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Rutgers Art Review

Rutgers Art Review

The Graduate Journal of Research in Art History

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      • Volume 40 Full PDF
      • “Negative Evidence: Timothy H. O’Sullivan’s Photographs of the Sea Islands” by Elizabeth Keto
      • An Elephant in the Ruin: Coloniality and Masculinity in the Postwar Painting of Karl Schmidt-Rottluff by Tobias Rosen
      • Virginal Spaces: Feminine Music and Space in Dutch Seventeenth-Century Painting by Jessica Sternbach
      • The Limits of Consumption: Sawasa Ware In and Out of the Dutch East Indies by Vanessa Gillette Wyland
      • “Distance of Ambivalence” in Persona Performance: How Tseng Kwong Chi Appropriates the Mao Suit by Jacob Zhicheng Zhang
      • “Bridging Art History and Critical Heritage Studies: A Conversation with Ömür Harmanşah” by Trinidad Rico
      • “How to remember the present? Permanent exhibition at the Museum of Memory, Montevideo, Uruguay” by Alejandra López-Oliveros
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McVeigh MacLure_The Allure of Artifice

McVeigh MacLure_The Allure of Artifice

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  • About
    • Editors’ Welcome
    • Meet the Editors
      • Volume 41
      • Volume 40
      • Volume 39
      • Volume 38
      • Volume 37
      • Volume 36
      • Volume 35
      • Volume 34
      • Volume 33
      • Volume 32
    • History of RAR
    • Publication Information
  • Submissions
    • Call for Papers and Digital Projects
    • Submission Guidelines
    • Style Guidelines
  • Volumes
    • Current Volume
      • Volume 40 Full PDF
      • “Negative Evidence: Timothy H. O’Sullivan’s Photographs of the Sea Islands” by Elizabeth Keto
      • An Elephant in the Ruin: Coloniality and Masculinity in the Postwar Painting of Karl Schmidt-Rottluff by Tobias Rosen
      • Virginal Spaces: Feminine Music and Space in Dutch Seventeenth-Century Painting by Jessica Sternbach
      • The Limits of Consumption: Sawasa Ware In and Out of the Dutch East Indies by Vanessa Gillette Wyland
      • “Distance of Ambivalence” in Persona Performance: How Tseng Kwong Chi Appropriates the Mao Suit by Jacob Zhicheng Zhang
      • “Bridging Art History and Critical Heritage Studies: A Conversation with Ömür Harmanşah” by Trinidad Rico
      • “How to remember the present? Permanent exhibition at the Museum of Memory, Montevideo, Uruguay” by Alejandra López-Oliveros
    • Past Volumes
  • Contact
    • Mailing List
    • Social Media
  • Donations