdom to use that wealth to enrich and elevate our national life, and to advance the quality of our American civilization…. I do not find it easy to send the flower of our youth, our finest young men, into battle. A democracy works best when the people have all the information that the security of the Nation permits. No one should be able to pull curtains of secrecy around decisions which can be revealed without injury to the public interest. To deny a man his hopes because of his color or race, his religion or the place of his birth is not only to do injustice; it is to deny America and to dishonor the dead who gave their lives for American freedom. Freedom of information is so vital that only the national security, not the desire of public officials or private citizens, should determine when it must be restricted. The United States is an open society in which the people's right to know is cherished and guarded. The only real road to progress for free people is through the process of law. Eisenhower used to tell me that this place was a prison. I never felt freer. Justice means a man's hope should not be limited by the color of his skin. The war in Vietnam is not like these other wars. Yet, finally, war is always the same. It is young men dying in the fullness of their promise. It is trying to kill a man that you do not even know well enough to hate. Therefore, to know war is to know that there is still madness in this world. Make no mistake about it... We are going to win. The people of Vietnam, north and south, seek the same things. The shared needs of man, the needs for food and shelter and education, the chance to build and work and till the soil, free from the arbitrary horrors of battle, the desire to walk in the dignity of those who master their own destiny. For many painful years, in war and revolution and infrequent peace, they have struggled to fulfill those needs. It is a crime against mankind that so much courage, and so much will, and so many dreams, must be flung on the fires of war and death. Making a speech on economics is a lot like pissing down your leg. It seems hot to you, but it never does to anyone else. Private comment, as quoted in Name-Dropping (1999) by John Kenneth Galbraith , p. 149. If the circumstances make it such that you can't fuck a man in the ass, then just peckerslap him. Better to let him know who's in charge than to let him think he's got the keys to the car. Private comment, found in White House Tapes: Eavesdropping on the President (2003) edited by John Prados. Eisenhower used to tell me that this place was a prison. I never felt freer. 1948[ edit ] Speech in Austin (1948)[ edit ] This civil rights program about which you have heard so much is a farce and a sham; an effort to set up a police state in the guise of liberty. I am opposed to that program. I fought it in the Congress. It is the province of the state to run its own elections. I am opposed to the anti-lynching bill because the federal government has no business enacting a law against one kind of murder than another... If a man can tell you who you must hire, he can tell you who not to employ. I have met this head on. 1960s[ edit ] What did you expect? I don't know why we're so surprised. When you put your foot on a man's neck and hold him down for three hundr


What name is given to the place of worship in the Sikh religion?

All About the Sikh Gurdwara, Where Sikhs Worship By Sukhmandir Khalsa Updated September 28, 2016. The door to the Guru's house of worship is always open and welcoming to the worshiper. Step inside the gurdwara and leave aside differences. A sublime atmosphere of devotion greets the senses. Strains of hymns beckon the ear. An array of vivid hues engage the eye. Bow before the Guru Granth in a moment of humility. A helping of the sacred delicacy, prashad, delights the palate. The scent of food cooking promises the tongue fulfillment. Sit with the congregation and discover a sanctuary for the soul. The opportunity for selfless service presents an unparalleled inner cleansing experience while at worship in a gurdwara. Gurdwara Hall. Photo © [Khalsa Panth]


What is the name of the site in Australia used to test and launch missiles and spacecraft?

Space Today Online - Spaceports Around the World - Australia Spaceports Around the World: Australia's Woomera and Weipa Spaceports Satellites have been blasted to space from Australia. On October 28, 1971, Great Britain became the sixth nation to launch an artificial moon to orbit above Earth. The satellite, named Black Knight 1, rode atop a rocket called Black Arrow in a launch from Woomera, Australia. Woomera. This village with a population of 1,805 is a small town in the north of South Australia managed by the Australian Department of Defence. It was established in 1947 as a testing station for the British experimental rocket program. South Australia is home to the famous Outback, which contains 80 percent of the state's area, but less than 0.75 percent of its population. Great Britain and Australia tested rockets on the firing range at Woomera from the end of World War II through the 1970's. Numerous rockets were launched, including the early Europa series. Woomera also operated as a NASA tracking station until 1972. The rocket testing range and the Nurrungar communications station are prohibited areas managed by the Defence Department. More recently, the Australian Space Council has been considering the possibility of new launch pads at Woomera as well as at Weipa and Darwin. Sparsely populated Woomera has useful infrastructure, is usually cloud free, and would be a good location for access to polar orbits. Darwin. Unlike the empty desert area around Woomera, this capital of the Northern Territory is a bustling tropical city clustering around the beaches of Darwin Harbour Weipa. Weipa is on the Cape York Peninsula in Queensland. Cape York is the most northerly tip of Australia and a four-day four-wheel-drive trip from Cooktown through some of the most rugged sandy and wooded country in Australia. One of the world's last rainforest wildernesses, the unexplored domain is accessed via rugged dirt roads which cross several rivers that often swell and close the roads during the wet season. The Queensland state government has been putting a lot of energy into promoting space launches from Weipa, Australia, trading the excellent climate in the remote, northern, sparsely-populated 4,000-square-mile Cape York Peninsula -- including its overpopulation of crocodiles -- for a slice of the worldwide spaceflight launching pie. It's certainly a low-overhead area at the moment. And it probably can guarantee longer life in space for satellites since it's only about 15 degrees below the equator. An orbiting stationary satellite, which had been launched from Cape York Peninsula, would need 120 lbs. less fuel to maintain its orbit. That would mean a couple of years more working life in space. The premier of Queensland, calling the weather at Weipa as near perfect as one could want, said that should be attractive to governments and private companies who could replace Mother Nature's local environment with steel towers, concrete runways and hotels. In the early 1990s, Australia organized a Cape York Space Agency to develop a Queensland launch facility. A Queensland University scientist said spaceport operators could earn millions of dollars in profits, even after the expense of moving the crocodiles elsewhere. Meeting resistance. However, thousands of Aborigines who call tropical Cape York Peninsula home disagreed with the premier of Queensland. They campaigned against the proposed launch site, calling it a "second invasion" of their country. The spaceport is backed by the government of Australia and the state of Queensland, but the Wuthathi and Kuku Yau communities of Aborigines said the launch site was planned in Tokyo, Moscow and Washington, without consideration for local land rights. The local Cape York Aboriginal Land Council used legal means to stop the development. Wuthathi people are traditional Aborigine owners of the outlying land on the east coast of Cape York Peninsula. Japanese shuttle landings. Japan, with ambitious plans for its Hope space shuttle to carry freight to the International Space Station, had been thinking abo


Richard Hamilton, who died in September 2011, was famous for the design of the cover of which Beatles album?

Who was Richard Hamilton | The White Album Project The White Album Project British pop artist Richard Hamilton landed the job via mutual friend, gallery owner Robert Fraser Richard Hamilton in a photograph taken around 1970 Richard Hamilton was born April 24 1922, and died September 13 2011 in England at age 89. A British painter and collage artist whose art collages of the 1950s directly inspired Sir Peter Blake, who created the Beatles’ Sgt. Pepper cover. He has been called the “Father of Pop Art”, and was the artistic genius behind the Beatles’ iconic White Album package design. He was closely associated with the Swinging London of the 1960s. One of his well-known paintings depicted Mick Jagger and art dealer Robert Fraser handcuffed together in the back of a police car. As a teacher, one of his art students was Bryan Ferry of Roxy Music. Hamilton is often credited as one of the original pop artists, as well as the coiner of the phrase. For his design of the blank White Album cover and the collage-style poster inside, Hamilton claimed to have been paid the equivalent of just $316. Hamilton’s 1956 collage titled ‘Just What Is It that Makes Today’s Homes So Different, So Appealing?, produced for the This is Tomorrow exhibition of the Independent Group in London, is considered by some critics and historians to be the first work of Pop Art. The piece has all the human senses cast in various modes; the purpose of the picture was to “provoke acute awareness of the sensory functions in an environmental situation”. Born into a working class family, Richard Hamilton grew up in the Pimlico area of London. Having left school with no formal qualifications Hamilton got work as an apprentice working at an electrical components firm. Here he discovered an ability for draftsmanship and began to do painting at evening classes at St. Martin’s School of Art which eventually lead to his entry into the Royal Academy Schools. After spending the war working as a technical draftsman he re-enrolled at the Royal Academy Schools but was later expelled. After two years at the Slade School of Art Richard Hamilton began exhibiting at the ICA where he also produced posters and leaflets and teaching at the Central School of Art and Design where he became a lifelong friend with Eduardo Paolozzi. Hamilton and Paolozzi formed the Independent Group based at the ICA. Other members of that group included the painter Magda Cordell, the photographer Nigel Henderson, the architects Alison Smithson and Peter Smithson, the art critics Lawrence Alloway, Reyner Banham and Toni del Renzio. Pop Art should be popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and big business ~ Richard Hamilton In 1952 through Roland Penrose, who Hamilton had met at the ICA, he was intoduced to the Green Box notes of Marcel Duchamp. It was also through Penrose that Hamilton met Victor Passmore who gave him a teaching post based in Newcastle-Upon-Tyne which lasted to 1966. The post afforded Hamilton the time to further his research on Duchamp which resulted in the publication of a typographic version of Duchamp’s Green Box in 1960. Hamilton’s 1955 exhibition of paintings at the Hanover Gallery were all in some form a homage to Duchamp. In the same year Hamilton organised the exhibition Man Machine Motion at the Hatton Gallery in Newcastle. Designed to look more like an advertising display than a conventional art exhibit the show prefigured Hamilton’s contribution to This is Tomorrow the following year. The success of This is Tomorrow secured Hamilton further teaching assignments in particular at the Royal College of Art from 1957-61 where he promoted David Hockney and Peter Blake. During this period Hamilton was also very active in CND. In the early 1960s he received a grant from the Arts Council to investigate the condition of the Kurt Schwitters ‘Mertzbarn’ in Cumbria. The research eventually resulted in Hamilton organising the preservation of the work by relocating it to the Hatton Gallery. In 1962 his first wife Terry was killed in


Who composed the cantata 'Belshazzar's Feast', first performed in 1931?

Walton - Belshazzar's Feast - Programme Notes Belshazzar's Feast  - William Walton (1902 - 1983)     William  Walton was born in Oldham, Lancashire. He was a chorister at  Christchurch, Oxford, and later as an undergraduate became very friendly  with Sacheverell Sitwell, who then introduced him to his siblings, Edith  and Osbert. After leaving Oxford Walton went to live with the Sitwells,  where the exhilarating artistic environment provided exactly the kind of  stimulus he needed for his creative development and greatly assisted in  the promotion of his career. He had just turned twenty when he acquired  fame and some notoriety with the outrageous Faï¿½ade,  a collaboration with Edith Sitwell in which her eccentric poems were  recited through a megaphone from behind a screen, to the accompaniment  of Waltonï¿½s witty, sophisticated music.   In 1929  the BBC commissioned Walton, who by now was widely regarded as the young  star of English music, to write a small choral work. Osbert Sitwell  suggested a cantata on the Biblical story concerning the lavish feast  thrown by the Babylonian king, Belshazzar. The libretto that Sitwell  compiled is almost entirely from the Bible - mainly from Daniel, with  extracts from Isaiah, Psalm 137 and the Book of Revelations.   Quite  apart from the fact that the BBCï¿½s commission was very welcome both  financially and professionally, Waltonï¿½s motivation for the composition  of Belshazzarï¿½s Feast was twofold. He had been living as part of  the Sitwell family for ten years and was by now very aware of the need  to become independent and not known simply as their talented acolyte. He  was also prompted by the great success of Constant Lambertï¿½s  jazz-inspired cantata Rio Grande, composed in 1929 to words by  Sacheverell Sitwell. Progress on Belshazzar was slow and arduous,  and Walton struggled with it throughout 1930, experiencing frequent  blocks. ï¿½I got landed on the word ï¿½goldï¿½, he said later. ï¿½I  was there from May to December, perched, unable to move either right or  left or up or down.ï¿½ The BBC  had asked for a short work requiring no more than fifteen or so  instruments, but by the time Walton eventually completed Belshazzar it had become a fully-fledged oratorio scored for huge forces  comprising a very large orchestra, including a battery of percussion  needing four players, a big chorus frequently divided into eight parts,  a baritone soloist and an organ. Such an undertaking was beyond the  BBCï¿½s resources and so it was passed to the Leeds Festival, whose  Musical Director was Sir Thomas Beecham. He casually remarked to Walton, ï¿½As youï¿½ll never hear the thing again, my boy, why not throw in a  couple of brass bands?ï¿½ Brass players happened to be available for a  festival performance of the Berlioz Requiem so Walton wrote into  the score additional parts for two bands, each of seven players. Beecham  showed little interest in the new work and gave it to his younger  colleague, Malcolm Sargent, to conduct.   Though the  Leeds Festival Chorus had considerable experience of performing large  works, the choir found Waltonï¿½s unfamiliar, dissonant harmony and jazzy  cross-rhythms exceptionally demanding, and some of the sopranos and  altos objected to singing the word ï¿½concubinesï¿½, much to the composerï¿½s  amusement. However, the first performance in 1931 caused a sensation and  was a huge critical and public success. Not everyone viewed it  favourably, though. Despite its impeccable  biblical credentials, the Church of England considered it unsuitable for  performance in cathedrals, and The Times music critic declared that it ï¿½culminates in ecstatic gloating over the fallen enemy - the utter  negation of Christianityï¿½. The  organizers of the Three Choirs Festival forbade it until 1957 and it was  not performed at Worcester until 1975. Elsewhere it enjoyed enthusiastic  popular acclaim and quickly became an established feature of the choral


What is the common name of the butterfly 'Apatura Iris', the male is the most beautiful found in the British Isles. It has black/brown wings with white bands and a coloured sheen that gives it its name?

Full text of "British butterflies" See other formats f   y    'NIK   WJSr&R£hl3 ! tfS IjIBJUsMT,   MW WM OIL £)0X   opper, & Common Blue Butterflie   v,, B0"M.   THE   13tr> S^,/   NATURALIST'S LIBRARY.   EDITED BT  SIE WILLIAM JAEDINE, BAET.  F.R.S.E., F.L.S., ETC., ETC.   VOL. XXIX.   ENTOMOLOGY.^ WHITISH BUTTERFLIES. y  BY JAMES DUNCAX,  M.W S., ETC.   EDINBURGH:  W. H. L1ZARS, 3, ST. JAMES' SQUARE.  LONDON:  HENRY G. BOHN, YORK STREET, COVENT GARDEN.  1855.   55$   CONTENTS.   Memoir of Werner,  Account of the Wernerian Society of Edinburgh  Introduction,  Plate I. elementary and anatomical figures, &c. Plate II. ditto, ditto. Plate III. Caterpillars, &c.  Genus Papilio,  Swallow-tail Butterfly.  Papilio Machaon. Plate IV. Fig. 1. Scarce Swallow-tail Butterfly.  Papilio Podalirius. Plate IV. Fig. 2. Brimstone Butterfly.  Gonepteryx Rhamni. Plate V. Fig. 1. Clouded Yellow Butterfly.  Colias Edusa. Plate V. Fig. 2. . Pale Clouded Yellow Butterfly.  Colias Hyale. Plate VI. F'ig. 1. . Scarce Clouded Yellow Butterfly.  Colias Europome. Plate VI. Fig. 2.  Genus Pontia,  Common Cabbage Butterfly.  Pontia Brassicce. Plate VII. Figs. 1. and 2   PAGE  17 48 49   92   9-1   100 103  106  108 110  113   CONTENTS.   Early White Cabbage Butterfly.  Pontia Chariclea. Plate VIII Small White Butterfly.  Pontia Rapes. Plate VII. Fig. 3. Hoard's White Butterfly.  Pontia Metra. Plate VIII. Fig. 2. Green-veined White Butterfly.  Pontia Napl Plate IX. Fig. 1. Dusky-veined White Butterfly.  Pontia SabelliccB. Plate VIII. Fig. 3.  Genus Mancipium,  Bath White Butterfly.  Mancipium Duplidice. Plate IX. Fig. 2. Orange-tip Butterfly.  Pontia Cardamines. Plate X. Figs. 1. & Wood White Butterfly.  Leucophasia Sinapis. Plate X. Fig. 3. Black-veined White, or Hawthorn Butterfly.  Pieris Cratceyi. Plate XI. Fig. 2. Apollo Butterfly.  Parnassius Apollo. Plate XI. Fig. 1., Duke of Burgundy Fritillary.  Nemeobius Lucina. Plate XII. Fig. 1.  Genus Melitcea,  Pearl-Bordered Likeness.  Melitcea Athalia. Plate XII. Fig. 2., . Greasy Fritillary.  Melitcea Artemis. Glanville Fritillary.  Melitcea Cinxia. Plate XIV. Fig. 2. . Pearl-bordered Fritillary.  Melitcea Euphrosyne. Plate XV. Fig. 2. Small Pearl-bordered Fritillary.  . Melitcea Silenc. Plate XIII. Fig. 3., .   I'AGE  Fig. 1 Male. 116   Plate XIII. Fig. 2.,   117  119 121  123  124  125  127  128  131  134  137 139  140  142  144  145  148   C0NTENT5.   Plate XVI. Fig. 1. Plate XVII. Fig. 2.   Genus Argynnis. .... .  Queen of Spain Fritillary.  Argynnis Lathonia. Plate XVI. Fig. 2. High Brovm Fritillary.  Argynnis Adippe. Plate XVI. Fig. 1. Dark Green Fritillary.  Argynnis Aglaia. Plate XV. Fig. 1. SHlyei- Washed Fritillary.  Argynnis Paphia. Plate XIV. Fig. 1.  Genus Vanessa,  Comma Butterfly.  Vanessa C. -album. Great Tortoise- Shell.  Vanessa polychloros Small Tortoise-Shell.  Vanessa Urticce. Plate XIX Fig. 1. Peacock's Eye.  Vanessa Io. Plate XVIII. Fig. 1. Camberwell Beauty.  Vanessa Antiopa. Plate XVIII. Fig. 2. Red Admiral.  Vanessa Atalanta. Plate XX. Fig. 1. Painted Lady.  Cynthia Cardui. Plate XIX. Fig. 2. . Purple Emperor.  Apaturo Iris. Plate XXI. White Admiral.  Limenitis Camilla. Plate XX. Fig. 2.  Genus Hipparchia. ....  Speckled Wood Butterfly.  Hipparchia Algeria. Plate XXIII. Fig. 4. Wall Butterfly.  Hipparchia Megcera. Plate XXII. Fig, 3. The Grayling.  Hipparchia Semele. Plate XXII. Figs. 1.   PAGE  150 152 153 155  157 159  ICO  1G2  164  166  168  170  174  177  181  184  186  188 &2. 190   CONTENTS.  PAGE  Marbled White Butterfly.  Hipparchia Galathea. Plate XXIII. Fig. 1. 192 Large Heath.  Hipparchia Tithonus. Plate XXIII. Figs. 2.  and 3 194  Meadow- Brown Butterfly.  Hipparchia Janira. Plate XXIV. Figs. 1. & 2., 196 The Ringlet Butterfly.  Hyparchia Hyperanthus. Plate XXIV. Fig. 4. 198 Mountain Ringlet.  Hipparchia Cassiope. Plate XXIV. Fig. 3. 199  Arran Brown


In the Bible parable of the Good Samaritan, to where was the traveller heading when he was attacked?

Luke 10:25-37 NIV - The Parable of the Good Samaritan - On - Bible Gateway Luke 10:25-37New International Version (NIV) The Parable of the Good Samaritan 25 On one occasion an expert in the law stood up to test Jesus. “Teacher,” he asked, “what must I do to inherit eternal life?” 26 “What is written in the Law?” he replied. “How do you read it?” 27 He answered, “‘Love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind’[ a ]; and, ‘Love your neighbor as yourself.’[ b ]” 28 “You have answered correctly,” Jesus replied. “Do this and you will live.” 29 But he wanted to justify himself, so he asked Jesus, “And who is my neighbor?” 30 In reply Jesus said: “A man was going down from Jerusalem to Jericho, when he was attacked by robbers. They stripped him of his clothes, beat him and went away, leaving him half dead. 31 A priest happened to be going down the same road, and when he saw the man, he passed by on the other side. 32 So too, a Levite, when he came to the place and saw him, passed by on the other side. 33 But a Samaritan, as he traveled, came where the man was; and when he saw him, he took pity on him. 34 He went to him and bandaged his wounds, pouring on oil and wine. Then he put the man on his own donkey, brought him to an inn and took care of him. 35 The next day he took out two denarii[ c ] and gave them to the innkeeper. ‘Look after him,’ he said, ‘and when I return, I will reimburse you for any extra expense you may have.’ 36 “Which of these three do you think was a neighbor to the man who fell into the hands of robbers?” 37 The expert in the law replied, “The one who had mercy on him.” Jesus told him, “Go and do likewise.” Footnotes:


"Which British Prime Minister said ""in the case of war, it's not who is right but who is left""?"

Margaret Thatcher Margaret Thatcher ▼ Primary Sources ▼ Margaret Thatcher Margaret Roberts, the daughter of a grocer, Alfred Roberts, was born in Grantham , Lincolnshire , on 13th October, 1925. She was educated at the Kesteven & Grantham Girls' School , and at 17 she won a place to study chemistry at Somerville College , where she was tutored by the future Nobel prizewinner Dorothy Hodgkin . After graduating in 1947 from Oxford University she worked as a research chemist. Later she studied law and eventually became a barrister. A member of the Conservative Party , Thatcher was adopted as the parliamentary candidate for Dartford . In the 1950 General Election she argued: "We are going into one of the biggest battles this country has ever known - a battle between two ways of life, one which leads inevitably to slavery and the other to freedom. Our opponents like to try and make you believe that Conservatism is a privilege of the few. But Conservatism conserves all that is great and best in our national heritage. What is one of the first tenets of Conservatism? It is that of national unity. We say one nation, not one class against another. You cannot build a great nation or a brotherhood of man by spreading envy or hatred." On 13th December, 1951 she married Denis Thatcher , a successful businessman. In 1953, their twins, Mark and Carol, were born. She was called to the bar at Lincoln's Inn in 1954 and was elected to represent the safe-seat of Finchley in October 1959. Two years later she joined the government of Harold Macmillan as joint parliamentary secretary for Pensions and National Insurance. The Conservative Party was defeated in the 1964 General Election and Harold Wilson became the new prime minister. Edward Heath , the new leader of the Conservatives, appointed her as Opposition Spokesman on Pensions and National Insurance. She later held opposition posts on Housing (October 1965), Treasury (April 1966), Fuel and Power (October 1967), Transport (November, 1968) and Education (October, 1969). Following the Conservative victory in the 1970 General Election , Thatcher became Secretary of State for Education and Science. In October 1970 she created great controversy by bringing an end to free school milk for children over seven and increasing school meal charges. However, she did allow the previous government's plan to establish the Open University to go ahead. She explained in her autobiography, The Path to Power (1995): "I thought that it was an inexpensive way of giving wider access to higher education, because I thought that trainee teachers in particular would benefit from it, because I was alert to the opportunities offered by technology to bring the best teaching to schoolchildren and students, and above all because it gave people a second chance in life. In any case, the university was due to take its first students that autumn, and cancellation would have been both expensive and a blow to many hopes. On condition that I agreed to reduce the immediate intake of students and find other savings, my Cabinet colleagues allowed the Open University to go ahead." Edward Heath , the prime minister, came into conflict with the trade unions over his attempts to impose a prices and incomes policy. His attempts to legislate against unofficial strikes led to industrial disputes. In 1973 a miners' work-to-rule led to regular power cuts and the imposition of a three day week. Heath called a general election in 1974 on the issue of "who rules". He failed to get a majority and Harold Wilson and the Labour Party were returned to power. In January 1975 Thatcher challenged Edward Heath for the leadership of the Conservative Party . She explained: "I felt sorry for Ted Heath personally. He had his music and a small circle of friends, but politics was his life.... Nonetheless, I had no doubt that Ted now ought to go. He had lost three elections out of four. He himself could not change and he was too defensive of his own past record to see that a fundamental change of policies was needed." On 4th February Thatcher defeated Heath by


In a series of films based on the books by Donald Hamilton, who played the character Matt Helm?

Matt Helm Matt Helm Created by Donald Hamilton "Here's something else I've been promising you forever... the file on one of my favorite tough-guy protagonists of all time, and the series character who hooked me on the hard-boiled genre in the first place. Yeah, I know he's not a private eye, but he played one on TV. <g> -- Chris Mills In the nearly thirty excellent paperback originals by Donald Hamilton, MATT HELM is a government operative, not a P.I. -- but I think we can slip him into this list on a technicality. In 1975, Hollywood producers brought Helm to television as a somewhat run-of-the-mill TV private eye played by Tony Franciosa. While this was a bit of a come-down for fans of the cynical, tough-guy "counter-assassination agent," it was nothing compared to what Hollywood had done to the character back in the spy-mad Sixties. During the James Bond craze of the mid-to-late Sixties, Columbia Pictures produced a quartet of "Matt Helm" spy spoofs, beginning with The Silencers (1966). Very loosely based on Hamilton's novels (using the titles, a few character names, and locations), these colorful, if ludicrous, comedy adventures starred Rat Packer Dean Martin as a perpetually inebriated American secret agent. Totally miscast, Martin bore no resemblence whatsoever to Hamilton's tall, lanky outdoorsman, (I've always felt that Clint Eastwood in his prime would have been perfect for the role) but at least two of the movies are genuinely entertaining as spy spoofs, and there's no denying that the featured femmes (which included Stella Stevens, Ann Margaret, Sharon Tate, Tina Louise and Daliha Lavi, among others) were of a very high caliber, indeed. Though the general public may associate the name Matt Helm with the Dean Martin spoofs, the novels should not be dismissed. Suspenseful, fast-moving, with a decidedly dark sense of humor, the Matt Helm series is notable not only for its exceptional quality but its unusual longevity. Beginning with Death Of A Citizen in 1960, and ending with 1993's The Damagers, Matt Helm starred in one of the finest hard-boiled adventure series ever written. Cynical, violent, and extremely well-plotted, the Matt Helm series outlasted its many contemporaries, with World War II veteran Helm moving beyond the Cold War intrigues of the Sixties to continue defending his country's interests (and bedding beautiful young betrayers) well into the Nineties. But despite the frequently applied label, Helm isn't a spy. He is, quite simply, a government assassin, and he's very good at his job. Helm is introduced in the first novel, Death Of A Citizen as a World War II veteran who worked as an assassin behind enemy lines. Helm is brought back into government service when Communist agents attempt to manipulate the now-civilian author of Western novels (like Hamilton himself) and professional photographer into helping them in their sinister schemes by kidnapping his young daughter. Needless to say, Helm rescues his offspring, but in such a brutal, ruthless manner that his wife is shocked and terrified by the monster she's married. She leaves him and Helm returns to his old work, now for an unnamed government agency run by his former military commander, a man known only as Mac. A series about a professional killer might present problems for some readers, but Hamilton's a sharp guy, and manages to keep the audience squarely in Helm's corner by making sure that the expert marksman stays firmly on the side of the angels. Rarely is Helm used as a political assassin; instead, he's designated as a "counter-assassination agent," assigned primarily to execute other professionals in his own field. In the Cold War Sixties and Seventies, these are usually Communist killers, whose targets are often American scientists; but come the Eighties and Nineties, his opponents tend to be in the employ of fictional terrorist organizations from around the world. Fans of tough-guy protagonists won't find a harder hardcase than Helm; cold, efficient, and professional (with a professional's disdain for amateurs), but endowed with a wide v


Who, along with Rachel Riley and Susie Dent, will host the 2012 series of Countdown?

Countdown dragged into digital age as Dictionary Corner ditches trusted reference book for laptop - Mirror Online Countdown dragged into digital age as Dictionary Corner ditches trusted reference book for laptop Susie Dent and the celebrity guest of the day will verify contestants' answers on oxforddictionaries.com  Share Digital age: Countdown host Nick Hewer with Susie Dent (left) and Rachel Riley (Photo: Channel 4)  Share Get celebs updates directly to your inbox + Subscribe Thank you for subscribing! Could not subscribe, try again laterInvalid Email TV quiz Countdown is to ditch its dictionary after 32 years this month – and replace it with an online version. Rachel Riley revealed that the hit gameshow - the first programme to air on Channel 4 when it launched in 1982 - is finally being dragged into the modern technological era. “We’re moving into the 21st century,” she laughed. The all-new Dictionary Corner will launch at the start of the 70th series on June 30. Viewers will only notice the difference on the daily show when Susie Dent replaces her much-leafed copy of the Oxford English Dictionary with a sleek computer. But while the book itself will disappear from the screen, resident lexicographer Susie will remain. She and the celebrity guest of the day will instead verify the answers using a laptop and oxforddictionaries.com to find the best words available from the selected letters. Today Susie said: “While I’ll miss rifling through the printed dictionary and using Countdown’s famous pencam, I’m excited that we will now be able to reflect the very latest changes to English by using an online dictionary that’s updated every three months.  "The principles of Dictionary Corner will remain exactly the same - it’s simply the technology that is changing.” poll loading


Squaw Valley, the venue for the 1960 Winter Olympic Games, is in which US state?

1960 Squaw Valley Winter Games | Olympics at Sports-Reference.com 1960 Squaw Valley Winter Games Host City: Squaw Valley, United States (February 19, 1960 to February 28, 1960) Opening Ceremony: February 18, 1960 (opened by Vice-President Richard Nixon) Lighter of the Olympic Flame: Kenneth Henry Taker of the Olympic Oath: Carol Heiss (athlete) Closing Ceremony: February 28, 1960 Events: 27 in 8 sports Participants: 665 (521 men and 144 women) from 30 countries Youngest Participant:   Marcelle Matthews (11 years, 306 days) Oldest Participant:   Francisco Jerman (39 years, 130 days) Most Medals (Athlete): Soviet Union (21 medals) Overview When the 1960 Olympic Winter Games were awarded to Squaw Valley, California, all that existed there was a hotel. The ski village was the dream of Alexander C. Cushing and he succeeded in convincing the IOC to hold the Olympics there. Squaw Valley's obscurity was best exemplified at the closing ceremony of the [1956 Olympic Winter Games]. Traditionally the mayor of the host city hands the Olympic flag over to the mayor of the next host city. But Squaw Valley was an unincorporated village and did not have a mayor. U.S. Congressman Harold T. Johnson, representing Squaw Valley's district, was drafted to stand in and receive the flag from former Italian bobsledder Renzo Menardi, deputy mayor of Cortina. » Click to show/hide rest of overview After the award the Europeans verbally attacked the site for various reasons. The ski courses were not up to FIS calibre in the alpine competitions, while in the nordic races, the altitude (2,000 metres [6,650 feet]) was felt to be too stressful for the competitors. The Squaw Valley organizers polled the Winter Olympic nations and found that only nine would send a bobsled team so they elected not to build a run and not to contest the sport. The bobsled federation (FIBT) was furious and petitioned the IOC to change the ruling, but Squaw Valley was adamant. No Olympic bobsled events were on the 1960 program, so the FIBT held world championships only two weeks later in Cortina d'Ampezzo, Italy. In all, despite the initial misgivings about the site, the Games were well run with few problems. And U.S. television was present, showing the events to the American people for the first time. The simple village of Squaw Valley put on quite a show, led by famed Hollywood movie and television producer Walt Disney, who was placed in charge of pageants and ceremonies. The athletes liked the rustic setting, in which they could walk to most of their events from the village, which gave the Games a homey, close-knit atmosphere. This was the days before massive Olympic security. The program was also changed a bit, in addition to the absence of bobsledding. Biathlon was introduced as a sport for the first time. Women's speed skating made its Olympic début and saw the arrival of [Lidiya Skoblikova] (URS) who won two gold medals. She would return in 1964 to win all four events on the schedule. In figure skating, [Hayes Jenkins]' brother, [David Jenkins], won the men's titles, while David Jenkins future sister-in-law, [Carol Heiss], avenged her 1956 defeat to easily win the women's title. In the nordic combined event, [Georg Thoma] (FRG) became the first non-Scandanavian to win a nordic event. In ice hockey, the United States pulled a major upset when they defeated the Soviet Union in the semi-final match. The U.S. went on to defeat Czechoslovakia in the finals and win the gold medal. Not as well publicized as the miracle of 1980, the U.S. victory in 1960 was equally astonishing. Country Medal Leaders A Sports Reference Site : About SR/Olympics  | Privacy Statement  | Conditions & Terms of Service | Use of Data Data provided by OlyMADMen , led by Hilary Evans, Arild Gjerde, Jeroen Heijmans, and Bill Mallon. Members: David Foster, Martin Frank, Jørn Jensen, Carl-Johan Johansson, Taavi Kalju, Martin Kellner, George Masin, Stein Opdahl, Wolf Reinhardt, Ralf Regnitter, Paul Tchir, Magne Teigen, Christian Tugnoli, Morten Aarlia Torp, and Ralf Schlüter. Sports Refer


Nadgett, Elijah Pogram and Tom Pinch appear in which Dickens novel?

David Perdue's Charles Dickens Page - Characters N-Q Nadgett ( Martin Chuzzlewit ) Private investigator hired by Tigg Montigue to provide information on the customers of the fraudulent life assurance company. Nadgett exposes Jonas Chuzzlewit as Montigue's murderer. Nadgett is also landlord of Tom and Ruth Pinch in Islington. (top) Namby ( Pickwick Papers ) Sheriff's Deputy who comes to arrest Mr. Pickwick when Pickwick refuses to pay costs after the Bardell vs Pickwick trial. He incurs the wrath of Sam Weller . (top) Nancy ( Oliver Twist ) Prostitute and member of Fagin's band of thieves. Befriends Oliver and is eventually murdered by Sikes trying to help Oliver escape Fagin's clutches. Wore a good deal of hair, not very neatly turned up behind, and were rather untidy about the shoes and stockings. They were not exactly pretty, perhaps; but they had a great deal of colour in their faces, and looked quite stout and hearty. (top) Native, The ( Dombey and Son ) Indian servant of Major Joe Bagstock who had no particular name, but answered to any vituperative epithet. (top) Neckett ( Bleak House ) Sheriff's officer who arrests debtors and delivers them to Coavin's sponging house (temporary debtor's prison) thus Skimpole gives Neckett the nickname "Coavinses". Neckett dies leaving three orphans: Charlotte (Charley) , Emma , and Tom . (top) Neckett, Charlotte (Charley) ( Bleak House ) Daughter of sheriff's officer Neckett . When her father dies Charley cares for her two younger siblings: Emma and Tom . Charley becomes Esther Summerson's maid, nursing Esther through smallpox. She later marries a miller. A very little girl, childish in figure but shrewd and older-looking in the face--pretty-faced too--wearing a womanly sort of bonnet much too large for her and drying her bare arms on a womanly sort of apron. Her fingers were white and wrinkled with washing, and the soap-suds were yet smoking which she wiped off her arms. But for this, she might have been a child playing at washing and imitating a poor working-woman with a quick observation of the truth. (top) Neckett, Emma ( Bleak House ) Daughter of Neckett and baby sister to Charley and Tom . a heavy child of eighteen months. Later becomes Esther Summerson's maid after Charley gets married. (top) Neckett, Tom ( Bleak House ) Son of Neckett and brother to Charley and Emma . a mite of a boy, some five or six years old. Later apprenticed to Charley's husband, a miller. (top) Ned ( Oliver Twist ) Chimney sweep whom Bill Sikes laments has been lagged (sentenced to transportation) and the small boy Ned "kept small on purpose" and was formerly available for thief work, has been reformed and given honest work. (top) Nell's Grandfather ( The Old Curiosity Shop ) Owner of the Old Curiosity Shop. He has a secret gambling habit, hoping to make a fortune for his granddaughter. He borrows money to gamble from Quilp , when he cannot pay he takes Nell and escapes London to the country. When Nell dies he is heartbroken and dies soon after. (top) Nemo ( Bleak House ) Alias of Capt. Hawdon (Nemo is Latin for nobody). Nemo is doing some law copying for Snagsby and is a boarder in Krook's rag and bottle shop when he dies of an opium overdose. He is later found to be the former lover of Lady Dedlock and the father of Esther Summerson . When Nemo approaches Mrs. Snagsby about copying work she was rather took by something about this person, whether by his being unshaved, or by his hair being in want of attention. (top) Nettingalls, Misses ( David Copperfield ) Proprietors of a girls school in Canterbury attended by Miss Shepherd , an early love of David Copperfield . (top) Newcome, Clemency ( The Battle of Life ) Lovable, awkward, and clumsy servant of Dr. Jeddler . She later marries Benjamin Britain and together they run the comfortable Nutmeg-Grater and Thimble Inn. (top) Mrs. Nickleby ( Nicholas Nickleby ) Mother of Nicholas and Kate . Absent-minded and self-absorbed, she continues to "put on airs" even in the reduced situation of her family after the financial ruin and death of her husband. The


In the early 1970s, Lynne Paul and Eve Graham were the lead singers in which group?

Lyn Paul website: New Seekers - Eve Graham   Eve Graham Eve Graham was recruited as one of the original members of the New Seekers. She sang the lead vocal on their biggest hit, I'd Like To Teach The World To Sing, and remained with the group throughout their most successful years. The New Seekers never had a hit without her. Why? (Am I Treated So Bad) (German   Biography Eve Graham was born Evelyn May Beatson on 19th April 1943 in Auchterarder, Perthshire. She comes from a large family, with a sister who is "a little bit older than me" and three younger brothers. Eve also had another sister who died at six months old. As a young girl Eve "never thought of singing as a career ... It wasn't really a job option." Her father, however, who was himself a good singer, spotted Eve's talent and encouraged her. Nonetheless, her first job was as a hairdresser. She then worked for her mum in a sub Post Office in Perth. At the age of 18, however, showbiz beckoned. Eve joined a local rock group called The Cyclones, singing with them at the weekends and turning up late for work on Mondays. She then got a job at the Rendez-Vous in Union Street in Dundee, where she was billed as "the singing waitress". Fate intervened at this point, when one of her brothers saw an ad for a girl singer with the Cyril Stapleton Orchestra. Eve, who describes herself at this time as "twenty going on twelve" was given £20 by her mother and "shoved" on a plane to London. Not quite knowing where she was going, Eve made her way to the Streatham Locano for the audition. She sang the Kathy Kirby song Secret Love and was invited to come back later. After working with Cyril Stapleton, Eve then worked with Ross Mitchell, first in a group called The Track, and then as a founder member of The Nocturnes, where she later met Lyn Paul. "That was my first experience of singing harmonies and I loved it" she later recalled. (The Reel Blend, BBC Radio Scotland, 20th November 2005) In 1969 Eve was invited by ex-Seeker Keith Potger to become one of the founding members of his new group, the New Seekers. At her audition she sang the P.P. Arnold hit of the previous year, Angel Of The Morning - it was the only tune she knew that Keith Potger could play on the guitar! Her rendition not only secured her a place in the group but impressed sufficiently for it to be included on the New Seekers' first album. Just before she joined the New Seekers, Eve had made some recordings with singer-songwriter Roger Cook (recording under the name Roger James Cooke). One of the tracks, Smiling Through My Tears, was released as a single while another titled Is It You That Has The Power? was included on the 1970 album Study. Eve had also been chosen by Cook to record the lead vocal on another of his songs, Melting Pot. When Eve joined the New Seekers instead, Cook teamed up with Madeline Bell to form Blue Mink . Melting Pot (Philips BF 1818) became the first of Blue Mink's four Top 10 hits. The song entered the UK singles chart on 15th November 1969 and peaked at number 3. It appeared that Eve had missed a golden opportunity. In 1970 when Sally Graham (no relation) left the New Seekers, Eve encouraged Lyn Paul to audition for the group. Lyn was successful and the two were reunited once again. Eve Graham     Eve sang the lead vocal on most of the New Seekers' early singles and on many of their biggest hits - What Have They Done To My Song, Ma ; Nickel Song ; Good Old Fashioned Music ; I'd Like To Teach The World To Sing and Circles . In 1973 a single - Nevertheless (I'm In Love with You) - was released which billed the group as Eve Graham and the New Seekers. An album of popular standards - Thanks for the Memory - was due to follow but never made it off the presses. The demo for the album included Nevertheless and 10 other tracks: Thanks For The Memory, You Must Have Been A Beautiful Baby, Guilty, The Object Of My Affection, As Time Goes By, Over The Rainbow, You Made Me Love You, Am I Blue?, Come To Me My Melancholy Baby and Why Don't We Do This More Often?. All of these tracks were eventually releas


In Greek mythology, who is the twin sister of Helenus?

Helenus | Greek mythology | Britannica.com Greek mythology Apollo Helenus, in Greek legend , son of King Priam of Troy and his wife Hecuba , brother of Hector , and twin brother of the prophetess Cassandra . According to Homer he was a seer and warrior. After the death of Paris in the Trojan War , Helenus paid suit to Helen but when she rejected him for his brother, Deiphobus, he withdrew in indignation to Mt. Ida, where he was captured by the Greeks. Other accounts, however, relate that Odysseus captured him, or he surrendered voluntarily in disgust at the treacherous murder of Achilles . He told the Greeks that in order to capture Troy they must gain possession of the Trojans’ image of Pallas Athena (the Palladium ), and they must slay Paris with the help of Achilles’ son Neoptolemus and of Philoctetes , who possessed the bow of Heracles . Helenus and Andromache , his brother Hector’s widow, were later taken by Neoptolemus to Epirus. After Neoptolemus’ death, Helenus married Andromache and became ruler of the country. In Virgil’s Aeneid, Book III, Aeneas visits them on his way to Italy. They have reconstructed a new Troy, and Aeneas must found a new city. Learn More in these related articles: Trojan War legendary conflict between the early Greeks and the people of Troy in western Anatolia, dated by later Greek authors to the 12th or 13th century bc. (See Troy.) The war stirred the imagination of the ancient Greeks more than any other event in their history, and was celebrated in the Iliad and the... Palladium in Greek religion, image of the goddess Pallas (Athena), especially the archaic wooden statue of the goddess that was preserved in the citadel of Troy as a pledge of the safety of the city. As long as the statue was kept safe within Troy, the city could not be conquered. It was said that Zeus, the... in Andromache (Greek mythology) ...by the kings of Molossia in historical times—until the demise of the monarchy in the 3rd century bc.) Neoptolemus was slain at Delphi, and he left Andromache and the kingdom as well to Helenus, the brother of Hector. After the death of Helenus, Andromache returned to Asia Minor with her youngest son, Pergamus, who there founded a town named after himself. 1 Reference found in Britannica Articles Assorted Reference association with Andromache  (in Andromache (Greek mythology) ) External Links Corrections? Updates? Help us improve this article! Contact our editors with your feedback. MEDIA FOR: You have successfully emailed this. Error when sending the email. Try again later. Edit Mode Submit Tips For Editing We welcome suggested improvements to any of our articles. You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. Encyclopædia Britannica articles are written in a neutral objective tone for a general audience. You may find it helpful to search within the site to see how similar or related subjects are covered. Any text you add should be original, not copied from other sources. At the bottom of the article, feel free to list any sources that support your changes, so that we can fully understand their context. (Internet URLs are the best.) Your contribution may be further edited by our staff, and its publication is subject to our final approval. Unfortunately, our editorial approach may not be able to accommodate all contributions. Submit Thank You for Your Contribution! Our editors will review what you've submitted, and if it meets our criteria, we'll add it to the article. Please note that our editors may make some formatting changes or correct spelling or grammatical errors, and may also contact you if any clarifications are needed. Uh Oh There was a problem with your submission. Please try again later. Close Date Published: November 08, 2007 URL: https://www.britannica.com/topic/Helenus-Greek-mythology Access Date: January 19, 2017 Share


Which group had a 1981 hit with 'Tainted Love'?

Soft Cell – Tainted Love Lyrics | Genius Lyrics More on Genius About “Tainted Love” Soft Cell’s 1981 synth-pop hit “Tainted Love” is a remake of a 1964 Gloria Jones song. Jones’ song was a B-side to “My Bad Boy’s Comin’ Home,” a Motown single that flopped. Jones’ “Tainted Love” blew up in the UK’s Northern soul scene in the ’70s after British club DJ Richard Searling bought a used copy on a trip to the US. After “Tainted Love” got a boost from the Northern soul scene, Gloria Jones recorded a new version in 1974, but it failed to chart. When Soft Cell decided to give the song a go in 1981, they changed the key and slowed the tempo. They worked with producer Mike Thorne to create the electronic arrangement for the song. Thorne told Sound on Sound : You could smell the coke on that second, Northern soul version, it was really so over-ramped and so frantic. It was good for the dance floor, but I didn’t like the record…when Soft Cell performed the song I heard a very novel sound and a very nice voice, so off we went. Hidden This page is accessible to Verified artists on the song Locked This song has been locked and is considered "done." You need 600 IQ to add annotations to locked songs. "Tainted Love" Track Info


What name is given to the migration of a solvent from a dilute solution to a more concentrated solution across a semi-permeable membrane?

Osmosis Osmosis is a critical phenomena related to the movement of solvent across semi-permeable membranes. A semi-permeable membrane is one through which solvent molecules can pass, but solute molecules cannot. This may seem like a very odd material (and in some ways it is), but biological cells are composed of such membranes. Thus the importance of osmosis in biology, as it has a strong effect on how solvent is shuttled in and out of cells. First, what is osmosis? Osmosis is the spontaneous movement of solvent through a semi-permeable membrane. It occurs when two solutions of different concentrations are separated by such a membrane. Remember, the free energy of a solution depends on its concentration. Higher concentration solutions have lower free energy. That is higher concentration solution are thermodynamically more stable. When two solutions of different concentrations are placed on opposite sides of a membrane, there is a free energy difference between the two sides. As a result, the solvent will move in such a way as to lower its free energy. This means it will pass through the membrane from the low concentration side to the higher concentration side. This movement of solvent is called osomsis. The solvent is said to "osmose". The osmosis will continue until both side of the membrane have the same concentration (same free energy). This is the equilibrium state. Take the example shown below. A tube has a semi-permeable membrane at the center with two solutions on either side. The solution on the left has a higher concentration than the one on the right. Thus the solvent will move from the righthand side to the lefthand side to get to the solution of lower free energy. This will lead to a dilution of the solution that was initially more concentrated and a concentration of the solution that was initially more dilute. The flow will continue until the two sides are equal in free energy. The movement of solvent from one side to the other, will lead to a height difference between the two sides.  This height can be converted into a pressure. The pressure is given as \[ \Pi = \rho g h\] Where Π is the pressure and is related to the density of the solution, \(\rho\), the acceleration due to gravity, \(g\), and the height of the solution, \(h\). It is important to take care with units with this formula. In general, it is best to use densities in kg m-3, g = 9.8 m s-2, and heights in meters. This will yield pressures in Pascals. This pressure is also related to the concentration difference between the two solutions. It is given as \[ \Pi = iMRT\] Where again Π is the osmostic pressure, M is the difference in concentration of the solutions, R is the ideal gas constant, and T is the temperature is in Kelvin. Again, units are critical. If the concentration is in molarity (moles per liter), then using R in L-atm will give pressures in atm. Remember the concentration that matters is the total concentration of all solutes. Any ions that dissociate you need to account for the van't Hoff factor, i. If you are calculating the "osmotic pressure" of a solution. It is assumed this is a comparison to a pure solvent. Thus the difference in concentration is simply the concentration of the solution. Unlike boiling point elevation and freezing point depression, the effects of osmosis can be large. For a 1 M NaCl solution the osmotic pressure is 48.9 atm (i = 2, Π = iMRT = (2)(1 mol L-1)(0.08206 L-atm K-1 mol-1)(298 K) = 48.9 atm. This is a substantial pressure. Another way to think about the osmotic pressure is that it is the pressure that needs to be applied to stop the osmotic flow.  This leads to another important concept: reverse osmosis. This the non-spontaneous transport of the solvent through the semipermeable membrane from concentrated solutions to dilute. This is a process that can be used to purify water.  How can the solvent flow be reversed? By greatly increasing the free energy of the concentrated solution by adding pressure. Applying a pressure equal to the osmotic pressure will stop the o


In a TV advert, Mr T (from the programme 'The A-Team') takes a tank on to a football pitch to promote which brand?

Sweet News Newsletter - Mars Products Mars Products From Wikipedia, the free encyclopedia   3 Musketeers (chocolate bar)   This article has multiple issues. Please help improve it (see how) or discuss these issues on the talk page. Question book-new.svg This article relies too much on references to primary sources.  (August 2013)  Text document with red question mark.svg Some of this article's listed sources may not be reliable.  (August 2013) 3-Musketeers-Wrapper-Small.jpg 3 Musketeers out of the wrapper.   3 Musketeers split in two, exposing the fluffy filling. 3 Musketeers is a  bar made in the United States and Canada by Mars, Incorporated. It is a chocolate-covered fluffy whipped chocolate bar. The 3 Musketeers Bar was the third brand produced and manufactured by M&M/Mars, introduced in 1932. Originally, it had three pieces in one package, flavored chocolate, strawberry and vanilla; hence the name. Rising costs and wartime restrictions on sugar saw the phasing out of the vanilla and strawberry pieces to leave only the more popular chocolate.[1] Costing five cents when it was introduced, it was marketed as one of the largest chocolate bars available, one that could be shared by friends.   To mark the 75th anniversary of the introduction of the  bar, Mars introduced 3 Musketeers Mint, the first brand extension, in August 2007.[2] Also in 2007, Mars produced a limited-ion "Autumn Minis Mix" 3 Musketeers. It featured French Vanilla, Mocha Cappuccino and Strawberry.[3] This was followed by Cherry 3 Musketeers for 2008, and Raspberry 3 Musketeers and Orange 3 Musketeers for Easter 2008. Orange was coated in milk chocolate, while the cherry and raspberry were coated with dark chocolate.[4][5]   Chocolate Brownie Bar (Generation Max series) S'Mores Brownie Bar (Generation Max series) Truffle Crisp Marshmallow, limited ion Minis, Easter 2011 and 2012 Coconut, 2011 Hot Chocolate with marshmallow, Christmas 2012   Manufacturing[]   The  is made of a whipped nougat filling covered with milk chocolate. The nougat chocolate center is first formed into very large slabs, which are cut to size, and after the centers are formed they are coated with milk chocolate through a process called "enrobing" wherein the centers pass through a continuous flowing vertical "sheet" of chocolate while, at the same time, a rotating, chocolate-covered wheel beneath the mesh belt coats the base of the bar. The bar is then cooled and prepared for wrapping. The  is made in Chicago .   The nougat chocolate center is made by whipping egg whites until they are light and frothy. Sugar syrup is then added, stabilizing the foam and creating "frappé."[citation needed] Other flavoring ingredients are then added to the frappé to create specific flavors.[6]   Marketing[]   3 Musketeers was advertised on television on the 1950s-era Howdy Doody show, along with a song that Buffalo Bob Smith encouraged children to sing. [7]   In the mid-late 1990s, the bar's advertisements also featured three men dressed as the legendary Three Musketeers to market the "45% less fat" campaign. The product's original slogan of "Big on Chocolate!" was expanded in these advertisements to "Big on Chocolate, Not on Fat!"   Most recently, the 3 Musketeers bar has been advertised in television spots which featured women. The  bar is promoted as a "Nice, Light Snack" which features "45% less fat" than other chocolate bars.[8]   3 Musketeers YouTube channel[]   In 2015, Mars, Incorporated debuted a marketing campaign in the form of a YouTube channel. The campaign was developed and directed by advertising agency Tribal Worldwide, who explained the project as an effort to establish relevancy and recognition among Generation Z. While it is not uncommon for corporations to tap into younger markets via sponsorships or deals with internet personalities such as YouTubers, Tribal Worldwide has said that they have attempted to take the concept further by developing their own such internet celebrities, as the channel is hosted by three teenagers selected for the roles, known as Emily, Buz, and G. The c


Who became the third wife of Paul McCartney in October 2011?

Who Is Nancy Shevell, Paul McCartney’s New Wife? - The Frisky Who Is Nancy Shevell, Paul McCartney’s New Wife? The Frisky | 10.10.11 | 3:40 pm Share < br />this article: Paul McCartney famously sang, “Will you still love me when I’m 64?” Well, he’s technically 69, but 51-year-old Nancy Shevell just answered “I do!” McCartney married his third wife this weekend in London following four years of courtship. “I feel married,”  McCartney told reporters after the ceremony. “I feel absolutely wonderful.” Aww, cute. After losing first wife Linda to cancer in 1998, McCartney had a tumultuous second marriage to Heather Mills, with whom he has a daughter, Beatrice (she served as flower girl!). Shevell and McCartney met in 2007 and the two became engaged in May. So, who is this woman feeling up on our favorite Beatle? The goods are after the jump … In addition to being a stunning, glossy-haired glamazon, Nancy—age 51—is a New York millionairess. But she works hard for the money—as the vice president of administration for the transportation company her father founded, New England Motor Freight. She’s also a board member of New York City’s Metropolitan Transportation Authority. While countless rock stars go for 20- and 30-somethings, Nancy is an age appropriate 51 — though can we just say she doesn’t look a day older than 30? Sheesh. An heiress who could have had her pick of snooty private colleges, Nancy attended notorious party school Arizona State University. Nancy and Linda, Paul’s first wife, were pals. Nancy was diagnosed with breast cancer in her 30s, around the time Linda was losing her battle. The two became close friends. Nancy just happens to be Barbara Walters’ cousin. When “The View” broke the news that Nancy and Paul were dating, Babs said, “I love her very much. She’s my second cousin. Her mother, who died, was my first cousin. And I have been very close to this young woman.” Even Stella, Paul’s fashion designer daughter, loves the feisty city girl. She is said to be “thrilled for her father.” Nancy officially divorced her husband of 23 years, Bruce Blakeman, a powerful lawyer, in December 2008. They have a teenage son, Arlen. Supposedly, their break up was amicable and mutual. Nancy has been dating the Beatle since her separation in November 2007. She was first caught giving Paul mouth-to-mouth resuscitation after his split from Heather Mills at her luxurious hideout in the Hamptons.


In which Disney film do the fairies Flora, Fauna and Merryweather appear?

Flora, Fauna and Merryweather | Disney Wiki | Fandom powered by Wikia Flora, Fauna and Merryweather Share Flora, Fauna and Merryweather is a featured article , which means it has been identified as one of the best articles produced by the Disney Wiki community. If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute. Flora, Fauna and Merryweather Susanne Blakeslee (Sorcerers of the Magic Kingdom) Fauna: The seven fairies from the original fairy tale by Charles Perrault Character information Aunt Flora, Aunt Fauna, Aunt Merryweather (by Aurora) Personality Flora: Motherly, tactical, heroic, obstinate, wise, brave Fauna: Quiet, soft-spoken, peaceful, pragmatic, friendly, warm, scatterbrained Merryweather: Feisty, impulsive, headstrong, outspoken, brave, funny, kind, protective, grumpy, resourceful, obstinate Appearance Flora: Obese, fair skin, gray hair in a bun, brown eyes, both red pointy hat and gown, clear red wings on her back Fauna: Slender, fair skin, brownish-gray hair in a bun, brown eyes, both green pointy hat and gown, clear green wings on her back Merryweather: Obese, fair skin, black hair, blue eyes, both blue pointy hat and gown, clear blue wings on her back Occupation To protect Aurora from Maleficent's curse (succeeded) Home Magic, happiness, helping others, joy, happy endings, cleaning, Dislikes Flora: Aurora's dress being blue Merryweather: Aurora's dress being pink Powers and abilities Light magic, flight, spell casting, conjuration, enchantment, miniaturization Paraphernalia Defeat Maleficent and safely reunite Aurora with her parents Quote “It can only do good, dear, to bring joy and happiness!” ―Fauna about their magic Flora, Fauna and Merryweather (known collectively as the Three Good Fairies) are major characters in Disney's 1959 animated feature film, Sleeping Beauty . Contents [ show ] Background The three good fairies are clothed in medieval-styled dresses with a particular color predominating. In addition to the dresses, the outfits are complemented with matching capes and pointy hats secured to their heads with colored veils. Flora's dress is predominantly red with her petticoat, cape clasp cuffs, and hat veil a dark yellow. She appears to be the leader of the group, and based on her dialogue in the film, she seems to deal heavily with flowers and nature; her favorite color is pink. Fauna's outfit is a dark green with accents in a lighter shade of green and she appears to be second-in-command. Despite her tendency towards absentmindedness and obliviousness, she is the quieter and the more introspective than the other two fairies, and often functions as a peacemaker between Flora and Merryweather. Merryweather is dressed in shades of blue, her favorite color, and is distinguished from the others by her diminutive stature. She is feisty, yet pessimistic, resourceful and often challenges Flora's leadership. As a group, they all have powerful magical abilities, channeled by their wands. They are able to do many things through their magic, such as shrinking in size, fly, bring inanimate objects to life, and putting people to sleep. Their wings allow them to fly and they maneuver adroitly through the air. Despite their claims that they could only do good things with their magic, they were not above using their powers in morally ambiguous ways: Flora gifted a sword and shield to Prince Phillip (which could be interpreted as promoting violence) while Merryweather turned Diablo into stone. They were also not above using magic for their own convenience and personal desires, as demonstrated through their preparations of gifts for Aurora's 16th birthday party, and in the pink/blue color war between Flora and Merryweather. Though their magic was stated to be inferior to Maleficent's in raw power, when they work together they were capable of granting people extremely powerful weapons to be used in the cause of righteousness. Such weapons could triumph over the darkest of evil. When they gave Prince Phillip the Shield of Virtue and the Sword of


Francesca Simon writes which series of books for young readers?

Francesca Simon | Author | Horrid Henry series | children's books | Did you know Horrid Henry has a website all of his own? It has all the books and lots of fun things to see and do… Fabulous Francesca Facts "Families are great sources of comedy because they are about people trapped together. Only the parents chose to be there and the rest of you are stuck with these people that you might not necessarily like" "Nobody feels emotions like children and with Henry, the war is constant and total. Anyone who has lived in a family has these shared experiences - the car journey from hell, nits or vomiting" "I’ve never met a child who doesn’t love hearing stories. It’s a good way of introducing them to books and it’s a great way of getting them to understand stories that they might not be able to read themselves" "We all love stories, it all helps making sense of the world" "Horrid Henry speaks to the impish, rebellious child in all of us" "My first book was called Papa Forgot and was published in 1993" "I’ve written over fifty books" "My birthday is 23rd February" "I’m a bit scared of the dark" "My hobbies are reading, cooking and going to the theatre" "My favourite author is Anthony Trollope" "My most disliked food is beetroot" "My favourite colour is aquamarine" "My favourite food is scallops"


Who played the detective Aurelio Zen in the BBC TV series of January 2011?

Zen (TV Mini-Series 2011) - IMDb (ATL, USA) – See all my reviews Underrated leading man Rufus Sewell gets his best role in years as Italian police detective Aurelio Zen in this summer's Masterpiece Mystery series: ZEN - now in rotation in the U.S. [ >>>>>See note on how to save this series at end of review<<<<< ] Going against the grain of playing to younger audiences - and beautifully produced on location in Italy - this is a series for adults, lovingly crafted by a spot-on cast and shot with verve by cinematographer Tony Miller (INFINITE JUSTICE). Calling it a "detective series" seems to miss he point entirely, for it is really about watching Sewell establish an ultra-cool, post-modern anti-hero with the quiet confidence of a Raymond Chandler gumshoe and the personal flair of a '70s Alain Delon film noir protagonist. Playing off an accomplished Italian/English cast ( see the office love interest embodied by the mesmerizing Caterina Murino), Sewell is a study in understated reserve that can turn testy when high-placed superiors want favors and cover-ups that are just not in Zen's wheelhouse. One of the fascinating things about Aurelio Zen is he must deal with a reputation for honesty that most of his cynical peers assume is just a pose, hiding a more crooked set of values closer to their own. It is too Sewell's great credit that he plays with this, sometimes showing Zen's more devious side, but then steering back to safer shores of a muted integrity that stays pretty dinged-up from episode to episode. While there are satisfying moments of action and rather robust plot twists, still it is the face and expressions of Rufus Sewell that lock down this fresh, interesting series; his staying alive goes way beyond being able to think on his feet - for Zen must continuously side-step the dark expectations of his suspects and superiors, walking a tightrope between the half-truths and dangerous lies that make up his professional world. In a TV universe of ever-falling standards, we should support this rare, intelligent portrait of a complex man trying to outsmart a world that grows more ruthless everyday. Those wishing to sound-off to the PBS execs that can perhaps reverse the BBC's initial decision to not buy more episodes can try contacting the American Executive Producer of PBS MYSTERY based at Boston's WGBH - Ms. Rebecca Eaton. In the past, she has been instrumental in saving several series that were not immediately picked up for a second season.-Brian H. Shaw b l o g "F.I.L.M.interpretation" at opera.com 20 of 22 people found this review helpful.  Was this review helpful to you? Yes


In which town was the 'Comedy Carpet' unveiled in October 2011?

Blackpool's comedy carpet is unveiled | UK news | The Guardian The Northerner Blackpool's comedy carpet is unveiled It contains the catchphrases from some of the best-loved comedians and has been likened to the Angel of the North - but horizontal. Final touches are made to Comedy Carpet by Gordon Young, the latest art installation on Blackpool's promenade Photograph: Christopher Furlong/Getty Images The Northerner Blackpool's comedy carpet is unveiled It contains the catchphrases from some of the best-loved comedians and has been likened to the Angel of the North - but horizontal. Tuesday 11 October 2011 08.18 EDT First published on Tuesday 11 October 2011 08.18 EDT Close On a rainy and windswept October day, the comedian Ken Dodd unveiled a comedy carpet in Blackpool. The carpet - made of granite and concrete - features catchphrases and jokes from hundreds of famous comedians, including Dodd, Frankie Howerd, Tommy Cooper and Morecambe and Wise. It was constructed beneath Blackpool Tower. Officials in Blackpool likened it to the Angel of the North - but horizontal. The larger catchphrases can be seen from the top of the tower that looms above it. The 2,200m square installation features 160,000 individually cut letters spelling out the famous one liners. The £4m project has taken five years from conception to installation. Some of the catchphrases and jokes include: "I had a ploughman's lunch the other day. He wasn't half mad." The artist Gordon Young said: "I'd been looking at photographs of stars and the Blackpool Tower was a recurring backdrop to the photos – Eric and Ernie in deck chairs, Ken Dodd, Les Dawson. "It soon became obvious that Blackpool had been a magnetic chuckle point for the nation." As Dodd unveiled the carpet, he exclaimed: "By jove missus, what a beautiful day!" You can see more images of the comedy carpet here. The Blackpool Gazette has a video of the launch. The news report contains the immortal line: "They talk about the Hollywood Walk of Fame - but no-one else has one of these!" Ken Dodd has performed in the resort every year since 1954. He told the Blackpool Gazette: "I think it's going to be visited by millions. The people of the north love to laugh, above anything else. "Blackpool is the greatest show town in the world." But my favourite headline goes to the Yorkshire Post which described the launch as a "gag pile carpet".


The new postcode E20 has been introduced to cover which development?

Olympic Park to share EastEnders' Walford E20 postcode - BBC News BBC News Olympic Park to share EastEnders' Walford E20 postcode 19 March 2011 Close share panel Image caption The Olympic Park will share the same postcode as Walford in EastEnders The Olympic Park is to get the same postcode as the BBC soap opera EastEnders, the Royal Mail has revealed. The site, in Stratford, will receive an E20 code - which is currently used by the fictional district of Walford in the TV series. The postcode will serve five new neighbourhoods to be created after the 2012 Games. The Olympic Stadium will get its own E20 2ST code as part of the change. More than 100 postcodes will be assigned to developments throughout the site - which will be renamed the Queen Elizabeth Olympic Park after the Games. London's first postal districts were introduced in 1857, while the current system using numbers and letters was created in the late 1950s. London 2012 - Begin your journey here Sport, news and more 2012 information The E20 postcode for the Olympic Park will also cover neighbouring areas including the residential apartments in the athletes' village plus the Westfield Stratford City shopping Centre which will house 400 retail units. The postcodes will be split into three zones - E20 1, E20 2 and E20 3. Zones 4 to 9 could be added in future decades as the site develops. Up to 8,000 homes will be built there over the next 20 years. Stephen Agar, Royal Mail's director of regulated business, said: "It is fitting that such a significant development in London has been allocated its own easily recognisable postcode more than 150 years after the world's first postcodes were introduced in the capital." Walford, the fictional suburb of East London where EastEnders is set, was given the E20 postcode when the BBC launched the soap opera in 1985. The previous highest postcode area in real life East London was E18, around South Woodford. There is no E19.


Which car company produce a model called the 'Kangoo'?

Renault Kangoo Be Bop Z.E. 44kW review | Autocar Follow @@autocar What is it? It’s a battery-powered Renault – a prototype, in fact, for the first of four all-electric models from the French company that will be coming to the market in the next three years. It’s called the Kangoo Be Bop ZE, and the car it prefigures will be the Renault Kangoo Express, a small battery-powered van due to launch in early 2011, which will be among the first mass-produced electric cars in the world, if Renault has its way. And here’s the important part: this car’s 60bhp, lithium ion electric powertrain will serve, sometimes in a slightly different tune, to power all four of La Regie’s new zero emissions breed. If this powertrain is good, therefore, it could change the way mass-produced cars are powered forever. What’s it like? Quite ordinary in almost every way but in the noise it makes. Which, coincidentally, is exactly how Renault wants it. The Kangoo Be Bop ZE accelerates to 62mph in around 13sec, hits 81mph flat out, and has a 62-mile range, but the last figure in that list should increase to about 100 miles before it hits showrooms. Renault says it should go far enough between charges to satisfy the daily requirements of 90 per cent of European drivers. If you want to go further, you either have to find a three-phase high-speed charging station, which will restore your range in between 20 and 30 minutes, or go to a ‘quickdrop’ station to swap your depleted battery for a fresh one. That process should take just three minutes, says Renault, and also assures us that, come 2011, the network of both ‘charging stations’ and ‘quickdrop centres’ will be fully developed in the UK. There’s a discreet beep when you turn the ignition key in this car, but nothing else tells you it’s running. Move the gearlever down to D – there’s no gearbox as such, just a reducer gear on the 13,000rpm electric motor. Now prod the accelerator though, and you’ll move away up the road more briskly than you might expect. The high-torque-at-low-rpm characteristic of the electric motor means the electric Kangoo’s quite an urgent performer up to about 45mph. Thereafter it progresses towards its top speed increasingly slowly; this car is much better suited to urban running than motorway work then. It goes like a big diesel around town and a small petrol on multilaners. Quietness is what dominates this car’s driving experience. It must be twice as refined from a mechanical perspective as a petrol-driven equivalent, probably three times as quiet as a diesel, and there’s also less noticeable noise from the chassis than you’d guess. But it goes about its business with a distant, quietly intriguing turbine whine that’s unlike any noise a combustion engine ever made; it certainly sounds fruitier than a milk float’s hum. Each of Renault’s four forthcoming electric models will have its own handling manners, but this Kangoo proves that they shouldn’t necessarily feel slow or heavy-laden, despite having 250kg of batteries on board. The car steers, rides and corners just like any other small Renault – and that’s more than acceptably well; it’s even reasonably entertaining to zip around town in. Should I buy one? Well, probably not this very one, but the electric Kangoo certainly reflects pretty well on the three all-electric passenger cars that are coming to a showroom near you. Using this powertrain, you can imagine that Renault’s battery-powered supermini and it’s two-seater urban runabout will be about as compelling and complete car small cars get. Here’s the snag: they will also be quite expensive. Renault is aiming for prices commensurate with like-for-like mid-range diesel models, but that’s taking into account government subsidies on electric cars that, in the UK, could run to £5000. The city car, then, is unlikely to be available for less than £10,000; the supermini’s likely to cost £16k, and the Prius-sized saloon a little over £20k. Which is fine, provided the UK government’s promise of cash incentives on electric cars isn’t just pre-election bluster. There will also be the


Give either of the forenames of the artist LS Lowry.

Lowry, original, paintings, drawings, works of art, Sir Ian McKellen Lowry's work as an investment? Sir Ian McKellen "Margy Kinmonth's film 'looking for Lowry' was mostly through the eyes of his admirers, who include me. Early on, she asked me to present and narrate the film: I said I was neither expert enough nor objective enough to do either. Yet in the finished film I seem to be presenting and narrating Margy's words just as she intended all along: as well as speaking Lowry's words and even trying for a sort of impersonation which is passable from the back only. Margy gets what she wants and what she wanted was a disparate group of mostly respectable Lowry fans to explain themselves. She was one of us and at the outset what most interested her was some definition of Lowry's achievement. She encouraged his heir to at last reveal the store of work he left behind. Carol Ann Lowry (no blood relation) talks so freshly about her friend and benefactor, a relationship meriting its own film. She can't understand why anyone wouldn't be in awe of his artistry. And that goes for all but one of us in Margy's film. I hope it might counter the traditional disaffection with which the art establishment regards Lowry's immense popularity. I hope my own advocacy, rooted as it is in northern origins, won't be automatically discounted in London-centric circles. I was brought up in industrial south Lancashire, down the cobbled road from where LS Lowry (1887-1976) lived and painted. As Noel Gallagher says in the film, I can't remember a time when I didn't know about Lowry. He was pre-eminent among other established local painters I admired, Theodore Major (from Wigan), Alan Lowndes (Stockport), Harold Riley (Salford), Trevor Grimshaw (Hyde), a varied group of northerners who flourished under the same polluted skies. Lowry didn't paint shadows. If he'd noticed any, perhaps he would have. Over the Pennines in Bradford, David Hockney didn't appreciate light and shade until he saw Californian sunshine in Laurel and Hardy films. Hockney and Stan Laurel (from Ulverston, at the time part of Lancashire, now Cumbria) emigrated to Los Angeles and the sunlight. Lowry stayed put in Greater Manchester, perhaps because he, like Adolphe Valette before him, preferred a steady urban gloom. He travelled all over the country, on holiday with friends, sketching for his evocative oils of Scotland, the Borders, Wales, Cornwall and the Lake and Peak Districts. There are, too, a few large seaside canvases, recording post war holidays at Lytham St Annes, where our family went a few times. Even there, in Lytham Sun Tans, as my sister aptly wrote it, there was still no sun for Lowry. Even on his sandy beaches, with strollers, paddlers and dogs, of course, there are no parasols, sunglasses nor shadows. No Manchester smog in his paintings either: though he could sketch a dazzling smoky sky. He did not paint the weather, nor ever the night. Except in the earliest oils of Salford, there are no Atkinson Grimshaw street lighting effects. His constant light is more Brechtian and presents the people in the paintings as if they have been lit for a performance where each character counts, where there are no stars but many walk-ons. The streets are white or grey, the better to present their silhouette. Whether sketched from afar in a crowd or painted in oily close-up, Lowry's people dominate his work. Through the thick of the waning industrial cityscape and beyond, he cast his steady, good-humoured gaze on his neighbours at work and play. Sir Ian McKellen's documentary exploring the life and work of the British artist LS Lowry Still in his prime he abandoned his trademark cityscapes for less populated scenes. I am a recent convert to his empty paintings of sea and mountains but if you want any proof that Lowry was a great painter, look at his earlier work and look at his crowds. Until Samuel Beckett wrote Waiting for Godot nobody seems to have noticed that much of human life is to do with waiting, and until Lowry painted his crowds, no other artist had recorded


Which team won the first Heineken Cup in 1996?

The First Heineken Cup Final : Match Centre | Heineken Cup | ERC | Official Website Emile Ntamack lifts the first Heineken Cup trophy 7 January 1996, 01:30 pm :: The First Heineken Cup Final Christophe Deylaud won the inaugural Heineken Cup for Toulouse when he kicked a penalty goal in the final seconds of extra time at the National Stadium, Cardiff Arms Park. Adrian Davies, Deylaud's opposite number, set up a dramatic finale when he kicked his fifth penalty in the 83rd minute, to bring the scores level 15- 15 and force another 30 minutes of extra time. Deylaud put Toulouse back in front two minutes after the restart but his penalty was matched by another by Davies to tie the scores again. But although both clubs had chances to clinch victory in a nail-biting finish it was Deylaud who proved the match-winner after referee David McHugh decided Cardiff had illegally handled in a ruck 20 yards out. Cardiff might have had complaints about the fateful refereeing decision, but not the eventual outcome. Toulouse, with less possession, produced some scintillating rugby and scored two excellent tries within 10 minutes which, hard though they tried, the Welsh champions could not match. Thomas Castaignede, who also dropped a crucial goal, grabbed the first try in a Heineken Cup final with a run up the left touchline and scrum half Jerome Cazalbou crossed for the other. It didn't help Cardiff's cause to find themselves 12 points adrift so early, particularly as their pack won plenty of ball and had Toulouse on the retreat. But whereas Toulouse continued to look threatening with the ball in hand, Cardiff lacked pace and penetration to take advantage of their forwards' control. It was thanks to Adrian Davies's kicking that they inched back into the contest, although the former Wales outside half missed two relatively easy kicks midway through the second half. There was a huge cheer from Cardiff fans when Jonathan Davies came on at half-time to replace Mark Ring, but even the former Rugby League star failed to produce a telling break against a dogged defence. Cardiff had two great chances to win late in the match when they forced two five yard scrums within two minutes. But hard though they tried, they could not break down the defence and had to accept their luck at levelling the scores at full-time. Both sides looked tired in the final half-hour but it was Deylaud who produced the trump card to end a thrilling and entertaining contest which augurs well for the future of the tournament.


"Who in athletics was known as the ""Flying Housewife?"

'Flying Housewife' wins again in London 'Flying Housewife' wins again in London CHRIS LEHOURITES Pin it Share FILE - This Aug. 4, 1948 file photo shows Fanny Blankers-Koen, of Netherlands, crossing the finish line of the 80-meter hurdle final of the 1948 Olympic Games at Wembley Stadium in London. Blankers-Koen, who was one of the biggest stars of the 1948 London Olympics, was originally left off a new map of the London Underground dedicated to past Olympians, prompting criticism from her homeland. But on Wednesday, April 4, 2012, the track star known as the "Flying Housewife" was added to the list for future prints. (AP Photo/File) More LONDON (AP) — The "Flying Housewife" has landed a subway stop in London after all. Fanny Blankers-Koen, a Dutchwoman who was one of the biggest stars of the 1948 London Olympics, was originally left off a new map of the London Underground dedicated to past Olympians, prompting criticism from her homeland. But on Wednesday, the track star known as the "Flying Housewife" was added to the list for future prints. "We apologize if any offense has been caused by the omission of Fanny Blankers-Koen, who was clearly a remarkable athlete," Transport for London marketing director Chris Macleod said in a statement. "We are speaking to the publisher to ensure that she features in the next reprint of the map." To make room for Blankers-Koen, who died in 2004, running rivals Zola Budd and Mary Decker will be put together into one station instead of holding separate stops, the TFL said. The Olympic Legends Map, which is being sold as a poster by Transport for London, changed the names of 361 London subway and railway stations, honoring greats like Jesse Owens, Nadia Comaneci and Mark Spitz. It includes a variety of Olympians from various sports. Blankers-Koen won gold in the 100 meters, 200, 80 hurdles and 4x100 relay at the London Games and was chosen "Female Athlete of the Century" by the IAAF in 1999. She was left off the first edition of the map, which prompted a formal complaint from the Dutch athletics federation. It wrote to London organizing committee leader Sebastian Coe to get Blankers-Koen added to the map. "Fanny Blankers-Koen had to be included in this tribute, so it is a great gesture," Dutch Athletics Federation general secretary Rien van Haperen told The Associated Press. "It shows class they found a fitting solution. ... We understand it was a painful mistake." The map was designed by Alex Trickett and David Brooks. "We always intended to select the right people for this map, and we spent a lot of time trying to do that," Trickett told the AP. "The absence of Fanny Blankers-Koen was basically just a pure administrative error on our part. "She had been on our short list — which wasn't so short, it was actually 500 or 600 athletes long — but she was on it and she was on it in red, which meant she was a must to be on the map." Track stars make up a good part of the map, running from west to east and all around the center of the city. With Coe, Carl Lewis, Maria Mutola and Emil Zatopek, most of the all-time greats are represented. Swimmers, boxers and basketball stars also make up a large portion of the map. The station closet to the Olympic Stadium, Stratford, is named "Michael Phelps" on the legends map. Other Americans with subway stops include Cassius Clay, the original name of boxing great Muhammad Ali, Mia Hamm, LeBron James, Magic Johnson, Sheryl Swoopes and Venus Williams. There is even room for "renowned athletes famous for not winning a medal." Falling under that category are Decker and Budd, the runners who got tangled in the 3,000-meter final at the 1984 Los Angeles Games. But Roger Bannister, who became the first man to run the mile in under four minutes in 1954, didn't make the cut despite finishing fourth in the 1,500 two years earlier at the Helsinki Olympics. "He is not on the map for a good reason," Trickett said. "He is undoubtedly a British icon, he is a sporting icon for Britain, but his reputation was made outside the Olympics. ... He was an Olympian, but he didn't ex


Who wrote the music for the 2002 film The Hours?

The Hours Soundtrack (2002) Who's there? Philip Glass, Knock Knock Your response to that opening joke is probably a good indicator of your response to Nonesuch's beautiful release of Philip Glass's new score to The Hours.ï¿½ Some will find it remarkably insightful, others mildly interesting, and some abysmally dull. Stephen Daldry's film of the Pulitzer prize winning novel The Hours is an intricately crafted, stunningly acted examination of three women in three times linked through one novel.ï¿½ The first woman, Virginia Woolf, is suffering from mental illness and confinement and is beginning one of her most celebrated novels, Mrs. Dalloway.ï¿½ In the 1950s, Laura Brown is a mother and housewife suffocating in her life when she begins reading Woolf's novel.ï¿½ Clarissa Vaughn is a modern Mrs. Dalloway, outwardly holding everything together while inwardly falling apart.ï¿½ As in the novel, we follow these three women through one day, as similar events in their lives allow us as an audience to seamlessly transition among the various stories. How Glass's score fits into this tightly woven picture is the center of much controversy as reviewers have alternately loved and deplored its effect in the film.ï¿½ Unlike most film composers, when Glass scores a motion picture, his music takes over scenes instead of unconsciously supporting them in the audiences mind.ï¿½ For that reason the majority of his film projects have been movies with little to no dialogue where the music and images exist in tandem, such as in Koyaanisqatsi and Kundun.ï¿½ Many have charged that in The Hours, an extremely literary film, the music is obtrusive and out of place.ï¿½ I will agree that the music is obtrusive, but I believe it is a perfect fit for the film for three reasons. First, The Hours is an extremely cold film, almost sterile in its examination of these three women.ï¿½ A detached tone is carefully constructed and audiences are invited to watch and observe but not emotionally invest in the characters.ï¿½ As a musical phenomenon, minimalism adopts the same tone.ï¿½ It is a music whose aim is to remove expression in music.ï¿½ Listeners engage intellectually or allow the music to wash over them, but they never are asked to engage themselves. Likewise, minimalist music revels in its structure.ï¿½ The process of continual change through repetition replaces large-scale musical form in works of this kind.ï¿½ These processes are audible and allow listeners to immediately grasp the works structure.ï¿½ As a movie, The Hours is similarly infatuated with its structure.ï¿½ Those seamless transitions in time encourage the audience to find parallels among the three stories, much as the continuous repetition of musical material in the score urges listeners to hear the parallels and symmetry in its construction. Finally, all critics of this music remark on its hypnotic, trance-like effect.ï¿½ Daniel Mendelowitz has even said that in much minimal art, one feels a weariness of mans spirit, a desire to escape into an enfolding quietude from the pressure of a frenetic, discordant world.ï¿½ All three protagonists are searching throughout their day for ways to escape their lives.ï¿½ If only we could tell them to simply sit and listen to the score. So, I believe the score fits the aesthetic world created by the movie perfectly.ï¿½ However this fact does not fully answer the question: is this a good score?ï¿½ In function, yes it is.ï¿½ It adds not only to the sense of distance from the proceedings engendered by the production, but adds to its omnipresent sense of dread.ï¿½ Consider the cue "Tearing Herself Away". Laura leaves her son at a sitter and as she drives away, the pounding asymmetrical repetitions of Glass's piano and strings emphasizes her mental instability.ï¿½ We are filled with the sense that anything could happen at any time.ï¿½ Many cues function in this manner to stunning effect.ï¿½ Its function is even more obvious when the music is absent, as when Woolf flees her home.ï¿½ In that scene, the sense of urgency dissipates, and we return to dispassionate ob