Marvel Comics’ character Tony Stark is the alter-ego of which superhero?

Marvel Comics' new Iron Man is female teen Marvel Comics' new Iron Man is female teen By Associated Press |  Posted: Wed 7:05 PM, Jul 06, 2016 LOS ANGELES, Calif. (AP) A black female teenager will be the new Iron Man. Marvel Comics veteran writer Brian Michael Bendis says in an interview Wednesday with Time that Tony Stark will step away from his superhero alter-ego and a new character named Riri Williams will assume the laser-blasting role. Bendis describes Williams as a science genius who enrolled in MIT at the age of 15. Williams comes to Stark's attention when she builds her own Iron Man suit in her dorm. Marvel has bestowed several diverse characters in recent years with long-running superhero mantles, including a biracial Spider-Man, Muslim Ms. Marvel, female Thor, African-American Captain America and Asian-American Hulk. However, those characters have yet to appear in Marvel film or TV adaptations. Williams will debut in "Invincible Iron Man" comic book this fall. `NCIS: Los Angeles' star Miguel Ferrer dies at 61 Related Information Tony Stark will step away from his superhero alter-ego and a new character named Riri Williams will assume the laser-blasting role.


Which Italian artist painted “The Stonemason’s Yard”?

Canaletto | The Stonemason's Yard | NG127 | National Gallery, London £ other Make this a monthly donation [{"Amount":2.0000,"CurrencyCode":"GBP","DonationDate":"2016-10-20T16:29:27","DonorDisplayName":"Joshua Beaumont Houghton Boston","DonorLocalAmount":2.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":0.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"Thank you for being you!"},{"Amount":2.0000,"CurrencyCode":"GBP","DonationDate":"2016-10-25T09:01:14","DonorDisplayName":"Richard Roberts","DonorLocalAmount":2.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":0.5000,"ImageUrl":"http://images.justgiving.com/image/24d4733d-a317-4e81-8d0c-014c91259172.jpg?template=profilesummary","Message":"I hope this small contribution will allow you to continue your excellent work"},{"Amount":20.0000,"CurrencyCode":"GBP","DonationDate":"2016-11-10T19:31:19","DonorDisplayName":"Kate English","DonorLocalAmount":20.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":5.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"What an amazing institution! This is to say thank you for your daily guided tours and the free activities you run for children."},{"Amount":5.0000,"CurrencyCode":"GBP","DonationDate":"2016-08-19T23:36:01","DonorDisplayName":"Fangbin Liu","DonorLocalAmount":5.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":0.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"I like to donate because I love this great museum and the great masterpieces kept in it."},{"Amount":10.0000,"CurrencyCode":"GBP","DonationDate":"2016-08-02T04:18:28","DonorDisplayName":"Suzanne Burke","DonorLocalAmount":10.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":0.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"Excellent online information for my students!"},{"Amount":5.0000,"CurrencyCode":"GBP","DonationDate":"2016-11-17T08:56:35","DonorDisplayName":"Katja Leyendecker","DonorLocalAmount":5.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":1.2500,"ImageUrl":"http://images.justgiving.com/image/87facb53-ce60-4e05-9c8d-fa830c9c523c.jpg?template=profilesummary","Message":"I had a most wonderful 3 hours in the gallery's 1600s section! Must return!"},{"Amount":5.0000,"CurrencyCode":"GBP","DonationDate":"2016-11-22T10:18:24","DonorDisplayName":"","DonorLocalAmount":5.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":0.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"These beautiful artworks belong to us all. Thank you for being custodians of the national collection"},{"Amount":8.3800,"CurrencyCode":"GBP","DonationDate":"2016-09-06T21:24:18","DonorDisplayName":"Andreas","DonorLocalAmount":10.0000,"DonorLocalCurrencyCode":"EUR","EstimatedTaxReclaim":0.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"It is great to visit for free such a prestigious museum. It's a small sum of money but donated willingly, for culture and for young people"},{"Amount":10.0000,"CurrencyCode":"GBP","DonationDate":"2016-11-15T16:27:55","DonorDisplayName":"Janet Scott","DonorLocalAmount":10.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":2.5000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"The wonderful National Gallery deserves all the support it can get."},{"Amount":20.0000,"CurrencyCode":"GBP","DonationDate":"2016-11-16T20:57:11","DonorDisplayName":"Irina ","DonorLocalAmount":20.0000,"DonorLocalCurrencyCode":"GBP","EstimatedTaxReclaim":0.0000,"ImageUrl":"https://www.justgiving.com/content/images/graphics/icons/avatars/facebook-avatar.gif","Message":"One of my favourite museums. Hope to visit again."}] The Stonemason's Yard More paintings in this room 'The Stonemason's Yard' is consider


Which rock drummer had a 1985 solo hit with “The Boys of Summer”?

The Boys of Summer by Don Henley Songfacts The Boys of Summer by Don Henley Songfacts Songfacts This is about looking back on a past relationship and wanting your ex back - wanting to return to what you had. The first verse depicts how the writer is left behind. His ex has moved on but he hasn't and still hangs onto hope: "But babe, I'm gonna get you back, I'm gonna show you what I'm made of / those days are gone forever I should just let them go but..." At first he is hanging onto hope but then he realizes that he must let go. The "Boys of Summer" could refer to the boys his ex is now seeing, and how they are just summer flings, while he is in it for the long haul. Don Henley told the NME that he really did see a Deadhead sticker on a Cadillac. Said the Eagles frontman: "I was driving down the San Diego freeway and got passed by a $21,000 Cadillac Seville, the status symbol of the Right-wing upper-middle-class American bourgeoisie – all the guys with the blue blazers with the crests and the grey pants – and there was this Grateful Dead 'Deadhead' bumper sticker on it!" The opening lyrics ("Nobody on the roads, nobody on the beach") refer to the California coast as summer turns into fall. It becomes a much quieter place when the weather gets cold. The title comes from a baseball book by Roger Kahn called Boys of Summer. The book is about The Brooklyn Dodgers, who broke the hearts of their fans when they moved to Los Angeles. The music was written by Mike Campbell, who worked with Tom Petty as a guitarist and producer for many years. He has also written tracks for many songs, including "Refugee," "Stop Draggin' My Heart Around," and "Don't Do Me Like That." Campbell offered this to Petty, but he turned it down and the song went to Henley, who wrote the lyrics. Campbell also played guitar on this and produced it. Mike Campbell told us about recording this song: "I used to have a 4-track machine in my house and I had just gotten a drum machine - it's when the Roger Linn drum machine first came out. I was playing around with that and came up with a rhythm. I made the demo on my little 4-track and I showed it to Tom, but at the time, the record we were working on, Southern Accents, it didn't really sound like anything that would fit into the album. The producer we were working with at the time, Jimmy Iovine, called me up one day and said he had spoken with Don, who I'd never met, and said that he was looking for songs. He gave me his number and I called him up and played it for him and he called me the next day and said he put it on in his car and had written these words and wanted to record it. That's kind of how it started. Basically, he wanted to recreate the demo as close as we could. We ended up changing the key for the voice. We actually cut it in one key, did the whole record with overdubs and everything, and then he decided to change the key like a half step up or something, we had to do the whole record again, but it turned out pretty good." The video for this song was the big winner at the 1985 MTV Video Music Awards, just the second year the awards were held. It won for Video of the Year, Best Director, Best Art Direction, and Best Cinematography. The director was Jean-Baptiste Mondino, a French graphic designer/photographer who had made a video for the song "Cargo de Nuit" by a French singer named Axel Bauer. Mondino sent that video to Jeff Ayeroff, an executive at Henley's label, Geffen Records. Ayeroff flew Mondino to California and had him meet with Henley, who was baffled by the pitch but decided to go with it and let Mondino do his thing. Speaking about his connection to the song in the book I Want My MTV, Mondino said: "I was living in Paris, and we were into a new era, more modern. But I couldn't refuse to go to LA - it was like a dream. When I got there, I was very disappointed, because there's a big difference between what I saw when I was a kid in the beautiful old Hollywood movies, and what LA's actually about. When I listened to 'Boys Of Summer,' there was something nostalgic - he was looking back, tal


Which German battle cruiser was sunk in the battle of the North Cape in December 1942?

Russian Convoys, Battle of the North Cape World War 2 at Sea     10. December 1942-December 1943, including BATTLE of NORTH CAPE, Part 1 of 2 German battlecruiser Scharnhorst in 1939. Sunk in the Battle of North Cape  (Maritime Quest, click to enlarge)


What name did the Gilbert islands adopt upon gaining independence?

Culture of Kiribati - history, people, clothing, traditions, women, beliefs, food, customs, family Culture of Kiribati Kiribati Culture Name I-Kiribati or kaini Kiribati. "Kiribati" is a    transliteration of "Gilberts," the British colonial name for    part of the Gilbert and Ellice Islands Colony. Alternative Names The Kiribati name for the Gilbert Islands is Tungaru, and the    archipelago's inhabitants sometimes refer to themselves as I-Tungaru. Island of origin is an important aspect of identification that predates    colonialism, and I-Kiribati differentiate themselves by birthplace. Orientation Identification. Kiribati is located at the interface of the Micronesian and Polynesian    cultural areas and is generally considered Micronesian. The over-whelming    majority of the population is I-Kiribati, with very small minorities (less    than 2 percent) of Tuvaluans and I-Matang (Westerners). Location and Geography. The country consists of 33 islands in three primary groups—the    western Tungaru chain (sixteen islands), the Phoenix Islands (eight    islands), and the Line Islands (eight of the ten islands in the    chain)—plus Banaba (Ocean Island) at the western edge of the    nation. Ocean-rich and land-poor, these equatorial islands are scattered    over millions of square kilometers of the central Pacific Ocean, with a    total land area of about 284 square miles (736 square kilometers).    Kiritimati (Christmas Island) in the northern Line Islands accounts for    about 48 percent of this land area. Banaba is a raised limestone island,    but the other islands are all coral atolls, and most have lagoons. These    atolls rise less than thirteen feet (four meters) above sea level, raising    concerns over rising sea levels as a result of global warming. The thin    alkaline soils are extremely infertile, and there is no fresh surface    water. Mean daily temperatures vary only slightly, averaging approximately    83 degrees Fahrenheit (28 degrees Celsius). The north of the Tungaru chain    is wetter, more verdant, and less prone to drought than the south. Demography. Banaba and the sixteen most westerly islands have been inhabited for over    three thousand years by ancestors of the contemporary I-Kiribati. The    Phoenix Islands and Line Islands were not permanently inhabited before the    twentieth century. Twenty of the islands are permanently settled. The    majority of the population (92 percent) lives in the Tungaru chain, with    over one-third living on urban South Tarawa. The population reached 84,000 in 1998, and is growing at a rate of    1.4–1.8 percent per year. Population has been growing rapidly since    the early 1900s, and overpopulation is a serious concern of the    government. While family-planning methods were introduced in 1968 and are    delivered free, fertility remains moderately high and large families are    culturally valued. Despite government efforts to maintain and improve life    on the outer islands, there has been substantial migration to the capital    on South Tarawa. There are several thousand I-Kiribati in other countries,    most serving as temporary workers. There is a small migrant community of    I-Kiribati in Vanuatu. Most Banabans were resettled on Rabi Island in    Fiji, and became Fijian citizens in 1970. However, they retain ownership    of land on Banaba and rights of residence and representation in Kiribati. Linguistic Affiliation. The I-Kiribati language, sometimes referred to as Gilbertese, is a    Micronesian language in the Austronesian family and is spoken in a    relatively uniform manner throughout the islands. While the language shows    considerable borrowing from Polynesia, it is distinct from the language of    neighboring Tuvalu and the Marshall Islands. English is the official    language and is taught in primary and secondary schools. Many adults on    the outer islands speak little English. Kiribati Symbolism. Symbols of


Squidward is the extremely reluctant neighbour of which children’s TV cartoon character?

Squidward Tentacles | Encyclopedia SpongeBobia | Fandom powered by Wikia Squidward [1] Q. [2] Tentacles [3] is the tritagonist/antagonist of SpongeBob SquarePants . He is the neighbor between SpongeBob and Patrick . He is a turquoise-colored octopus. Squidward lives in a house shaped like an Easter Island head (Moai head) . He works as the cashier of the Krusty Krab , a job he absolutely loathes. SpongeBob works with Squidward at the Krusty Krab, where SpongeBob works as the fry cook. Squidward is a very selfish individual and displays an unjustified air of superiority. He also has at least 492 self-portraits and is delusional about his talents (such as playing the clarinet) though nobody around him considers him to be very good, except sometimes SpongeBob and Patrick. Although Squidward's name contains the word "squid," he has been confirmed to be an octopus in many interviews and episodes. [4] [5] [6] [7] [8] The series' animators believed that giving him eight tentacles would have made him look burdened and would be too difficult to animate, which is why he is normally depicted with six limbs. Notable exceptions are the live-action sequence of " Pressure " and briefly in " Sold! ," in which he is seen with eight legs. A squid has ten limbs, unlike Squidward. Contents Squidward is also jealous of those who are more artistic than he is, for example, Nat Peterson , Patrick Star , [11] Mr. Krabs , Squilliam Fancyson and even the puppet Big Nose . Squidward is generally portrayed as an overall failure. His musical skills with the clarinet are generally portrayed as sub-par, from mediocre to excruciatingly horrible. However, there have been numerous exceptions (in " Bubblestand " and " Hello Bikini Bottom! ") he plays nice after practicing SpongeBob's 'technique,' at the end of " Christmas Who? ," he manages to play great with the one SpongeBob carved for him. In " That's No Lady ," he manages to play a nice tune to woo Patricia. In addition, in " Best Day Ever ," he even has a concert where he plays beautifully and receives thunderous applause from the audience. SpongeBob was even on the VIP list for it. It seems that he is actually capable of playing the clarinet very well by providing the full effort. In Hello Bikini Bottom!, he plays good enough for a musical manager to offered him and SpongeBob a job. His overall artistic style is shown to be abstract and overly sophisticated, and his works are commonly panned by his audiences. His critical failure is shown to be more due to his bad taste, rather than a genuine lack of talent. It is worth noting that the majority of his art centers on himself, apparently holding his very being to be an artistic wonder. In the episode " One Krab's Trash ," Squidward is shown bringing flowers to a gravestone reading "Here Lies Squidward's Hopes and Dreams." Despite his lack of success, Squidward is tireless in his pursuit of artistic achievement. In " Dunces and Dragons ," Squidly, Squidward's medieval ancestor, vowed that if he could not learn to play the clarinet right, his seventh great-grandson would be cursed tenfold. In " Squilliam Returns ," Squilliam Fancyson mentions that Squidward was voted "Most Likely to Suck Eggs" in high school. Given how Squidward is depicted as a loser in most regards, it is likely that his 'narcissism' is actually a defense mechanism to make him feel as if he has some form of self-worth. Outwardly, he shows signs of modest success: he lives in a nice, well-tended house, with no signs of slothfulness, and finds plenty of time to lead an active, involved life. Squidward is well educated and knows his history. He is actually intelligent and has a lot of worldly knowledge, especially compared to those of SpongeBob and Patrick. Squidward is also a skilled driver, as he manages to drive virtually everything, from a traditional bike, a boat, car, and even a tractor. Squidward is a good-natured and caring person; he just does not like to get too involved in things. When he is at the Krusty Krab, he is a lazy, sloppy employee (as shown in the " Krusty Krab Traini


Which newspaper was launched in 1986 as “Britain’s first full-colour low cost tabloid”?

History of Tabloid Newspapers in England   Think Stuff Unwanted: A History of Tabloid Newspapers in EnglandBy Dr Richard RooneyUnpublished manuscript. 1999. The Daily Mirror was the first truly tabloid newspaper in Britain.In 1934, the paper relaunched shedding its middle-of-the-road, middle-class, readershipin favour of a mass-audience of (mainly) working-class readers.The Mirror changed the shape of British journalism. The look of the news became moreimportant than the news itself, content was over-simplified, 'news' relied more on thetrivial, the sordid and the sensational. The paper built its circulation by filling the paper with items of maximum interest to the maximum number of people.The Mirror relaunch represented a significant shift in the way mass-circulationnewspapers packaged the news and from that date British newspapers were never goingto be quite the same again.This paper outlines the history of tabloid national newspapers in Britain, examining thestate of popular newspaper journalism before the Mirror's relaunch and setting incontext the developments since.It traces a number of themes: the changes in emphasis in news which placed human-interest, the unusual and the sensational at the centre of editorial agendas; the search for mass-circulation with the resulting intense competition among titles and thedevelopments in technology which made newspapers the preserve of large companies. Early History  By most accounts regular English journalism began with the Civil War and emergedduring the seventeenth century. The journalism did not necessarily take the form of newspapers, rather a wide range of publications existed. Among these were small pamphlets (actually called newsbooks) which appeared from about 1620. Publicationwas often erratic, but by the middle of the century many features associated with themodern newspaper began to appear: the leading article, advertisements and advice toreaders. 1  Broadside ballads, sold as single sheets, and newsbooks were packed with tales thatwould not seem out of place in today's tabloids: strange and wonderful happenings,murders, natural disasters and unusual births and omens. 2  Murders were covered in detail; readers' fantasies were catered for in lavish descriptionsof events like Royal weddings. News reports dwelt on the details because the eventsdescribed were more extravagant and magnificent than anything else in their readers'experience. Much of the material in these sheets was drawn straight from oral traditionor relied on word-of-mouth reports, stressing sources as 'eye-witnesses', the 'insiders' of today.     One characteristic of the seventeenth century ballad books was their moralising tones.Murderers were seen to repent and their subsequent execution was told in loving detail.Some early forms of popular newspaper were simply single printed sheets: while thesegave topical items in prose, the broadside ballads would give news in verse. Newspapers aimed at a mass audience developed first in the United States. These werelater to have a strong impact on tabloid journalism in Britain. The New York Sun wasfounded in 1833, aiming for the first time at a mass market. The Penny Press sold for one cent rather than the six cents cover price typical for newspapers of the time.The Penny Press of New York targeted a growing mass of semiliterate urbanites withtheir human-interest stories. Their style (rather than subject mater) was sensational. Thewriting style and tone of the Penny Press papers were based on the language of thecommon man. Their aim was to tell a good human-interest story, appealing to readers'feelings as much as to their intellect, this style was adopted by the English press at theturn of the century.The New York Sun evolved a simpler, more direct news style, using vivid, activelanguage and colloquialisms and breaking up stories into more manageable paragraphs.The short, clear, active style became the model for US journalism from then on.The US Penny Press began using reporting techniques that later became standard journalistic practice, this included the obs


Which ship escaped under the cover of darknes in July 1949 along the flooded Yangtse river?

MaritimeQuest - HMS Amethyst U-16 / F-116 Messages 7100-124 108. Jan. 21, 2013 My father was the navigator on the Sunderland that put down the doctor and received the shots in his nav bag! His name Flight Lieutenant Maurice Marshall, unfortunately he died 14 years ago. Coincidentally I currently live in Shanghai. I still have his medals and flying log from the incident. Barry Marshall Close-up of the first page. Close-up of the second page. Full page. Close-up of the second page. 107. Dec. 21, 2012 Am just wondering if you have any records of my father in law Ronald Charles Daniels as I have found a cap ribbon with H M S Amethyst and medals from the Korean conflict.  I believe he served on this ship if you have any details.   Thank you, Reply 1 Dec. 24, 2012 I have been unable to find your Father in Law's name on my lists.  I am sure he was not onboard during the Yangtze Incident.  If he had been on board his medals would have included the Yangtze Bar on the Naval General Service Medal.  As he has the Korean War Medal, he must have served in some ship during the Korean war.  His name does not appear in the list I have of the AMETHYST Ship's Company.  I am sure people were moved between ships during that war, so he might have been on board AMETHYST at some point. Sincerely, 106. Dec. 12, 2012 Bit of a strange request! I have a shop and a lady bought a ship's bulkhead clock with a plaque of HMS Amethyst. Says she took it to cover a bar bill in the pub she was running at the time. His name was Tony, and lived in Exeter who says he served on the Amethyst at the time of the Yangtze experience. He had links to Torrington. North Devon, but I cannot get a surname. Is this too long a shot to find out if the clock was indeed of the Amethyst? Many thanks, Reply 1 Dec. 16, 2012 I cannot help you very much if you only have a Christian name; I have the first name of some of the AMETHYST Ship's Company, others are only initials. I can say definitely there was not a ï¿½Tonyï¿½ onboard when we escaped from the Yangtze. Of the men, with only initials on my list, there are one or two with initial ï¿½Aï¿½ (Tony is short for Anthony). Your Lady's friend could be one of these. When AMETHYST was broken up in the mid fifties, some items from the ship would certainly have appeared on the market. No doubt the clock is a genuine item from the ship, though the plaque would have been added after it left the ship. Regards Stewart Hett 105. Dec. 12, 2012 My uncle Robert Holland served on HMS Amethyst and left the ship in Australia just before it set sail for China. He is still alive and often tells me stories of his days on the ship. Please let me know if you have any records of him as a crew member. Thanks and regards, Reply 1 Dec. 13, 2012 I think your Father was in 6 Mess, January 5th 1946, a number of H/O's left the ship at Sydney to travel home for demob. just before the ship sailed for a refit in New Zealand. He may remember Taf James and the U249. The Amethyst Association Has no record of men who served  on board during WW2. There is a photo of the members of 6 Mess on this page. ( HMS Amethyst Crew Photos ) He is welcome to join the Amethyst Association. Charlie Chivers, 104. Nov. 18, 2012 I was wondering if you could help me trace some records for my Dad Brian Roberts who served on HMS Amethyst, to my knowledge he was wounded and taken off at Rose Island, he was only 17 at the time (a junior seaman). He has just celebrated his 81st Birthday. Does anyone remember him? Bev Henderson Reply 1 Nov. 21, 2012 I served on board HMS AMETHYST with your father. In the 1980s I met a civilian working at HMS DRYAD, who had served with me in AMETHYST. I suspect it might have been your Father, though there was a Signalman Roberts who was wounded and landed with your Father; so it may have been him, and not your father. I remember suggesting to this chap, that he should join the AMETHYST Association and meet shipmates at the annual Reunions, but I do not think he ever joined the Association. It is not too late your Father could join now, and our next Reunion


Who created and drew the comic strip “The Fosdyke Saga”?

the fosdyke saga : definition of the fosdyke saga and synonyms of the fosdyke saga (English) The Fosdyke Saga                     The Fosdyke Saga was a British comic strip by cartoonist Bill Tidy , published in the Daily Mirror newspaper from March 1971 - February 1985. Described as "a classic tale of struggle, power, personalities and tripe", the strip was a parody of John Galsworthy 's classic novel series The Forsyte Saga , however the slightly bizarre and strange antics of the characters and those around them had a Lancashire / Cheshire lean with mangles, chimneys and soot ever present. The Fosdyke Saga was the story of Roger Ditchley, a wastrel son of tripe magnate, Old Ben Ditchley, who was deliberately disinherited by his father in favour of Jos Fosdyke. Roger, blinded by rage, seeks to regain his rightful inheritance over the next twelve years. His wicked plans are always thwarted as he enlists the most inept allies and twisted methods to attain his goal. Each book included bizarre settings such as the rugby game between a Welsh choir and a lady's casual rugby team held in a Salford hotel (the stairs collapsed in the first half if you must know), the hunt for the Tripe Naughtee and the unforgettable "Brain of Salford" competition. The series was axed from the Daily Mirror in 1985, the year after tycoon Robert Maxwell had purchased Mirror Group Newspapers. Created by well-known cartoonist Bill Tidy , who also produced cartoons for the satirical magazine Private Eye and created The Cloggies , the wry humour in this classic 1970s comic strip was very popular, if often unintelligible to those outside of the mid-north-west of England .   Adaptations The Fosdyke Saga has been adapted as a TV movie, a radio serial by the BBC and a theatrical stage play.


Greyhounds racing out of trap two wear which colour of jacket?

Greyhound Racing from The Good Gambling Guide Greyhound Racing   With attendances reaching      three million and £2.5 billion wagered on races each year, it is no      surprise that greyhound racing remains one of the country's most popular      spectator sports Twenty five tracks offer quality restaurants, bars and      corporate facilities envied by the rest of the entertainment industry. Between      them, they host 70,000 races a year, each featuring six beautiful, sleek      greyhounds racing with breathtaking speed and agility. With races taking place      every fifteen minutes at most tracks, its non-stop action American      Owen Patrick Smith introduced greyhound racing to Britain in its modern day      format. Having invented the very first mechanical lure and circular track in      the US in 1925, Belle Vue Stadium of Manchester opened in 1926. History   Owen Patrick Smith      together with politician Brigadier-General Alfred Critchley and entrepreneur      Sir William Gentle set up the Greyhound Racing Association (the GRA) in 1926.      The GRA built the very first purpose built greyhound racing stadium in Britain      in the Gorton area of Manchester in 1926. Belle Vue Stadium, as it was called,      held its first meeting on the 24th July 1926 and 1700 people went through the      gates to watch six races of seven greyhounds take place. A red greyhound named      Mistley won the first race by eight lengths at odds of 6/1. Within weeks crowds      of 11,000 per meeting were clambering to see this exciting new sport By      the end of 1926 the GRA was able to repay an initial bank loan and begin      planning expansion into London. This was White City, a stadium originally built      for the London Olympics in 1908, and was bought and opened for greyhound racing      in 1927. Later that year White City held the very first Greyhound Derby with a      prize of £1,000. The Derby is still the biggest race in the greyhound      racing calendar and is now held at Wimbledon stadium in south west London. In 1928 the National Greyhound Racing Club was set up to establish and      enforce a set of rules for racing. Greyhound Racing very quickly became an      extremely popular pastime with superstars such as Mick the Miller getting hero      status. The boom of racing was however checked by the Second World War. When it      that ended expension returned and the boom continued throughout the 50s and      60s. With the advent of televised horse racing attendances began to fall      in the late 60s and a general slump in the 70s caused several tracks to close. In 1979 the British Greyhound Racing Board was set up to enable various      stake holders in the sport to discuss the promotion and improvement of the      greyhound racing industry, to consult with the NGRC regarding the rules of      racing and to improve the care and welfare of the greyhound. On the 1st January      2009 the Greyhound Board of Great Britain (the GBGB) became operational, taking      on the functions of both the British Greyhound Racing Board and the National      Greyhound Racing Club. As a betting product, greyhound racing has never      been more popular. Some £2.5bn is staked on the outcome of greyhound      races each year, but a falling percentage of that is being traded at the      tracks. As of 1st September 2007, the Gambling Commission came into being,      introducing under its licence conditions many of the new laws set out in the      2005 Gambling Act. Among them, licensed betting shops became able to trade      until 22.00 every evening throughout the year. Prior to that, evening opening      of betting shops had been restricted to May-August. A percentage of off      course betting turnover (currently 0.6% of turnover) is returned to the sport      via a voluntary levy. It amounts to approximately £12m pe


Telly Savalas played the villainous Blofeld in which James Bond film?

POLL: Time For The Bald Truth − Who’s The Best Blofeld In The James Bond Franchise?  - Movieline Movieline Bond at 50 || By: Frank DiGiacomo || September 25, 2012 08:00 PM EST POLL: Time For The Bald Truth − Who's The Best Blofeld In The James Bond Franchise? Comments: 3 || Add Yours Almost as enduring as James Bond himself, Ernst Stavro Blofeld was a supervillain caricature even before Mike Myers turned him into Saturday Night Live creator Lorne Michaels with a skull cap as Dr. Evil in the Austin Powers franchise. In his first two Bond film appearances, From Russia with Love and Thunderball, the nefarious head of SPECTRE was shown only from the chest down as he stroked his  white cat and, like Darth Vader, required two — at the time, uncredited — actors to play him: Anthony Dawson handled the body portion of Blofeld while Eric Pohlmann provided the voice.  That changed in the 1967 Bond film You Only Live Twice when, in a dramatic reveal, Donald Pleasance became the initial face of Blofeld, although not for long.  The appropriately fiendish looking Telly Savalas played the villain in On Her Majesty's Secret Service; then Charles Gray took over in Diamonds Are Forever to play multiple Blofelds thanks to a plotline involving the creation of dastardly doppelgangers through plastic surgery.  (Cloning was not yet in vogue in the movies.) In the opening sequence of For Your Eyes Only, an uncredited character who is presumably Blofeld — the cat and the clothes certainly leave that impression — is finally dispatched by being dropped into a smokestack by Agent 007. As was the case with Blofeld's first two cinematic appearances, he is portrayed by two actors: John Hollis (body) and Robert Rietty (voice). And yet, the baddie manages to make one more appearance in the independently produced Never Say Never Again, where he is played by Max Von Sydow. While you're taking a break from trolling Bond chat rooms to see if Blofeld will return during the Daniel Craig era , vote for your favorite Blofeld. We've included even the minimal performances because we are completists at heart, and we know you are, too. If you haven't voted for you favorite Bond movie, that poll is still open, too , and Craig's debut turn in Casino Royale is currently winning. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.


Albert Christian Edward as the three other forenames of which member of the Royal family?

Prince William and Catherine Middleton: The Royal Wedding of 2011 | United Kingdom | Britannica.com Prince William and Catherine Middleton: The Royal Wedding of 2011 United Kingdom Westminster Abbey The wedding on April 29, 2011, of Prince William of Wales to his longtime girlfriend, Catherine Middleton , prompted lavish preparations in the United Kingdom . Though many of the finer details surrounding the wedding were closely guarded by the British royal family, especially so that the couple could maintain some privacy and preserve a few elements of surprise, public curiosity prompted the royal family, in the weeks leading up to the event, to release a number of facts about the eagerly anticipated nuptials, which the media dubbed the “wedding of the century.” In this special feature, Britannica profiles the couple and their courtship and provides some key facts of that day, notably the route of the royal procession and the family tree of the house of Windsor , as well as excerpts from Britannica’s past coverage of British royal nuptials. Prince William and his bride, Catherine, leaving Westminster Abbey after their wedding, April 29, … Tom Hevezi/AP Map of the procession route for the wedding of Prince William and Catherine Middleton, London, … Encyclopædia Britannica, Inc. House of Windsor family tree. Encyclopædia Britannica, Inc. Prince William of Wales William Arthur Philip Louis Windsor was born on June 21, 1982, in Paddington, London, the elder son of Charles, prince of Wales , and Diana, princess of Wales , and second in line (after Charles) to the British throne. William received his early education at Wetherby School in London and later attended Ludgrove School in Berkshire (1990–95) and Eton College in Windsor (1995–2000). The following year he spent traveling before enrolling at the University of St. Andrews in Scotland, where he would study art history , social anthropology, and geography. Having been exposed to charitable activities early in his life, he devoted the year to volunteering in Chile , working at a British dairy farm, and visiting Belize and various African countries. In 2005 William graduated from St. Andrews with a degree in geography, and the following year he entered the Royal Military Academy Sandhurst; he received his commission in the Household Cavalry in 2006. Prince William of Wales, 2008. Adrian Dennis—AFP/Getty Images Scientists Ponder Menopause in Killer Whales Despite his willingness to join British forces in Iraq, military officials suggested that neither William nor his younger brother, Harry , should serve, because they could become specific targets of attack, thereby putting their fellow soldiers at risk. (Harry briefly served in Afghanistan , however). In 2008 William went on attachment to the Royal Air Force and then to the Royal Navy , so that he could gain experience in all three major branches of the armed services. In 2010 he completed his training as a helicopter pilot in the RAF Search and Rescue Force and began a tour of duty in Wales . William ranks among the most popular figures of the royal family. Much like his father, William is an avid sportsman. He was admired for his public poise and grace following his mother’s death in a car crash in Paris in 1997, and 10 years later William and Harry organized a London memorial service to mark the anniversary of her death. Catherine Elizabeth Middleton Catherine Elizabeth Middleton was born on January 9, 1982, in Reading , Berkshire , England , the eldest of three children of Michael and Carole Middleton. Her siblings include a sister, Philippa (Pippa), and a brother, James. Her parents met while working as flight attendants at British Airways , and in 1987 they founded a mail-order business selling supplies for children’s parties. The success of that venture, along with a family inheritance, allowed them to send Catherine to a prep school and then to the prestigious Marlborough College in Wiltshire, England. At Marlborough , Catherine (by then called Kate) was known as a serious, levelheaded student, excelling in both athleti


What name is given to the flat topped peaked caps worn by Gendarmes?

boys' caps -- styles Boys' Caps: Styles HBC has just begun collecting information on this subject. We have acquired some information on basic cap types, but our understanding of these caps is still quite limited. In many case we do not fully understand the origins of these caps, when they were made, what the caps were used for. We incourage HBC readers to conrribute what they know about these caps. Four cap styles emerge as the most important over time, sailor caps, peaked school caps, flat caps, and baseball caps. There were, however, many other types of caps worn by boys. The information that we have acquired on boys caps include the following: Aviator Caps Aviator-style caps with flaps were popular with American boys during the 1920s and 30s, especially for winter wear. Aviation was a craze after World War I and this was fueled by the Lindberg flight (1927). I am not entirely sure when they first appeared, but it was the Linfbergh flight that made them popular for boys. Some boys remember pestering their parents for one of these caps. Much like another generation insisted on coon-skin caps. Some boys found that once they got these aviator caps that while they were the in thing--they weren't very comfortable. They were mostly worn by boys in knickers during the 20s and 30s. A good example is a boy at an air show about 1930. We see them into the 1940s, but without the goggles. A good example is a 1947 family snapshot . They were some times called helmets. I believe aviator caps were primarily an American cap style. Baby Caps and Bonnets Caps and bonnets were a common part of a baby's outfit through the 1920s. They were worn throughtout the day, inside and outside. Some children wore two caps. The first might be a plain cap made out of cotton and wool. The second was usually more ornamental--sometimes lavishly trimmed with ruffles and lace, quilted, emroidered, or decorated with other decorative embelishments. Especially elaborate caps were worn for christenings. They were most commonly white, but like the outer cloak could be colored and cembroidered. Padded caps during the 18th and early 19th Century were sometimes used to help shape a baby's head, especially if it was judged to be pointed. These paded caps were used even longer to protect a baby's head from injury as a result of a fall. These caps were known as pudding caps. (Pudding at the time not only had the modern connotation, but also meant a stuffed sausage. It was also another word for dumb.) A common expression at the time was that you wore a pudding cap so your brains wouldn't turn into pudding. Figure 1.--These boys are preparing to play baseball in the 1920s.  Note that nearly all are wearing knickers and long stockings with tweed hats. Note the absence of baseball acps. Baseball caps had not yet been marketed to the general public. Baseball Button on top The original baseball caps looked like British school caps, a clue to their origin--presumably caps worn by British schoolboys playing cricket. Thus the modern baseball cap in a continuing reminder of baseball's origins in cricket. Baseball caps were worn almost exclusively for playing baseball and in the United States. As recently as the 1950s it was not common to see Amerivan boys wearing baseball caps except for actual play. Since the 1960s baseball caps have become virtually the only headgear worn by American boys and in the 1990s worn backwards. Beginning in the mid-1980s baseball caps have spread virtually all over the world and are worn by boys who have never played baseball and who would object to waring a school cap. American Scouts and Cubs adopted baseball caps in 1980 and Scouts in several countries who have never played baseball have followed suit. Beanies The beanie was a destinctly American cap. It was a small, round skull-cap, cut in gores to make it fit the head. American boys wore beanies in the 1920s and 30s. Often pins and badges of various sort adorned them as well as novelty propellers. Often the beanies came with multi-colored wedges.


More familiar for television roles, who played King Edward the First in the film “Braveheart”?

Braveheart Movie Review & Film Summary (1995) | Roger Ebert Tweet Mel Gibson's "Braveheart" is a full-throated, red-blooded battle epic about William Wallace, the legendary Scots warrior who led his nation into battle against the English in the years around 1300. It's an ambitious film, big on simple emotions like love, patriotism and treachery, and avoids the travelogue style of so many historical swashbucklers: Its locations look green, wet, vast, muddy and rugged. Advertisement Not much is known about Wallace, known as Braveheart, except that according to an old epic poem, he unified the clans of Scotland and won famous battles against the English before being captured, tortured and executed as a traitor. Wallace's dying cry, as his body was stretched on the rack, was "freedom!" That isn't exactly based on fact (the concept of personal freedom was a concept not much celebrated in 1300), but it doesn't stop Gibson from making it his dying cry. It fits in with the whole glorious sweep of "Braveheart," which is an action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of "The Road Warrior." What people are going to remember from the film are the battle scenes, which are frequent, bloody and violent. Just from a technical point of view, "Braveheart" does a brilliant job of massing men and horses for large-scale warfare on film. Gibson deploys what look like thousands of men on horseback, as well as foot soldiers, archers and dirty tricks specialists, and yet his battle sequences don't turn into confusing crowd scenes: We understand the strategy, and we enjoy the tactics even while we're doubting some of them (did 14th century Scots really set battlefields aflame?). Gibson is not filming history here, but myth. William Wallace may have been a real person, but "Braveheart" owes more to Prince Valiant, Rob Roy and Mad Max. Once we understand that this is not a solemn historical reconstruction (and that happens pretty fast), we accept dialogue that might otherwise have an uncannily modern tone, as when Braveheart issues his victory ultimatum to the English: "Scotland's terms are that your commander present himself in front of our army, put his head between his legs and kiss his - - -." Uh, huh. Advertisement In the film, Wallace's chief antagonist is King Edward I ("Longshanks"), played by Patrick McGoohan with sly cunning; he is constantly giving his realpolitik interpretation of events, and that's all the more amusing since he's usually guessing wrong. Edward's son, the Prince of Wales (Peter Hanly), is an effete fop who marries a French woman only for political reasons. "I may have to conceive the child myself!" Longshanks says, and indeed, under the medieval concept of prima nocte, or "first night," nobles were allowed a first chance to sleep with the wives of their lessers. The Princess, played by the French actress Sophie Marceau , does not much admire her husband, who spends most of his time hanging about moon-eyed with his best friend (until the king, in a fit of impatience, hurls the friend out the castle window). Advertisement Edward, smarting from defeats, dispatches the Princess to offer his terms to Braveheart, but soon she's spilling all the state secrets, "because of the way you look at me." The Princess is the second love in Wallace's life; the first, his childhood sweetheart Murron ( Catherine McCormack ), marries him in secret (so the local English lord won't claim his rights). The two spend their wedding night outdoors, and the backlit shot as they embrace gains something, I think, from the frost on their breaths. These characters come from hardened stock. (When Wallace has a reunion with his childhood pal Hamish, they hurl rocks at each other for entertainment; later, when a Scotsman has his wound cauterized, all he says is, "That'll wake you up in the morning, boy!") It is sometimes seen as an egotistical gesture when actors direct themselves, especially in heroic epics costing (so they say) $53 million. The truth is, given this material, I do not know that anyone could ha


Which aircraft company made the Bobcat and Tomcat models?

Grumman F-14 Tomcat | Aircraft Wiki | Fandom powered by Wikia Edit The F-14 Tomcat program was initiated when it became obvious that the weight and maneuverability issues plaguing the U.S. Navy variant of the Tactical Fighter Experimental (TFX) ( F-111B ) would not be resolved to the Navy's satisfaction. The Navy requirement was for a fleet air defense fighter (FADF) with the primary role of intercepting Soviet bombers before they could launch missiles against the carrier battle group . The Navy strenuously opposed the TFX, which incorporated the Air Force's requirements for a low-level attack aircraft, fearing the compromises would severely affect the aircraft, but were forced to participate in the program at direction of then Secretary of Defense Robert McNamara who wanted "joint" solutions to the service aircraft needs to reduce developmental costs. The prior example of the F-4 Phantom II which was a Navy and Marine Corps program later adopted by the Air Force (under similar direction) was the order of the day. The F-111 manufacturer General Dynamics partnered with Grumman on the Navy F-111B. With the F-111B program in distress, Grumman began studying improvements and alternatives. In 1966 the Navy awarded Grumman a contract to begin studying advanced fighter designs. Grumman narrowed down these designs to its 303 design. [3] Vice Admiral Thomas Connolly, Deputy Chief of Naval Operations for Air Warfare took the developmental F-111A variant for a flight and discovered it had difficulty going supersonic and had poor carrier landing characteristics. He later testified to Congress about his concerns against the official Department of the Navy position, and in May 1968 Congress stopped funding for the F-111B, allowing the Navy to pursue an answer tailored to their requirements. VFX Edit In July 1968 the Naval Air Systems Command (NAVAIR) issued a Request for Proposals (RFP) for the Naval Fighter Experimental (VFX), a tandem two-seat fighter with maximum speed of Mach 2.2 and a secondary close air support role. [4] The VFX requirements called for a built-in M61A Vulcan cannon and powered with twin engines. It would be equipped with either six AIM-54 Phoenix missiles or a combination of six AIM-7 Sparrow and four AIM-9 Sidewinder air-to-air missiles. Bids were received from General Dynamics , Grumman, Ling-Temco-Vought , McDonnell Douglas and North American Rockwell . [5] Four of the bids incorporated variable-geometry wings . McDonnell Douglas and Grumman were selected as finalists in December 1968, and Grumman won the contract in January 1969. Grumman had discussed its early design mock-ups and cost projections with Naval authorities as an alternative to the F-111B. [4] The winning Grumman design reused the TF30 engines from the F-111B, though the Navy planned on replacing them with the F401-PW-400 engines then under development by Pratt and Whitney for the Navy (in parallel with the related F100 for the USAF). [6] Though lighter than the F-111B, it was still the largest and heaviest U.S. fighter to ever fly from an aircraft carrier, its size a consequence of the requirement to carry the large AWG-9 radar and AIM-54 Phoenix missiles, also from the F-111B and an internal fuel load of 16,000 lb (7,300 kg). The F-14 would also share a similar inlet duct, wing, and landing gear geometry with Grumman's A-6 Intruder . [7] Upon being granted the contract for the F-14, Grumman greatly expanded its Calverton, Long Island, New York facility to test and evaluate the new swing-wing interceptor. Much of the testing as well as the first few in-flight mishaps, including the first of many compressor stalls and ejections took place over Long Island Sound. In order to save time and forestall interference from Secretary McNamara, the Navy skipped the prototype phase and jumped directly to full-scale development; the Air Force took a similar approach with its F-15 . [8] The F-14 first flew on 21 December 1970, just 22 months after Grumman was awarded the contract, and reached Initial Operational Capability (IOC) in 1973. The United States Ma


Although they had 9 number ones in their home country, which Dutch group’s only UK hit was “Radar Love”?

Golden Earring Story - The Eighties 2020 The Eighties 1980 - The band has a contract for one more record for Polydor and so Prisoner Of The Night was recorded. It contains several fine rocksongs like Long Blond Animal and No For An Answer. This time the album was (again on low budget!) recorded at the Golden Earring Workshop Zoetermeer with the Mira Sound Mobile studio and mixed at Soundpush studio's Blaricum, Holland by John Kriek and George Kooymans. The release date for the album was September 12, 1980, exactly 15 years after the release of their first single Please Go. Although the band has put out several fine albums over the years, Golden Earring has not always had an easy time staying consistent from album to album. This 1980 effort was one of the rare instances in the Golden Earring catalog in which the group takes a good album, No Promises... No Debts, and actually improves on it. Like the aforementioned album, Prisoner of the night presents a collection of songs that combine pop hooks and hard rock muscle in a radio-friendly way. However, Golden Earring improves on this style instead of recycling it: The guitar riffs hit harder, the hooks are catchier, and the arrangements are more willing to toss an occasional left turn at the listener while still managing to keep the songs lean and exciting. Good examples include the single "No For An Answer" which combines a muscular array of guitar riffs and a frenetic hard rock tempo with a killer singalong chorus, and "My Town", an amped-up slice of driving power pop that is worthy of Cheap Trick. However, the finest of the rockers is "Long Blond Animal," which combines a stomping beat, a circular guitar riff, and another infectious chorus to create a blood-pumping rocker that is as catchy as it is invigorating. Some of the other songs don't quite hit the manic highs of these standout tracks, but everything is well-arranged and features unexpected twists that keeps things fresh (i.e., the new wave synthesizer riff that pops up out of nowhere midway through the power ballad "Will And Mercy"). The end result is one of the finest albums of Golden Earring's career. It's a required listen for the group's fans and an album that is likely to win over any pop/rock devotee who gives it a spin. The album Prisoner Of The Night was also released in the USA but with a different title ‘Long Blond Animal’ named after one of the albumtracks. The for July 19, 1980 scheduled concert in Den Haag at the Maliepop open air festival had to be postponed till next day because of heavy rain. The other bands programmed for the Maliepop concert on July 20 were New Adventures, Gruppo Sportivo, Urban Heroes, Tutti Frutti, Dr. Pop, Iquana. The Maliepop festival was organised by Leen Visser, stagemanager Maarten Baggerman and Rob Gerritsen. Maliepop was named after the location Malieveld and was the predecessor of the now wellknown Parkpop festival which is organised annualy from Summer 1981 on at the The Hague Zuiderpark. This park is located very near to the neighbourhood George Kooymans and Rinus Gerritsen spent their childhood. The track Long Blond Animal was released on single in September 1980, entered the Dutch Top 40 on September 20, 1980 on position 35 and became a minor hit only as it reached chart position 19 and a total of 7 weeks in the charts. The b-side from the Long Blond Animal single is Triple Treat. It's a single only track which is not available on any original Golden Earring album. The next single No For An Answer (Released November 1980) did it even more worse as it reached the Tipparade only.... Polydor released another compilation album on lp and cassette called Greatest Hits 3. This album had the working title 15 years Golden Earring but was renamed. In February 1980 the first lp by the New Adventures was released which was produced by George Kooymans. Earlier on several singles were released (New Adventures, Come On, Late Late Show and Backdoor Lover). The Chuck Berry cover "Come On" was the most successful of them all. All the singles were also produced by George as well. Geor


Which fruit juice is added to champagne to make a Bellini cocktail?

Classic Bellini Cocktail Recipe - Allrecipes.com  made it  |  0 reviews Recipe by: ScandoGirl "The Bellini was created in the late 1930s to early 1940s by Guiseppe Cipriani at the legendary Harry's Bar in Venice, a favorite hangout for expats including Ernest Hemingway, Sinclair Lewis, and Orson Welles. The fruity cocktail owes its name and color to Cipriani's fascination with Giovanni Bellini, a 15th-century Venetian artist. Originally prepared with Prosecco and white peach puree, it's perfectly acceptable to use yellow peach puree or prepared peach nectar and/or peach schnapps. Sip and feel sophisticated!"


To emphasise its links to the sea, which country depicts the top of Neptune’s trident on its national flag?

West Country Life 02 November 2013 by WDPissuu - issuu issuu magazine Western Daily Press, Saturday November 2 2013 No one wants to miss it BRIDGWATER CARNIVAL AND ITS FITTING FINALE 2 6 PEOPLE Alice Bell weathers the ‘big stor m’ as best she can; while Martin Hesp meets the PM Steve Roberts captures the history of ‘tar barrels’ with images from today and 1975 Tristan Cork goes behind the scenes before the West’s biggest carnival night 8 How cupcakes got competitive; plus forget caravans, how about trying a Twagon? Wiltshire boy and ex-Army captain turned musician James Blunt talks to us Getting the best from vegetables; the 50 top foodie experiences; plus quick coffees The rise of the popular Pinot Grigio; plus, a good sandwich at a charming pub 18 The gothic look for the home; plus fashion where it’s all about texture We talk to Cotswold resident Amanda Holden and Somerset’s Charlie Higson Looking for the best places to eat in Dubai; plus the best skiing destinations in Europe Hop over to the Isles of Scilly for classic walking territory or venture to the Mendips Alan Down looks at the trees and shrubs that give the best autumn colour How Charles II sold for £4,000; plus Cary Grant memorabilia at Bonhams Gethin Jones on visiting Afghanistan; plus, TV highlights for the week TV guide Poem and puzzles Horoscope Where in the West Cover by Steve Roberts 40 52 53 56 Online westerndailypress.co.uk/wcl Gorgeous autumnal light and low cloud on Salisbury Plain, taken from Sidbury Hillfort by Western Daily Press reader David Hargrave, of Durrington, Wiltshire Rural rambles Roger Evans You will all be familiar with the phenomena... “Things can’t get any worse”, and then they do. Well I had my second excursion to the TB restricted market last week. I took 16 calves, a mix of black and white dairy bulls and beef crosses. The whole lot averaged £29! Five of the dairy bull calves made less than £10. I’d kept and fed them all for three weeks or more, the ear tags alone cost £3. Other farmers there, who suffered a similar fate, said that they wouldn’t go through the same humiliation again and would take any future calves to the hunt kennels. The auctioneer told me that he was now getting more calves at the TB restricted market than he was getting at the normal one. We’ll have to take stock of what we do from now on. If I told you what I was truly thinking as I drove home, I would probably get my farm burnt down. When I got home I worked out that on just that one load of calves, TB had cost me £1,000. There’s nothing that I can do that will prevent the same thing happening again next month or next year. We are out, Stephen and I, on our very highest field. It just touches the 980ft mark. To enhance my stories of this high land, I always say it’s at 1,000ft which for me, is not an exceptional exaggeration. The field has been, for 12 months, in a fallow stubble, left for the wild birds. But it grows a crop of weeds and I am chopping these off and Stephen is coming along behind me with the plough. There have always been skylarks up here though there are fewer now than there were 10 years ago, despite all the land that has been left in fallow for their benefit. This is an excellent cue for me to go on to my hobby horse abut predators but you know all about that, I know I am right, because I know there are fewer skylarks, so I will move on. The skylarks flutter about as I approach on my tractor. Some of them do their fluttering along the ground routine, which is designed to lead a dangerous presence away, but they are not in any danger from me. I soon become aware that there are three tiny leverets in the stubble. When I say tiny, I mean that I could easily encompass them as little round balls of fluff in my hands. As I work across the field, they scuttle about 20 yards at a time, further down the field to safety. They are heading towards the hedge, there’s a field beyond that with plenty of grass, WCL-E01-S2 there’s food there and safety. But they get to the hedge and then turn back. They are not together, you can barely see them, but indiv


Which Victorian artist painted “The Boyhood of Raleigh”?

Antique Framed Print of The Boyhood of Raleigh by John Everett Millais Antique Framed Print of The Boyhood of Raleigh by John Everett Millais Reference: Condition: Used The Boyhood of Raleigh is a painting by John Everett Millais, which was exhibited at the Royal Academy in 1871. This is a very old framed print. Warning: Last items in stock! Availability date: Send to a friend Antique Framed Print of The Boyhood of Raleigh by John Everett Millais The Boyhood of Raleigh is a painting by John Everett Millais, which was exhibited at the Royal Academy in 1871. This is a very old framed print. Recipient : E-mail address of your friend * : * Required fields The minimum purchase order quantity for the product is 1 Add to cart DETAILS: Presented in a substantial glazed frame. There is a plaque on the bottom of the frame that says "The Boyhood of Raleigh - Sir John Everett Millais, P.R.A". DIMENSIONS: (approximate) Print measures - 42 cm x 33 cm. Frame measures - 58 cm x 48.5 cm. CONDITION: This is a very old print which is in fantastic condition. The frame has a few areas where the paint is chipped and falling away. There are also a few knocks and scratches. The backing is slightly loose and the paper has been torn. This deosn't effectthe print as it has been mounted on board. Reviews Write a review Antique Framed Print of The Boyhood of Raleigh by John Everett Millais The Boyhood of Raleigh is a painting by John Everett Millais, which was exhibited at the Royal Academy in 1871. This is a very old framed print. Quality:


Between 1867 and 1914 wjat title was given to the viceroy of Egypt?

khedive - definition and meaning khedive from The American Heritage® Dictionary of the English Language, 4th Edition n. One of several Turkish viceroys ruling Egypt from 1867 to 1914. from Wiktionary, Creative Commons Attribution/Share-Alike License n. A form of Turkish viceroy who ruled Egypt in the late 19th and early 20th centuries from the GNU version of the Collaborative International Dictionary of English n. A governor or viceroy; -- a title granted in 1867 by the sultan of Turkey to the ruler of Egypt. from The Century Dictionary and Cyclopedia n. The title of the viceroy of Egypt, assumed by Ismail Pasha in 1867, under a convention with his suzerain the Sultan of Turkey: an agreement made between them in 1866 had established for the first time hereditary succession in his family. from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved. n. one of the Turkish viceroys who ruled Egypt between 1867 and 1914 Etymologies from The American Heritage® Dictionary of the English Language, 4th Edition French khédive, from Turkish hidiv, from Persian khidēw, lord, from Middle Persian khwadāy, from Old Iranian khvadāta-; see s(w)e- in Indo-European roots. Examples In 1871, however, Baker claimed Gondokoro for the khedive of Egypt, and this gesture set off what became known as the "Scramble for Africa," with the European powers vying for resource-rich lands.


In which decade did British Rail scrap third class travel?

Return of third class train travel: Bidders for state-run East Coast line to offer extra tier of service dubbed Ryanair of the rails | Daily Mail Online Return of third class train travel: Bidders for state-run East Coast line to offer extra tier of service dubbed Ryanair of the rails Department for Transport included option in prospectus for line sell-off Expected to include an extra tier between first class and standard class Unions warn it will mean ' passengers rammed in to creaking cattle trucks' comments Third class rail travel could return to Britain as the government faced claims it was turning the clock back half a century. Plans to re-privatise the East Coast main line from London to Aberdeen include proposals for three different classes of travel. Unions warned the return to a controversial ticketing system, not seen since it was ditched by British Rail in June 1956, raised the prospect of cut-price budget service seen on airlines like Ryanair. Back to basics: The idea of a third class of train travel would mark a return to a system not seen for 50 years Unions also accused the government of trying to ‘bulldoze through’ the re-privatisation of the East Coast line which has been in state hands for four years. The Rail, Maritime and Transport union (RMT) said it had seen a copy of the prospectus for returning the East Coast Mainline to a private operator by early 2015. RELATED ARTICLES Share this article Share The Department for Transport has been considering recreating a third class of rail travel for at least a year. Ministers have suggested it could be an additional class of travel between the existing first and standard classes – broadly equivalent to a 'premium economy' class on airlines. It comes just days after Transport Secretary Patrick McLoughlin suggested the government could strip out first class carriages from busy routes to make more room for standard ticket holders. On track: The East Coast line has been in state hands since 2009, but ministers want it returned to the private sector by 2015 Open-topped: It was only in 1844 that the law was passed to ensure third-class carriages were covered. This drawing appeared in a newspaper in 1847 CLASSES APART Third class travel first became an option in 1838. Six years later an act of parliament forced train companies to provide a roof in third class. The 1844 Railway Act stipulated that all third-class passengers should be carried in covered accommodation. Railway companies also began providing lighting in third-class carriages. However, whereas there were several oil lamps in the first class carriages, third-class carriages only had one. In 1844 the railways introduced Parly & Gov class for government workers. The Pullman car, introduced in Britain in 1874, created a new level of comfort. Midland Railway abolished second class travel in 1875, upgrading third class passengers to second class standards. Other railways followed the example. Second class disappeared from fare tables until 1956, when third class was renamed second. British Rail later renamed this standard class. But RMT general secretary Bob Crow said: ‘This leaked document, coming on the day of union protests at Parliament aimed at keeping the East Coast in public ownership, is political dynamite which blows the lid off the lengths to which the Government are prepared to go to bulldoze through re-privatisation before the next election. ‘If the Government are allowed to get away with this, passengers can expect third class services, shoddy performance and higher fares while the private companies get a gold-plated, eleven year franchise that will enable them to launder hundreds of millions of pounds into the pockets of their shareholders. It stinks and it must be stopped.’ He said if the third-class plan went ahead it could be a 'Ryanair model with passengers rammed in to creaking cattle trucks with a surcharge for everything from your bags to using the lavatories'. The draft prospectus gives firms bidding for the franchise to run services on the line the option of esta


Which horse won the 2014 Grand National?

Grand National 2014: horse-by-horse guide to all 40 runners | Sport | The Guardian Grand National 2014 Grand National 2014: horse-by-horse guide to all 40 runners Tidal Bay, trying to be the oldest winner for 90 years, heads the field for the world's most famous race at Aintree on Saturday Friday 4 April 2014 07.47 EDT First published on Friday 4 April 2014 07.47 EDT Close Tidal Bay A top-class steeplechaser and really likable but he's 13, older than any winner since 1923, and he hasn't won over fences since the end of 2012. Despite that, he's got more weight to carry than any National winner in the 40 years since Red Rum's second victory. He's a smasher but hard to fancy for this. Long Run Beat Denman and Kauto Star to win the Gold Cup but that was three years ago and he's looked regressive. He probably has the stamina for this but, even with the stuffing taken out of the fences, there is potential for his jumping to let him down here and he has a lot of weight to shoulder. Hunt Ball There are good prizes to be won with Hunt Ball but he probably doesn't have the stamina for this and, even judged on the very best of his achievements, he has a lot of weight to carry. Plus he likes fast ground, which he won't get Triolo D'Alene Looked the right sort when winning the Hennessy in November but no Hennessy winner has ever won the National, largely because they get lumbered with so much weight. Triolo has 11-6 and only one National winner in the past 37 years has carried as much. His stamina is doubtful and he had a hard race just three weeks ago when beaten in the Gold Cup. Rocky Creek Was second to Triolo D'Alene in the Hennessy and weighted to beat him this time. He looks the stouter stayer of the two. You could worry about his lack of experience - he's only had seven runs over fences and his wins over fences have come against small fields. He'll probably run well but must be vulnerable to something with less weight. Quito De La Roque Was a star novice chaser but that was three years ago and he's been regressive. There's quality in there somewhere and perhaps Aintree will spark something inside him but it really needs to. When talent has been buried for this long, it tends to stay buried. Colbert Station Was well fancied for last year's National, when his inexperience let him down and he unseated Tony McCoy at The Chair. He's not much more experienced now and fell last time out, so you could worry that jumping may be an issue again, plus his recent form has been nowhere near as good as it was last year. But he has the talent if things fall right. Walkon Took well to these fences when second in a different race last April. Has a touch of class about him but stamina is a serious concern because, whenever he's tried three miles or further, the petrol has seemed to run out. Balthazar King Has become a Cheltenham specialist and the suspicion is that he is often helped by the dry, fast going they often get there. For safety reasons, the ground is never allowed to dry out to the same extent at Aintree and that makes life hard for this frontrunner, who faded from Becher's last year and may well do something similar. Wayward Prince You might give him a squeak on the pick of his form but he has repeatedly failed by wide margins in handicaps and this would be the toughest such race that he's encountered. His stamina for this test can't be relied upon either. Mr Moonshine Was pulled up in last year's Grand National , having got tired from the second Canal Turn and the question is why he should do any better this time with an extra 10lb to carry. His two wins this year were over much shorter trips and in much smaller fields. He has yet to show the kind of stamina or toughness needed for this. Teaforthree He might be perfect for the Grand National if they had to do five miles but, as it is, he's a bit on the ploddy side, as we saw when he was left trailing on the run-in last year. That was still a good run, and he's slightly lower in the weights this time and his form remains good. Granted a bit of luck, he could be the right horse for th


From which language do we get the word “Slalom”?

Words: Where Do They Come From? * alphaDictionary * Free English Online Dictionary Where Do Words Come From? Historical Development Ordinarily we pay little attention to the words we speak. We concentrate instead on the meaning we intend to express and are seldom conscious of how we express that meaning. Only if we make a mistake and have to correct it or have difficulty remembering a word do we become conscious of our words. This means that most of us don't know where the words we use come from and how they come to have the meanings they do. Since words play such an important role in our lives, making our life easy or difficult depending on which words we choose on a given occasion, exploring their nature and origin should provide an interesting adventure. English words come from several different sources. They develop naturally over the course of centuries from ancestral languages, they are also borrowed from other languages, and we create many of them by various means of word formation. Each of these sources have made a material impact on the vocabulary available to us today. Let's take a look at all three in order. Native Words First of all, it is important to know that languages may be related just like people. You have probably noticed that people from England, Brooklyn, and North Carolina all speak differently. They pronounce the same words differently and they even use different words for the same meaning. The English call the "hood" of a car the "bonnet" and the people in Brooklyn "schlep" things around while people in North Carolina "tote" them. These differences make up what are called dialects and the people in England speak one of several British dialects, the people in Brooklyn speak a Brooklyn dialect, and those in North Carolina speak a Southern dialect. Dialects are variants of a language, variants with slightly different pronunciation, different grammatical rules, and slightly different vocabularies. The interesting thing about dialects is that as they continue to develop over time, the differences become greater and greater until people from one dialect area cannot understand those from another. When this happens, the people from the different dialect areas are speaking different languages. Languages are not stagnant; they don't remain the same forever. They are constantly developing and changing. If one dialect group loses contact with people in another, the two groups are likely to develop into mutually unintelligible languages. At one time, for example, around 1,000 B.C.E., there was a single language that we call Proto-Germanic. Everyone speaking it could understand each other. But dialects emerged, the people speaking them dispersed in different directions so that the dialects developed into languages that are today called Danish, Dutch, English, Faroese, German, Icelandic, Norwegian, and Swedish. These are then sister languages and Proto-Germanic is the mother language. (All languages come from from one-parent families.) Obviously words changed as these languages developed from their ancestors. So the core words in English today developed from Proto-Germanic (via Old English, Middle English, into Modern English). These Germanic words include such words as "get", "burn", "ring", "house", "dog", "think". These words have cognates in other Germanic languages; that is, words that share the same origin. English "house", Danish "hus", and German "Haus" are cognates; so are "think" and German and Dutch "denk-en". So these words are the results of 3,000 years of development in different dialects of what was originally a single language. Notice some of the rules that linguists look for: the "s" in German often corresponds to "t" in English (Fuss, Wasser), while the "th" in English often corresponds to "d" or "t" in German: (Mutter). The "ch" in German and the "k" in English seem to be related, too (Milch, machen). These parallels in many words demonstrate that the languages are related. (Also notice that vowels are much more likely to change than consonants. Even the changed consonants here are very simil


The adjective “pavanine” refers to which kind of birds?

Pavonine | Define Pavonine at Dictionary.com pavonine [pav-uh-nahyn, -nin] /ˈpæv əˌnaɪn, -nɪn/ Spell of or like a peacock. 2. resembling the feathers of a peacock, as in coloring. Origin of pavonine 1650-60; < Latin pāvōnīnus, derivative of pāvō (stem pāvōn-) peacock ; see -ine 1 Dictionary.com Unabridged Examples from the Web for pavonine Expand Historical Examples British Dictionary definitions for pavonine Expand of or resembling a peacock or the colours, design, or iridescence of a peacock's tail Word Origin C17: from Latin pāvōnīnus, from pāvō peacock Collins English Dictionary - Complete & Unabridged 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012


The bane of Stan Butler’s life, who played the officious Inspector “Blakey” in the TV sitcom “On the Buses”?

On The Buses star 'Blakey' dies aged 88 | UK | News | Daily Express UK ‘Blakey’ from On The Buses dies aged 88 ACTOR Stephen Lewis, best known as Inspector “Blakey” Blake in TV’s On the Buses, has died aged 88. 21:08, Thu, Aug 13, 2015 | UPDATED: 21:21, Thu, Aug 13, 2015 EX Actor Stephen Lewis died aged 88 His family said he passed peacefully away in the early hours of Wednesday in an east London care home. Unlike the miserable character he became famous for playing, he was raising laughs right up to the end. Lewis’s great niece, Rebecca Lewis, said he was “in high spirits”, adding: “He was always singing and joking”. His antics included repeating the catchphrases of the cantankerous Inspector Cyril Blake, whom he played in On the Buses from 1969 to 1973. Residents in the Cambridge Nursing Home in Wanstead regularly heard him shout “I’ll get you for this, Butler” and “Get these buses out, Butler”, according to the manager Rashid Ebrahimkhan. He said: “He still had his sense of humour – very much so – like he was in On The Buses. He was very resilient until the last.” Born in Poplar in east London, Lewis got his start at the Theatre Royal Stratford East under director Joan Littlewood. Related articles EX Actor Stephen Lewis during the show He still had his sense of humour – very much so – like he was in On The Buses. He was very resilient until the last Rashid Ebrahimkhan But it will be as Blakey, the officious inspector for The Luxton & District Traction Company, that he will be best remembered. Blakey was the bane of the life of cheeky bus driver Stan Butler, played by the late Reg Varney, often checking up on him and threatening him with the sack for lateness. He featured in all four series of the hit ITV sitcom, which spawned three big-screen spin-offs, On the Buses, Mutiny on the Buses and Holiday on the Buses. Lewis’s performance as Blakey was so popular that he earned his own spin-off series in 1974. Don’t Drink The Water followed Inspector Blake’s adventures in Spain with sister Dorothy, played by Pat Coombes, after his retirement from the bus company. Lewis, also known for playing Nora Batty’s long-suffering tenant Clem “Smiler” Hemmingway in Last of the Summer Wine, had been in the home for around three years along with his real sister Connie, 84. Her son Peter Lewis said his uncle’s health had gradually declined over the past few years, but he died “quite peacefully”. He said: “I’ll remember him as being a funny man.” Most read in UK


Which schoolboy, created by Anthony Buckeridge, attended Linbury Court School?

ANTHONY BUCKERIDGE and Jennings ANTHONY BUCKERIDGE & JENNINGS Anthony Malcolm Buckeridge was born         in London in June 1912, and passed away on 28th         June 2004. His early education took place at         Seaford College, West Sussex from where he went         on to London University. He worked as a         preparatory school master for a number of years,         his period of service being interrupted by WW2.         He spent five years in the fire service during         which time he honed his writing skills, working         on radio scripts. 'Jennings' featured in stories         he used to relate to his pupils. These were         always well received and in 1948 he submitted a         script to the BBC featuring Jennings. Two years         later Collins, London, published the first         Jennings book. 24 further books followed. You'll         find these listed below. Just ONE page on the Collecting Books and Magazines web site based in     Australia. Page updated 23rd January, 2012.


Which is the outermost layer of the atmosphere?

NWS JetStream - Layers of the Atmosphere NWS JetStream myForecast  Layers of the Atmosphere The envelope of gas surrounding the Earth changes from the ground up. Five distinct layers have been identified using... thermal characteristics (temperature changes), movement, and density. Each of the layers are bounded by "pauses" where the greatest changes in thermal characteristics, chemical composition, movement, and density occur. The five basic layers of the atmosphere Exosphere This is the outermost layer of the atmosphere. It extends from the top of the thermosphere to 6,200 miles (10,000 km ) above the earth. In this layer, atoms and molecules escape into space and satellites orbit the earth. At the bottom of the exosphere is the thermopause located around 375 miles (600 km) above the earth. Thermosphere Between about 53 miles (85 km) and 375 miles (600 km) lies the thermosphere. This layer is known as the upper atmosphere. While still extremely thin, the gases of the thermosphere become increasingly more dense as one descends toward the earth. As such, incoming high energy ultraviolet and x-ray radiation from the sun begins to be absorbed by the molecules in this layer and causes a large temperature increase. Because of this absorption, the temperature increases with height. From as low as -184 °F (-120 °C ) at the bottom of this layer, temperatures can reach as high as 3,600°F (2,000°C) near the top. However, despite the high temperature, this layer of the atmosphere would still feel very cold to our skin due to the very thin atmosphere. The high temperature indicates the amount of the energy absorbed by the molecules but with so few in this layer, the total number of molecules is not enough to heat our skin. Take it to the MAX! The Ionosphere Mesosphere This layer extends from around 31 miles (50 km) above the Earth's surface to 53 miles (85 km). The gases, including the oxygen molecules, continue to become more dense as one descends. As such, temperatures increase as one descends rising to about 5°F (-15°C) near the bottom of this layer. The gases in the mesosphere are now thick enough to slow down meteors hurtling into the atmosphere, where they burn up, leaving fiery trails in the night sky. Both the stratosphere (next layer down) and the mesosphere are considered the middle atmosphere. The transition boundary which separates the mesosphere from the stratosphere is called the stratopause. Stratosphere The Stratosphere extends around 31 miles (50 km) down to anywhere from 4 to 12 miles (6 to 20 km) above the Earth's surface. This layer holds 19 percent of the atmosphere's gases but very little water vapor. In this region the temperature increases with height. Heat is produced in the process of the formation of Ozone and this heat is responsible for temperature increases from an average -60°F (-51°C) at tropopause to a maximum of about 5°F (-15°C) at the top of the stratosphere. This increase in temperature with height means warmer air is located above cooler air. This prevents "convection" as there is no upward vertical movement of the gases. As such the location of the bottom of this layer is readily seen by the 'anvil-shaped' tops of cumulonimbus clouds. Troposphere Known as the lower atmosphere almost all weather occurs in this region. The troposphere begins at the Earth's surface and extends from 4 to 12 miles (6 to 20 km) high. The height of the troposphere varies from the equator to the poles. At the equator it is around 11-12 miles (18-20 km) high, at 50 °N and 50 °S , 5½ miles and at the poles just under four miles high. As the density of the gases in this layer decrease with height, the air becomes thinner. Therefore, the temperature in the troposphere also decreases with height in response. As one climbs higher, the temperature drops from an average around 62°F (17°C) to -60°F (-51°C) at the tropopause. Average temperature profile for the lower layers of the atmosphere


Which two countries are linked by the Brenner Pass?

Austria sends more police to patrol Brenner border area Austria sends more police to patrol Brenner border area Pin it Share A car passes a street sign reading 'Austria' in the Italian village of Brenner on the Italian - Austrian boarder, March 3, 2016. REUTERS/Dominic Ebenbichler More VIENNA (Reuters) - Austria is sending 80 more police and support staff to boost patrols around the Alpine Brenner pass and catch rising numbers of unregistered migrants coming in from Italy, Interior Minister Wolfgang Sobotka said on Sunday. He denied the move was in any way linked to presidential elections in Austria in which a far-right candidate was deadlocked with a former leader of the leftist Greens party, with postal ballots to decide the race. "It appears that here and there migrants are getting through at the Brenner, sometimes none, other times five, seven or 10. There is a also small number of asylum requests that pop up," Sobotka told reporters at an election event in Vienna. "So we will step up appropriate measures in the overall Brenner area," he said. "Thirty officials from the Tyrol area supported by 50 officers from the rest of the country will start an intensive dragnet," he added. "People are being stopped in regional trains, buses and cars." He said illegal crossings started to increase during the Pentecost holidays following a drop after he and his Italian counterpart met at the pass late last month. The neighbors have tried to play down tensions that flared after Austria said it might reintroduce border controls at the Brenner pass if it was necessary to curb the flow of migrants. Both Italy and Austria are members of the European Union's Schengen open-border zone, but free movement has been jeopardized by the reimposition of controls at some key crossings by countries affected by an influx of migrants. Any toughening of border controls at the Brenner Pass would slow traffic on an important route from Italy to Germany, Italy's top trading partner. Hundreds of thousands of migrants fleeing war and poverty in the Middle East and Africa have crossed the Mediterranean to Italy since 2014, and Austria has said Rome must stop them from traveling on toward northern Europe. (Reporting by Michael Shields; Editing by Tom Heneghan) Reblog


Which Elizabethan dramatist wrote “The Alchemist”?

Elizabethan Drama,Elizabethan Era Dramatists,Theaters,Famous Dramas,Troupe Contact: ace_offers at yahoo.co.uk Elizabethan Drama The renaissance theatre in England saw the coming of the Elizabethan drama. The renaissance theatres were those that were opened during the time between Reformation and the closing down of theatres. Queen Elizabeth ruled England from 1558 - 1603, hence the drama of this era came to be known as Elizabethan drama. Earlier, dramas were based on the bible stories, mystery, or had a moral attached to it and even tried to recreate Greek or Italian drama. However, during the Elizabethan period, drama branched out to political plays, comedy and historical content. It veered away from bible stories and tackled the reality. The unique feature of Elizabethan drama is that one play was not played twice and certainly not within the same week. A new play was belted out almost every day. The theme of Elizabethan drama ranged from history of monarchs or the country including various European countries, tragedy, comedy and something called revenge drama emerged which the audience quite liked. The historical plays included Richard III and Henry V, both written by William Shakespeare, Edward II by Richard Marlowe and Famous Chronicle of Edward King the First written by George Peele. These were particularly informative and also informative for those who had not or were unable to read about the history of England. A Larum for London was something like a current event play which was written by an unknown author. It was the very first of its kind to be presented in London and its roots were in the Elizabethan theatre. Comedy was a genre appreciated by the audience. A number of sub genres of comedy drama emerged in the Elizabethan drama. Some of them are the Shoe maker's Holiday by Thomas Dekker and A chaste maid in cheapside by Thomas Middleton. City comedy was one of the sub branches of comedies that emerged in the Elizabethan theatre. It contained slick and sarcastic depiction of life in a city, namely, London. Ben Johnson wrote the alchemist which presented society without the rose coloured glasses. Tragicomedy breathed its first in early 1600s in the Elizabethan drama. The audience loved a good tragedy. And who better than the most eminent of all playwrights, William Shakespeare, to deliver a heart wrenching drama. Titus Andronicus, Othello, Hamlet, Romeo and Juliet and many more. John Webster's The Duchess of Malfi was received with great adulation. Elizabethan drama differs from Jacobean Drama as the latter was named during the rule of King James I. Although, Jacobean drama was more like a continuation of Elizabethan drama, it was more intense and more intelligent. The plays became more complicated, tackling burning issues and portrayed more emotions, intensity, and aggression. The White Devil written by John Webster is an excellent example of Jacobean drama.


A smuck is the collective name for a group of which aquatic creatures?

Smuck « The Word Detective Smuck Stop it right now. Dear Word Detective: My daughter learned in elementary school that a group of jellyfish is called a “smuck.” This is suspiciously close to the jelly and jam company called “Smuckers.” Can you tell us if there is any relationship between these two words? — Margaret. Suspiciously close indeed, and perhaps yet more evidence of the commercialization of childhood. On the other hand, it’s a bit hard to imagine why the Smuckers people would want their product associated in tiny minds with nasty stinging sea creatures. Children are impressionable, and names matter. I myself waited until I was thirty years old before I tried eggplant, simply because I found the name itself so repellent. But then I tried it, and discovered that I should have trusted my prejudice, because eggplant is the most revolting so-called food on the planet. Yuck. But the point is that early impressions can leave a lasting legacy of loathing. So I guess the moral of all that is that, if you’re Smuckers, don’t use a jellyfish as your mascot. And please don’t ever make eggplant jam. Collective nouns, terms for groups of animals, people or things, are a perennial subject of questions I receive, and when I post my answers on my website at word-detective.com, the resulting discussion can become weirdly contentious. A column I posted a few years ago about “a murder of crows” has garnered 20 comments so far, several of which seem to consist of one reader snarling “Sez who?” at another. The tussle about such terms is usually over whether they are “real” terms commonly used by experts (even if in the misty past), or frivolous new inventions (such as “a brace of orthodontists” or “a disputation of lawyers”) concocted by modern chucklemongers. As I explained at the time, many of the terms we use today, such as “a host of angels,” date back at least to the 15th century and were first documented in a compilation called The Book of St. Albans,” which was (we think) written by Dame Juliana Barnes, prior of a convent in England. The modern interest in such terms was spawned by James Lipton’s marvelous 1968 collection “An Exaltation of Larks,” which divided such terms into three categories: terms found in the 15th century collections that remain in use today (such as “an exaltation of larks” and “a string of ponies”); old terms (such as “a cast of hawks” and “a knot of toads”) that were once common but have fallen into obscurity, and, lastly, oddities from old collections of such terms. That last category offers such weirdness as “a rage of maidens” (employing “rage” in the 14th century sense of “jesting, fun; riotous or wanton behavior”) and “a cete of badgers,” which may come from the Latin “coetus,” meaning “meeting, assembly.” Lipton called such names “terms of venery” (from the Latin “venari,” to hunt), though the category is broader than merely game animals, unless there’s a hunting season for lawyers, in which case you can make up your own joke. Since most ancient lists consisted simply of such terms defined without explanation, Lipton and other modern scholars have speculated about the origin of the term where it seems reasonable (such as with “cete”), but are, more often than not, as mystified as the rest of us, which brings us to jellyfish. Lipton lists not “smuck” but “smack” as a term for a group of jellyfish. But even “smack” in this sense is absent from the Oxford English Dictionary, so I’m going to assume that the “smack/smuck” contradiction dates back to those misty pasts and bad proofreading in the 15th century. Determining which is “real” and historically accurate won’t get us any nearer to an explanation of why in the world anyone would call a bunch of jellyfish a “smack” or a “smuck.” And now it’s time to don my Mister Grumpy cap and fulminate. Teaching a small child that a group of jellyfish is called a “smuck” is not a good idea because it’s not really true. Today, as opposed to back in the 15th century, a group of jellyfish is called either a “bloom” or a “swarm.” In practical use you can get by with


Morton’s Tower stands at the entrance to which London palace?

Inside Lambeth Palace Inside Lambeth Palace Inside Lambeth Palace Morton's Tower Morton's Tower is the impressive and familiar red brick Tudor gatehouse with two five storey battlement towers, which forms the entrance to the modern Palace buildings and grounds. It was built by Cardinal John Morton in around 1490. Morton himself lived in the Tower for a short time and used the large room in the centre of the tower above the larger of the two gates as an audience chamber. "The Lambeth Dole", a daily offering of bread, broth and money was first instigated by Archbishop Winchelsea in the thirteenth century. This ritual of charitable giving was offered from Morton's Tower until 1842. The ground floor of the south battlement tower contains a small cell which was briefly used for imprisonment in the 16th century. Two iron rings can still be found fixed to the wall. When Thomas More joined the staff of Lambeth Palace at the age of twelve to gain an education in the workings of a prominent household he is thought to have lived in the Tower during the course of his stay. As the main entrance to Lambeth Palace Morton's Tower is staffed daily by a team of gatekeepers. The location of the gatekeepers lodge remains unchanged from when the Tower was built. Above the gatekeeper's rooms and forming the rest of the Tower are storage and work rooms for the staff of the Lambeth Palace Library. Here are housed a book restoration centre, as well as offices and storage space for some of the libraries 230,000 books, texts and manuscripts. The Atrium The glazed roof courtyard now known as the Atrium was designed and built by Richard Griffith and Richard Scott and opened in the year 2000 by HRH the Prince of Wales. It connects the main Palace building to the 13th Century Chapel and Crypt. Work was completed following a grant to the Church Commissioners from the Heritage Lottery Fund. The project formed part of the Palace's millennium celebrations in 2000 and enabled the building to be open to the general public for a year as part of London's "String of Pearls" initiative. Richard Griffith Architects were shortlisted for the RFAC building of the Year Award in 2001 for its contemporary yet sympathetically integrated design. Part of the Atrium is now decorated by a modern abstract painting entitled "Dream Dreams". The work was commissioned for the space by Liz and Barry Smith in memory of their son Rupert who died in an accident at the age of 18. Youthful energy is suggested in the vibrant colours and shapes. During the course of the building work on the Atrium many artefacts were found on the site, including fragments of medieval roof and floor tiles, medieval pottery, Mesolithic flint, iron nails and an oyster shell dating from the 13th century. The room is now used primarily as an area for entertaining, with many buffet and drinks receptions held here. The Atrium also serves as a place where staff can meet together, often with the Archbishop, after the weekly community Eucharist in the Crypt Chapel. The Chapel The Chapel at Lambeth Palace has been the private chapel of Archbishops of Canterbury since the early 13th century. The lower part of the east wall of the Chapel is thought to be the earliest surviving structure found on the site. Unlike the Crypt directly below, the appearance of the Chapel has been changed many times over the centuries.  Upon his arrival at Lambeth, Archbishop Laud made many alterations to the Chapel. The installation of black and white marble chequered flooring and the decoratively carved screen are two of those changes that can be seen today. Laud also found the Chapel windows to be inadequate, describing them as "all shameful to look on, all diversely patched like a poor beggars coat". However, the decorative design of his new windows were not popular with puritans who subsequently smashed every pane. The Chapel was eventually restored by Archbishop Juxton, following the succession of Charles II.  A vaulted ceiling was installed by Edward Blore in 1846. This replaced the flat ceiling, complete with Archbishop's crest,